Notes: this reviewer was based on the test given to ma’am Estrada’s class.
I do not claim that
this will be the exact information / items that will come out in the test, but this is the closest we
have. DO NO SHARE WITH SA IBANG SEC.
Happy reviewing!!!
I. Sequencing Events
A. What awakened him was too good a
bed. For twenty years he had not
slept on a bed and although he had
no undressed, the sensation was
too novel not to disturb his sleep.
B. The bargain was concluded. The
mother passed the night at the inn,
gave her money and left her child,
fastened again her carpet bag,
diminished by her child’s wardrobe,
and very light now, and set of nest
morning expecting soon to return.
These parting arranged tranquilly,
but they are full of despair
C. He walked towards the outer door.
Not a voice was raised, not an arm
stretched out to prevent him. He
passed the thing with slow steps. It
was never known who opened the
door, but he is certain that the door
was open when he came to it. On
reaching it he turned and said:
“Monsieur the prosecuting Attorney,
I remain at your disposal”
D. When he fell into the sea, or rather,
threw himself into it, he was as we
have seen, free from the irons. He
swam under water to a ship at
anchors to which a boat was
fastened
E. He spent hours seeing her dress
and undress her doll, and listening
to her song and prattle. From that
on, life seemed full of interest to
him.
F. On the following days, he came as
usual to Luxembourg, as usual he
found “the father and daughter”
there, but he paid no attention to
them. He thought no more of this girl
now that she was handsome than
he had thought of her when she was
homely.
G. The water came up to his armpits:
he felt that he was foundering. it
was with difficulty that he could
move in the depths of the mire in
which he was
H. Javert remained for some minutes
motionless, gazing into that opening
of darkness, he contemplated the
invisible with a fixedness which
resembled attention. Suddenly, he
took off his hat and laid it on the end
of the quay(??).
I. The kind of repulsion which he had
always felt for the man with whom
he saw Cosette with now explained.
There was something strangely
enigmatic with this person. The M
Fauchelevent is the convicted Jean
Valjean.
J. This stone is entirely blank. The only
thought in cutting it was of the
essentials of the grave, and there
was no other care than to make this
stone long enough and narrow
enough to cover a man.
II. Who talk to whom?
a. Fontine to Jean Valjean
“My fever is gone, for I am cured; I
feel that there is scarcely anything
the matter with me; but I act as if I
were ill, and do not stir so as to
please the ladies here. When they
see that I am calm, they will say:
“You must give her the child,””
b. Marius to Jean Valjean
“But you! Why have you not told it?
It is your fault, too. You save
 people’s lives, and you hide it from
them! Yo do more, under pretense
of unmasking yourself, you
culminate
c. Eponine to Marius
“Promise to kiss me on the
forehead when I am dead. I shall
feel it”
d. Monsieur Bienvenu to Jean
Valjean
“I am Glad to see you. But I gave
you the candlesticks also, which are
silver like the rest, and would bring
two hundred francs. Why did you
not take them along with your
plates?”
e. Javert to Monsieur Madeleine
(Jean Valjean)
“This is a serious matter. I have
committed an offense against
authority in your person. I, who am
the agent of authority. If someone
had done what I have, I would have
pronounced him unworthy of
service and sent him away”
f. Marius to Cosette
“Pardon me, I am here. My heart is
bursting I could not live as I was. I
have come. Have you read what I
placed there, on this seat? Do you
recognize me at all? Do not be
afraid of me”
g. Jen Valjean to Cosette
“Are you not going to wear your
dress and hat anymore?”
h. Jean Valjean to Marius
“How foolish we are! I thought I
should never see her again. Only
think, that at that moment you
came in, I was saying to myself: it is
over, that is her little dress, I am a
miserable man”
i. Jean Valjean to Javert
“Give me three days! Three days to
go for the child of this unhappy
woman! I will pay whatever is
necessary. You shall accompany me
if you like”
j. Cosette to Jean Valjean
“This time, it is for good. We have a
carriage below and I am going to
carry you out”
III. Who’s that character?
a. Marius Pontmercy
He had not taken the letter which
Eponine had given him without a
thrill. He was impatient to read it
b. Javert
He walked with his head down for
the first time in his life, and, for the
first time in his life as well, with his
hands behind his back
c. Jean Valjean
He did not remove his eyes from
the old man. The only thing which
was plain from his attitude and his
countenance was a strange
indecision. You would have said he
was hesitating between two realms,
that of the doomed and that of the
saved. He appeared ready either to
cleave his skull or kiss his hand
d. Fantine
She saw the spy Javert seize
Monsieur the Mayor by the collar;
she saw Monsieur the Mayor bow
his head. The world seemed
vanishing before her sight
e. Eponine
She grasped Marius’ hand
convulsively with her wounded
hand but she seemed no longer to
feel the pain. She put Marius’ hand
into the pocket of her blouse.
Marius really felt a paper there
f. Jean Valjean
 He took the sleeping Cosette gently
in his arms and carried her to the
farthest corner the shed behind the
heap of furniture that was out of
use. Cosette did not stir
g. Javert
A moment afterwards, a tall a black
form, which from the distance some
belated passer might have taken for
a phantom, bent towards the Seine,
sprang up, and fell straight into the
darkness
h. Cosette
She had not only grown, she had
become idealized. As three April
days are enough for certain to put
on covering of flowers, so six
months have been enough for her
to put on a mantle of beauty
i. Marus
On the morrow--for he lived only
from morrow to morrow; there was
no longer any to-day, so to speak,
to him—on the morrow he found
nobody at Luxembourg, he waited;
at dusk he went to the house
j. Cosette
She loved with so much the more
passion as she loved with
ignorance. She did not know
whether it were good or evil,
beneficent or dangerous, necessary
or accidental, eternal or transitory,
permitted or prohibited: she loved.