Effects List

Multi-Effects Parameters (MFX1–3, MFX)

The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series.

67 OD->Flg (OVERDRIVE"FLANGER) p. 8
FILTER (10 types)
68 OD->Dly (OVERDRIVE"DELAY) p. 8
01 Equalizer (EQUALIZER) p. 1
69 Dist->Cho (DISTORTION"CHORUS) p. 8
02 Spectrum (SPECTRUM) p. 2
70 Dist->Flg (DISTORTION"FLANGER) p. 8
03 Isolator (ISOLATOR) p. 2
71 Dist->Dly (DISTORTION"DELAY) p. 8
04 Low Boost (LOW BOOST) p. 2
05 Super Flt (SUPER FILTER) p. 2 72 Eh->Cho (ENHANCER"CHORUS) p. 8
06 Step Flt (STEP FILTER) p. 2 73 Eh->Flg (ENHANCER"FLANGER) p. 8
07 Enhancer (ENHANCER) p. 2 74 Eh->Dly (ENHANCER"DELAY) p. 8
08 AutoWah (AUTO WAH) p. 2 75 Cho->Dly (CHORUS"DELAY) p. 9
09 Humanizer (HUMANIZER) p. 2 76 Flg->Dly (FLANGER"DELAY) p. 9
10 Sp Sim (SPEAKER SIMULATOR) p. 2 77 Cho->Flg (CHORUS"FLANGER) p. 9
MODULATION (12 types) PIANO (1 type)
11 Phaser (PHASER) p. 3 78 SymReso (SYMPATHETIC RESONANCE) p. 9
12 Step Ph (STEP PHASER) p. 3
13 MltPhaser (MULTI STAGE PHASER) p. 3
14
15
InfPhaser (INFINITE PHASER)
Ring Mod (RING MODULATOR)
p. 3
p. 3 About Note
16 Step Ring (STEP RING MODULATOR) p. 3
17 Tremolo (TREMOLO) p. 3 Some effect settings (such as Rate or Delay Time) can be specified in
18 Auto Pan (AUTO PAN) p. 3 terms of a note value. The note value for the current setting is
19 Step Pan (STEP PAN) p. 3 shown following the numerical value.
20 Slicer (SLICER) p. 3
21 Rotary (ROTARY) p. 3
22 VK Rotary (VK ROTARY) p. 4 note:
CHORUS (12 types)
23 Chorus (CHORUS) p. 4 Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet
24 Flanger (FLANGER) p. 4
25 Step Flg (STEP FLANGER) p. 4
Thirty-second note Sixteenth-note triplet Dotted thirty-second note
26 Hexa-Cho (HEXA-CHORUS) p. 4
Sixteenth note Eighth-note triplet Dotted sixteenth note
27 Tre Cho (TREMOLO CHORUS) p. 4
28 Space-D (SPACE-D) p. 4
Eighth note Quarter-note triplet Dotted eighth note
29 3D Chorus (3D CHORUS) p. 4
30 3DFlanger (3D FLANGER) p. 4 Quarter note Half-note triplet Dotted quarter note
31 3DStepFlg (3D STEP FLANGER) p. 4
32 Band Cho (2BAND CHORUS) p. 4 Half note Whole-note triplet Dotted half note
33 Band Flg (2BAND FLANGER) p. 5
34 BndStpFlg (2BAND STEP FLANGER) p. 5 Whole note Double-note triplet Dotted whole note
DYNAMICS (8 types)
35 Overdrive (OVERDRIVE) p. 5 Double note
36 Dist (DISTORTION) p. 5
37 VS OD (VS OVERDRIVE) p. 5
38 VS Dist (VS DISTORTION) p. 5 NOTE
39 GtrAmpSim (GUITAR AMP SIMULATOR) p. 5 If you specify the delay time as a note value, slowing down the
40 Comp (COMPRESSOR) p. 5
tempo will not change the delay time beyond a certain length.
41 Limiter (LIMITER) p. 5
This is because there is an upper limit for the delay time; if the
42 Gate (GATE) p. 5
delay time is specified as a note value and you slow down the
DELAY (13 types)
tempo until this upper limit is reached, the delay time cannot
43 Delay (DELAY) p. 6
44 Long Dly (LONG DELAY) p. 6 change any further. This upper limit is the maximum value that
45 SerialDly (SERIAL DELAY) p. 6 can be specified when setting the delay time as a numerical
46 Mod Delay (MODULATION DELAY) p. 6 value.
47 3TapDelay (3TAP PAN DELAY) p. 6
48 4TapDelay (4TAP PAN DELAY) p. 6
49
50
MltTapDly (MULTI TAP DELAY)
Revse Dly (REVERSE DELAY)
p. 6
p. 6
Chorus Send and Reverb Send
51 Sfl Delay (SHUFFLE DELAY) p. 6
The depth of chorus and reverb applied to the sound processed by
52 3D Delay (3D DELAY) p. 6
53 AnalogDly (ANALOG DELAY) p. 7
the multi-effect is determined by the “Effect Edit” settings “MFX
54 AnaLngDly (ANALOG LONG DELAY) p. 7 CHO LVL” and “MFX REV LVL.”
55 Tape Echo (TAPE ECHO) p. 7 For details, refer to “Editing Effect Settings (EFFECTS EDIT)” (Owner’s
LO-FI (5 types) Manual: p. 27).
56 LoFiNoise (LO-FI NOISE) p. 7
57 LoFiComp (LO-FI COMPRESS) p. 7
58
59
LoFiRadio (LO-FI RADIO)
Telephone (TELEPHONE)
p. 7
p. 7
01: Equalizer (EQUALIZER)
60 Phono (PHONOGRAPH) p. 7
This is a three-band stereo equalizer (low, mid, high).
PITCH (3 types)
61 Pitch Sft (PITCH SHIFTER) p. 7 Parameter Value Explanation
62 2Voice PS (2VOICE PITCH SHIFTER) p. 7 Low Gain -15–+15 dB Gain of the low range
63 Step PS (STEP PITCH SHIFTER) p. 7 Mid Gain -15–+15 dB Gain of the middle range
REVERB (2 types) High Gain -1–+15 dB Gain of the high range
64 Reverb (REVERB) p. 8 Level 0–127 Output Level
65 Gated Rev (GATED REVERB) p. 8
COMBINATION (12 types)
66 OD->Cho (OVERDRIVE"CHORUS) p. 8

Copyright © 2014 ROLAND CORPORATION

01 XPS-10 All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. 1
Effects List

02: Spectrum (SPECTRUM)

Parameter Value Explanation
0.05–10.00 Hz,
Rate Rate of modulation
note
This is a stereo spectrum. Spectrum is a type of filter which modifies Level 0–127 Output level
the timbre by boosting or cutting the level at specific frequencies.
Parameter Value Explanation
BND-250Hz
BND-1000Hz -15–+15 dB Gain of each frequency band
07: Enhancer (ENHANCER)
BND-4000Hz
Controls the overtone structure of the high frequencies, adding
Level 0–127 Output Level
sparkle and tightness to the sound.
Parameter Value Explanation
Low Gain
03: Isolator (ISOLATOR)
-15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level
This is an equalizer which cuts the volume greatly, allowing you to
add a special effect to the sound by cutting the volume in varying
ranges.
Parameter Value Explanation
08: AutoWah (AUTO WAH)
These boost and cut each of the Cyclically controls a filter to create cyclic change in timbre.
Bst/Cut Lo
High, Middle, and Low frequency
ranges. Parameter Value Explanation
Bst/Cut Md -60–+4 dB
At -60 dB, the sound becomes Sets the direction in which the
inaudible. 0 dB is equivalent to the frequency will change when the
Bst/Cut Hi
input level of the sound. auto-wah filter is modulated.
Level 0–127 Output Level Polarity UP, DOWN UP: The filter will change toward a
higher frequency.
DOWN: The filter will change toward
a lower frequency.
04: Low Boost (LOW BOOST) Level 0–127 Output Level

Boosts the volume of the lower range, creating powerful lows.

Parameter Value Explanation
Amount by which the lower range
09: Humanizer (HUMANIZER)
Boost Gain 0–+12 dB
will be boosted
Level 0–127 Output level
Adds a vowel character to the sound, making it similar to a human
voice.
Parameter Value Explanation

05: Super Flt (SUPER FILTER)

Vowel1 a, e, i, o, u Selects the vowel 1.
Vowel2 a, e, i, o, u Selects the vowel 2.
0.05–10.00 Hz, Frequency at which the two vowels
Rate
This is a filter with an extremely sharp slope. The cutoff frequency note switch
can be varied. Level 0–127 Output level

Parameter Value Explanation

Filter type
Frequency range that will pass
through each filter
10: Sp Sim (SPEAKER SIMULATOR)
LPF: frequencies below the cutoff Simulates the speaker type.
LPF, BPF, HPF,
FilterType BPF: frequencies in the region of the
NOTCH
cutoff Parameter Value Explanation
HPF: frequencies above the cutoff (See the table
Type Type of speaker
NOTCH: frequencies other than the below.)
region of the cutoff Level 0–127 Output Level
Filter cutoff frequency value
Filter Cutoff 0–127 Increasing this setting will raise the

Level 0–127
frequency.
Output level
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.

06: Step Flt (STEP FILTER) Type

SMALL 1
Cabinet
small open-back enclosure
Speaker
10
Microphone
dynamic
SMALL 2 small open-back enclosure 10 dynamic
This is a filter whose cutoff frequency can be modulated in steps. MIDDLE open back enclosure 12 x 1 dynamic
You can specify the pattern by which the cutoff frequency will JC-120 open back enclosure 12 x 2 dynamic
change. BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
Parameter Value Explanation BUILT-IN 3 open back enclosure 12 x 2 condenser
Filter type BUILT-IN 4 open back enclosure 12 x 2 condenser
Frequency range that will pass BUILT-IN 5 open back enclosure 12 x 2 condenser
through each filter BG STACK 1 sealed enclosure 12 x 2 condenser
LPF: frequencies below the cutoff BG STACK 2 large sealed enclosure 12 x 2 condenser
LPF, BPF, HPF, MS STACK 1 large sealed enclosure 12 x 4 condenser
FilterType BPF: frequencies in the region of the
NOTCH MS STACK 2 large sealed enclosure 12 x 4 condenser
cutoff
METAL STACK large double stack 12 x 4 condenser
HPF: frequencies above the cutoff
2-STACK large double stack 12 x 4 condenser
NOTCH: frequencies other than the
3-STACK large triple stack 12 x 4 condenser
region of the cutoff

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 Effects List

11: Phaser (PHASER)

Parameter Value Explanation
0.05–10.00 Hz, Rate at which the 16-step sequence
Rate
note will cycle
A phase-shifted sound is added to the original sound and Level 0–127 Output level
modulated.
Parameter Value Explanation
Mode
4-STAGE, 8-STAGE,
12-STAGE
Number of stages in the phaser 17: Tremolo (TREMOLO)
0.05–10.00 Hz,
Rate Frequency of modulation Cyclically modulates the volume to add tremolo effect to the sound.
note
Mix 0–127 Level of the phase-shifted sound
Parameter Value Explanation
Level 0–127 Output Level
Modulation Wave
TRI: triangle wave
TRI, SQR, SIN,
SQR: square wave
SAW1, SAW2
12: Step Ph (STEP PHASER) Mod Wave
SIN: sine wave
SAW1/2: sawtooth wave
SAW1 SAW2
The phaser effect will be varied gradually.
Parameter Value Explanation
4-STAGE, 8-STAGE,
Mode Number of stages in the phaser
12-STAGE 0.05–10.00 Hz,
0.10 - 20.00 Hz, Rate of the step-wise change in the Rate Frequency of the change
StepRate note
note phaser effect Level 0–127 Output Level
Mix 0–127 Level of the phase-shifted sound
Level 0–127 Output Level

18: Auto Pan (AUTO PAN)

13: MltPhaser (MULTI STAGE PHASER) Cyclically modulates the stereo location of the sound.
Extremely high settings of the phase difference produce a deep Parameter Value Explanation
phaser effect. Modulation Wave
TRI: triangle wave
Parameter Value Explanation TRI, SQR, SIN,
SQR: square wave
4-STAGE, 8-STAGE, SAW1, SAW2
SIN: sine wave
12-STAGE,
Mode 16-STAGE, Number of phaser stages SAW1/2: sawtooth wave
20-STAGE, Mod Wave SAW1 SAW2
24-STAGE R R
0.05–10.00 Hz,
Rate Frequency of modulation
note
Mix 0–127 Level of the phase-shifted sound
Level 0–127 Output Level L L
0.05–10.00 Hz,
Rate Frequency of the change
note
Level 0–127 Output Level
14: InfPhaser (INFINITE PHASER)
A phaser that continues raising/lowering the frequency at which
the sound is modulated. 19: Step Pan (STEP PAN)
Parameter Value Explanation
This uses a 16-step sequence to vary the panning of the sound.
Higher values will produce a deeper
Mode 1, 2, 3, 4
phaser effect. Parameter Value Explanation
Speed at which to raise or lower the 0.05–10.00 Hz, Rate at which the 16-step sequence
Speed -100–+100 frequency at which the sound is Rate
note will cycle
modulated (+: upward / -: downward) Level 0–127 Output level
Level 0–127 Output level

15: Ring Mod (RING MODULATOR) 20: Slicer (SLICER)

By applying successive cuts to the sound, this effect turns a
This is an effect that applies amplitude modulation (AM) to the conventional sound into a sound that appears to be played as a
input signal, producing bell-like sounds. You can also change the backing phrase. This is especially effective when applied to
modulation frequency in response to changes in the volume of the sustain-type sounds.
sound sent into the effect.
Parameter Value Explanation
Parameter Value Explanation
0.05–10.00 Hz, Rate at which the 16-step sequence
Adjusts the frequency at which Rate
Frequency 0–127 note will cycle
modulation is applied. Level 0–127 Output level
Level 0–127 Output level

16: Step Ring (STEP RING MODULATOR)) 21: Rotary (ROTARY)

The Rotary effect simulates the sound of the rotary speakers often
This is a ring modulator that uses a 16-step sequence to vary the used with the electric organs of the past.
frequency at which modulation is applied.

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Effects List

27: Tre Cho (TREMOLO CHORUS)

Parameter Value Explanation
Simultaneously switch the rotational
speed of the low frequency rotor and
Speed SLOW, FAST high frequency rotor. This is a chorus effect with added Tremolo (cyclic modulation of
SLOW: Slows down the rotation volume).
FAST: Speeds up the rotation
Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting Parameter Value Explanation
Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting 0.05–10.00 Hz, Modulation frequency of the tremolo
Tre Rate
Level 0–127 Output level note effect
Level 0–127 Output level

22:VK Rotary (VK ROTARY) 28: Space-D (SPACE-D)

This type provides modified response for the rotary speaker, with
the low end boosted further. This is a multiple chorus that applies two-phase modulation in
stereo.
This is a rotary effect taken from the VK.
It gives no impression of modulation, but produces a transparent
Parameter Value Explanation chorus effect.
Simultaneously switch the rotational
speed of the low frequency rotor and Parameter Value Explanation
Speed SLOW, FAST high frequency rotor. 0.05–10.00 Hz,
Rate Frequency of modulation
SLOW: Slows down the rotation note
FAST: Speeds up the rotation Depth 0–127 Depth of modulation
Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting Level 0–127 Output level
Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting
Level 0–127 Output level

29: 3D Chorus (3D CHORUS)

23: Chorus (CHORUS) This applies a 3D effect to the chorus sound. The chorus sound will
be positioned 90 degrees left and 90 degrees right.
This is a stereo chorus.
Parameter Value Explanation
Parameter Value Explanation 0.05–10.00 Hz,
Rate Frequency of modulation
0.05–10.00 Hz, note
Rate Frequency of modulation Depth 0–127 Depth of modulation
note
Depth 0–127 Depth of modulation Level 0–127 Output level
Level 0–127 Output level

30: 3DFlanger (3D FLANGER)

24: Flanger (FLANGER) This applies a 3D effect to the flanger sound. The flanger sound will
This is a stereo flanger. (The LFO has the same phase for left and be positioned 90 degrees left and 90 degrees right.
right.) It produces a metallic resonance that rises and falls like a jet
Parameter Value Explanation
airplane taking off or landing. A filter is provided so that you can
0.05–10.00 Hz,
adjust the timbre of the flanged sound. Rate Frequency of modulation
note
Depth 0–127 Depth of modulation
Parameter Value Explanation
Level 0–127 Output level
0.05–10.00 Hz,
Rate Frequency of modulation
note
Depth 0–127 Depth of modulation

31: 3DStepFlg (3D STEP FLANGER)

Level 0–127 Output level

This applies a 3D effect to the step flanger sound. The flanger sound
25: Step Flg (STEP FLANGER) will be positioned 90 degrees left and 90 degrees right.
Parameter Value Explanation
This is a flanger in which the flanger pitch changes in steps. The
0.10–20.00 Hz,
speed at which the pitch changes can also be specified in terms of a StepRate Rate (period) of pitch change
note
note-value of a specified tempo. Level 0–127 Output level
Parameter Value Explanation
0.10–20.00 Hz,
StepRate Rate (period) of pitch change
Level
note
0–127 Output level 32: Band Cho (2BAND CHORUS)
A chorus effect that lets you apply an effect independently to the
low-frequency and high-frequency ranges.
26: Hexa-Cho (HEXA-CHORUS) Parameter Value Explanation
0.05–10.00 Hz, Rate at which the low-range chorus
Uses a six-phase chorus (six layers of chorused sound) to give Lo Rate
note sound is modulated
richness and spatial spread to the sound. 0.05–10.00 Hz, Rate at which the high-range chorus
Hi Rate
note sound is modulated
Parameter Value Explanation
Depth 0–127 Depth of modulation
0.05–10.00 Hz, Level 0–127 Output level
Rate Frequency of modulation
note
Depth 0–127 Depth of modulation
Level 0–127 Output level

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 Effects List

33: Band Flg (2BAND FLANGER) 38: VS Dist (VS DISTORTION)

A flanger that lets you apply an effect independently to the This is a distortion effect that provides heavy distortion.
low-frequency and high-frequency ranges.
Parameter Value Explanation
Parameter Value Explanation Type of guitar amp
0.05–10.00 Hz, Rate at which the low-range flanger SMALL: small amp
Lo Rate SMALL, BUILT-IN,
note sound is modulated AmpType BUILT-IN: single-unit type amp
0.05–10.00 Hz, Rate at which the high-range flanger 2-STACK, 3-STACK
Hi Rate 2-STACK: large double stack amp
note sound is modulated
3-STACK: large triple stack amp
Modulation depth for the flanger
Depth 0–127 Degree of distortion
sound Drive 0–127
Level 0–127 Output level Also changes the volume.
Level 0–127 Output level

34: BndStpFlg (2BAND STEP FLANGER) 39: GtrAmpSim (GUITAR AMP SIMULATOR)
A step flanger that lets you apply an effect independently to the
This is an effect that simulates the sound of a guitar amplifier.
low-frequency and high-frequency ranges.
Parameter Value Explanation
Parameter Value Explanation
JC-120,
0.10–20.00 Hz, Rate at which the steps will cycle for
LStpRate CLEAN TWIN,
note the low-range flanger sound
0.10–20.00 Hz, Rate at which the steps will cycle for MATCH DRIVE,
HStpRate
note the high-range flanger sound BG LEAD,
Level 0–127 Output level MS1959I,
MS1959II,
MS1959I+II,
Type Type of guitar amp
35: Overdrive (OVERDRIVE)
SLDN LEAD,
METAL 5150,
METAL LEAD,
Creates a soft distortion similar to that produced by vacuum tube OD-1,
amplifiers. OD-2 TURBO,
DISTORTION,
Parameter Value Explanation FUZZ
Type of guitar amp LOW, MIDDLE,
Amp Gain Amount of pre-amp distortion
SMALL: small amp HIGH
SMALL, BUILT-IN, LOW, MIDDLE,
AmpType BUILT-IN: single-unit type amp Level Output level
2-STACK, 3-STACK HIGH
2-STACK: large double stack amp
3-STACK: large triple stack amp
Degree of distortion
Drive 0–127
Level 0–127
Also changes the volume.
Output level 40: Comp (COMPRESSOR)
Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.
36: Dist (DISTORTION) Parameter Value Explanation
Adjusts the volume at which
Produces a more intense distortion than Overdrive. Threshold 0–127
compression begins
Level 0–127 Output level
Parameter Value Explanation
Type of guitar amp
SMALL: small amp
SMALL, BUILT-IN,
AmpType
2-STACK, 3-STACK
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
41: Limiter (LIMITER)
3-STACK: large triple stack amp
Compresses signals that exceed a specified volume level,
Degree of distortion
Drive 0–127 preventing distortion from occurring.
Also changes the volume.
Level 0–127 Output level Parameter Value Explanation
Adjusts the volume at which
Threshold 0–127
compression begins
Level 0–127 Output level
37: VS OD (VS OVERDRIVE)
This is an overdrive that provides heavy distortion.
Parameter Value Explanation
42: Gate (GATE)
Type of guitar amp
Cuts the reverb’s decay according to the volume of the sound sent
SMALL: small amp
SMALL, BUILT-IN, into the effect. Use this when you want to create an artificial-
AmpType BUILT-IN: single-unit type amp sounding decrease in the reverb’s decay.
2-STACK, 3-STACK
2-STACK: large double stack amp
3-STACK: large triple stack amp Parameter Value Explanation
Degree of distortion Volume level at which the gate
Drive 0–127 Threshold 0–127
Also changes the volume. begins to close
Level 0–127 Output level Level 0–127 Output level

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Effects List

43: Delay (DELAY) 48: 4TapDelay (4TAP PAN DELAY)

This is a stereo delay. This effect has four delays.
Parameter Value Explanation Parameter Value Explanation
Adjusts the time until the delay Adjusts the time from the original
DelayTime 0–1300 ms, note DelayTime 0–650 ms, note
sound is heard. sound until delay sounds are heard
Adjusts the amount of the delay Adjusts the amount of the delay
Feedback -98–+98 % sound that’s fed back into the effect. Delay1Fback -98–+98 % sound that’s fed back into the effect.
Negative (-) settings invert the phase. Negative (-) settings invert the phase.
D100:0W– Volume balance between the direct D100:0W– Volume balance between the direct
Balance Balance
D0:100W sound (D) and the delay sound (W) D0:100W sound (D) and the delay sound (W)

44: Long Dly (LONG DELAY) 49: MltTapDly (MULTI TAP DELAY)
A delay that provides a long delay time. This is a variation of delay in which four delayed sounds are heard.
This is a monaural delay.
Parameter Value Explanation
Parameter Value Explanation Adjusts the time from the original
DelayTime 0–650 ms, note
Delay time from when the original sound until delay sounds are heard
DelayTime 0–2600 ms, note sound is heard to when the delay Adjusts the amount of the delay
sound is heard Delay1Fback -98–+98 % sound that’s fed back into the effect.
Adjusts the amount of the delay Negative (-) settings invert the phase.
Feedback -98–+98 % sound that’s fed back into the effect. D100:0W– Volume balance between the direct
Balance
Negative (-) settings invert the phase. D0:100W sound (D) and the effect sound (W)
D100:0W– Volume balance of the original sound
Balance
D0:100W (D) and delay sound (W)

50: Revse Dly (REVERSE DELAY)

45: SerialDly (SERIAL DELAY) This is a reverse delay that adds a reversed and delayed sound to
the input sound.
This delay connects two delay units in series.
Parameter Value Explanation
Parameter Value Explanation Delay time from when sound is input
Delay time from when sound is input Rev Delay 0–1300 ms, note into the reverse delay until the delay
Dly1Time 0–1300 ms, note to delay 1 until the delay sound is sound is heard
heard Adjusts the amount of the delay
Delay time from when sound is input RevDlyFback -98–+98 % sound that’s fed back into the effect.
Dly2Time 0–1300 ms, note to delay 2 until the delay sound is Negative (-) settings invert the phase.
heard D100:0W– Volume balance of the original sound
Balance
Adjusts the amount of the delay D0:100W (D) and delay sound (W)
Feedback -98–+98 % sound that’s fed back into the effect.
Negative (-) settings invert the phase.
D100:0W– Volume balance of the original sound
Balance
D0:100W (D) and delay sound (W)
51: Sfl Delay (SHUFFLE DELAY)
Adds a shuffle to the delay sound, giving the sound a bouncy delay

46: Mod Delay (MODULATION DELAY) effect with a swing feel.

Parameter Value Explanation
Adds modulation to the delayed sound. DelayTime 0–2600 ms, note
Adjusts the time until the delay
sound is heard.
Parameter Value Explanation Adjusts the ratio (as a percentage) of
Adjusts the time until the delay the time that elapses before Delay B
DelayTime 0–1300 ms, note
sound is heard. sounds relative to the time that
Shuffle Rate 0–100 elapses before the Delay A sounds.
Adjusts the amount of the delay
Feedback -98–+98 % sound that’s fed back into the effect. When set to 100, the delay times are
Negative (-) settings invert the phase. the same.
D100:0W– Volume balance between the direct Adjusts the amount of the delay
Balance
D0:100W sound (D) and the delay sound (W) Feedback -98–+98 % that’s feedback into the effect.
Negative (-) settings invert the phase.

47: 3TapDelay (3TAP PAN DELAY)

52: 3D Delay (3D DELAY)
Produces three delay sounds; center, left and right.
This applies a 3D effect to the delay sound. The delay sound will be
Parameter Value Explanation
positioned 90 degrees left and 90 degrees right.
Delay time from the original sound
DelayTime 0–860 ms, note
until the delay sound is heard. Parameter Value Explanation
Adjusts the amount of the delay Adjusts the delay time from the
Feedback -98–+98 % sound that’s fed back into the effect. DelayTime 0–860 ms, note direct sound until the delay sound is
Negative (-) settings invert the phase. heard.
D100:0W– Volume balance between the direct Adjusts the proportion of the delay
Balance
D0:100W sound (D) and the delay sound (W) sound that is fed back into the effect.
CenterFback -98–+98 %
Negative (-) settings will invert the
phase.

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 Effects List

Parameter Value Explanation Parameter Value Explanation

D100:0W– Volume balance between the direct Simulates the tuning noise of a radio.
Balance
D0:100W sound (D) and the effect sound (W) Radio Detune 0–127 As this value is raised, the tuning
drifts further.
Radio Noise 0–127 Volume of the radio noise
Level 0–127 Output level
53: AnalogDly (ANALOG DELAY)
A stereo delay in which the delay time can be varied smoothly.
Parameter Value Explanation
59: Telephone (TELEPHONE)
DelayTime 0–1300 ms, note
Adjusts the time until the delay is This effect produces a muffled sound, like that heard through a
heard. telephone.
Adjusts the amount of the delay
Feedback -98–+98 % that’s fed back into the effect. Parameter Value Explanation
Negative (-) settings invert the phase. Level 0–127 Output level
D100:0W– Volume balance between the direct
Balance
D0:100W sound (D) and the delay sound (W)

60: Phono (PHONOGRAPH)

54: AnaLngDly (ANALOG LONG DELAY) Simulates a sound recorded on an analog record and played back
on a record player. This effect also simulates the various types of
A delay in which the delay time can be varied smoothly, and noise that are typical of a record, and even the rotational
allowing an extended delay to be produced. irregularities of an old turntable.
This is a monaural delay.
Parameter Value Explanation
Parameter Value Explanation TotalNoise 0–127 Volume of overall noise
Adjusts the time until the delay is Depth of overall rotational
DelayTime 0–2600 ms, note TotalWow/Flt 0–127
heard. irregularity
Adjusts the amount of the delay Level 0–127 Output level
Feedback -98–+98 % that’s fed back into the effect.
Negative (-) settings invert the phase.
D100:0W– Volume balance between the direct
Balance
D0:100W sound (D) and the delay sound (W)
61: Pitch Sft (PITCH SHIFTER)
A stereo pitch shifter.

55: Tape Echo (TAPE ECHO) Parameter Value Explanation

Adjusts the pitch of the pitch shifted
Coarse -24–+12 semi
A virtual tape echo that produces a realistic tape delay sound. This sound in semitone steps.
simulates the tape echo section of a Roland RE-201 Space Echo. Volume balance between the direct
D100:0W–
Balance sound (D) and the pitch shifted
D0:100W
Parameter Value Explanation sound (W)
Tape speed
Repeat Rate 0–127 Increasing this value will shorten the
spacing of the delayed sounds.
Intensity
Echo Level
0–127
0–127
Amount of delay repeats
Volume of the echo sound
62: 2Voice PS (2VOICE PITCH SHIFTER)
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch shifted sounds to the
original sound.
56: LoFiNoise (LO-FI NOISE) Parameter Value Explanation
In addition to a lo-fi effect, this adds various types of noise such as Adjusts the pitch of Pitch Shift 1 in
P1Coarse -24–+12 semi
semitone steps.
white noise and disc noise.
Settings of the Pitch Shift 2 sound.
Parameter Value Explanation P2Coarse -24–+12 semi The items are the same as for the
Noise Level 0–127 Volume of the white noise Pitch Shift 1 sound.
DscNoisLevel 0–127 Volume of the record noise Volume balance between the direct
D100:0W–
Level 0–127 Output level Balance sound (D) and the pitch shifted
D0:100W
sound (W)

57: LoFiComp (LO-FI COMPRESS) 63: Step PS (STEP PITCH SHIFTER)

This is an effect that intentionally degrades the sound quality for
creative purposes. A pitch shifter in which the amount of pitch shift is varied by a
16-step sequence.
Parameter Value Explanation
Level 0–127 Output level Parameter Value Explanation
Rate at which the 16-step sequence
Rate 0.05–10.0 Hz, note
will cycle
D100:0W– Volume balance of the original sound
Balance
58: LoFiRadio (LO-FI RADIO) D0:100W (D) and pitch-shifted sound (W)

In addition to a Lo-Fi effect, this effect also generates radio noise.

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Effects List

64: Reverb (REVERB) 69: Dist->Cho (DISTORTION " CHORUS)

Adds reverberation to the sound, simulating an acoustic space.
Parameter Value Explanation
Parameter Value Explanation Degree of distortion
Dst Drive 0–127
Type of reverb Also changes the volume.
ROOM1: dense reverb with short 0.05–10.00 Hz,
Cho Rate Frequency of modulation
decay note
ROOM2: sparse reverb with short Chorus Depth 0–127 Depth of modulation
decay Level 0–127 Output level
ROOM1, ROOM2,
STAGE1: reverb with greater late
Type STAGE1, STAGE2,
reverberation

70: Dist->Flg (DISTORTION " FLANGER)

HALL1, HALL2
STAGE2: reverb with strong early
reflections
HALL1: reverb with clear
reverberance
Parameter Value Explanation
HALL2: reverb with rich reverberance
Degree of distortion
Time 0–127 Time length of reverberation Dst Drive 0–127
Also changes the volume.
0.05–10.00 Hz,
Fln Rate Frequency of modulation
note

65: Gated Rev (GATED REVERB)

Fln Depth 0–127 Depth of modulation
Level 0–127 Output level

This is a special type of reverb in which the reverberant sound is cut

71: Dist->Dly (DISTORTION " DELAY)

off before its natural length.
Parameter Value Explanation
Type of reverb
NORMAL: conventional gated reverb Parameter Value Explanation
NORMAL, REVERSE: backwards reverb Degree of distortion
Dst Drive 0–127
Type REVERSE, SWEEP1, SWEEP1: the reverberant sound Also changes the volume.
SWEEP2 moves from right to left Adjusts the delay time from the
SWEEP2: the reverberant sound DelayTime 0–2600 ms, note direct sound until the delay sound is
moves from left to right heard.
Adjusts the time from when the Adjusts the proportion of the delay
Gate Time 5–500 ms sound that is fed back into the effect.
reverb is heard until it disappears. Delay Fback -98–+98 %
Negative (-) settings will invert the
phase.
Level

66: OD->Cho (OVERDRIVE " CHORUS)

0–127 Output level

Parameter Value Explanation 72: Eh->Cho (ENHANCER " CHORUS)

Degree of distortion
Od Drive 0–127
Also changes the volume.
Parameter Value Explanation
0.05–10.00 Hz,
Cho Rate Frequency of modulation Level of the overtones generated by
note Enhancer Mix 0–127
the enhancer
Chorus Depth 0–127 Depth of modulation
0.05–10.00 Hz,
Level 0–127 Output level Cho Rate Frequency of modulation
note
Chorus Depth 0–127 Depth of modulation
Level 0–127 Output level

67: OD->Flg (OVERDRIVE " FLANGER)

Parameter Value Explanation 73: Eh->Flg (ENHANCER " FLANGER)
Degree of distortion
Od Drive 0–127
Also changes the volume. Parameter Value Explanation
0.05–10.00 Hz,
Fln Rate Frequency of modulation Level of the overtones generated by
note Enhancer Mix 0–127
the enhancer
Fln Depth 0–127 Depth of modulation
0.05–10.00 Hz,
Level 0–127 Output level Fln Rate Frequency of modulation
note
Fln Depth 0–127 Depth of modulation
Level 0–127 Output level

68: OD->Dly (OVERDRIVE " DELAY)

Parameter Value Explanation 74: Eh->Dly (ENHANCER " DELAY)
Degree of distortion
Od Drive 0–127
Also changes the volume. Parameter Value Explanation
Adjusts the delay time from the Level of the overtones generated by
DelayTime 0–2600 ms, note direct sound until the delay sound is Enhancer Mix 0–127
the enhancer
heard. Adjusts the delay time from the
Adjusts the proportion of the delay DelayTime 0–2600 ms, note direct sound until the delay sound is
sound that is fed back into the effect. heard.
Delay Fback -98–+98 %
Negative (-) settings will invert the Adjusts the proportion of the delay
phase. sound that is fed back into the effect.
Level 0–127 Output level Delay Fback -98–+98 %
Negative (-) settings will invert the
phase.

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 Effects List

Chorus Parameters
Parameter Value Explanation
Level 0–127 Output level

The XPS-10’s Chorus effect unit can also be used as a stereo delay

75: Cho->Dly (CHORUS " DELAY)

unit.
These settings allow you to select chorus or delay, and the
characteristics of the selected effect type.
Parameter Value Explanation
Parameter Value Explanation
0.05–10.00 Hz,
Cho Rate Frequency of modulation Selects either Chorus or Delay.
note
Adjusts the delay time from the 00: ‌OFF
DelayTime 0–2600 ms, note direct sound until the delay sound is Neither Chorus or Delay is used.
00: OFF
heard. 01: ‌CHORUS
01: CHORUS
Adjusts the proportion of the delay Chorus Type Chorus is used.
02: DELAY
sound that is fed back into the effect. 02: ‌DELAY
Delay Fback -98–+98 % 03: GM2 CHORUS
Negative (-) settings will invert the Delay is used.
phase. 03: ‌GM2 CHORUS
Level 0–127 Output level GM2 Chorus is used.
Chorus Level
0–127 Volume of the chorus sound
(Delay Level)

76: Flg->Dly (FLANGER " DELAY)

01: CHORUS
0.05–10.00 Hz,
Rate Frequency of modulation
note
Depth 0–127 Depth of modulation
Parameter Value Explanation 02: DELAY
0.05–10.00 Hz, Adjusts the delay time from the
Fln Rate Frequency of modulation
note Delay Time 0–1000 ms, note direct sound until the delay sound is
Adjusts the delay time from the heard.
DelayTime 0–2600 ms, note direct sound until the delay sound is Adjusts the proportion of the delay
heard. sound that is fed back into the effect.
Adjusts the proportion of the delay Feedback -98–+98 %
Negative (-) settings will invert the
sound that is fed back into the effect. phase.
Delay Fback -98–+98 %
Negative (-) settings will invert the
03: GM2 CHORUS
phase.
Rate 0–127 Frequency of modulation
Level 0–127 Output level
Depth 0–127 Depth of modulation

77: Cho->Flg (CHORUS " FLANGER)

NOTE
If you specify the delay time as a note value, slowing down the
tempo will not change the delay time beyond a certain length.
Parameter Value Explanation This is because there is an upper limit for the delay time; if the
0.05–10.00 Hz, Modulation frequency of the chorus delay time is specified as a note value and you slow down the
Cho Rate
note effect tempo until this upper limit is reached, the delay time cannot
0.05–10.00 Hz, Modulation frequency of the flanger change any further. This upper limit is the maximum value that
Fln Rate
note effect can be specified when setting the delay time as a numerical
Level 0–127 Output level value.

note:
78: SymReso (SYMPATHETIC RESONANCE) Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet

On an acoustic piano, holding down the damper pedal allows other Thirty-second note Sixteenth-note triplet Dotted thirty-second note
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these Sixteenth note Eighth-note triplet Dotted sixteenth note
sympathetic resonances.
Eighth note Quarter-note triplet Dotted eighth note
Parameter Value Explanation
This simulates the actual changes in Quarter note Half-note triplet Dotted quarter note
sound that occur when the lid of a
Lid 1–6 Half note Whole-note triplet Dotted half note
grand piano is set at different
heights.
Whole note Double-note triplet Dotted whole note

Double note

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Effects List

Reverb Parameters
These settings allow you to select the desired type of reverb, and its
characteristics.
Parameter Value Explanation
Type of reverb
00: ‌OFF
Reverb is not used.
01: ‌REVERB
Normal reverb
02: ‌SRV ROOM
00: OFF
This simulates typical room
01: REVERB acoustic reflections.
02: SRV ROOM 03: ‌SRV HALL
Reverb Type
03: SRV HALL This simulates typical concert hall
04: SRV PLATE acoustic reflections.
05: GM2 REVERB 04: ‌SRV PLATE
This simulates a reverb plate, a
popular type of artificial reverb
unit that derives its sound from
the vibration of a metallic plate.
05: ‌GM2 REVERB
GM2 Reverb
Reverb Level 0–127 Volume of the reverb sound
01: REVERB
Type of reverb/delay
ROOM1:
short reverb with high density
ROOM2:
short reverb with low density
STAGE1:
ROOM1
‌reverb with greater late
ROOM2 reverberation
STAGE1 STAGE2:
STAGE2 ‌reverb with strong early
Type
HALL1 reflections
HALL2 HALL1:
DELAY very clear-sounding reverb
PAN-DELAY HALL2:
rich reverb
DELAY:
conventional delay effect
PAN-DELAY:
‌delay effect with echoes that
pan left and right
Time length of reverberation
(Type: ROOM1–HALL2)
Time 0–127
Delay time
(Type: DELAY, PAN-DELAY)
02: SRV ROOM
03: SRV HALL
04: SRV PLATE
Size 1–8 Size of the simulated room or hall
Time 0–127 Time length of reverberation
05: GM2 REVERB
Type of reverb
Character 0–7 0–5: reverb
6, 7: delay
Time 0–127 Time length of reverberation

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