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Origin
• It was an artistic movement that brought
together artists, thinkers and researchers
• They were involved in a hunt of sense of
expression of the unconscious
• They were searching for the definition of n
– New aesthetic
– New humankind
– New social order
Origin
• Their forerunners were the Italian Metaphysical
painters
• It came into being after the French poet Andre
Breton 1 published Manifeste du Surrealisme
• Breton suggested that rational thought was
repressive to the powers of creativity and
imagination and thus inimical to artistic
expression
• Breton admired Freud and its concept of the
subconscious
Beginnings
• It is closely related to some forms of
abstract art
• At the end of World War I Tristan Tzara,
leader of the Dada, wanted to attack
society through scandal
• He believed that society that creates the
monstrosity of war do not deserve art so he
decided to create an anti-art, full of
ugliness instead of beauty.
Beginnings
• Tzara wanted to offend the new industrial
commercial world of the bourgeoisie.
• His victims did not feel insulted
• They saw this art as a reaction against old
art
• The result was the opposite to its original
one because anti-art became art.
Beginnings
• One group of artists did not follow Tzara´s ideas
• The Surrealist movement gained momentum after
the Dadaá
• It was led by Breton
• The artists researched and studied the work of
Freud and Jung
• Some of the artists expressed themselves
– In the abstract tradition
– In the symbolic tradition
Groups
• The two forms of expression formed two
distinct trends:
–Automatism
–Veristic
• There are two different interpretations of
Freud and Jung
Automatists
• Artists interpreted it as referring to a suppression
of consciousness in favour of the subconscious
• They were more focused on feeling and less
analytical
• They understood Automatism as the automatic
way in which the images of the subconscious
reach the conscience.
• They believed that images should not be
burdened with meaning.
Automatism
• They saw the academic discipline of art as
intolerant of the free expression of feeling
• They felt form which had dominated the
history of art, was a culprit in that
intolerance
• They believed abstractionism was the only
way to bring to life the images of the
subconscious.
Automatism
• Coming from the Dada tradition, these
artist:
– Linked scandal
– Insult
– Irreverence toward the elite´s with freedom
• They continued to believe that lack of form
was a way to rebel against them.
Veristic Surrealists
• They interpreted automatism to mean
allowing the images of the subconscious to
surface undisturbed so that their meaning
could be deciphered through analysis
• They wanted to faithfully represent these
images as a link between:
– The abstract spiritual realities
– The real forms of the material world.
Veristic Surrealists
• To them the object stood as a metaphor for
an inner reality
• Through metaphor the concrete world
could be understood, not only by looking at
the objects, but also by looking into them.
Veristic Surrealists
• They saw academic discipline and form as
the means to represent the images of the
subconscious with veracity
• The images would easily dissolve into the
unknown
• They hoped to find a way to follow the
images of the subconscious until the
conscience could understand their
meaning.
Veristic Surrealists
• The language of the subconscious is the
image
• The consciousness had to learn to decode
that language so it could translate it into its
own language of words.
• Later they branched out into three other
groups.
Struggle of Surrealism
• For the automatists the approach to the
mystery of nature is to never become
conscious of the mystery
• The Veristic Surrealist quest is none other
than the one described by Breton as the
cause of freedom and the transformation of
man´s consciousness
Struggle of Surrealism
• In the works of surrealist we find
– The legacy of
• Bosch
• Brueguel
• William Blake
• The Symbolic painters of the 19th century
– The perennial questioning of philosophy
– The search of psychology
– The spirit of mysticism
Struggle of Surrealism
• It is a work based on the desire to permit
the forces that created the world to
illuminate our vision
• They must allow us to consciously develop
our human potential.
Struggle of Surrealism
• Veristic surrealist recognize the difficulties
that their movement has faced during the
second half of the twentieth century as it
attempted to become a major cultural force
• The United States wholeheartedly
embraced abstraction and modernism.
Struggle of Surrealism
• They shared the belief of abstract artist that
– the chaos of action painting and automatism
were expression of freedom and
– that form, subjugation and inhibition walked
hand in hand
• The American art establishment looked at
the image of form with mistrust until the
advent of Pop Art.
Struggle of Surrealism
• The Surrealism had to fight against:
– Pop-Art
– Photorealism
• Veristic Surrealism is the only historical
artistic expression still in want of
recognition as a cultural force in the
twentieth century
Characteristics
• It was highly influenced by the
psychoanalysis:
– Images are as confusing and startling as those
of dreams
– Can have a realistic, though irrational style,
precisely describing dreamlike fantasies.
Characteristics