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this appraisal that Perifian advises against a distribution of this corpus ofliterature into major
and minor genres, preferring to adduce an immanent poetics underlying all works consisting as
these do of verbal brio-a-brae. Her classification therefore accords with the degree ofsaturation
ofany text by nonsense. (Sincethe appearance of Poeta ludens an attempt at a poetics ofnonsense
has in fact appeared. Susan Stewart in her Nonsense. Aspects of Intertextuality in Folklore and
Literature [Baltimore 1980] proposes five constants: [i) reversals and inversions; [ii] play with
boundaries; [iii] play with infinity; [iv] play with simultaneity; [v] arrangement and
rearrangement within a closed field. Applications of these five methods by which a poet
elaborates nonsense from sense seem to be identifiable in the texts Perifian studies.)
Here we find a preliminary census of all three types, and one might draw attention here to
the omission of disparates occurring in plays (perhaps, for instance, the 'caiman' song in La dama
boba) and of ludic poems which frequently serve to fill out the final pages of pliegos suelios.
Perifian provides an estimable bibliography and an anthology, including 15 disparates arranged
according to the previously mentioned degree ofsaturation. One might quarrel with the choice
for inclusion here of the long ]uyzio hallado y trobado when one considers that the Norton and
Wilson edition (1969) is so easily accessible.
Perifian, finally, is to be applauded when she sets as desiderata (i) a comprehensive account.
of the Spanish literature, and culture in general, of 'deleitoso entretenimiento', and (ii) an
establishment ofthe relation between these ludic poems and the literature offolly, the literature
of absurd lying (which she views as having clerical, 'goliardic' origins) and the perennial topos
of the World Upside Down.
Certain small errors have crept into the typography: 'casas' (44) should be 'caos'; the Italian
'ivi' (75, n. 5) should become 'ibidem' as elsewhere; and M. R. Lida (200) should be R. Lida.
ALAN SOONS
SUNY at Buffalo.
J. A. MARAVALL, Poder, honory elites en el siglo XVII. Siglo Veintiuno Editores, Madrid. 1979.
31'0 pp.
Jose Antonio Maravall is at once the least empirical and most knowledgeable ofhistorians of
the Golden Age. He is also, arguably, the most prolific. As he approaches the Biblical span, his
intellectual energy is undiminished, and stimulating work continues to pour from him. This
latest book seems to me potentially his most important to have appeared since that on seven-
teenth-century political ideas (I shall return to the rider). 1t is argued with characteristic rigour
and vigour. Maravall's concern is very much los poderosos de fa tierra-the evolution of the
heterogeneous feudal nobility of Castile into the homogeneous aristocracy of the Ancien Regime.
His thesis is that this process produced a new power-elite which dominated Spanish society and
politics until well into the industrial age. The crucial conflicts which marked it took place in the
first half of the seventeenth century, and the vital breakthrough was the failure of Olivares'
attempt to stem the tide: .
The author draws on a wide range ofwriters-both contemporary and modern, in History,
Philosophy, Politics and Sociology-to develop his arguments. Post-Darwinian assumptions are
(at least metaphorically) present in demonstrating how the giant lizards of the fifteenth century
became the birds of paradise of the Ilustracidn, shedding useless characteristics and adapting to
new conditions. He leans on the post-Marxian heritage to demonstrate the aristocracy
becoming a class, through the development of self-consciousness and the pursuit of collective
in terests, Ofparticular interest are his sallies against the residual (and subliminal) influence of la
leyenda negra in the works of non-Spanish writers-e-certainlyno windmill, this. Maravall is
sensitive to any accusation ofSpanish social distinctiveness; thus he takes R. Mousnier's model
R. A. STRADLING
Uniuersity College, Cardiff.