HOW TO TRAIN

YOUR DRAGON
( JOHN POWELL )
 Music from the Motion Picture
HOW TO TRAIN YOUR DRAGON JOHN POWELL
"This is Berk" (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals


 
Slowy ()
Clarinet 1    


Clarinet 2      

Clarinet 3      


Clarinet 4      


Clarinet 5      


  
  
    
Clarinet 6



Clarinet 7   
   
 
Bass Clarinet  
    

       
  
Rit..

Cl. 1 
 
      
Cl. 2      
 
    
Cl. 3      
 
   
Cl. 4        
 
 
       

 
Cl. 5

  
   
       
Cl. 6


 
 

Cl. 7
    
   
B.Cl.  
   

©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2

     

    
Allegro ()

   
9
 

Cl. 1

    
3 3

      
 

 

Cl. 2

       
3

  
3

        
 3
Cl. 3

     
3

        
3

Cl. 4
 3    
        
Cl. 5         


3 3

       
3

       
3

Cl. 6
 
 

  

 
Cl. 7

 


3 3 3 3
B.Cl.
                       


                                 
   
14

Cl. 1     
 
 
3 3 3 3 3 3 3 3 3 3 3 3

         
                           
3 3


3
Cl. 2
   
 
           
                 
3 3 3 3 3 3 3


3 3

       
3 3

 
3
Cl. 3
    
 
3 3 3 3 3 3 3 3 3

Cl. 4        

 

 
       

Cl. 5


Cl. 6   
    


     
3 3 3
Cl. 7
      
 3   3 

     
3
B.Cl.
     
 

 HOW TO TRAIN YOUR DRAGON
3
                                  
Cl. 1             
3 3
 3 3 3 3 3 3 3 3 3 3 3 3

             
         
3

                      
3 3
3 3 3
Cl. 2
    
 
     3             
         
3 3 3 3 3 3 3 3 3 3

      
      
3 3

  
3 3

  3   
Cl. 3


 
3 3 3 3 3 3 3 3 3

Cl. 4     


Cl. 5     


       
3 3 3 3 3 3

                  
Cl. 6

     

       
3 3 3 3 3 3

                  
Cl. 7

     

B.Cl.  





   

 
      

                 
        

22

  
3
Cl. 1

     3           
3 3 3 3 3 3 3 3 3 3 3

          
Cl. 2        
 33
     
3 3 3

                

3 3 3 3


3 3 3 3 3 3

          
3 3 3

   
3


Cl. 3

  3
     
3

          
3 3 3 3 3 3

           
3 3

Cl. 4    


3 3 3

Cl. 5     


     
3 3 3

 
Cl. 6



    
3 3 3

       

Cl. 7

           
     
   
    
     
    
B.Cl.
          
       
               
HOW TO TRAIN YOUR DRAGON 4

          
    
Cl. 1       

                
3 3 3 3 3 3 3 3

    
Cl. 2                
         
      
3 3 3 3 3

   
     
3 3

     
3 3


3

Cl. 3

                
3 3 3

  
3 3

                  
33

      
3 3 3

    
3 3
Cl. 4
 
 3
                   
3 3 3 3 3 3 3 3 3

              
3 3

     
3
Cl. 5
  
 3 3


3 3 3 3 3 3 3

     
     
3 3 3

   
    
Cl. 6
   

   
3 3 3

             
Cl. 7
    
        
    
        
     
B.Cl.

     
  
       
 
                       
    
solo
   

Cl. 1

   
         
3 3 3 3 3 3 3 3 3 3 3

     
3

               
3 3 3 3 3 3
Cl. 2

3
        

   
3 3

  
     
3 3 3 3 3 3
Cl. 3
              

    
3 3


3

               
3 3
Cl. 4
 
 
    
3 3

                 
3 3 3 3

 
Cl. 5

  
  
3

               
3 3 3
Cl. 6
    
  
  
     
3 3 3

    
Cl. 7

   
   
      
   
3 3 3

         
     
B.Cl.

          
   
 HOW TO TRAIN YOUR DRAGON
5
   
       

     
   
  
35
Cl. 1 
3 3 3 3 3 3


3

                    
3 3 3 3 3 3

 
Cl. 2

   

3 3 3 3 3 3
Cl. 3
                   


Cl. 4     


  
3

     
Cl. 5



    
    
Cl. 6


    
  
Cl. 7
 

     
3
B.Cl.
         
           
   
     
               
 

Cl. 1

   
      
3 3 3

Cl. 2

         
 3 3

      
3

     
3 3

Cl. 3



     
3 3

       
       
Cl. 4
     
 
     
3
Cl. 5
   

    
3 3

                
Cl. 6
             

     
   
Cl. 7

 
    
3 3
B.Cl.
              
          
     
 HOW TO TRAIN YOUR DRAGON 6
     

           

 
     
      
43

  

Cl. 1

    3 
               
   
           
3 3 3 3 3 3 3


3

    

Cl. 2

 3          
              
 
3 3 3 3 3

    
3 3

Cl. 3      
  3
 
3 3 3 3 3

  
 
3

     
  
3 3

 
3

    
3 3 3 3 3 3 3



Cl. 4
     
                   
  
              
3

 
 
Cl. 5
  33 3

   
3 3

     
          
3 3


3 3

           
       
Cl. 6

     
3

  3   3   
    
3 3

               
      
Cl. 7

       
  
               
3
B.Cl.
                
       
          
                    
          
Cl. 1 
                    

3 3 3 3 3 3 3 3 3 3

 
Cl. 2          
  
                                       
3 3 3 3 3 3 3 3 3 3

 
Cl. 3  
    
3 3 3 3 3 3 3 3 3 3 3

 
       
3 3

   
3 3 3 3 3 3 3 3 3

    
Cl. 4

                                
3

Cl. 5           
3 3

 
3 3 3 3 3 3

    
                      
3 3 3 3

  
3 3 3

            
Cl. 6
3

 
                 
3 3 3 3
Cl. 7
         
            
    
       
   
B.Cl.
       
   
 HOW TO TRAIN YOUR DRAGON
   
7
           
              
Cl. 1      
                 
3 3

Cl. 2                  
                 
3 3

Cl. 3              
      
3 3

           
            
3 3

     
Cl. 4

                 
3 3

      
Cl. 5


        
              
Cl. 6
 
 
   
             
Cl. 7

       
 
    

B.Cl.
      
         
      
 
53

Cl. 1    

         
Cl. 2   

       
Cl. 3  

    
Cl. 4     

  
Cl. 5        

 
    

Cl. 6
 


Cl. 7       


    
   
B.Cl.
 
  
 HOW TO TRAIN YOUR DRAGON 8

    
   
Cl. 1  
     
  
Cl. 2  
    
Cl. 3      

Cl. 4        


Cl. 5       

    

Cl. 6


     
 
Cl. 7
   

  
 
B.Cl.

    

  

Move ahead ()

64
Cl. 1 

   
Cl. 2  


Cl. 3      

         
Cl. 4

 

Cl. 5      
 

     
Cl. 6

 

Cl. 7 
   
  
B.Cl. 
   
 
 HOW TO TRAIN YOUR DRAGON
9


Cl. 1     


Cl. 2     


Cl. 3     

  
Cl. 4           


Cl. 5      

  
 
Cl. 6


Cl. 7 
   

B.Cl.   
 


Cl. 1     


Cl. 2     


Cl. 3     


          

Cl. 4


    
 
Cl. 5




Cl. 6
  

Cl. 7 
   

  

B.Cl.

 
 HOW TO TRAIN YOUR DRAGON 10


Cl. 1     


Cl. 2     


Cl. 3     

 
Cl. 4           

Cl. 5      

    
Cl. 6


Cl. 7 
   

B.Cl.    
 

   
    
80
Cl. 1

   
Cl. 2     


Cl. 3       


Cl. 4     

 
  

    

  
Cl. 5
 

Cl. 6  
   

Cl. 7  
   

B.Cl.      

 HOW TO TRAIN YOUR DRAGON
11
   
   
Cl. 1 
    
Cl. 2  

 
Cl. 3            

Cl. 4     
 
   
 

   
 

     
Cl. 5


Cl. 6     


Cl. 7     


     
B.Cl.

   

      

Cl. 1  

     
Cl. 2  


          
Cl. 3  

Cl. 4       
     

  


 

    
Cl. 5


Cl. 6     


Cl. 7     


     
B.Cl.

  
 HOW TO TRAIN YOUR DRAGON 12

       
Cl. 1  

    
Cl. 2 

Cl. 3              

Cl. 4    
  
   
  

  






 
Cl. 5
 

Cl. 6     


Cl. 7     


B.Cl.      



         
Cl. 1  
    
  
Cl. 2   

   
Cl. 3    
      
 
  
      

Cl. 4

   
     

Cl. 5

   
  
  
Cl. 6

   
Cl. 7     

   
B.Cl.    
  
 HOW TO TRAIN YOUR DRAGON
13
"Coming Back Around"

  
97
   
Slower ()
Cl. 1

        
Cl. 2            

       
Cl. 3             

 
Cl. 4         

          
 
Cl. 5

Cl. 6     

 
 
 
   
Cl. 7     
    
   
B.Cl.     
    
   

                               
Cl. 1      

                          
Cl. 2       

    

   
 
Cl. 3
 
   
Cl. 4      

        
   
Cl. 5

Cl. 6   

   

   
Cl. 7   
    
  
B.Cl.   
    
  
 HOW TO TRAIN YOUR DRAGON 14

                
107
     


Cl. 1

               
Cl. 2      


 
    

Cl. 3
 
       
  

Cl. 4
  

         
   
Cl. 5

Cl. 6        
 
   
Cl. 7   
  

B.Cl. 
    
 
     
 
   

Cl. 1

       
         

Cl. 2
  
                        

Cl. 3
    
  
Cl. 4   
    
    
 
            
 
Cl. 5

   
Cl. 6
     
   
    
     
Cl. 7


B.Cl. 
   
 
 HOW TO TRAIN YOUR DRAGON
15
           
            
    

Cl. 1

         
Cl. 2             
    
          
Cl. 3                           
   
       
Cl. 4       

Cl. 5             

 
        
   
Cl. 6

 
 
       
Cl. 7
  

    

B.Cl.
  

                
   
Cl. 1         

  

   
Cl. 2                       

      
                      
Cl. 3    

 
Cl. 4   
           

   
Cl. 5
        

        
Cl. 6


    
Cl. 7
  
      
 
B.Cl.

 HOW TO TRAIN YOUR DRAGON 16

        
          

Cl. 1

          
        

Cl. 2

         
Cl. 3          

         
  

           
 
Cl. 4

 
                     
Cl. 5
    
 
       
    
Cl. 6

     
  
Cl. 7
  
   

B.Cl.
 


                            
 
 

Cl. 1

                           
 
   

Cl. 2

 
      

Cl. 3

  
      

Cl. 4

     
     

Cl. 5

 
         
Cl. 6
 
 
Cl. 7  
    
  
 
B.Cl.  
    
  
 HOW TO TRAIN YOUR DRAGON
17

       
      
Cl. 1 
          
Cl. 2     
          
Cl. 3     
       
Cl. 4        
   
          

Cl. 5


       

Cl. 6


 
    
Cl. 7
 

B.Cl.           
     

  
       
          

Cl. 1 
            
Cl. 2      

       
Cl. 3            
           
Cl. 4            
 
 
Cl. 5                
 
 
Cl. 6         
 


    
Cl. 7

  
   
  
B.Cl.

  
 HOW TO TRAIN YOUR DRAGON 18

              
  138
        
Cl. 1 

Cl. 2

          
  

  

  

  
            
Cl. 3               
 

      
                     
Cl. 4 

   
                          

Cl. 5

     
          
  
Cl. 6


       
 

Cl. 7

    

    

 

B.Cl.
   
   
      
Cl. 1 
    

       
Cl. 2     

          
Cl. 3  

  
   

Cl. 4
 
   
   



 

Cl. 5


    
    
     
Cl. 6

 
    
  

Cl. 7
   
    
B.Cl.   



   
 
HOW TO TRAIN YOUR DRAGON
 
19
   
  
Cl. 1 
 
   
 
Cl. 2 
  
Cl. 3      

   
     

Cl. 4

  
    
 
Cl. 5

   
Cl. 6   

   


Cl. 7


   
B.Cl. 
 

 Music from the Motion Picture
Clarinet E  HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI)

"This is Berk" Arr. by Gino Gonçals

   
     
Slowy ()
   
 Rit..


      
      
9 Allegro ()

    
 3
3

                                 
14

     3   
 3 3 3 3 3 3
3
3 3 3 3

                         
        
3

   3
3 3   3 3 3 3 3 3
3

 
 
                     22         
   
3 3 3 3 3 3 3
 
3 3 3

      
                           

                    
3 3 3 3 3 3 3 3 3


   
          
 3 3 3 3 3 3 3 3

                           
        
solo

    
 3 3 3 3 3 3
3 3 3 3 3 3

 
       3 35
                 
      3
3 

3


                 43         
3 3

  
   
3

     
  3
       
3 3

        
  
3 3
3 3 3

           
            
3 3 3 3

 
3 3 3
3 3 3

     
        
                 
   
3 3

©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2

53
          
        

      
Move ahead ()
 
80

  
64


          
  

          
       
"Coming Back Around"

        

   
97 Slower ()

 

            
   107
        


               
                  
  

                 
              


               

    

            
        
 

             
         
 

   
      
  
                 
138

 
  
       
  

 Music from the Motion Picture
Clarinet 1º HOW TO TRAIN YOUR DRAGON JOHN POWELL


(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals

"This is Berk"

      
 
Slowy ()
 


    
Rit..

 
     
9 Allegro ()

  
   
 3 3

                          
        
14

     
 3 3 3 3 3 3 3 3 3 3 3 3

                      
           
     
3 3
 3 3 3 3 3 3 3 3

                   22       
3

   
     
 
3
        
3 3 3 3 3 3 3 3 3

              
            

3
  
3
  
3
 3  3
           
3 3 3 3

               

  
        
 3 3 3 3 3 3 3 3

                              
    
    
solo

 3 3 3 3 3 3 3 3 3 3 3 3

        
         

 
        
35

          43  
3 3 3 3 3

   
3

          
     

3
 3
 3 3   3  3        
3 3

      
3

        

  
 
3 3 3 3 3 3 3 3 3 3

                       
        

3 3

©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2

          
  
53

      

     
Move ahead ()
  80   
  
64


        
  

 

              

   

"Coming Back Around"
97 Slower ()
         
      

               
         
107


                
        
      

 
             
             
     
     
            
      

        
             
 

       
                     

             
    
       
   
138

  
  
      
  


 Music from the Motion Picture
Clarinet 2º HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals


"This is Berk"

  Slowy ()
     
  
Rit..

  
 
Allegro ()  

      
 
9

       
 3

3

                  3                3
14 3 3

              
3

 
 3 3 3 3 3 3 3 3 3 3

                 3                3    
3

  
3

          

 3 3 3 3 3 3 3 3 3 3 3

 
                                                 
22

        
3 3 3
3
3 3 3 3  3 3

                  
3

        
   
3 3 3 3

3 3 3 3 3

  
 
35
  
3

     

3 3 3 3 3 3 3 3


     43 
                                                  
      
 3 3 3 3
3  3
 3 3 3 3

                     
             
       
3 3 3 3 3 3 3 3 3 3

                  
                   
53

3 3

       
         


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON
2

   80          
Move ahead ()

 
64

   

       
  

 
"Coming Back Around"

                  
Slower ()

     
97

 

    

       

      

107

              
  
       
                             
 

       
                       

                           
  
  

               
         

          138
           
        

 
      
 


 Music from the Motion Picture
Clarinet 3º HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals


"This is Berk"

  Slowy ()
  
      

    
Rit..

 
       
9

Allegro ()

     
 3
3

                 3                3
14 3

  
3

            
3

  
 3 3 3 3 3 3 3 3 3 3

                 3                3
3

  
3

            
3

 
 3 3 3 3 3 3 3 3 3 3

               
22
         
3 3 3 3 3 3 3

       
             
     
3 3 3 3

  3 3

                        
3

  
3 3 3 3

    

3 3 3 3
3 3

   

35
  
                              
3 3 3 3 3 3 3 3 3


      
    
    
3

              
3 3

  
 
 
3

     
                 
43
         

 3 3 3 3 3 3 3 3 3

 
                                       
  
3 3 3 3 3 3 3 3 3

                 53                
   
3


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON
2


Move ahead ()


              
64 80

     
 

  
                      
     

   
       
 
  
 
 
 
      

"Coming Back Around"


97 Slower ()
  

      
  
   
  
      
    
107

     
    
     
             
                   
     
   
                   
                

          
           



       
             


          138      
   
        

     
       


 Music from the Motion Picture
Clarinet 4º HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals


"This is Berk"

  Slowy ()
 
 
Rit..

      

  
  
Allegro ()

     
9 14

         
3

 3 
    


    
              
3 3 3 3 3 3 3

 
3


3 3 3 3

      
 3 3 3 3

         
 
                            
3

  
3

        
3 3 3

  
 3 3 3 3 3 3 3 3 3 3

 

       
     
35 3 3

    
 3
          

      
      
 
3

    
3
43 3


3 3 3 3


3 3 3

 
       


   3     
 
3 3

     

33 3 3 3 33 3

     3

          
            
53
            
3 3

     


               

  

  
64 Move ahead ()

                  
       

©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2

 
       
80
           
     


     
 

 
 
 
  
 
 
 
 
 


  
   
 



    
   
"Coming Back Around"
97 Slower ()
        
                
   


       
107

 


   
 
       

  
             
            



       
                 
 
   

           
            
    

                
 
138
        
  

        
             
  
 Music from the Motion Picture
Clarinet 5º HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
"This is Berk"

 
Slowy ()
 
     
    
  Rit..

9

Allegro ()
          
           
14 22
 
 3 3 
         
 
                            
3

  
3

        
3 3 3

  
 3 3 3 3 3 3 3 3 3 3


  3  
  
35
      
3 3 3

         
  
                   
                
43
  
3

  
   3 3 3 3

                              
                
3 3 3 3 3 3 3 3   

            
53

    
3 3

       



Move ahead ()
64
            


        
       


80

    
 
   
           
  


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2


  


    
         
"Coming Back Around"


Slower ()
   
           
97

   
    
 
          
107

 
   
 
 


    



    
              

 
                           
 

    

   
                 
   

   
                    
138
     
    

     
 
             
   

   
 Music from the Motion Picture

Clarinet 6º
HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
"This is Berk"

  Slowy ()

  
Rit..

     
             
 


9 Allegro ()

             
3 3 14

      
    

 
   
3 3 3 3 3 3 3 3 3

       
                
       


22

                  
3 3 3

      
        

  
         
3 3 3 35

 
         
 
 
 
3 3 3 3

                


          
43
       
                             
3 3 3 3 3 3

 
         

3 3

 3   3  3      
   
3

  
                       
 
 
53

           
   


64 Move ahead ()


           


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON
2

 
  
80
 
       
"Coming Back Around"

  
97
    
Slower ()

         
     

   
     
107

         
       

    
      
    


        
          
  

        
           

 138
         
       
      
 

      
    
    
 
 Music from the Motion Picture
Clarinet 7º
HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
"This is Berk"

 
 
Slowy ()
 
Rit..

         

 
Allegro ()


9

  
14

3 3 3

       

 
 
   
22

3 3 3 3 3 3 3 3 3

       
               
        
  

    
3 3 3

             
                      

          
 
     
35

3 3 3

                 
    

    43 
        
3 3

       
     
          
 
         
     
3 3 3 3 3 3

        

          


    

  
53

              
      
 

     
        


64 Move ahead ()


        


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2



80


       


"Coming Back Around"

  
    
97 Slower ()

          
      

 
107

        
 

 
                

       
   
       
  

 
          


     
138
   
      
   

         
     
   
 Music from the Motion Picture
Clarinet Bass HOW TO TRAIN YOUR DRAGON JOHN POWELL
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
"This is Berk"
 
 
Slowy ()

        
 Rit..


9 Allegro ()


3 3 3 3 3 3 3

                                 
 
  
14

             
         
         
 
22

  
       


 
 
                     
       

   
            
    
3 3 3 3

       

                  
     
 
     
35

 
3

             
       
 
 43 
                  
3 3

                 
         
     
      

    
53
 
   
      
               
    

    
          
   


Move ahead ()
64
   
    


©Gino Gonçals
 HOW TO TRAIN YOUR DRAGON 2


  
     
 



80

   
     
  


     
    
 
"Coming Back Around"

   
Slower ()

  
97

        
    

  
107

         
    

    
  
     
 

     
    
   
  
  
           
        
    

      
138
     
       
      

      
  

 
