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    Annette Vande Gorne is a Belgian composer born in 1946 who specializes in acousmatic and electro-acoustic music. After studying classical music, she was fascinated by the work of Pierre Schaeffer and composers using musique concrète. She went to the Paris Conservatoire to study with Schaeffer and Reibel. On returning to Belgium, she founded associations to teach and create electro-acoustic music. She has taught composition at several Belgian conservatories and her works are performed at electronic music festivals internationally. She uses technology and the studio as compositional tools to closely fuse sound and text.

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    Annette Vande Gorne is a Belgian composer born in 1946 who specializes in acousmatic and electro-acoustic music. After studying classical music, she was fascinated by the work of Pierre Schaeffer and composers using musique concrète. She went to the Paris Conservatoire to study with Schaeffer and Reibel. On returning to Belgium, she founded associations to teach and create electro-acoustic music. She has taught composition at several Belgian conservatories and her works are performed at electronic music festivals internationally. She uses technology and the studio as compositional tools to closely fuse sound and text.

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    15 views1 page

    Vande Gorne. New Grove

    Uploaded by

    MA Lobato
    Annette Vande Gorne is a Belgian composer born in 1946 who specializes in acousmatic and electro-acoustic music. After studying classical music, she was fascinated by the work of Pierre Schaeffer and composers using musique concrète. She went to the Paris Conservatoire to study with Schaeffer and Reibel. On returning to Belgium, she founded associations to teach and create electro-acoustic music. She has taught composition at several Belgian conservatories and her works are performed at electronic music festivals internationally. She uses technology and the studio as compositional tools to closely fuse sound and text.

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    © All Rights Reserved
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    Vande Gorne, Annette

    (b Charleroi, 6 Jan 1946). Belgian composer. After studying


    classical music at the conservatories of Mons and Brussels and
    with Absil, she encountered the acousmatic music developed by
    Pierre Schaeffer's Groupe de Recherches Musicales. Fascinated
    by the work of such composers as François Bayle and Pierre
    Henry, she attended the Paris Conservatoire to study with
    Schaeffer and Reibel. On returning to Belgium she founded the
    Musiques et Recherches association and the Métamorphoses
    d'Orphée studio, soon to be among the leading centres of musical
    teaching and creativity specializing in acousmatic and electro-
    acoustic music. Since 1986 she has taught in the main Belgian
    conservatories, at Liège, Brussels and finally at Mons, where she is
    building up a class in electro-acoustic composition. Her works are
    played at the leading festivals of electronic music. Faithful to her
    commitment to acousmatic art, she uses technological aids as a
    method of composition, the studio as her processing tool and the
    loudspeaker as a means of sound diffusion. She also collaborates
    with writers and poets, including Werner Lambersy, to attain a
    close fusion of text and sound.

    WORKS

    (selective list)

    Exil, chant II, loudspeakers, 1983; Tao (cycle), 1983–91, tape: 1, Métal, 1983, rev.
    1984 with amp zheng, 2, Eau, 1984, rev. 1986 with amp zheng, 3, Feu, 1986, 4,
    Bois, 1986, 5, Terre, 1991; Architecture, Nuit, tape, 1989; Vox alia: 1, Lamento, pf,
    sampler, 1992, 2, Giocoso, tape, 1995, 3, Amoroso, tape, 1998, 4, Innocentement,
    tape, 1998, 5, Furioso, tape, 1998; Le ginkgo, tape, 1994

    Principal recording company: Diffusion iMedia

    WRITINGS

    ‘Espace et structure: propositions pour une écriture de l'espace’,


    Lien (1991), 125–6
    ‘Une histoire de la musique électroacoustique’, Esthétique des arts
    médiatiques, i (1995), 292–317
    Les genres électroacoustiques: essai de classement (Paris, 1996)
    ‘Naissance et évolution d'une nouvelle dimension du son: l'espace’,
    Lien (1998), 8–15

    ERIC DE VISSCHER

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