This document provides excerpts from various literary works throughout history. It begins with quotes from ancient works such as The Epic of Gilgamesh and the Iliad. It then transitions to works from the Renaissance through the 17th century, including The Tale of Genji and Don Quixote. The document continues chronologically, with sections on Romanticism and the Rise of the Novel from 1800-1855. It concludes with works from 1855-1900, such as Crime and Punishment and Alice's Adventures in Wonderland.
This document provides excerpts from various literary works throughout history. It begins with quotes from ancient works such as The Epic of Gilgamesh and the Iliad. It then transitions to works from the Renaissance through the 17th century, including The Tale of Genji and Don Quixote. The document continues chronologically, with sections on Romanticism and the Rise of the Novel from 1800-1855. It concludes with works from 1855-1900, such as Crime and Punishment and Alice's Adventures in Wonderland.
This document provides excerpts from various literary works throughout history. It begins with quotes from ancient works such as The Epic of Gilgamesh and the Iliad. It then transitions to works from the Renaissance through the 17th century, including The Tale of Genji and Don Quixote. The document continues chronologically, with sections on Romanticism and the Rise of the Novel from 1800-1855. It concludes with works from 1855-1900, such as Crime and Punishment and Alice's Adventures in Wonderland.
in the City of York, of a good family Robinson Crusoe, Daniel Defoe DEPICTING REAL LIFE 1855–1900 158 Boredom, quiet as the spider, 96 If this is the best of all was spinning its web in the 10 INTRODUCTION 47 Real things in the darkness seem no realer than dreams 72 Laughter’s the property of man. Live joyfully possible worlds, what are the others? shadowy places of her heart Madame Bovary Bovary, Gustave The Tale of Genji, Murasaki Gargantua and Pantagruel, Candide, Voltaire Flaubert Shikibu François Rabelais 120 Who shall conceive the HEROES AND LEGENDS 48 A man should suffer greatly 74 As it did to this flower, the 98 I have courage enough to walk through hell barefoot horrors of my secret toil Frankenstein, Mary Shelley 164 I too am a child of this land; I too grew up amid 3000 BCE–1300 CE for his Lord doom of age will blight The Robbers, Friedrich Schiller this scenery The Song of Roland your beauty 122 All for one, one for all The Guarani, José de Alencar 20 Only the gods dwell forever Les Amours de Cassandre, 100 There is nothing more difficult The Three Musketeers, in sunlight 49 Tandaradei, sweetly sang Pierre de Ronsard in love than expressing in Alexandre Dumas 165 The poet is a kinsman in The Epic of Gilgamesh the nightingale writing what one does not feel the clouds “Under the Linden Tree”, 75 He that loves pleasure must Les Liaisons dangereuses, 124 But happiness I never Les Fleurs du mal, Charles 21 To nourish oneself on Walther von der Vogelweide for pleasure fall Pierre Choderlos de Laclos aimed for, it is a stranger Baudelaire ancient virtue induces Doctor Faustus, Christopher to my soul perseverance 50 He who dares not follow love’s Marlowe 102 Further reading Eugene Onegin, Alexander 166 Not being heard is no reason Book of Changes, attributed command errs greatly Pushkin for silence to King Wen of Zhou Lancelot, the Knight of the Cart, 76 Every man is the child of Les Misérables, Victor Hugo Chrétien de Troyes his own deeds 125 Let your soul stand cool 22 What is this crime I am Don Quixote, Miguel de ROMANTICISM AND THE and composed before a 168 Curiouser and curiouser! planning, O Krishna? Mahabharata, attributed 52 Let another’s wound be my warning Cervantes RISE OF THE NOVEL million universes Leaves of Grass, Walt Whitman Alice’s Adventures in Wonderland, Lewis Carroll to Vyasa Njal’s Saga 82 One man in his time plays 1800–1855 many parts 126 You have seen how a man 172 Pain and suffering are 26 Sing, O goddess, the anger 54 Further reading First Folio, William Shakespeare 110 Poetry is the breath and the was made a slave; you shall always inevitable for a large of Achilles finer spirit of all knowledge see how a slave was made intelligence and a deep heart Iliad, attributed to Homer 90 To esteem everything is to Lyrical Ballads, William a man Crime and Punishment, Fyodor esteem nothing Wordsworth and Samuel Narrative of the Life of Frederick Dostoyevsky 34 How dreadful knowledge RENAISSANCE TO The Misanthrope, Molière Taylor Coleridge Douglass, Frederick Douglass of the truth can be when there’s no help in truth! ENLIGHTENMENT 91 But at my back I always hear 111 Nothing is more wonderful, 128 I am no bird; and no net 178 To describe directly the life of humanity or even of a Oedipus the King, Sophocles 1300–1800 Time’s winged chariot nothing more fantastic than ensnares me single nation, appears hurrying near real life Jane Eyre, Charlotte Brontë impossible 40 The gates of hell are open 62 I found myself within a Miscellaneous Poems, Nachtstücke, E T A Hoffmann War and Peace, Leo Tolstoy night and day; smooth the shadowed forest Andrew Marvell 132 I cannot live without my life! descent, and easy is the way The Divine Comedy Comedy, Dante 112 Man errs, till he has ceased I cannot live without my soul! 182 It is a narrow mind which Aeneid, Virgil Alighieri 92 Sadly, I part from you; like a to strive Wuthering Heights, Emily Brontë cannot look at a subject clam torn from its shell, I go, Faust, Johann Wolfgang from various points of view 42 Fate will unwind as it must 66 We three will swear and autumn too von Goethe 138 There is no folly of the beast Middlemarch, George Eliot Beowulf brotherhood and unity of The Narrow Road to the Interior Interior, of the Earth which is not aims and sentiments Matsuo Basho Bashō 116 Once upon a time… infinitely outdone by the 184 We may brave human laws, 44 So Scheherazade began… Romance of the Three Children’s and Household Tales, madness of men but we cannot resist One Thousand and One Nights Kingdoms, Luo Guanzhong 93 None will hinder and none Brothers Grimm Moby-Dick, Herman Melville natural ones be hindered on the journey Twenty Thousand Leagues 46 Since life is but a dream, 68 Turn over the leef and to the mountain of death 118 For what do we live, but 146 All partings foreshadow the Under the Sea, Jules Verne why toil to no avail? chese another tale The Love Suicides at Sonezaki, to make sport for our great final one Quan Tangshi The Canterbury Tales, Chikamatsu Monzaemon neighbours, and laugh Bleak House, Charles Dickens Geoffrey Chaucer at them in our turn? Pride and Prejudice, Jane Austen 150 Further reading