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BER N A R D H A R T LE Y & PETER V IN EY

DESTINATIONS
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A: Excuse m e. D olores G otten?


B : Y es?
A: Hi. I'm B rad J o rd a n ...fro m Lem on
C o m p u te rs? H ow J o y o u do?
B: H ow d o you do? T'm g lad to m eet
y ou, Brad. T h an k you for com in g to
m eet us.
A; It's p le a s u re . I lo w w a s the trip?
B: Fine. O h. I'd like y o u to m eet Ron
E ng. H e 's o u r sales m a n a g e r.
A: H o w d o y o u do, Ron?

E x e r c is e 1
A: Bob Crawford?

A: Hello. I’m Helen Kirby, from G eneral


Technologies. How do you do?

A: 11s a pleasure. Did you have a good


trip?

A: Oh, let m e introduce you to Charlie


Vitto H e’s our financial m anager.

C: Karen!
D: Hi. Jo d v . H ow are v o u d o in g ?
C: G reat. H ow a re: y ou? 1 h a v e n 't
seen y o u for ages.
D: I'm all tig h t. A re you h e re to
m eet so m eb o d y ?
C : N o , m y m om just left to r M iam i.
P>: Do you h av e Lime fo r coffee?
C: S u re, i’d love som e.

E: M arg aret, hi.


F: H ello, C arol. I low are v o u ’
E: O h, I'm OK H o w are y o u
g ettin g along?
F: Fine, th an k s. H o w are L arrv and
th e kids?
E: E v e ry b o d y 's lin e. M y c a r's jUst
o u tsid e . Let m e take one of y o u r
bags.
F: O h . th an k s. C areful, it's h eavy.
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C : Hi. W h a t tim e y o u r n e x t flight to N’ew


Y ork?
IT: T w o fortv-fivo. F lig h t 604 to La G u a rd i a
A ir p o r t T h ere's apace av ailab le.
G: W h at's the o n e-w ay hire?
H: I t s S22H.70 w ith tax.
G: OK. T here y o u go. P ut it on my Visa card,
please
H: All rig h t, lu st a secon d .

E x e r c is e 2
Look at the conversation betw een G and H.
and practice two similar conversations, one for
Boston and one for Chicago.


Air Stream line D epartures from Middleburg
Air Streamline Fares (tax included)
Service to FlightD eparts
’•ra$Bs:; i In r r Fares
Boston (Logan} 317 11:05AM From Middleburg
New York fLa Guardia) 604 2:45PM To Boston one-way $228.70
Los A ngeles (LAX) 410 4:15PM ____________________ round-trip $457.40
ss
Chicago (O'Hare) 104 3:55 pm To Chicago one-way $128.20
i si t .%&].:
Atlanta 211 10 : 2 0 p m round-trip $256.40
. . . .

'f' : » -

I: Well, hi there!
]r U h— hello.
I: H o w a r e y o u do in g ?
J: O h —‘fine. U h—-excuse m e .... Do I k n o w
y o u from so m ew h ere ?
I: S u re, it s m e, Kick B allestrina.
): t in sorry. I d o n 't thin k I know vou.
1: A re n 't you Jose C ortes?
J: No, I'm afraid not.
1: O h, ex cu se m e I th o u g h t y o u w ere
so m eo n e else. I'm so sorry.
J: T h a t's all rig h t.

O L is t e n in g E x e r c is e 3
Listen to the airport announcem ents. Look at the exam ple and com plete the How a re you?
chart in the sam e way. I'm fiw , H i>w tin- you?
1. Hi!
2. I’m so sorry.
3. T hank you very much for coming to
m eet us.
4. Aren't you Michael Jack m an ?
5. How are you getting along?
6. T here you go
7. E xcuse me.
8. Good-bye.
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Is everything ready?

ifiMTftOLROOM
GREEN ROOM jam Paine
- “—Director:,_.c^ r * £ P rie s

Running O rder

U-JLigH+g -to a UdlenV,


to stud.

CAM 1

This Is Your Life is a very p o p u la r his in tro d u ctio n at 8:01, a n d Bill


E x e r c is e 1
sh o w on A m erican TV. Every Week, will get here at 8:02. Joe will m eet
Ihey in', ite ,i w ell-k n o w n perso n to a him a t the door. C am era 4 will be Each of the g u ests will say a few
TV stu d io . T he p e rs o n d o e sn ’t k n o w there. T hen he'll ta k e him to that words about William Paine. Look at
that he o r she will b e the subject of sofa. It'll be on C am era 3. Bill w ill the running order above.
the p ro g ram . The host g reets th e be sittin g th e re d u rin g th e w h o le A: Who'll be speaking at 8:06?
p erso n w ith "This Is Y our Life!” The p ro g ram . For m o st of th e show , jo e B: His schoolteacher will.
p erso n then m eets frien d s an d w ill b e sittin g next to th e sofa or Ask and answ er about: 8:04 8:10.
relatives from the past a n d p resen t. sta n d in g on d ial "X." H e'll be on 8:15. 8:19. and 8:27.
They tap e the p ro g ra m before a live C am era 2. The g u ests will com e
audience. The taping begins a t eight th ro u g h that do o r, talk to Bill a n d E x e r c is e 2
o'clock. It's 6:45 n o w and the d ire c to r loe, a n d then go backstage. N o w ,
A: What'll be happening a t 7:45?
is ch eck in g the p re p aratio n s w ith h e r is th a t clear?
B: A com edian will be telling jokes to
new p ro d u ctio n assistant. The subject P ro d u c tio n A ssista n t: Yes, b u t—
the audience.
of to n ig h t's sh o w w ill be a n actor, u h — there is o n e th in g ...
W illiam Paine. The host, a s u su al, D irector: W ell, w h a t is it? Ask and answ er about: 7:57, 8:35,
w ill be loe C am p an aro , PA: W here will Lhe g u ests be w aiting and 9:00.
b efo re th ey com e tin?
D irector: OK. W e're b rin g in g Bill D irector: T he g reen ro o m — 401. E x e r c is e 3
P ain e here in a ren ted lim ousine. S tep h an ie w ill be sitting th ere w ith The g u ests will be waiting in Room
H e thinks he's com ing to ta p e a them . T h ey ’ll be w atch in g the 401 from 7:50 until they go on.
talk-show app earan ce . W e'v e told sh o w o n a m o n itor. She'll cue them A: How long will his sister be waiting?
t h t1d riv e r to arriv e a t exactly 7:55. tw o m in u tes befo re they co m e on. B: She'll be waiting tor 13 minutes.
The p ro g ra m begins at e ig h t PA: OK. I think th at covers
ev ery th in g . Ask and answ er about the other
o'clock. At th a t tim e. Bill w ill be guests.
w alk in g to th e stu d io , loe w ill start
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T h is Is Y our L ife!

lead in g actors, a n d h e th in k s lie's


co m in g h e re lo r a ta lk sh o w . 1
L oo k a t th is :
o
th in k Lh e a r h im n o w Yes, here
he is: W illiam P a in e, th is is y o u r
life!
P aine: O h, no! I c a n 't believe it! N ot Program. Th i s l g Y our LLf-a _Dale *1;v
Origin' KRKF.. 1^03 Angelas
m e __ SkibjtfCU.W lllijn B . PaitiB
C a m p a n a ro : Yes. you! C o m e in witin C h r is g r i c s
m e n o w . L ad ies a n d g en tle m e n ,
W illiam Paine! Sit rig h t o v e r h ere, S u b je c t's B io g r a p h ic a l D a ta
Bill. L et's beg in at the b e g in n in g . L a s t n a m e : WnrT-'ak-i. .jja ta g e nam e: W illio n » P a lp a l'
You w e re b o rn In P ro v id e n ce , F ir s t N a m e : lteg^tan ____________ ____ __ __
R ho d e Islan d , on July 2, 1958. You.
C a m p a n a ro : G o o d e v e n in g a n d w ere th e y o u n g e st o f six ch ild ren . M id d le n a m c /l n i t i a l : 1 „ _______
w elcom e to This />• Your Life! I'm Y our m o th e r w as a m odel, and D a te o f b k r tfa :___ ....................... . ...
y o u r host, Joe C am p a n a ro . W e 're y o u r fath er w o rk ed at a fu rn itu re P la c e o f b i r t h : P gavA aaag n , KT_____ _________
w aitin g for th e subject of to n ig h t's sto re. O f co u rse, v o u r n a m e w as N a tio n a lity : Acrpcxcdu (UiS.fr.............................. _
p ro g ram . H e's o n e of th e w o rld 's H e rm a n W artski then. E d u c o t j o n v a u c n g y -H.S. - .
Y a l e S c h o o l o f D ram a, Wevi H a v e n

C a m p a n a ro : Do y o u reco g n ize th is
A d d r e s s * T 7 S u n a h i x ie Boulerviaxxi
voice?
M ollyvw ood, CA 9 0 2 1 4
V oice: I rem em b er H erm — u h . Bill—
w h e n h e w as tw o. H e u sed to cry W
a n d scream all d ay . M a rita l s ta tu s ;. -
P aine: R oseanne! O c c u p a tio n l A c tm r
C a m p a n a ro : All th e w ay from
T okyo— w e flew h er h e re to be
w ith y o u to n ig h t— y o u r sister, E x e r c is e
R oseanne W artski T a tsu k a w a .
P aine: Rosie, w hy d id n 't y o u tell m e? Ask another student questions and fill
C a m p a n a ro : Yes, you h a v e n 't seen out the form.
each o th e r for n in e years. T ake a
seat next to h im , R oseanne. Y ou C a m p a n a ro : D o y o u know th is
voice? ••{i^olph^fedunard ProductkxM))*
w e n t to school in P ro v id e n c e an d
g o t v o u r d ip lo m a fro m W h itn ev V oice: Say, Bill, can y o u rid e a h o rse
H igh School in 1976. yet? Origin:
P ain e: Rita!
C am p a n a ro : Yes, Rita C olon, w h o 's Host: ------ Director
flo w n in from N ew York, w h ere .S u b je c t's B io g r a p h ic a l D a ta
sh e 's a p p e a rin g In the n e w rm isical
The Ronuurce Dance. L a s i rm m c :.. ...... ....... __________________
C o lo n : Bill, d arlin g ! It's so w o n d e rfu l F i r s t N a m e : ___ :......................................
to see y o u . H ello, Joe, d arlin g . Bill M i d d le n n n te y io iU a l;.
a n d I w ere in a m o v ie to g e th e r in D a te o f b i r t h .......___
1984. Bill h a d to learn to rid e a EMace o f b i r t h : ■_
C a m p a n a ro : Do you rem e m b e r this h o rse, a n d ...w e ll. Bill d o e s n 't like N a tio n a lity : .....___
voice? h o rses v ery m uch. Education:— ____________
V oice: H erm an ! Stop d a y d re a m in g ! I P ain e: L ike th em ? I'm sca re d to
ask ed y o u a question! d e a th o f them-)!
P ain e: Incredible! it's Mr. T heissen. C o lo n : A n y w ay , p o o r Bill p racticed
C a m p a n a ro : Y our E nglish teac h er, for tw o w eek s. T h en h e w e n t to the
M r. Irw in T h eissen . W as Bill a d ire c to r— it w a s John G a lv e sto n —
g o o d stu d e n t. Mr. T heissen ? a n d said , "W h a t d o y o u w a n t m e
T h e iss e n : W ell, n o t really. N o, he to d o ? " John said , "I w a n t y o u to M a r ita l s ta tu s :.,

w a s the w orst in the class. B ut he fall off the h o rse ." Bill w a s furious. O c c u p a tio n : , , ,

w as a g reat actor, ev en in th o se H e said, “WTiat?! Fall off! I'v e been


d a y s. H e co u ld im itate ail the p racticin g for tw o W eeks. I co u ld
teachers. fall o ff the first d a y — w ith o u t any
C a m p a n a ro : T h an k y o u , Mr. p ractice!"
T heissen. You can talk to Bill later.
W ell, Bill, you w e n t o n to th e Yale
School o f D ram a in 1978 a n d
fin ish ed in 1982. In 1983, y o u w ent
to H o lly w o o d .
o
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Vancouver
The Louisville Rally

I (584mm)

Missoula
u s Billings Toronto

J(4£MmSmj 3(540 miles?

Rawlins 4i36i wzw Grand Rapids


North Platte 5 '470 mifesf.
4135? miles!
5(5 13 milesi
Kansas City

Las Vegas 5(331 miles! 5(451mifesf

Albuquerque 4mm}

3(594 miles) 4(580 miles


Tallahasa
2(406 mm

Houston
New Orleans

D river: Erie Rogers D riv en C raig Hal pern D river: B ernard W estbrook
R egion: Pacific N o rth w est R egion: S o u th ern C alifornia R egion: S outheast
Age: 2N Age: 32 Age: 31
S tartin g point: Vancouv er S ta rtin g p o in t: San Diego S ta rtin g p o in t: Miami
Cor: Pontiac G rand Am C ar: C h ev ro let l.um ina Car: Ford T h u n d erb ird
E ngine d isp lacem en t: 2.31/140 cu in E ngine d isp lac e m e n t: T4 1/207 cu. in E ngine disp lacem en t: 3.tt 1/231.3 cu in
T op speed; (estim ate) 108 m ph T o p sp eed : I *5 m ph (216 k m /h ) T o p sp eed : U«ilimate)145 m ph
(173 k m /h ) Fuel econom y: cily 17 m pg, highw ay (232 k m /h )
Fuel econom y: citv 22 m pg, h ig h w ay 26 m p g Fuel econom y: citv t7 m pg, h ig h w av
34 m pg O v erall d im e n sio n s 26 m p g
O verall d im e n sio n s L ength: 1^8.3 in (503.7 cm) O v erall d im e n sio n s
L ength: IH7.9 in (477.3 cm) W idth: 73.7 in <182-1 cm) L ength: 200.7 in (3()*•-*.8 cm )
W idth: (>7.5 in {171.5 a n ) H eig h t: 33.4 in <135.6 cm) W idth: 72.5 in (IH4.2 cm)
H eight: 53.4 in (135.6 cm) H eig h t: 53.fi in 1136.1 cm)
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T h e L o u isv illeR allv . w hich sta rte d in R ally N ew s from C SN ,


1^91, it quickly b eco m in g o n e o f th e C ab le S p o rts N e tw o rk
m o st fa m o u s car e v en ts in Ilie Uni led
N o w h e re 's a re p o r t fro m Bob
States. C o m p e tito rs leav e Ivom
C ostello.
sev eral p a in ts a ro u n d N o rth A m erica
Portltind a n d follow ro u te s of a p p ro x im a tely Bob: H ello from Billings, M ontana.
11481 miles)
e q u a l le n g th to a rally in g p o in t, It's n in e o 'clo ck o n M o n d ay 1n ig h t,
w h ich will be K ansas C ity th is year. S ep te m b e r 2?, an d the Pacific
ttawo T h en they follow a sin g le ro u te to Ihe N o rth w e st co m p e tito rs in the
finish. T he rallv co n sists of six d aily I .onisville Rally h a v e just a rriv ed
stag es, b eg in n in g on S u n d a y here at th e end of th e second sta g e in
^ li' m o rn in g , a n d each c o m p e tito r will th is y e a r's co n test. Eric Rogers, w h o 's
h a v e d riv e n o v e r 2,000 m ile s by d riv in g a P ontiac G ra n d A m , is in th e
F rid a y night, ll is n o t a race. T he lead. C h ris S ullivan, w h o w on last
w in n e r is d e c id e d on a p o in ts svstem . y e a r's rally, c ra s h e d n e a r Spo k an e,
D riv e rs h av e to m a in ta in an av e ra g e W ash in g to n , this m o rn in g . C h ris w as
sp eed b e tw een co ntrol p o in ts, and not h u rt, b u t h e will b e u n a b le to
th ere are also special tests ol d riv in g c o n tin u e . S even o th e r d riv e rs h a v e
mu m^ u mu U^ u skill in d iffe re n t c o n d itio n s on Lhe w ith d ra w n d u e to b ad w e ath e r
Wav. co ndition?. T o n ig h t the d riv e rs, w h o
L E 6 E N D left from S eattle o n S u n d a y m o rn in g ,
w ill be h e a d in g in to W y o m in g .
□ Start Start
Stage I Sunday E x e r c is e 1 E x e r c is e 4
Stage 2 Monday Look al ihe information about the first Look at Bob C ostello's report and the
driver. m ap.
Stage 3 Tuesday Whirl's his umite? All tbe cars started on Sunday
Stage 4 Wednesday His name’s Eric Rogers morning.
■ Stage 5 Thursday Wluit ivgiiM does he refvesenl.’ Where is the first dr w et now? He s hi
He represents the Pacific Northwest Billings, Mnrihi nn.
■ Stage 6 Friday I-loze old is he? Where did he start? He started in
He's 28. Vancouver.
Ask an d answ er q uestions about the Hoie long Inis he I'ecu driving1 lie's been
Miami other drivers. drwing for two dm/s.
Hotv nuimr utiles has he driven? He's
E x e r c is e 2 driven 584 miles {940 km).

Look at the information about the first Ask and answ er questions about the
car. olher drivers.
WJuit make is it?
E x e r c is e 5
it's a Pontiac Grand Am.
Hmo fast con it go? Look al the map. II s Monday night.
The top speed is IOS tttph ( 173 hn/ht. Where wilt Erie Rogers (>e h>monvu>
! low mitch gas does it use7 night? He'll he in Rawlins. Wi/oming.
22 mpg in the city. .34 mpg on the highway. What will he be doing tomorrow? lie'll be
Htiw long is it7 driving from Billings to Raw!ms.
ft's 187.9 inf 477.3 cm. Ask and answ er questions about
'How nude is it? W ednesday and Thursday.
If '> 67.5 m/'LTl.5 cm.
H ow high is it ? Do the sa m e lor the other drivers
D river: Alex Rossi 11 s 53.4 ini I >,">.<>cut
E x e r c is e 6
R egion: N o rth east Ask and answ er questions aboul the
Age: 30 other cars. Look al the information about Eric
S ta rtin g p o in t: P o rtlan d , M aine Rogers.
Car: C h ev ro let M onte C arlo E x e r c is e 3 On T uesday night he'll be in Rawlins.
E n g in e d is p la c e m e n t: 3.4 1/2117cu in Wyoming.
T o p sp e e d : (esrim ate)l3 3 m p h Look at the informalior about the Hoit1far will he Imre driven on Tuesday?
(213 k m /h ) drivers. He’ll hum- driven 1.347 miles (2.167 krril.
Fuel econ o m y : city 17 m p g , h ig h w ay Bernard WtelbrcKfk's older than Alev Rossi
Eric Rot*jTT'i isn't a sold as Bernard Ask and answ er q uestions about
23 m p g W ednesday and Thursday.
O v erall d im e n s io n s Westbrook.
L en g th : 2l)!).3 in (508.H cm ) Chirg Hit!fern's the. oldest Do the sa m e for the other drivers,
W id th : 72.7 in ( IS4.7 a n ) Make com parisons about ihe cars
H eig h t: 52,5 in 1133.4 cm ) using: fast/long/wide/high/economical.
e
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The Romance Connection

Z9 2 6 t : ^ v
E V E R M A K K IE P P IV O R C E P N£VER MARKIN

A n n o u n cer: W elcom e to The Romance Joel: W ell, M ike so u n d s like q u ite a au d ien c e, w hich one do y o u think
Connection, w here old-fashioned rom antic. N ext th ere w as G eorge. R oxanne should go o u t w ith: M ike,
rom ance m eets m o d e m technology. G eorge: G ood ev en in g , R oxanne. 1 G eorge, o r Tim?
N ow here's y o u r host, Joel Preiss. enjoy g ettin g d ressed u p and
Joel: G ood evening, ladies and g o in g o u t on the tow n ..d in n e r in
gentlem en. O u r rirst guest tonight fine restau ran ts, th e th eater or E x e r c is e 1
if- Roxanne M atthew s. Roxanne is a concerts, d an cin g . I’m alw ays Discuss: Who should Roxanne go out
financial analyst. She likes skiing, try in g n e w p la c e s... I g e t bo red with? Why?
snorkelingr an d eatin g in good goin g to tlie sam e re stau ra n ts all
restaurants. Roxanne has been to all th e time. I also like d riv in g fast E x e r c is e 2
the four-star restau ran ts in the area! cars an d listening to m y favorite
I tike plai/irtg fc’imis.
She loves going to th e th eater and CDs w hile Tdrive. I'd love h a v in g
the m ovies. She d ates ab o u t once so m eo n e in the p asse n g er seat Write sen ten ces about yourself with:
every tw o w eeks, b u t sh e's tired of sh a rin g th e experien ce w ith me. love/enjoy/llke/don't like/dislike/hate/
d atin g m en w h o w o n 't m ak e a c a n ’t stand.
com m itm ent. Hello, Roxanne! }oei: Well, w h at d o vou th in k of that.
R oxanne: H i, Joel. It's nice to be here. R oxanne? A n d finally, th ere w as E x e r c is e 3
Tim . I'm tarred of falling.
Joel: N ow let's see the tap es that Tim : Hi, Roxanne. 1 love traveling to
Roxanne saw . A nd then you'll get a faraw ay places an d seeing new Write sen ten c es about yourself with:
chance to vote on w ho she sh o u ld sights. I've recently com e back afraid of/terrified of/scared of.
go out w ith. First there w as Mike. from a trip to th e p y ra m id s in
M ike: H i, R oxanne. Let m e tell you a E gypt. T h e y 're am azing. They E x e r c is e 4
little about m yself. I really enjov m ak e vou b eliev e th a t an y th in g 's J get bored going lo the same restaurants
cooking, a n d I'd love to have possible. N o w I'm interested in nlI the lime.
someone to cook tor! I started learn in g m ore a b o u t th e ancient Write se n ten ces about yourself with:
p ain tin g a few m o n th s a g o ... E gyptians. I enjoy eatin g great fed up withybored with/tired of/
w atercolors of su n sets at th e eth n ic food an d m eeting p eo p le interested in.
beach ..-an d I'm really p re tty good, from o th e r cultu res. I g av e u p
if I m u st sav so m yself. I like traveling w ith o th e r p eo p le E x e r c is e 5
play in g tennis, going skiing, a n d because no one 1 k n ew h ad niv
going hiking. I'm q u ite a n athlete, sense of ad v e n tu re .., b u t I'm not I gave ujr traveling with other people.
really. I'm not in terested in rock giv in g u p lo oking for som eone! Write se n ten ces about yourself with:
clim bing o r sk y d iv in g ... I'm Joel: Well, th ere you h a v e th e ihree start/begin/stop/give up.
scared of falling! But I d o n 't m ind can d id a te s for Roxanne. N ow,
falling in love.
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G etting a job

Look al these ads for job openings.

C o m p u te r O p e ra to r; Expanding d a ta -p ro c sssin g
d e p a rtm e n t n e e d s an o p e ra to r with two y ea rs of
A S400 ex p erien ce to handle daily op eratio n s.
S e n d re s u m e to: P erso n n e l Director, Am erican
Diversified, 485 C ortlandl S treet,
P ittsburgh, PA 15620.
D en tal R e c e p tio n is t:
Part-tim e. Bilingual
S a le s -M a ts u d a o f T okyo: S panish /E n g lish M ature,
O pportunities available for bright. R esp o n d with
s a le s p e rs o n in fash io n ab le qualifications an d salary
boutique. Fax re s u m e and req u irem en ts. Larkin
re fe re n c e s to: (412) 531- A gency, 2 5 4 23rd S treet,
9898 A ttention N .C ^ Pittsburgh, PA 15620.

C o ver letter
For so m e jobs, vou h a v e to fill o u t an ap p licatio n , usually M ake a g o o d f ir s t im j ' k e s s io n :
in p erso n . For o th er jobs, you h a v e to se n d a resum e, • T y p e the le tte r neatlv on good statio n ery .
w hich you in clu d e w ith a co v er letter. A fter the e m p lo y e r • C h eck for sp e llin g m istakes. Use a d ictio n a ry if y o u a re
looks o v er v our a p p licatio n or re su m e , vou m a y be called not su re of a w o rd , o r u se a c o m p u te r spellirtg-checker.
for tin in terv iew . H ere is p a rt o f a. b ro c h u re w hich w as p u t • Follow sta n d a rd , b u sin ess-lelter form at. A d d re ss the
o u t bv a state e m p lo y m e n t office. T he office h elp s p e o p le letter a n d e n v e lo p e clearly.
Who a re looking for jobs.

THE INTERVIEW 421 L afayette Drive A n 'a y


What do I do well? School activities? S » Paul, MN 55105 P 17
What are my good points'? School subjects? A Pril 9. 1996
Why would I like this job? Previous job?
Personnel Director
Hobbies? Interests? Part-time work?
9 3 5 ^ (n ta ,C 0 m ^ r (' Corp.
What do I like doing and why? 935 W atson Avenue
What do I not like doing and why? pauJ, M NS5101
You will want to ask questions too:
Dear Personnel Director
The job itself? Can i see where I would be working?
Training? Hours?
Prospects for advancement? Money?
Educational opportunities? Conditions?
Write down your answers and go over them just before you go
into the interview.
BEFORE THE INTERVIEW ________________________
P ° o S t rgSyStemS an d c w n p S K S S d ordereVeral
1. Find out all you can about the company.
2. Find out the interviewer's name and office phone number.
3. Find out where the interview is. ?6uf fi^ f> o n 7 w ^h you Y ^ u c a n ^ f° d isC u ss"V
(612) 328-2174 Can reaCh m e at
4. Find out how to get there and how long it will take you to get there.
5. Make sure you know what the job involves. Sincerely yours.
6. Dress to look clean and neat.
AT THE INTERVIEW______________________________
/ W synsc)

Peter Meyers
DOs Enclosure
1. Arrive early. Call ahead if you're delayed.
2. Shake hand firmly.
3. Try to smile and show confidence.
4. Ask questions and show interest in the job.
5. Be polite, listen carefully, and speak clearly.
E x e r c is e 1
DON’Ts
1. Don't panic. (Breathe deeply and remember your good points.) Look at the three ad s with a partner. Take turns telling
2. Don't slouch or look bored. which job you would apply for and why.
(Stand and sit straight; make eye contact.)
3. Don't smoke or chew gum. E x e r c is e 2
4. Don't give one*word answers or say you don't care what you do. Write a letter applying for one of the three jobs.
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Battle of Sheridan Street
o
Thursday, September 4

BATTLE OF SHERIDAN STREET


BY M A R V I N R O T H S T E I N

P o lic e a n d H o u s in g A u t h o r it y
o ffic ia ls h a d to tu rn b a ck a g c in
yeste rd ay w hen they tried to talk
to M rs. Florence H a m ilifo n . They
estim ated th a t at least 2 0 o f Mrs.
H a m i l t o n 's dogs (th e exact
n u m b e r o f dogs liv in g w ith M rs.
H a m ilto n is no t kn o w n ] g u a rd e d
both the front a n d back doors o f
her house at 8 7 5 Sheridon Street
in the city's East Side section.
C ity o ffic ia ls w e re h o p in g to The H ousing A u th o rity plans to Police w a n te d to use s tro n g e r
speak to the 8 3 -y e a r-o ld w id o w , b u ild a lo w - in c o m e h o u s in g methods fo rem ove M rs. H am ilton
w h o is still refusing to leave he r project in the area. A ll o f the other a n d h e r d o g s fro m th e ir house,
h o m e . E very o th e r h o u se in an reside nts a g re e d to m ove w h e n b u t p u b lic o p in io n h a s fo rc e d
area of several c ily blocks aro un d the a u th o rity o ffe re d to re lo ca te th e m to ta k e a m o re c a u tio u s
M rs. H a m ilto n 's house has been them to n e w a p a rtm e n ts in the ap pro ach,
dem olished. Continued on Page B3

C hannel 7 N ew sdesk A lan: S tu b b o rn ? Well, it is h e r hom e. A lan N elson for C h a n n e l 7


M artin ez: Yes, an d it's b een her N ew sd esk . A nd now to C in d y
K aty Z alui: W e h av e tw o rep o rts
h o m e f o r a lo n g tim e, I kn o w But W o n g , w h o is w ith M rs. Florence
to n ig h t on th a t c o n tin u in g story
n o b o d y else refused to m ove. You I lam ilto n at her h o m e on S h erid an
from S heridan Street. First, lei's go
see, W e're go in g to build 41)0 Street.
to re p o rte r A lan N elson at C itv
a p a rtm e n ts in th at a rea. W e ex p ect
H all.
to h a v e a b o u t 1,200 p e o p le living O L is te n in g
R eport t
th e re w h en th e project is finished. Listen to Report 2. Cindy W ong’s
You have to b a lan c e th a t ag ain st interview with Mrs. Hamilton, and
A lan: Thanks, Katy. W ell, right now , one p e rso n a n d a pack of dogs.
th e C itv I lo using A u th o rity isn't answ er ihe following question: What
A tan: But M rs. H am ilto n w as bo rn in d o e s Mrs. Hamilton want?
w o rk in g on an y th in g except the th at house, a n d sh e is try ing to
" B r it t le ol S h erid an S treet." It's one g iv e a ho m e to the h o m eless d o g s
w o m an a n d h e r pets v ersu s Citv of this citv. E x e r c is e 1
H all, a n d so far sh e 's w in n in g . Ms. M artin ez : O f course. But w e have “ . .the other residents agreed to
H ild a M a rtin e t, the d ire c to r of the p ro m ised to relo cate h e r and o n e move.,.** ,-tyjt'of fr Hitwr is an exam ple
H o u sin g A u th o rity , h a s a g reed to o t h e r d o g s to a m o d ern a p a rtm e n t ol a verb + io + another verb.
talk w ith us. Ms. M artin ez, h as tiw in a senior-oitizens project. I he R ead the n ew spaper article and Alan
situ atio n ch an g ed sin ce y esterd ay ? o th e r d o g s will go to the ASPCA. N elson’s report again and pick out
M artin ez: No, A lan, it h asn 't. M rs. A lan: So, w h a t h a p p e n s next? other exam ples of verbs with to and
H am ilto n i^ still in her h ouse, a n d M a rtin e z : W e c a n 't w ait forever. We another verb.
she still refuses to talk to us. w a n t the ASPCA to tak e all th e
A lan: W h at a re you g o in g lo do? d o g s tirst. T hen w e h o p e to talk to E x e r c is e 2
M artin ez : It s a difficult situ atio n Mrs. I lam i Iton a n d convince her to
W e'd like h e r to com e o u t m ove. W e h a v e to d o so m eth in g Write five se n te n c e s about your plans/
peacefully. T he police d o n 't in ten d soon. intenticns/expectations/hopes for the
to a rre st her, b u t sh e 's a very A lan: T h an k you. Ms. M a rtin e z .... next live years.
stu b b o rn w om an! Live from Citv H all, this has been
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S en ding a card

G reetin g ca rd s are big b u sin e ss in the U n ited States. M illions of c a rd s are se n t


every y ear, and y o u can buy c a rd s for e v e ry special occasion— o r fo r no
p a rtic u la r occasion al dll You can se n d c a rd t. for C h ristm as, N ew Y ear's,
F asler, b irth d a y s, en g ag e m e n ts, w ed d in g s, b irth s, V alen tin e’s Day, M o th e r's
Day, F ath er's D ay, H allo w een , T h an k sg iv in g , illness, g ra d u a tio n , p ro m o tio n .

J n
w I si—-•

l>//> t f / w i ' ( s / * yo/f/Y>/{j H appy B ir th d a y !

/ w a s So S o r r y fy? h e a r
a b o u t y o u r d a d s passing. //J*
d iffic u lt -fop u tm fo tvords how
m uch h e m e a n f ta ore. i rem em ber E x e r c is e 1
when he was M r I i f He League, sorry to hear.. .iMighicd to gel. etc., are
coach H e m ts a/w ays re a d y to exam ples of the structure: adjective +
" d p rue devebp my abr/stres, a n d h e to + verb. Using this structure and
was always w ilin g f0 to m e som e new s you've heard recently,
H ease. e xp ress m y c o n d o /e ^ e s write your own greeting card.
to yo u r fam ily.
W e d d in g a n n iv e r s a r ie s
R e ^ te .
T u n TRA D IT IO N A L t . l l t S
FOR FACTI ANiNTVtRSARY:
1st p ap er 25th silver
2nd eolton 30th pearl
3rd leather 35th jade
4th linen 40th ruby
^o on! 5 til w ood 45th sapphire
10th tin 30th gold
15th crvstal 55th em erald
< JW t r n a tt& j^
20th china With diam ond
UXU. M£al&y 'Upasit t&
E x e r c is e 2
S uggest a suitable gtft for each
anniversary above.
2nd anniversary cotton
Vcik could give a tablecloth or soine
hnr/'if..
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Marriage counseling

Jon ath an rind B arbara W einer have


been m arried for nearly 15 years.
Thev have tw o ch ild ren , G ary, a g e d
11. and D ebbie, 9. D u rin g the last
c o u p le of years, Jo n ath an an d Barbara
h a v e n 't been verv h ap p y . T hey arg u e
all th e tim e. B arbara's sille r advised
them to go to a m arria g e Counselor. A
m arria g e co u n selo r helps m arried
co u p les to talk ab o u t their problem s
a n d to solve them , if possible.
S om etim es Jo n ath an an d B arbara
m eet w ith the co u n selo r sep arately ,
an d o th e r tu n es they m eet w ith h er
. This is Jo n ad ian and
s third session With Dr. Joyce
Sisters, the counselor.

B a r b a r a ’s s e s s i o n get d in n e r on th e table. He n ev er
. S isters: O h, com e in, B arbara. d o e s a n y th in g in the ho u se
D r. S isters: I lium .
H av e a seat. D id n ’t Jon ath an
com e? B arbara: And last Friday! H e invited
th ree of his frien d s to com e o v er
B arbara: Yes, h e’s w a itin g o u tsid e
fa r a drin k. H e d id n 't tell m e to
H e d id n 't w a n t to com e this w eek,
expect them . I d o n 't th in k th at's
b u t., .w ell, 1 p e rsu a d e d him to
right, do you?
com e.
Dr. S isters: B arbara, I'm n o t here to
. S isters: I see. H o w have th in g s
been going? p ass judgm ent. I'm here to listen.
B arbara: I’m sorry. And h e 's so
Barbara: O h, a b o u t the same. W e still
seem to h av e fights all th e tim e. m essy. H e 's w orse th a n the kids. I
D r. S isters: W hat d o you fight a lw ay s have to re m in d him to pick
about? u p his clothes. I le ju st th ro w s
th em on th e floor. A fter all, I'm not
B arbara: W hat iJon't w e fight ab o u t,
you m ean ? W e fight a b o u t h is m other. A nd I h av e m y ow n
career. A ctually, I th in k th a t's pari
ev ery th in g . H e's so in co n sid erate.
D r. S isters: 1 low so? of the trouble. You see, I m ake
W elt, I'll give you an m o re m oney th an he does.
exam ple. You k n o w , w h e n the
c h ild ren started school, 1 w an ted O L iste n in g
to go back to teaching again. So I Listen lo Jonathan's session with Dr.
got a job. W ell, an y w ay , bv the S isters.
lim e I'v e p icked G ary an d Debbie Answer the following questions:
Why did Barbara have to force Jonathan to
u p a t m y sister's house— she picks come to the session?
them u p at school— I o n ly get I
How does Jonathan feel about Barbara's
h om e a b o u t half an h our before job?
Jonathan. Why don't Jonathan and Barbara talk
. S isters: Yes? much?
m
W ell, w h e n he g ets hom e, Why won't Barbara lei the children ride their If
he expects m e to ru n aro u n d a n d bikes to school?

E x e r c is e 1 E x e r c is e 2 E x e r c is e 3
Ikir farm's sister utivisiul than to go . They’re very tired. They can ’t ta!k. Discuss Jonathan and B arbara's
There are six other sen te n c e s like this Thfl/'iv too tut'd to talk. problems in groups. What would you
on this page. Continue. advise him/her to do? Who do you
1. They're very young. They shouldn't think is right?
Underline them or write them out
ride bikes to school.
2. H e's very old, He can ’t go to work.
3. We were very surprised. We
couldn’t say anything
4. S h e's very sick. S he shouldn't go
out.
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At hom e w ith the B aldw ins

T h e B aldw in fam ily is like m an y c o n tem p o ra ry A m erican fam ilies:


b oth p a ren ts w ork. E van is a law y er, Lynn is a p h o to g ra p h e r, Z ach ,
12, is in sev e n th g ra d e , an d C hlo e, S, is in fo u rth g rad e.

7 :3 0 am
Evan: Z ach ary , a re you re a d y fo r breakfast?
Zach: N o, Dad. I h a v e to m ak e m y bed first.
Evan: OK, b u t h u rry up. M o m 's m ak in g h o t cereal. By th e w ay , w h at
d o y o u w an I for lu n ch to d ay ?
Z ach: C an 1 h a v e tu rk ey ? I'm tired o f tu n a.
Evan: No problem .

C h lo e: M om , I c a n 't find m y red sw e a te r, an d I w a n t to w e a r it today.


L ynn: I th in k it's in the h am p er. I'm g o in g to d o th e la u n d ry later, so
you can w e a r it to m o rro w . C an I m a k e a su g g estio n ? W hy d o n 't
y o u w ea r y o u r p in k sw e a te r to d ay ? .
C hloe: O h, all rig h t C an y o u d o m y h air now ?
L ynn: In a m in u te I have to g et Z ach. H is b reakfast is g ettin g cold.
C hloe: Is D a d d y m a k in g d in n e r tonig h t?
L ynn: L 'h-huh.
C hloe: C an w e ha vc* sp a g h e tti a n d m eatballs?
L ynn: OK. 1 h a v e to m ak e a sh o p p in g list. I'm g o in g to d o the
sh o p p in g on m y w ay hom e. W ould you check to see if w e h a v e an y
sp a g h e tti, please?

7 : 3 0 pm
L ynn: Z ach ary , h a v e yo u d o n e y o u r h o m e w o rk yet?
Z ach: Yeah, M om . I d id it right after k a ra te class.
L y n n : G reat. Let m e look at it.
Z ach: H ere, M o m . LIere ’s m y ho m ew o rk .
L ynn: You d id a g o o d job, Z ach. Did y o u h a v e to d o a n y th in g else?
Z ach: Uh, 1 also h a d to d o so m e re a d in g in m y h isto ry book. A n d I
had to d o a cro ssw o rd p u z z le for science. It w a s easv, though.
Lynn: Y ou're su re y ou d id n 't m ake an y m istakes?
Z ach: Y up. T'm positive.

Evan: H ey, C hloe. W hat a re y o u d o in g ?


C h lo e: I'm m ak in g a p ictu re for the sto ry I w ro te in school today.
E van: O h . y eah ? Terrific. C an I see it? It's v e ry p rettv . I like th e colors.
C h lo e: T h an k s, D ad.
Evan: C hloe, go look in th e kitchen. Ls M o m m aking coffee?
C hloe: Uh, no. D a d d y , sh e 's d o in g th e dishes,
E van: O h. 1 g u ess I can w ait a few m in u tes. I h a v e to m ak e a call.
C h lo e: A re you calling G ran d m a?
Evan: No. It’s a b u sin ess call. I told so m e o n e I'd call h im before 8:00
to n ig h t. 1 hate to d o b u sin e ss from hom e, b u t h e 's a special case.

Do M akf. L o o k a t th is:
the shopping a scene " H a v e y o u done y o u r h o m ew o rk yet?"
w ork pla ns "I'm doing th e d ish es."
hom ew ork coffee "I h a v e to make m y bed first."
housew ork a suggestion "Is Dad making d in n e r to n ig h t?"
(he cleaning a call
the ironing a decision E x e r c is e 1
the dishes a bed I aimays do m y homework.
one's hair an effort / made my bed this morning.
som ething interesting an excuse
<1 good job a mistake Write len sen ten ces, five With do and five with make
business a noise
errands a profit E x e r c is e 2
a favor din n er Discuss: Do you think men and women should sh are the housekeeping
a puzzle trouble chores and parenting duties? Do you think children should have to do
the laundry a list chores?
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Sounding polite

W e u s e w o rd s like please, thank i/au, i i L is te n in g 2


a n d you're welcome to be polite. Bui
w e also co m m u n icate p o liten ess w ith Listen to the conversations. The sen ten ce below each picture is what the sp eak er
o u r voice Lining stress, into n atio n , and will say next. Predict how the sp eak er will say the sentence.
lone.
STtirss is how loud syllables or
w o rd s are.
I n t o n a t i o n ' is t h e w a y t h e v o i c e r i s e s
nnd f a lls .
T one is Ilie* m an n er of o u r ex p ressio n .

L isten to these sentences. T h e Words


are th e sam e, hut the m essage is
different: the first- is polite; the second
is not.
Polite: C ould yon hold die d o o r
Open, please?
Im p o lite: C ould you hold th e d o o r
op en , please?

t * L is te n in g 1
Listen to these sentences. Write P for
Could you walk a little faster, please?
polite. / for impolite.
Would you turn down the radio.
. . . please?
Would you turn down the radio,
. . . please?
Would you turn down the radio,
. . . please?

. . . O pen the door, please.


. . . O pen the door, please.
. . . Open the door, please.

. . . Could you make a copy of this?


. . . Could you m ake a copy of this?
Can I u se that pen?
. . . Could you make a copy of this?

. . . Can I u se your stapler?


. . . Can I u se your stapler?
. . . Can I u se your stapler?

Would you please lake our


. . . picture?
Would you please take our
. . . picture?
Would you please lake our
. . . picture7

. . . Can f gel change for a dollar?


. , , Can I gel change for a dollar? Would you mind turning off the TV?
Listen again and check your answ ers
. . . Can I gel change for a dollar?
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Polite requests

G: D o y o u need so m e help ? M; C a n I h elp y o u , m a 'a m ?


H: O h , th a n k vo u . W o u ld v o u m in d N: I b eg y o u r p a rd o n ?
p u ttin g m y su itc a se u p o n th e M: C an I h e lp y o u , m a 'a m ?
A: M ike?
rack? N: O h. N o, no th a n k s. I'm just
B; Yeah?
G: N o t a t all. T h e re you go. looking.
A: C lose th e d o o r, w ill y o u ? It's
H: O h , th a n k y o u so m u c h . Y o u 're S ir /P a rd o n ?
freezing in here.
v ery k ind. M iss/E x c u se m e?
B: Sure. I'm so rry .
b a g /u n d e r Ihe seal
sh u t th e w in d o w / cold
sh o p p in g b a g /r a c k
o p e n the d o o r / very hoi

O: G o o d m o rn in g .
1: Excuse m e. I t s utility in h ere. Do P: G o o d m o rn in g . I w o n d e r il y o u
y o u m in d if I o p e n th e w in d o w ? can h eip m e. I'm lo o k in g for a
J: No. I d o n 't m in d a t all. I'd like F ath er’s D ay p resen t for m y
C: K aren? so m e fresh a ir too.
D: H m m ? father.
C: Lend m e 50 cents. I left m y p u rs e c o Id /c lo s e /c o ld too O: H a v e y o u th o u g h t a b o u t a nice
in d ie office. feel h o t/o p e n /s tu f f y Loo tie?
D: O h, OK. I lere. P: H m m ...m a y b e . C o u ld you sh o w
C: T h an k s. m e so m e o f y o u r ties?
£0 / w a lle t S I / h a n d bn g w e d d in g /c o u s in / s o m e to w els

K: fix-cuse m e, L o rrain e. C o u ld I ask


you so m eth in g ?
L: S u re. W e n d y . W h al is it?
K: O in I h a v e th e d a y off next Q: E xcuse m e.
F rid ay ? R: Yes?
L: W ell, w e 're v e ry b u sy no w . Is it Q: I w o n d e r if y o u 'd m ind h a n d in g
E: E xcuse m e. C o u ld y o u p a s s th e im p o rta n t? m e o n e of th o se ca n s of p e a s—o n
su g a r? K: Yeah, it is. really. ILs m y c o u sin ’s th e to p shell. I c a n 't reach it.
E: O f course. T h e re y o u are. w e d d in g . 11: O h , su re. T h ere y o u are.
E: T h a n k you v ery m u ch . L: O h. w ell, of c o u rs e you cant Q: T h a n k you v ery m uch.
cream salt pepper T u e s d a y /s is te r box o f co rn flak es p a c k a g e of p asta
W ed n e sd a y / n e p h e w roll o f p a p e r towels, b o ttle of oil
T h u rs d a v /n ie c e
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A trip to Los A n g eles

Jam es: OK. W h e re 's the tag? M rs. H all: W h a t a b o u t sm all c h a n g e


M rs. H all: W h at tag, h o n ? to m a k e p h o n e calls?
Jam es: T he n a m e tag th a t th e a irlin e Jam es: C heck. I h a v e a p o ck etfu l o f
g a v e m e to p u t o n the su itcase. O h , coins.
h e re it is.
M rs. H a th N o w , d o y o u h a v e th e M rs. H all: Is th ere so m e o n e to m eet
Jam es H all h as .1 n ew job w ith L em on key? y o u in Los A ngeles?
C o m p u te rs in P h ilad elp h ia . 1 Ie 's2 2 Jam es: W h at key? Jam e s: N o , M om . I'll re n t a c a r an d
a n d just o u t o f college. As p a rt of his M rs. H a ll: T he key to lock th e go to ..i hotel, n e a r th e office. T hey
train in g , lie h a s to sp e n d six w e e k s at su itcase, of course. su g g e ste d th e I lo lly w o o d Inn.
co m p an y h e a d q u a rte rs n e a r Los Jam es: It's in th e lock, M om , T h e re 's M rs. H a ll: Do y o u h a v e a
A n g eles. It's his first b u sin e ss trip , n o th in g to w o rry a b o u t. T h e re 's reserv atio n ?
a n d h e 's p a c k in g h is su itcase. H e p le n ty of tim e. Jam es: I h o p e so. I a sk e d th e m to
Lives w ith his p a re n ts, a n d h is m o th e r M rs. H a ll: I lav e y o u fo rg o tten m ak e it— the h o te l re se rv a tio n , I
is h e lp in g him . a n y th in g ? m e a n . I re s e rv e d the c a r m yself.
Janies: I h o p e n o t. M rs. H all: W ell, tak e care of y o u rs e lf
M rs. H all: A nd y o u h a v e a sate a n d be g o o d . C all u s to n ig h t.
p o ck et fo r y o u r tra v e le r's checks? Jam es: T h a n k s, M om . I w ill.
Jam es: Yes, th e y 're in m y in s id e c o at M rs. H all: O h , I n early forgot! H e re 's
p ocket. so m e g u m to chew on the p la n e —
M rs. H all: D o y o u h a v e a b o o k to you k n o w , w h e n it's co m in g d o w n .
re a d on th e p lan e? Jam es: O h r M om . D o n 't w o rry . I'll be
Jam es: Yes, it's in m y b riefcase. all rig h t. I'll see y o u next m o n th .

E x e r c is e 1
J a m e s m ad e a list. Look a t it,

M rs. H all: Jim m y , h a v e n 't y o u


fin ish e d p a c k in g yet?
Jam es: N o, M om , b u t it's all rig h t.
T h e re is n 't m uch to d o .
M rs. H a ll: W ell, I'll g iv e y o u a h an d .
O h. T here is n 't m u c h ro o m left. Is
th ere a n y w h e re to p u t y o u r
s h a v in g kit?
Jan ies: Y eah, su re It’ll g o in h ere.
N o w , I h a v e th ree m o re sh irts to He remembered ti> puck hi* whirls.
p ack. T hey'll go on to p , b u t th e re 's He forgot hr pack hi< mwawf.
a n o th e r p a ir of shoes to g et in ... Continue.
M rs. H all: Put th e m h ere, o n e o n
each side. T here. O K , I th in k w e E x e r c is e 2
c an clo se it n ow .
D iscuss: Why do you think Mrs. Hall w as so worried? Do you think sh e should
have b e en ?
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Flying to Los A n geles

^ if L is te n in g 1: At t h e a irp o rt I n - f l ig h t q u e s t i o n n a i r e

Ja m e s is al Ihe Air USA terminal at the airport. H e's already Attendant: Excuse m e, sir. W ould you m in d filling out
checked in. H e's been through the security check, and he's tliis q u estio n n aire?
gone to the gate to wait for his (light Listen to the fam es: W h at's it ab o u t?
announcem ents. Look at the screen below, look at the A tte n d a n t: It's a survey.
exam ple, and com plete the chart in Ihe sam e way. Jam es: OK. I'll till it out.

_________RIR USR_________
FLIGHT DESTINATION GRTE DEPARTS
932 Syracuse W 3:25
217
558
563
67
mm Bll
i&,:LU5=:___ r__ i__ - --- “L~
often ^ b u sln « SOTforp,e- su^
O L is t e n in g 2: In flig h t
Ja m e s is now on the plane. Listen to the announcem ents and .™Ucho„ „ rc % A irU S -
answ er these questions.
1. W hat's Ihe pilot's nam e? W hal are they waiting for? How
long will the delay be? W hen will they arrive in Los
Angeles?
2. W hat kind of plane is it? How fast is it going? W here is the A uto rental
plane? How hot is it in Los A ngeles7 W hat's ihe w eather
lika? Why should the p asse n g e rs keep their se a t bells
fastened?
3. W h afs Ihe plane beginning to do? W hat should the
p asse n g e rs d o 7
4. W hat should the p assen g e rs do? Who should they s e e if
they have questions?
B ever ag es o n the plane

C u sto m e r S erv ice R e p rese n ta tiv e : M ay I h e lp VOU?


lam es: Yes. I h a v e a reserv atio n . M \ n am e is Jam es Hall.
My c o n firm a tio n n u m b e r is 7?0<S8$21.
Rep.: 75088821. lust a m o m e n t, sir. A h, yes, I have it. L)k.
I iu st need so m e in fo rm a tio n . T h a t's H all, Jam es.
A d d re ss?
Jam es: 427 L ong w ood A venue, P h ilad elp h ia, PA 19119.
F lig h t A tte n d a n t: S o m eth in g to d rin k , sir? Rep.: A re you h e re for b u sin ess or for p leasu re?
|a m e s: Y e a h ...u h ...y e s, thanks. I'd like so m e d u b so d a. Jam es: Business. Uh. I'm su p p o se d to get the c o rp o rate
A ttendant: W ith lim e o r w ith o u t? disci runt.
Jam es: W ith lim e, p le a s e .... Uh. h o w m u c h is th at? Rep.: O h, yes, I see it here. A n d h o w lo n g will you need
A tte n d a n t: It’s co m p lim en tary . The so ft d rin k s a re free. the car?
Jam es: (.re a t. Uh, w ill you be se rv in g d in n e r soon? Jam es: O n e w eek.
A tte n d a n t: Sure. As soon as w e finish the b e v e ra g e Rep.: All right M ay 1 see y o u r d riv e r's license an d a
service. m ajo r c re d it card ?
Jam es: Oil good. W hat is it? Jam es: Just a m o m e n t...o h , no! I left m v d riv e r's license in
A tte n d a n t: W e h a v e a choice to d ay of lasag n a o r chicken P h iladelphia!
Jam es: T hanks. U h, w o u ld you m in d g iv in g m e so m e
m ore pean u ts? I'm g e ttin g k in d of h u n g ry .
A tte n d a n t: ,\’o t at all, sir. h e re you go.
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M oney

U .S . a n d C a n a d i a n m o n e y L is t e n in g : B u y in g w it h a c r e d i t c a r d
Read the text and compare with currency in your country.
Credit cards can be used
M acG izm os INC.
T A M P A FL. in millions of locations
T im e : 12:3 4 pm D a te : 11/30 worldwide. They can be
C a ta lo g n u m b e r : ------------------------
used for buying things by
telephone. This is useful
C u stom er’s N a m e :--------------------------------- if you want to buy things
A d d re s s :------------------------------------------------- from another country.
Listen to the
________________ Zip C o d e :____________ conversation and
ra complete the credit card
slip on the left.
Card Num ber: -1.1 .LI 1 1 1.11 I I I I I I I I
Expiration date: ________________________
Name on card: ------------------------------------------
■TlfK-y. Total: $ -----------------------------------------------------
Send by: C lS urface D A ir D C o u rie r
T h a n k y o u fo r s h o p p in g w ith u s !
U .S. tr e a s u ry b ills (greenbacks in sla n g ) a re d iffe re n t
fro m th o s e in m o s t c o u n trie s. T h e y 're a ll th e sa m e c o lo r
a n d size. M o st p e o p le in th e U n ite d S ta te s d o n o t w a n t to C r e d it c a r d n u m b e r s
c h a n g e e ith e r th e lo o k o r th e feel o f th e ir m o n e y . F or
W h y c a n 't p e o p le ju s t o rd e r g o o d s b y p h o n e , w ith in v e n te d
e x a m p le , th e d o lla r b ill is n o w a p re tty sm a ll u n it fo r a
c re d it c ard n u m b e rs? C re d it c a rd s h a v e b e tw e e n 15- a n d 20-
bill. A few y e a rs ag o , a d o lla r c o in w a s in tro d u c e d , b u t it
d ig it card n u m b e rs. In fact, w ith ju st a n e ig h t-d ig it n u m b e r a
w a s u n p o p u la r . B ecau se A m e ric a n b ills lo o k th e sa m e ,
c re d it c a rd c o m p a n y c o u ld h a v e 100 m illio n d iffe re n t
c a sh ie rs w ill o fte n sa y " o u t o f tw e n ty " w h e n y o u g iv e
c a rd h o ld e rs. T h e lo n g n u m b e r is a se c u rity device. For
th e m a $20 b ill, so th a t th e re w o n 't b e a n y d is p u te la te r.
e x am p le, A m e ric a n E x p ress c a rd s h a v e a 15 -d igit n u m b e r. If
In C a n a d a , th e b ills are d iffe re n t siz e s a n d colors. O n e y o u w rite d o w n a n y 15-digit n u m b e r, th e ch an ce o f it b e in g
C a n a d ia n d o lla r is a co in a n d tw o -d o lla r b ills a re c o m m o n . a n a c tu a l c re d it c a rd n u m b e r is o n e in 90 m illion.
C a n a d ia n s call th e d o lla r c o in a loony b e c a u se th e b ir d on M a s te rC a rd s can h a v e 20 d ig its. T he ch an ce o f m a tc h in g a
th e c o in is a lo o n . Loony is a lso a sla n g n a m e fo r crazy. real n u m b e r is a b o u t o n e in o n e a n d a h a lf trillion!

A T M s ( A u t o m a t ic T e l l e r M a c h i n e s )

A nsw er th e s e questions:
Do you have an ATM card ?
How often do you u se it?
H ave you ev er u sed it in a foreign country?
Is your ATM card a s e p a ra te card, or is it a com bined credit an d ATM c a rd ?
Look at th e s e A m erican ATM s c re e n s. T hey show so m e o n e withdrawing
$200 from their checking account.
N um ber the s c re e n s in th e co rrect se q u e n c e from 1 to 7.

Are ATM instructions th e sa m e in your country?


C an you g et any oth er se rv ic e s from an ATM?
M a s te rC a rd a n d th e M a s te rC a rd In te rlo c k in g C irc le s a re re g is te re d m a rk s o w n e d by a n d u s e d w ith p e rm is s io n of M a s te rC a rd In te rn a tio n a l In c o rp o ra te d .
V IS A a n d the B lue, W h ite & G o ld B a n d s D e s ig n a re re g is te re d s e rv ic e m a rk s of V is a In te rn a tio n a l S e rv ic e A s s o c ia tio n .
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M oney, m oney, m oney!
o

Lynn tsunKer is at a n e a marKet in a


small C onnecticut town. S h e ’s just
se e n a g lass bowl a t o n e of the
sta n d s. S h e collects A m erican g la ss
o bjects m ad e during th e 1930s. S h e ’s
interested in buying th e bowl. Listen
to her conversation with th e ow ner of
th e stan d , an d an sw er th e s e
questions.
1. How m uch d o e s he sa y it’s w orth?
2. How m uch is he asking for it?
3. W hat d o e s b u ck m ean ?
4. He su g g e s ts five different prices.
Write them down.
5. S h e m ak e s th ree offers. Write
them down.

S o m e s a y i n g s in E n g l i s h a b o u t m o n e y :

"A penny sa ve d is a "A fool and his m oney "N either a borrow er
penny earned." are soon parted." nor a lender be."
B e n ja m in F r a n k l in F ro m H a m le t
by W illia m S h a k e s p e a re
W h e re d o y o u c a rry y o u r s p e n d in g
D o y o u sa v e m o n e y ? A re y o u sa v in g m oney?
for a n y th in g rig h t n o w ? W h at? H a v e y o u e v e r b o rr o w e d m o n e y fro m
(a) in a p u rs e
a n y o n e ? W h o from ? H o w m u c h ?
(b) in a w a lle t
D o y o u k eep y o u r m o n e y (c) in a p o c k e t
H a v e y o u e v e r le n t m o n e y to a n y o n e ?
(a) in th e b an k ? If y o u k e e p it in a p o c k e t, w h ic h
(b) in a safe? W h o to? H o w m u c h ?
p o c k e t d o y o u k e e p it in?
(c) in a bo o k ? (a) in s id e p o c k e t of c o a t/ja c k e t
<d) u n d e r the b ed ? A re y o u in d e b t a t th e m o m e n t (i.e.,
(b) b re a s t p o c k e t of c o a t/ja c k e t
(e) in th e re frig e ra to r? d o y o u o w e a n y o n e a n y m o n ey )?
(c) sid e p o c k e t o f c o at /ja c k e t
(d) b a c k p o c k e t of p a n ts
D o y o u h a v e a b a n k a cco u n t? D o y o u D o es a n y o n e o w e y o u a n y m o n ey ?
(e) fro n t p o c k e t o f p a n ts
h a v e a c h e c k in g a c c o u n t o r a sa v in g s W h o ? H o w m u ch ?
a cc o u n t? W h a t's th e in te re s t rate? If H ave you ever had your pocket
y o u r a c c o u n t w a s o v e rd ra w n , h o w p ic k e d ?
m u c h w o u ld th e b a n k c h a rg e y o u ?
W h e n y o u sta y in a h o te l, d o y o u h id e
"The custom er is
y o u r m o n e y ? W h ere? a lw a y s right."
(a) in y o u r su itc a se
"Buy now; p a y later." (b) u n d e r th e m a ttre ss H a v e y o u b o u g h t a n y th in g th is
(c) in th e p illo w w eek ? W h at?
H a v e y o u e v e r b o u g h t a n y th in g o n (d )in a book W h a t d id it cost? W as it w o rth it?
c re d it? W h at? D id y o u p a y a d e p o sit? (e) so m e w h e re else W as it n e w o r u se d ?
D o y o u th in k it's a g o o d id ea ? W as it a b a rg a in ? D id y o u g e t a
Is g a m b lin g leg a l o r ille g a l in y o u r rec e ip t?
D o y o u h a v e a c re d it card ? W h ich c ity /s ta te /p r o v in c e /c o u n tr y ? ' D o
one"? (V isa? A m e ric a n E x p ress? p e o p le b et? W h a t d o th e y b e t on? H a v e y o u e v e r re tu rn e d a n y th in g y o u
D in e r's C lu b ? M a ste rC a rd ? ) (a) c a rd s h a d b o u g h t? W h a t? W h ere?
(b) h o rse ra c in g D id y o u g e t y o u r m o n e y b ac k , a n e w
W h e n y o u p a y cash , d o y o u a sk fo r a (c) d o g ra cin g article, a d iffe re n t article, o r c re d it fo r
d isc o u n t? D o y o u u s u a lly g e t it? (d) f o o tb a ll/s o c c e r /b o x in g /o th e r a fu tu re p u rc h a s e ?
s p o rt
(e) n a tio n a l lo tte ry
(f) so m e th in g else
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Inside story

KIDNAPPED!
BY JULIE MENDOZA th e founder of th e J Mart
CHICAGO, June 28— Billy chain discount sto re s. His
Simpson, th e ten-year-old wife, Emily, had been in
son of multimillionaire P aris and w as flying back in
bu sin ess executive Jules the Sim psons' private jet
'ik" Sim pson, w as apparently when word of th e kidnapping
kidnapped yesterday from reached her.
his-family’s e s ta te in a Police spokesperson Lisa
suburb near here. The boy G alacko say s they have no
w as fishing alone a t th e su s p e c ts yet, but they are
k i d n a p p e r s pond, about a half-mile from "pursuing certain le a d s .”
his house, w hen the The police are combing the
kidnapping took place. a rea near th e e s ta te and
Mr. Simpson, who w as not (continued on page B21j
S IM P S O N B O Y S A F E available tor com m ent, is

K idnappee tw o "lays 8 r8 lu m e 0

S .i n p s O f i .N o r a m o m * ^ ^ ^ Thoma5
L « L SVeven CoBb. 25. botlt
w o o d e d area. T h ey m a d e die boy rock a n d la n d e d in the cam p fire.
S f t h l f & o s u r r e n d e r e d to d a , 10
of Cblca&D. . umeci themselves believe th a t th e re w ere w ild H e g o t b u rn s o v e r 20% o f his bo dy.
Ch^ T w e « m ^ e L l e l y arrested and an im als in th e a r e a , a n d th at he In the m ea n tim e , Billy got d o w n
in and we lt , ^or ijagtm ent of sh o u ld sta y w ith them to b e safe. from th e tree by him self. T h a t's
taken to the hosptta
various v -o o n d s.u poUc e T h a t’s h o w th ey forced him to stay w h en A hern a n d C obb d ecid e d to
w ith them . g iv e up. T hey d ro v e Billy back to
' he tw0 R ep u rter: D id th ey h arm Billy? the estate, an d ask ed th e S im p so n s
were not injured tw U * poho®- H a w k in s: NJo. A fte r the tirst h o u r at to g e t them m edical atten tio n .
j continue fln page 81 &1 ^ ^ the cam p , th ey le t him w alk a b o u t
freely. T hey w ere su re th at he
E x e r c is e 1
w o u ld n 't g o far: h e w as too scared
A B N E v e n in g N e w s Underline exam ples in the story of:
In fact, they m a d e him collect
Y oung Billy Sim pson s o rd e al e n d e d w ood for a fire, an d he h a d a g re a t
a b ru p tly w h en the tw o k id n a p p e rs tim e. T h a t's w h e n he accid en tally force I so m eo n e to do som ething
re tu rn e d th e bov safely to the h it C obb in the h ead w ith a log. allow I
S im p so n h o m e earlier to d ay . Police R ep o rter: Is th a t w h y C o b b lo o k s >41
C o m m issio n er Ben H a w k in s has terrible? m ake | so m eo n e do som ething
sp o k en to the bos and th e tw o H a w k in s: W ell, in p a rt. Billv also g o t let I
k id n a p p e rs. W e 're w aitin g lo r th e A h ern to go b e rry -p ic k in g w ith
co m m issio n er lo a rriv e to begin his him . A h ern d id n 't realize he w as E x e r c is e 2
p ress conference. A h, here he is no w . w a lk in g th ro u g h p o iso n ivy; th a t's Wlten ! u-vfs 1/1 'tn ty i‘, irru [wreill* rmrde me
H a w k in s: G ood ev en in g . A s y o u w h y A h e rn 's go t all th o se ra sh e s go lo bed curly
k n o w , the S im p so n bov w a s o n him . When 1 ~L>ns younger, ntu pureut> didn't ter
retu rn e d safe a n d so u n d a t tw o R e p o rter: W hy d id n 't Biilv get me go out nt night.
o 'clock this aftern o o n . T he ra sh es?
k id n a p p e rs w ere p la n n in g to force H a w k in s: H e 's not affected by Write true se n te n c e s about when you
Mr. S im p so n to pay $10 m illion in p o iso n ivy. But A h ern certainly is! w ere younger.
ran so m for the b o y 's safe re tu rn . R e p o rte r: W hat else h a p p e n e d to C om pare your se n te n c e s with those of
R e p o rter: H o w exactly d id th ey C o b b a n d A h ern ? other students.
k id n a p Billy? H a w k in s: W ell, this m o rn in g , A h ern
H a w k in s: C obb an d A h e m m an ag ed a n d C o b b allo w ed Billy to p lav E x e r c is e 3
to tu n n e l u n d e r a secu rity fence n e a r th e cam p site. Billy w an te d to W hat do you think parents should
a n d fo u n d Billy fishing alo n e a t the p la y I ar 7.au, so he clim bed a tree. let/allow children to do? W hat should
p o n d . T hey forced Billy to go w ith But he w as afraid to clim b d o w n . they m ake/force them to do? Why?
th em th ro u g h th e tu n n el. T h en H e m a d e A h ern clim b u p to h elp
they m ade him gel in to th e ir car h im , b u t A h e m fell oft a n d n e a rly
a n d lie d o w n o n the back seal. b ro k e his leg. In his h u rrv to h elp
T hey took him to a rem o te. his b u d d y , C o b b trip p e d o v e r a
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P referen ces

A : W h a t are y o u d o in g to m o rro w
n ig h t?
B: N o th in g . W h y ?
A: W ell, d o y o u like m u sic? This Week in Denver
B: Yes, 1 do-— v e ry m u ch . Jazz. Fitnk. Country. Bluegrciss
A: W hich d o y o u like b e tte r—
c o u n tr y o r jazz? Blaze Foley and The Ramblers connin')
Try nur luncbw vc special:
8 : T iike b o th , a s a m a tte r of (act. Killy's twi Third (M I- ^ 4(1), Wed. A Timr\.
M u s h ro o m S oup
A: W ell, Joe F,d D av is is p la y in g at Split Pea Soiip
th e H o o t 'Nl 1Ioller. W o u ld y o u Jo Ed Oavis and The Harris County Line Band
(WuegrasM Hit'll 'N Holler(4W-3773),Tites,. -Thun: Chicken a Is king
lik e to go? S p ag h etti anti M e a tb a lls
B: Y eah, g reat! H e 's o n e o t m y M.G. Mallet trap) A p p le Pie ;i la M o d e
fav o rite s! Chocolate Layer Cake
Tltc Rilv, (561-7799). TlHirs.-Siil

C: H ey , C a rla , lo o k ... T h e y h a v e a Gloria Esterhaze in cont-eri. tpop.)


fa b u lo u s selectio n o f jeans!
D : O h , yeah! A n d th e y h a v e m y size!
Mermonut Coliseum 1485-5000). Sar S PM. E L11>]
I Th^XTER
E CAV'EN
AUKF E
M ile High Trio 'U / 4 M 1U £ F R O M H 1 T Z S IX P T F.X1
C: Y eah, b u t o n ly in Bee C e e s a n d
G u est lilakcLy's <870-94341. W e d -S u n 9 :0 0 a n d 1 1:00
D: Y eah. 11mm. I d o n 't lik e e ith e r o n e
o f th e m v e ry m u c h . I really ALL KINDS OF JEANS; BAGGY, STRAIGHT LEG, BOOT CUT. OVERALLS. SLIM FIT
w a n te d s o m e R u stler's.
C: But th e y d o n 't h a v e th e m in y o u r
size. T ry a p a ir o f B ee C ees.
D: N o, I'd ra th e r fin d so m e R u s tle r’s
JEANS
s o m e w h e r e else.

E: W ell, w h a t m o v ie d o y o u w a n t to
see?
F: H M om ent *>t Pence is a t th e
M C M 2. I'd like to see th a t.
E: I'd ra th e r n o t. L e t's se e A ll's Fair.
F: O h , no! T h e re v ie w s w e r e terrib le .
E: B ut it s o u n d s like fu n . A M o m en t of
Peace is in F ren ch a n d 1 re a lly
d o n 't w a n t to re a d su b title s .
F: T h e n h o w a b o u t Citlifonint SltHSc‘1? ALL SIZES/COLORS/SFYLES! CORNER & CENTENNIAL
E: I'd ra th e r not. 1 c a n ’t s ta n d S tev e
N ew m an.
F: W ell, y o u c h o o se th e n . 100% COTTON SHIRTS Movie Listings
E: Y ou k n o w . I 'd m u c h r a th e r s ta y
h o m e a n d r e n t a v id eo . CUSTOM MADE! D e n v e r (irea

G : W h a t d o y o u feel like h a v in g ? yum t &2


i O s
H : I d o n 't k n o w . T h e re is n 't m u ch !j§ Shudder! iK J i 8:0(1, 10:25
choice, is th ere? 'v?v A Moment of Peace iK> 6 ,4 5 . 8:30. U>;00
G : N o, n o t re ally . W h a t w o u ld y o u fFrench— English subtitles)
r a th e r h a v e ? C h ic k e n a la k in g o r ORDER NOW WHILE THEY LA5P.
s p a g h e tti a n d m e a tb a lls? Paramount
WOMEN'S AND MEN'S STYLES
H : I c a n 't m a k e u p m y m in d . U h— I 'd ^AvailablefnwliilBAn!om;lwi9»^!it|hl blu«/^ A ll's F a ir <R| 5 : 15, 7:45.
ju st like a truna fish s a n d w ic h . Sieve DeVvii. Melissa Marks
!lqto pFefertirtt* n*iul olltirhrcliut thoitK
G : W e can look at th e re g u la r m e n u ,
if y o u 'd Itke. iiWi'ssues l4-l!My2 (neckl ■Irttomorl'ssiaw32—*10 (hufll Rila. Sixph'V
H: N o, it's h o t w o rth it. I'll h a v e th e Neme:__________ ___________________ California Sunset <l?t'i.| 3.i " 3 0 ,9: lu. 11:05
sp ag h etti. Adl|l65J______ _______________ Sieve Newman, Gloria Gusro
City__ !?l|l CiKis _ What a Night! fPCi-t.li 8:00. 9:40
E x e r c is e Rnd tie Biru. Alexis Ri Jdlcj-
Plaase sand rnn . shlits. Sire .
You an d a friend are trying to decid e Talk! Talk! (PG 13) 6:30, 8: 10. 9:50
Color la (hairs .
w hat to do for th e evening: stay h o m e Carole Mankind, Wall Stult/
2nd diote
a n d rent a video, go dancing, go h e a r Are You Lonesome Tonight? i PG-1;
3id choice -
so m e m usic, e a t dinner in a restau ran t, 7:15. 8:4(1, 10:05
or go to the m ovies. H ave a [enckBfl plus $1-3) forshlppmo Hunk Giirvey l.oisFnuik
conversation, discussing your FASHION BY MAH • P.O. Ob* 5500. Donlfe CO60301
p re fe re n c e s. D ecide w hat to do
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* Earth Day

i T oday is Earth Day, and w e 're here in C en tral t\irk


; for th e big cle a n u p a n d celebrat ion. We asked so m e of
the p e o p le w ho turned o u l to d ay w h a t they Ihink w e
■o u g h t to d o to help the e n v iro n m en t.

W ell. i think w e 'd b e tte r do the d ev e lo p m en t an d use <>1 cars th at use altern ativ e
so m eth in g to protect the tropical en erg y so u rces— like electric cars, so la r-p o w ered cars, and
rain forests b efo re th e y 're all gone. cars th at run on m e th a n e gas.
You know , rain forests o n ly m ake
u p like tw o p ercen t o f th e E arth 's W e'd b etter n o t take the w ater w e
surface, b u t o v e r h alf the w o rld 's hav e for g ran ted in this country ,
w ild p la n t, anim al, an d insert Every day, w e co n su m e 450 billion
species live there. O n e o u l of ev ery g allons of w ater! W e get this w ater
fo u r p h arm aceu ticals com es from a p lan t in a tropical ram fumti o u r rivers, lakes, and
forest. W e o u g h t to su p p o rt o rg a n isa tio n s inv o lv ed in rain stream s, o r from g ro u n d w a te r,
forest conservation, like th e Rain Forest Action N e tw o rk a n d w e have been careless a b o u t
in San Francisco, h o w w e 'v e treated o u r w a te r
sources. W e o u g h t to take b e tte r care ot th e g ro u n d w a te r
The m ost im p o rta n t th in g to m e is and k ee p it sale front p o llu ta n ts— especially chem icals
to sav e a n d care for all the w ildlife th at p eo p le p o u r d o w n their d ra in s w ithout thin k in g or
in th e w orld. Did you know th a t g asoline leaks from u n d e rg ro u n d sto rag e Links. W e'd also
by th e year 2000, 20% o f all E arth 's b etter start co n serv in g w ater-
species cou ld be lost forever? A nd
w e 'd b etter not save o nly the E x e rc is e 1
m am m als—w e o u g h t to be
Discuss: What do you think people ought lo do to help the
con cern ed ab o u t the insects, fish,
environm ent7
am p h ib ian s, reptiles, and plan ts. 1 think th e g o v ern m en ts
of the w orld had better gel tog eth er a n d d o Som ething. E x e r c is e 2
I'm really w o rried a b o u t the Find words that mean:
<.|uaiity o f the air w e b reath e. C ars 1. controlled use ot natural resources like air, water, fuel
c a u se a lot of th e air p ollu tio n an d 2. warm-blooded anim als
e v e ry b o d y o u g h t to d o w h ate v e r 3. wild plants and anim als
p o ssib le to sto p it, vou k n o w . For 4. a sub-class of living things
exam ple, p eo p le o u ^ h l to d riv e 5. drugs
tog eth er o r use public 6. maintain by supplying money or other assistan ce
tran sp o rtatio n —-that w ould k eep 7. gives off
m illions o f p o u n d s of p o llu tio n out of the a tm o sp h ere . 8. other
People o u g h t to buy cars that g et g o o d gas m ileage an d 9. point of origin
keep them tu n e d u p an d ru n n in g well. The m o re g as a car 10. use up
uses, the m ore p ollutio n it em its. W e’d nil better su p p o rt
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19

"T his is y o u r cap ta in , Jo h n C ook, d o cto r, "I h ad th e beef for dinner,, joking. I w a s a pilot, b u t 1 flew
speak in g . W e 'v e reach ed o u r an d I'm fine. T he p a sse n g e rs w h o S irtgle-engined fighter planes, an d
c ru isin g a ltitu d e and I've ju st tu rn e d chose th e fish are sick." th at w as L5 years ago. This th in g 's
off th e Ffish'ii sent Heft -sign. O u r g o t fo u r engines! Is n 't th e re a n y b o d y
estim ated tim e of arriva] in The flight a tte n d a n t led h im to Ihe else?" he ask ed . " I'm afraid not,"
A nchorage is t :0f) am, so w e 'v e got a cockpit. T lie d o o r w as jam m ed. said the flight a tte n d a n t.
long flight ah ead of us. I h o p e you T o g eth er they p u sh e d it o p e n . The
enjoy it. O u r flight a tte n d a n ts w ill be cap ta in w as ly in g u n con scio u s T h e m an sa t d o w n a t the controls,
serv in g d in n e r sho rtly . T h an k y o u ." b e h in d the d o o r. T h e co p ilo t w as H is h a n d s w ere sh a k in g slightly. The
slu m p e d acro ss th e controls, a n d th e e n g in e e r connected h im to Air
It w as C h ristm a s Eve 1959. A lot of e n g in e e r w as try in g to rev iv e him . Traffic C o n tro l. T hey told him to
fee p assen g ers on the nearly full T h e d o c to r q u ick ly ex a m in e d th e tw o k eep flying o n au to m a tic pilot
p lan e w ere tra veling h o m e to sp en d m en. "Cart you lan d th e plane?" the to w ard A n ch o rag e an d w ait for
the h o lid ay s w ith th eir fam ilies. It d o cto r a sk e d th e e n g in ee r. "M e? No, fu rth e r in stru c tio n s from a n
w as a sm o o th a n d q u ie t flight. The I'm not a pilot. W e'v e go I to revive ex p erie n c ed pilot. An h o u r later, the
flight a tte n d a n ts had just finished them !" h e rep lied . " I he p la n e 's on lig h ts of A n ch o rag e a p p e a re d o n the
p icking u p th e tray s an d w e re in th e a u to m a tic pilo t. W e're OK for a h o rizo n . H e c o u ld set1 the lights o f
galley p u ttin g th in g s a w a v w h en the co u p le of h o u rs." "T hey co u ld be out th e ru n w a y sh in in g b rig h tly by a
first b u z z e rs so u n d ed . O n e o f th e fo r a long tim e," said th e d octor. "I'd lake. A ir T raffic C o n tro l fold h im to
flight a tte n d a n ts w en t d o w n the aisle b e tte r contact g ro u n d c o n tro l," said k eep circling u ntil th e fuel g au g e
to check. W hen she cam e back -he the e n g in ee r. "M aybe y o u sh o u ld reg iste red alm o st e m p ty . T his g a v e
looked su rp rise d . "It’s h m az in g ,” she m ak e a n a n n o u n c e m e n t a n d try to him a c h an ce to get u se d to h a n d lin g
said. "F ven o n a sm o o th flight like find o u t il th e re 's a p ilo t o n b o a rd ." the co n tro ls.
this tw o p e o p le have g o tte n sick." the d o c to r su g g e ste d . "W e can 't tlo
that!" th e flig h t a tte n d a n t said. "It'll
i i L is t e n in g
T w en ty m in u tes later n early h alf the c a u se a g en eral pan ic."
passen g ers w ere sicfc—v io le n tly sick. Listen lo the end of th e story and
S everal Were m o an in g a n d g ro an in g , S u d d e n ly sh e rem em b ere d an sw er th e se questions:
som e w e re d o u b le d u p in p a in , and so m eth in g . "O n e of the p a ss e n g e rs... What were the flight atten d an ts and
tw o w ere u n conscious. F o rtu n ately , 1 o v e rh e a rd h im saying th a t h e'd doctor doing?
there w as a d o c to r o n b o a rd , a n d he been a piJot.TU g e t h im ." S h e fo u n d How long did the plane circle?
w as h elp in g th e fligh t a tte n d a n ts. Fie th e m a n a n d asked h im to co m e to What, c au se d the bum p that shook the
cam e to the gaiiev a n d said , "I'd th e g aliev. " D id n 't y o u .say y o u u sed p lane?
better speak to th e pilot. T his is a to b e a pilot?" sh e a sk e d . "Y es,.. W hal vehicles w ere on the runway
severe case of food po isoning. 1 think w hy?" S h e led h im lo the cockpit. waiting for the plane to land7
w e 'd b e tte r land as so o n as possible." T hev ex p lain ed the situ atio n to him . W as the landing a su c c e s s?
"W h at cau sed it?" asked o n e of th e "You m ean , y o u w a n t m e to fly th e W hat did the man who w as piloting the
fligh t a tte n d a n ts . “W ell/' rep lied the plane?" he ask ed . "Y ou m u s t be plane ask the air-traffic controller?

m rn m m

p p i mm

38* SSI
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The antique store

S teve: It d id ? Let m e h av e a n o th e r
lo o k a t it. Yes, th e fra m e rea lly is
nice. I'll g iv e v o u $200.
M rs. V e n a b le : O h, m y, I d o n 't k n o w
vvhn l to d o . You see, I like Iha I
p a in tin g m yself.
Steve: A ll right- $250- T h a t's m v final
offer.
M rs. V e n a b le : L e t's s a y ...$275?
S tev e: OK. It's a deal,
M rs. V e n a b le : S h o u ld f w ra p it u p
to r y o u ?
S tev e: N o. no. I have th e v an o u tsid e.
It w a s nice d o in g b u sin e ss w ith
y o u . G o o d -bye f
M rs. V e n a b le : B ye-bye, h o n ey.
T h a n k vou. Yon c o m e back to see
us, y o u hear?

M rs. V e n a b le : B eau reg ard ?


Mx. V e n a b le : Yes, d a rlin g ?
M rs. V e n a b le : I'v e so ld a n o th e r o n e
of y o u r im itatio n W in slo w H o m ers.
Y o u 'd b e tte r b rin g a n o th e r o n e
A n ita Jam eson a n d S teve W eav er are Anita; U h .. .S teve, ch eck th e d o w n s ta irs , if th e p a in t’s d ry . T he
a n tiq u e d eale rs. T hey h av e a v ery sig n a tu re b efo re y o u g iv e h e r a y o u n g g e n tle m a n w h o b o u g h t it
su ccessfu l b u sin ess. T hey tra v e l h u n d re d b u c k s for th e chair. se e m e d v ery h a p p y w ith it
around, the c o u n try b u y in g a n tiq u e S tev e: D o n 't w’o rrv , A nita. 1 k n o w
fu rn itu re a n d p a in tin g s fro m flea w h a t I'm d o in g .
L o o k a t th is :
m a rk e ts, a n tiq u e stores, an d e ld e rly
p eople. S teve h a s just c o m e o u t of a M rs. V e n a b le : I'll b e w ith y o u in a It's certainly... It m ust be...
little a n tiq u e sto re, a n d he se e m s very m in u te. I'm nlmpfit certain ...
excited. S tev e: I'm in te re ste d in th at ch a ir in It's p ro b ab ly ... It could be...
th e w in d o w . It m a y b e . . .
S tev e: A nita, w e 'r e in luck! T h e re 's a M rs. V e n a b le : W h at? T h at oLd thing? It's possibly.. It m ight b e...
p a in tin g in th ere, a la n d sc a p e . It's It's been th ere fo r years! ( b u t a littl e l e s s
a g o o d one. I th o u g h t it m ig h t be S tev e: It has? U h ...it's v e rv nice. I possible than nun/)
v alu ab le, so I took a g o o d look at th in k iL c o u ld b e V ictorian.
th e sig n a tu re . It isn 't v e ry clear, M rs. V e n a b le : Really? It's probably n o t... It c a rl'tb e ...
b u t I th in k it m ay be a W inslow S tev e: Yes, I th in k I'm rig h t. I've seen i It's definitely n o t... It couldn't h e ,, -
H om er. o n e o r tw o o th e r c h airs like it. I
A n ita: A W in slo w H o m er?! It c a n 't th in k I c o u ld g et a g o o d p rice for
be! T h e y 're all in m u se u m s. th a t in N ew York. IT1 o ffer y o u E x e r c is e 1
T h e y 're w o rth a fortu n e! $ 100 . it's probably a hundred y ears old,
S tev e: W ell, so m e o n e fo u n d o n e a M rs. V e n a b le : A h u n d re d do llars! it ct'uhi fa i? frutnimi years ohL
c o u p le ol y ears ag o . T his m ig h t be You in u s t be o u t o f y o u r m in d !
a n o lh e r o n e . It's d irty , a n d il is n 't R ep h rase the following se n ten c es.
S tev e: N o, no. IL'sa fair price.
in very g ood co n d itio n . M rs. V e n a b le : W ell, th en , it's y o u rs. 1. It's definitely not by Leonardo
A n ita : H o w m u c h d o y o u th in k it's d a Vinci.
S tev e: T h e re y o u a re th en , SI 00.
w o rth ? G o o d -b y e . O h , by the w a y , th a t 2. It's probably not a Rem brandt.
S tev e: I d o n 't k n o w , m ay b e a m illio n ; p a in tin g ’s in a nice fram e. 3. It's certainly worth over a million
dollars.
it m ig h t even be w o rth m o ref M rs. V e n a b le : It's a nice p ic tu re ,
A n ita: Be carefu l, Steve. W e'd b e tte r 4. I'm alm osl certain it's in the
h o n ey . L ate 19th c e n tu ry . I'v e
Metropolitan M useum now.
u s e the old trick. hea rcl.
5. It s definitely not a Winsiow H ome
S tev e: Yeah, right. T h e re 's a c h a ir in S tev e: O h , n o ...n o , it c a n 't be. I'v e
Lhe w in d o w . It m ust be w o rth seen lots like it. It m u s t be 20th
a b o u t $20. I'll offer a h u n d re d c e n tu ry . T h e re 's n o m a rk e t fo r E x e r c is e 2
b u ck s for it. S he'll b e so h a p p y th at them . Still, I c o u ld u se th e fram e. D iscuss: W ho w as the sw indler?
sh e w o n 't th in k a b o u t th e p a in tin g . M rs. V e n a b le : All rig h t. H o w m u c h
A n ita: D o n 't say you w a n l th e w ill y o u g iv e m e fo r it? sw in d ler person who gets money
p a in tin g : sa y you w a n t th e Iram e. S teve: LIh .. .h o w a b o u t $40? or property from som eone through
O K? M rs. V e n a b le : O h, no, h oney, it m u st tnckery/cheatmg.
S teve: l-ine, y o u 'd b e lte r w ail in the be w o rth m o re th a n that. II c a m e
van. I'd ra th e r d o this o n m y o w n . fro m the b ig h o u se o n th e hill.
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N o isy neighbors
o

H arriet: P±.-<i! O zzie! OzZie! W ake O zzie: N o, I th in k th a t w a s a vase, H arriet: H ello there, H o w a rd . Y ou're
up! d ear, or m ay b e th e TV set— Or u p b rig h t and early this m o rn in g .
O zzie: H uh? W hat? W h a t's th e both! H o w a rd : I h a v e n 't been to bed y e t
m atter? II c a n 't b e sev en o'clock W e h a d a p a rty last night. I h o p e
already! H arriet: O zzie! Listen. T h e re 's w e d id n 't keep y o u aw ake.
H arriet: No. it's 1:30. It's th o s e so m eo n e in the b ack y ard n ex t H arriet: O h , no, no, W e d id n 't Herrr n
people? n ex t d o o r again . Listen! d oor. thing, n o th in g al all. I slep t like a
O zzie: O h, yeah. T hey m u st be O zzie: H u h ? It m u st be a cat. log.
h av in g a n o th e r p arty . H arriet: No. it c a n 't be. It's too loud. H o w ard : W ell, it w as a p retty noisy
H arriet: T hey m ust be w ak in g u p the O zzie: W h at tim e is it? p arty . M v w ife kno ck ed o v er th e
w hole block. A nd they h a v e three H arriet: It's a q u a rte r to five. W ho k id s’ h a m ste r cage w h ile w e w ere
y o u n g ch ild ren . T hose k ids co u ld it be? lfd b etter tak e a look. clean in g up. T he p o o r h a m ste r
c o u ld n 't be sleep in g th ro u g h th a t Oofi.' It’s H o w ard , a n d he's d ied . I'm just b u ry in g h im befo re
racket. It's disgusting ! S om eb o d y c arry in g a shovel. the k ids w a k e u p .
should call th e police! O zzie: Reallv? You d o n 't think h e 's
O zzie: T h e y 're all lau g h in g . T hey killed h er, d o y o u ? E x e r c is e
m u st he h a v in g .a g oo d tim e. T hey H arriet: W ell, w e h a v e n 't h e ard her W hat do you think your
n ever invite us. d o they? voice fo r a w hile. N o, sh e’s parentsybrothers/
p ro b ab ly sleeping. sisters/friends are doing right now?
H arriet: O /zie! O zzie: B u t w h a t co u ld he be d o in g at
O zzie: Yes, d e a r. W hat is it now ? this tim e of th e m o rn in g ? If you think you know what they are
H arriet: 1 isten! T hey m u st be H arriet: If he has killed her, he m ight doing, answ er with:
leaving. be b u ry in g th e body! They nrti<i be dnittg Ihis
O zzie: At last! M aybe w e 'll g e t som e O zzie: W hat! You d o n 't th in k so. d o Tfh'v couhlv'i fjf lining that.
sleep. you? Tluy ir probably doing this.
H a rrie t I h o p e so. It's n earlv three H arriet: H e c o u ld n 't be p la n tin g If you don’t know, use:
o'clock. G ood n ig h t, d e a r. O h, no! to m ato es, could he? I'm g o in g to Then am!ti/mayj»tight be doing this.
N o w th e y 're h a v in g a fight. ask h im w h a t h e 's d o in g . or:
O zzie: T hat figures. Thev a lw a y s Then're probably doing this.
have fights a fte r p arties. What about the president of the United
H arriet: U h-oh! T hey m u st be States/your next-door neighbor/the
th ro w in g the d ish es again. students in ihe class next door/the
principal of the school/a fam ous movie
or TV star/a fam ous sports celebrity?
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A sparkling camp

It's F riday afte rn o o n in Ju n e a t the D irecto r: T erri! W h at a re y o u d o in g ? L o o k a t th is:


T u k ab atch ee S u m m e r C a m p . T he T erri: I'm w a tc h in g TV.
c a m p counselor:' >1 re su p p o s e d to be D irecto r: A n d w h a t are you
w o rk in g , but th e y a re n 't. T h e c a m p su p p o s e d to be d o in g ?
has to be read y for ihe tirst su m m e r T e rri: I'm n o t sure.
cam pers. They'll arriv e tom orrow . The D irector: W ell, let m e tell y ou, T erri.
counselors h av e had lunch, a n d th ev 're Y ou're su p p o s e d to be cu ttin g Lhe
taking It easy in the counselors' lounge. grass.
Ih e ir cam p d irecto r has jus I o p en ed T e rri: O h, right. I'm so rry 1 11 get
Lhe do o r, l ie's brought- th e d u ty rig h t on it.
roster w ith h im , so he k n o w s exactly D i rector: W hen I com e back, vou.'d
w h at each of (hem sh o u ld be d o in g . b e tte r be c u ttin g th e grass. Do you
h e a r me?
D irector; H ey w h a t's g o in g on here? T e rri: OK, OK. I'm going.
D ire c to r G et a m ove on, T erri.
E x e r c is e 1 R em em ber th e T u k ab a te h e e m otto:
Look al Terri In Ihe picture. Ask and "A sp a rk lin g c am p b y the
answ er about the other counselors. s p a rk lin g w a te r."

E x e r c is e 2
Make similar conversations betw een
TUKABATCHEE SUMMER CAMP the director and the other counselors,
A tp«rvim<j (amp Cry ine swrklins wale*

C o u n selo rs' D uties


D ate: Ju n e 23
N am e D u ty
t srn 5 cue grass
Ravin C. paint canoes
Linda H -IfiTjr s’rvimming yco\
M. mark, rallsybail courts
Mlehslte &, scrgig'ntsrt up crafts nsarfi

1. Whr,it‘.<-the doing?
Shi <lying on the safii.
She * drinking reed ten.
Site's watching TV.

2. Should she be ipaicliing TV?


No. she shouldn t.
Should s/a- he cutting the grit^s?
Yes, '.he should.

What should she he doing?


She should l>c culling the grass.
What shouldn 't she be doing.7
She shouldn't, be lying on the sold.
.She -shouldn't be drinking iced tea
She shouldn't be wrttching TV, E x e r c is e 3
Tern is cut ting the grass.
She'd milier not be cutting the.grass.
She'd rather be lying on Hie bench,
Write se n ten ces about the other
counselors.

E x e r c is e 4
Whal are you dojng?
What would you rather be doing?
Write five sen ten ces.
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A fu n n y thing h app ened to m e...

MINI-DOUGHNUTS

$1.8tlA H A L F - D O Z E N
$ 3 .5 9 /,D O Z E N

A tu n n y th in g h a p p e n e d to m e List A few m in u te s later a w o m a n sat n erv o u sly c o n tin u e d e a tin g m y


Friday. I'd g o n e into N ew Y ork to d o d o w n next to m e on th e stool to tr y d o u g h n u t a n d d e cid e d to leave. I w as
som e h o lid ay sh o p p in g . I w a n te d to left. T hai su rp ris e d m e b e c au se th e re rea d y to gel u p a n d go w h e n th e
get so m e p re se n ts, an d i w a n te d to w e re sev eral e m p ty stools. T here w a s w o m an s u d d e n ly stood u p a n d
see th e city all d e c o ra te d to r th e n o th in g stra n g e a b o u t h e r e x cep t lh at h u rrie d o u t of th e d o u g h n u t sh o p . I
h o lid a y s— v o u k n o w , the sto re sh e w as v e rv tall. In fact, s h e lo o k e d felt v e ry re liev ed a n d d e c id e d to w a it
w in d o w s a n d the big tree at like a ty p ic a l b u sin e ssw o m a n — y o u for tw o or th re e m in u te s b efore g o in g
R ockefeller C enter. [ had g o tte n in to k n o w , c o n se rv a tiv e su it, briefcase. I m yself. I finished m y second c u p of
th e citv early., so by e a rly a fte rn o o n d id n 't sa y a n y th in g ; I just k ep t d o in g coffee, fo ld ed m v n e w sp a p e r, a n d
I'd b o u g h t e v e ry th in g l w a n ted . the c ro ssw o rd . S u d d e n ly s h e reach ed sto o d up. A nd th ere, o n the co u n te r,
A n y w ay , I w as really tire d — all th at o u t, o p e n e d th e box o f d o u g h n u ts , u n d e rn e a th w h ere m v p a p e r h ad
sh o p p in g in c ro w d ed sto re s— a n d I’d took o n e o u t, d u n k ed it in h e r coffee, been, w a s m y u n o p e n e d box of
m a d e p la n s fo r th a t night. I just a n d b eg an to eat it. I c o u ld n 't b eliev e d o u g h n u ts .
w a n te d to g e t h o m e so I c o u ld relax m y eves! A n y w a y . [ d id n 't w a n t to
before f had to g o o u t a g a in . I w e n t to m ak e a scen e, so 1 d e c id e d to ig n o re
E x e r c is e 1
th e L ong Island R ailroad a t Penn it. t a lw a y s a v o id tro u b le if I can, I
Station. It w as w ell b e fo re ru sh h o u r. just lo o k a d o u g h n u t m y self a n d Find w ords or ex p ressio n s that m ean:
I h ad a p p a re n tly ju st m issed a train , w en t b ack to m y cro ssw o rd . 1. evidently
a n d th e n e x t o n e w o u ld n 't be leav in g 2. looked briefly
for 4(1 m in u te s, so I d e cid e d I h ad W h en the w o m a n to o k a second 3. stay aw ay from
tim e to r a c u p of coffee. 1 b o u g h t n d o u g h n u t I d id n 't sa v a w o rd . A fter 4. acte d a s if I w as
Times an d w e n t in to a sm all all. if I h a d n 't p ro tested w h e n sh e 5. unwind
d o u g h n u t s h o p a n d sat a t th e c o u n te r took Ihe first one, h o w c o u ld I say 6. thought
I o rd e re d a c u p of coffee a n d a box of a n y th in g w h e n sh e to o k th e seco n d 7. coolly
a h alf-d o zen asso rted m in i­ one? I p re te n d e d to be v ery in terested 8. sa y no lo
d o u g h n u ts — I fig u red I w o u ld eat a in th e p u zz le . A few m in u te s later I 9. traditional
co u p le an d take the rest h o m e fo r m y casu ally p u t o u t m y h a n d , to o k 10. a buy
fam ilv. \n v w a v , they w e re h a v in g a a n o th e r d o u g h n u t, a n d g lan ced a t th e
special tin th e m in i-d o u g h n u ts , a n d I w o m a n . S h e seem ed to be g la rin g a t E x e r c is e 2
c a n 't re s ist a b a rg a in . I s ta rte d th e m e. She w as m a k in g m e feel so D iscuss; H as anything like this ever
cro ssw o rd p u z z le in the p a p e r. n e rv o u s th at I d e c id e d to h a v e a third hap p en ed lo you? H ave you ever, by
d o u g h n u t. T hai left only o n e — for mistake, taken anything that didn't
Only a m in u te. S u re e n o u g h , the belong to you?
w o m an took Ihe last d o u g h n u t! 1
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Murder in N e w Orleans

P art 1
C h arles H e re fo rd T ifton w a s fo u n d d e a d on th e flo o r o f RuthEllen Potts, 24_
Ins s tu d y in the T ilton fam ily m a n sio n in N ew O rle an s Has been T tfto n s p r iv a te
H e had been sh o t fiv e tim e s. T h e re w e re five p e o p le o n S e c re ta ry fo r a year. H ad
th e estate, a n d th ey all h eard th e sh o ts a t a b o u t 4:00 p m .
re c e n tly been seen w ith
T h e police h av e tak en sta te m e n ts a n d m a d e th e fo llo w in g
n o te s a b o u t each of the five peo p le.
J.D. T if io n a t a n e w d u b ,
The Red F b r r o f n e a r th e
Lydia Dubois T ifto n , 62 F re n c h Q u a r te r The
Senior T ift o n w as v e ry u p s e t a b o u t it:
M a rrie d to Charles T ifto n T h re a te n e d to f ir e h e r b u t d id n 't
fo r 35 years. Has been in a ,
w he e lcha ir S i n c e O r i d i n g ,
R u t h E l l e n P o t t s ’s s t a t e m e n t
a c c id e n t 12 years a 9 °-£Ql7
a loud a rg u m e n t w ith Ruth I w as in the liv in g ro o m w ritin g m v resum e. I h e ard the
^ £Hen pQf t s f h js m orning. sh o ts a n d rati across th e hall. T h e d o o r to th e stu d y w as
o p en . T here w as po o r, d e a r C h a rle s— M r. T ifton— ly in g in
Told T ifto n to f ir e R uth Ellen. A f t e r a pool o f b lo o d . 1 sta rte d scream in g . Benson cam e in
long a rg um e n t, T if t o n r e f u s e d ._ th ro u g h th e French w in d o w s; they w ere o p en . T h en M rs.
T ifton a rriv e d . She d id n ’t sa y a w o rd . S h e just sta re d a t me.

Ly d i a T i f t o n ’s s t a t e m e n t
I w as re a d in g in m y b e d ro o m on the first floor. I h eard the 65 _
shots; th ere w ere to u r o r five. I w h eeled m yself in to Lhe as been w ith th e
hall. T he stu d y d o o r w a s o p e n . R uth Ellen w a s sta n d in g in T ifto n fa m ily fo r n e a rly
th e d o o rw a y S cream ing. Benson w a s s ta n d in g at th e 4-0 years. Will r e t ir e in
F rench w in d o w s . T he g u n w a s o n th e floor n e x t to m y tw o m onths. L ik e s g o o d
h u s b a n d 's b o d y . ______________ wme a n d g o o d fo o d Takes
Lydia V ft o n o u t every day
in h e r wheelchair. Knows e v e ry th in g
a b o u t the fam ily. Knows R u th f Hen's
m o th e r ve ry well. In tro d u c e d R uth Ellen
to th e Tif-fans. H ad long a r g u m e n t
w ith th e v ic tim in th e m orning.

B e n s o n ’s s t a t e m e n t
1 w a s a b o u t to tak e m y a fte rn o o n w alk . T h e d o c to r told
m e to w a lk tw ice a d a y fo r m y h eart. A n y w a y . 1 h ad just
co m e o u t o f th e back d o o r, a n d I w a s w alk in g a ro u n d the
c o rn e r of th e h o u se w h e n I h eard sh o o tin g . 1 ran across
the law n to the F rench w in d o w s I saw Vlr. C h a rle s 's b o d y
a n d M iss R u th E llen in th e d o o rw a y .
J . D . ’s s t a t e m e n t
I w as in th e d en . 1 w as liste n in g to a n ew C D . S u d d e n ly
th ere w e re five shots. I th o u g h t it w a s U n d e Ike a t targ et ■ m F ilT f f l D w ig h f ( I k e ')D u b o is, 6£L
practice. T h e n I h e a rd a scream . II so u n d e d lik e R uth \ Lydia 7/ fto n Js b ro th e n
Ellen, so 1 o p en ed th e c o n n e c tin g d o o r to th e s tu d y a n d I; W as Olympic rifle-sh o o ting
s a w Big D a d d y lyin g th ere, B enson a t th e F ren ch
w in d o w s, a n d M am a a n d R uth E llen to g e th e r in the
W f iK champion. D o e s n 't w o rk —
d o o rw a y to the hall. 1 c o u ld n 't b elie v e m y eyes. S it . spends tim e h u n tin g a n d
SpIla - ilid fishing. Was c h ie f executive
0 f f ic e r o f Ron tc h a r t r a in
Land Development C o rp o ra t/o n , one o f
T i f ton's companies. W e n t to p r is o n
f o r tw o years w h e n th e co m p a n y
C 'i L is t e n in g
c o lla p s e d w ith d e b ts o f o v e r
Listen to Dwight's statem en t to the police. W here d o es he $ 2 m illio n a f t e r a b ig la n d scandal.
say he w as? W hat d o es he claim he w as doing?
Has liv e d on ih e T ifto n e s ta te
s in c e g e ttin g o u t o f p ris o n .
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M urder in N e w Orleans

N o v ak : But h e w as o v er 60! H e w as
o ld e n o u g h to b e P o tts's
g ra n d fo th e r.
D am ato : H m m ...yes* b u t lie w as a
g o o d -lo o k in g m a n — an d v e ry rich
a n d p o w erfu l.

D w ig h t D u b o i s ?
D am ato : W hat a b o u t D ubois,
N o v ak ? H e 's a w eird gu y .
N o v ak : I'v e been th in k in g a b o u t that.
It c o u ld n 't h a v e been him .
D am ato : W hy n ot?
N o v ak : W hy W ould he need tit sh o o t
five tim e s ’ H e w as a c h a m p io n
m a rk sm a n . H e co u ld h a v e killed
h im w ith o n e shot.
D am ato : M aybe he d id , N ov ak ,
m a y b e he d id .
N o v ak : I d o n ’t follow ,
D am ato : T here a r t a lot of th in g s you
d o n 't follow , N o v ak . M ay b e h e 's
sm a rte r th an h e looks.
N o v ak : But th e re 's n o m otive.
D am ato : T here m ig h t h av e been. I
m e a n th ere w as the sc a n d a l w ith
th a t land d e v e lo p m e n t co m p an y .
N o v a k : But he w as d o w n by the
pond.
D am a to : So? I le co u ld h a v e shot him
from the trees a n d th ro w n Ihe g u n
in to the room .
N o v ak : O h. y eah. Do y o u really
th in k so?
D am ato: I d o n 't kn o w . It's just a
th e o rv.

C h ief o f D etectives T ony D am a to is in n o b o d y lias an alibi. I hey all sa y L o o k a t th is :


ch a rg e of th e cast D etectiv e S erg ean t th ey w e re alo n e w h en it h a p p e n e d .
N o v a k is his Assistant. T h ev 'rc in the Could It have been him?
D am ato : Yes. a n d th ere are no
T ilton stu d y . her?
fin g e rp rin ts on th e g u n .
them ?
D am ato : W here is ev ery b o d y ? L y d ia T i i f t o n ?
It m ust have been him.
N o v ak : T h e y 're all in the liv in g N o v ak : It c o u ld n 't h av e b een her. could(n't) her.
ro o m . Keyes is w ith them . W h at d o D a m a to : W hv not? may (not) them.
you think? N o v a k : W ell, s h e 's in a w h eelch air. might (not)
D am ato : Il could h av e been a n y of S he c a n 't m o v e v e ry fast. A n y w ay ,
th em , c o u ld n 't it? N o b o d y seem s th e y 'v e been m arrie d to r 35 years. Could he have shot him?
v e ry sad. It m ig h t ev en h a v e been It ju st c o u ld n 't h a v e b een her. sh e killed him?
all o f them . D a m a to : M ost m u rd e rs are they been the one(s)?
N ovak: Yeah. T iffon w a sn 't exact! \ co m m itte d by so m eo n e m the
p o p u la r a ro u n d here. N o b o d y fam ily, a n d th at d o o r g o es in to h er He must have shot him,
liked him . But it could h a v e been room , S he could(hl) killed him.
an o u tsid er. N ovak: R ight, b u t it w as locked. They may (not) been the one
D am ato: N o w ay. it m u s t h a v e been D am ato : D oors h av e keys. might (not)
o n e o f them . L et's look at the N o v ak : But w h y w o u ld sh e w a n t to
evidence. kit) him ? E x e r c is e
N ovak: It seem s to m e th a t D am ato : R uth Ellen P o tts is<i v ery
(everybody h a s a m otiv e, an d D iscuss each character M ake a list of
a ttra c tiv e y o u n g w o m a n . W e d o n 't
se n te n c e s about all five su sp e c ts. Who
k n o w w h a t w as g o in g o n . She
do you think did il? How? Why?
m ig h t h av e b e en jealous
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Call-In. You're on the air.

G ood even in g . I'm H a rry Baxter and H arry: Well; H ild a, y o u certain ly
this \sC all-ht on radio statio n WLFM. so u n d p assio n ate. W e'll see if th e
W e're talk ing to n ig h t .about city d o e sn ’t ch a n g e its m in d . I
g o v ern m e n t services. Do yon th in k h o p e y o u 'v e called y o u r city
y o u 're g ettin g w h al y o u 'v e p a id for? council re p re se n ta tiv e . Call-In.
W h a t's v o u r o p in io n ? Call in. W e'd Y o u 're o n th e air.
like to h ear from you. I he n u m b e r is
555-1785. M ilto n : H arry , I'm M ilton K ram er
I'm fed u p w ith th o se sa n itatio n
C all-In. Y o u 're o n the air, tru ck s th at com e in the m id d le of
th e n ig h t and m ake all th a t noise.
S tu a rt: I h, H arry . M v n am e is S tuart They m u st sta rt a t a ro u n d fo u r
A m os. I'm a salesm an a n d 1 h a v e o 'clo ck ill the m orning! A nd it's
to d n v e a lot. W1tv is it th a t th e re 's ev ery o th e r night, i'm so u n d
a lw a y s co n stru ctio n g o in g o n on a sleep a n d 1 have a b o u t th ree m o re
all th e a lte rn a te ro u tes at exactly h o u rs before th e a la rm 's going to
the sam e tim e? I m ean , I go off, an d th e g arb ag e tru ck
u n d e rs ta n d that the ro a d s need to conies. 1 can n ev er g et b ack to
be m ain tain ed , b u t th e re's sleep, a n d b efo re 1 know it, I have
ab so lu tely no co o rd in a tio n . Like, to g et u p fo r w ork. It ru in s m y
w h e n th e y 're fixing one brid g e w h o le day. T h ere m u s t b e a w ay
into th e city, w hy d o they h av e to for th e m to ch an g e th e sc h e d u le so
fix the o th e r b rid g e a t th e sam e they d o n ’t w ak e u p the
time? It's ridiculous! n eig h b o rh o o d .

Harry: G ood point, S tuart. Let's h o p e H arry: Vou k n o w , M ilton, I'v e n ev e r


the D e p a rtm e n t o f T ra n sp o rta tio n u n d e rsto o d w h y sa n itatio n tru ck s
folks arc listening! Call-In. Y o u 're h av e to co m e in the m id d le ol the
on th e air. n ig h t, eith er. I'm su re the
san itatio n w o rk ers w o u ld n 't m ind
H ild a: Good, e v en in g , H arry . I'm h a v in g differen t ho u rs, say, like
H ild a D id/. W hy are they closing sev en o'clock to four o'clock. A nd
the fire station in m y on th a t note> it's tim e to say good
n eig h b o rh o o d ? W e need it to stay n ig h t. T h a n k y o u for listen in g , an d
open. I h e ard that the, uli, rem e m b e r to tu n e in again
resp o n se tim e is g o in g to be to m o rro w .
increased by ten m in u tes if that
fire statio n closes. Ten m inutes!
E x e r c is e
T hat could m ean th e difference
be tw een life a n d d e ath , vou know . Discuss: Whal im provem ents do you
If th e y 're try in g to save m oney, think your city/town governm ent should
w hy d o n 't those p o litician s all take m ake?
a pay cut? T h a t's w h e re the w a ste
is, if you a sk me!
languagedownload.ir

M ak in g a com plaint fggl


L o o k a t th is :

174 L ogan D riv e


S an Diego, CA 9 8 0 13
M ay 22, 1995
C u sto m e r S erv ice D ept.
P e e rs L o w bruck Co.
Chicago, IL 6 0 6 0 6

D ear S ir o r M adam :

Last, w eek I bought, a pocket, calculator at. y o u r store in


A naheim , California,. It seem ed to w o rk in th e store.
W hen 1 g o t ho m e. I. d isc o v e re d it w a s defectiv e. It
p e rfo rm s a rith m e tic fu n c tio n s fine, b u t th e m e m o ry
fu n c tio n does n o t w o rk a t all. I took it b ac k to y o u r
s to re in S a n Diego, b u t th e y refused, to e x c h a n g e it.
T hey sa id t h a t I w ould h a v e to r e t u r n it to th e s to re
w h e re I bought it. T his is im p o ssib le b e c a u se 1 do not
live in A n ah eim .

I h a v e en clo sed th e c a lc u la to r alo n g w ith th e re c e ip t,


sh o w in g th e p ric e a n d d a te o f purcha.se. a n d y o u r
g u a ra n te e . I w ould a p p re c ia te a, full re fu n d .

T h a n k yo u . If y o u h a v e a n y q u e stio n s, p lease call


m e a t <61 9 ) 2 3 5 -6 5 9 6 .

S in cerely ,
C u sto m e r: G ood m o rn in g . I'd like to sp e a k lo Ihe
m an ag er. Gail Y a m a m u ra
M an a g e r: I am the m an ag e r, sir. I lo w t an I h e lp you? E n clo su re
C u sto m e r: W ell, it's this rad io . II d o e s n 't w ork
M a n a g e r: H m m . d id y o u b u y it here?
C u sto m e r: W hat? O f course I b o u g h t it h ere. Look, y o u
tu rn it o n a n d n o th in g h a p p e n s. E x e r c is e
M a n a g e r: M ay 1 see v o u r receip t?
C u sto m e r: R eceipt? U h...J d o n 't h a v e one.
M a n a g e r: You m ust h a v e g o tte n a re c eip t w hen you
b o u g h t it. One-Year Warranty
C u sto m e r: I p ro b a b ly d id . [ m u ^ i h a v e th ro w n it aw ay . Digital Alarm Clock
M an ag er: U h -h u h . W ell, d o you h av e a n y o th e r p ro o f of model K9-12-B
p u rc h a s e —-the g u a ra n te e , to r ex am p le? This clock has been inspected and tested in
our factory and was shipped in perfect working
C u sto m e r: N o. It m u s t h a v e been in th e box. i th re w that order. II it fails to perform perfectly under
a w a y too. normal conditions wilhin twelve (12) monlhs of
M an ag er: T h a t's to o bad . Y ou really o u g h t to h a v e k ep t it. your purchase, return it to us in Ihe original
package, enclosing a copy of your receipt. We
W e need to k n o w the ex act d a te o t p u rc h a se . will re-pair it or replace It with a new one, free
C u sto m e r: W hat? I only b o u g h t it y esterd ay ! T h a t y o u n g of charge.
m an over th ere w a ite d on m e .... O h , I paid by credit QUARTZ KLOX
card . 1 have m y co py here. P.O. Box 307
Fair Oaks. CA 95628
M an ag er: O h. All rig h t th e n . D id you lest the ra d io before
y o u left the store?
C u sto m e r: T est it? N o, it w as in th e o rig in al box. I
exp ected it to w o rk . It w a sn 't so m e c h e ap rad io ; it's a
g o o d b ra n d ,
M an ag er: Y ou sh o u ld h av e testjed it You bought a digital alarm clock at a Valuworth store on
C u sto m e r: C o m e on! Stop telling m e vs h at I sh o u ld h a v e Mam S lreet in your town last week. It said blue on the box
d o n e, a n d d o so m eth in g ! E ith er g ive m e m y m oney bur. the clock w as pink. The alarm doesn 't se e m to work.
back o r giv e m e a n o th e r rad io . You paid cash , and you didn't keep Ihe receip t
M an ag er: T h e re 's n o need to g e t im p atien t, sir. Let m e Look a t the ow ner's warranty. Write a letter of complaint to
look at it. H m m ....y o u see this little sw itch in th e back? the Q uartz Klox company.
C u sto m er: Yes.
M a n ag er: It's on A C and it sh o u ld be on DC. You really
sh o u ld h ave read the in stru ctio n s.
C u sto m e r: Oh!
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. n
The M a ry Celeste
v *
N e w fo u n d la n d
C ape B re to n Isla n d
N ova Scotia

icw York

A ....... S te rn
B. Ship’s Rail
C Waterline
D Mast
E Sail
F Deck
G Cabin
H Forehatch
J H old
K Bow

T he M ary Celeste w a s buill in IHM in M o o rh o u se of the Dei Gratia, d friend a b o u t 600 m i l e s w e s t , b u t t h e s h i p


N ova S c o tia ,C a n a d a , ah a carg o - of C a p ta in Briggs, noticed th a t the h a d c o n t i n u e d in a s t r a i g h t lin e
ca rry in g sailing sliip. W h e n il way sh ip w as sailin g stran g ely . W hen the from t h e r e .
lau n ch e d , it w as g iv en th e n a m e M ary Celeste d id no! a n sw e r Ins • l he fo reh a tc h w as fo u n d open.
Amazon. It w as not a luckv sh ip . T he sig n al, h e se n t a sm a ll b o a t to fin d o u t • T h e re w ere tw o d e e p m ark s o n th e
first cap ta in d ie d a few d a y s afte r it w h a t w a s w ro n g . bow . n e a r th e w a te r Iinc.
w as registered, a n d on its first voyage, • T here w as a d e e p c u t on th e ch ip 's
in 1862, it w a s bdd.lv d am a g e d in a T h e M ary Celeste w as co m p letely rail, m a d e by a n axe.
collision. W hile il w as being rep aired d e se rte d . • T here w ere o ld b ro w n b lo o d sta in s
in p o rt, it cau g h t lire. In 1863, il • I he only lifeb o at w as m issing. on the d eck a n d o n th e c a p ta in 's
crossed lhe A tlantic to r the l’ir*.l lim e, • All lhe sails w ere u p a n d in g o o d sw o rd , w h ich w as i n th e cabin.
an d in the E nglish C h a n n el it co llided co n d itio n . C a p ta in M o o rh o u so a n d h is crew
w ith a n o th e r sh ip th a t yank. The • A ll the carg o w as there. w ere g iv en th e sa lv ag e m o n ey for
Am azon w as b a d ly d a m a g e d itself. In • T he sh ip h a d o b v io u sIv been b rin g in g the sh ip to port. T h ere w as n
1.S67, i! ran a g ro u n d on C ap e B reton th ro u g h sto rm s. T he g lass c o v er on long official in\ estig atio n , b u t th e
Island, off the C a n ad ian coast, a n d th e c o m p a ss w as b ro k en . sto ry of w h at h a p p e n e d On the sh ip ,
h ad to b e reb u ilt. It w as th en so ld a n d • T he w in d o w s of th e deck cab in s and w h a t h a p p e n e d to the crew , still
lhe n a m e w as ch a n g e d to tile Mary h a d b een co v ered w ith w o o d e n re m a in s a m y stery .
Celeste. Sailors are very su p e rstitio u s p la n k s.
and d islik e sailin g o n sh ip s w hich • T h ere w as th ree feet of w a te r in th e
E x e r c is e
have been u n lu ck y or w h ich have c arg o h o ld , w hich w a s nol en o u g h
c h an g ed th e ir n am es. M a n y sailo rs to b e d an g e ro u s. Find w ords that mean:
refu sed to sail on th e Mar 1/ Ccfwfe. • T he w a te r p u m p s w e re w o rk in g 1. all the people working on a ship
p erfectly. 2. the official daily written record ol a
O n N o v e m b e r 5, I&72, th e M ary • T h ere w as en o u g h food for six ship s voyage
Celeste left Mew York, c a rry in g a m o n th s a n d p len ty of fresh w a te r. 3. the Iront ol a ship
c arg o of in d u strial alcohol to G enoa • All th e c re w 's p erso n al p o ssessio n s 4. put a boat into the water
in Italy. T h ere w e re ele v e n p eo p le on (clothes, boots, p ip e s a n d tobacco, 5. an instrument that show s ihe
board: C a p ta in Briggs, an etc ) w ere on b o ard . position of "north"
ex perienced c ap ta in , his w ife an d • T here w ere toys on the c a p ta in 's 6. a w eapon
tw o -y ear-o ld d a u g h te r, a n d a crew of b ed . 7. a long. thin, narrow, flat piece of
eig h t. • T h ere w as food an d d rin k on the wood
cabin table, 8. paym ent given to those who sa v e
A m o n th later, the M ary Celeste w as ■ O n ly lhe n a v ig a tio n in stru m e n ts o ther's properly at se a
seen by a n o th e r s h ip , the Dei Gratia, a n d sh ip 's p a p e rs w ere m issin g . 9. goods carried on a ship
a b o u t h alfw ay betw een the A zores • T h e last entry in the sh ip 's logbook 10. a m achine for forcing w ater into or
a n d th e P o rtu g u ese coast. C ap Iam h ad b een m a d e 11 d a y s earlier, out ol som ething
languagedownload.ir I jg b . n
• ifT mJp&\
What do you thin k h app en ed?

* •» ? r'~

D ec. 5, 1 8 7 2 ,
“ M a ry C e le s te '5
w as fo u n d h e re

A zo res

S a ra h : I d o n 't k n o w w h a t h a p p e n e d , 2. T h e girl fell o v e rb o a rd . T h e m o th e r A CRIME WAS COMMITTED.


b u t it m u s t h a v e h a p p e n e d ju m p e d in to sa v e h e r. T h ey
1. T h e D e i Gratia attacke d the M u n j
s u d d e n ly . la u n c h e d a lifeb o at to re sc u e her.
Celeste an d k illed e v e ry b o d y .
M a rk : W hy d o you th in k th at? 3. O n e o f th e b a rre ls of alco h o l w a s 2. P ira te s a tta c k e d a n d k ille d th em .
S a rah : T h in k a b o u t it. T h e re w e re d a m a g e d . P e rh a p s th e re w as a
3. There w a s a m u tin y (a re v o lt
to y s on th e c a p ta in 's b e d , w e re n 't sm all e x p lo sio n . T he h a tc h c o v er ag a in st th e c a p ta in o f a sh ip ). T w o
th e re ? T h e kid m u s t h a v e been w as off, e ith e r b e c a u se o f th e
nf th e m e m b e rs of th e c rew w e re
p la y in g , a n d th e y m u st h av e e x p lo sio n o r to let th e g a s escap e. crim in a ls. T h e re w a s a fight. S o m e
in te rru p te d her su d d e n ly . T h ey Lhoughi all of th e carg o w e re k illed . T h e o th e rs left.
M a rk : Yes, th a t's tru e . A n d Food w as m ig h t e x p lo d e .
4. M rs. B rig g s fell in love w ith a c re w
o n th e table. T hey m u s t h a v e been 4. T h e la s t lo g e n try w a s 1,000 m e m b e r. A g a in , th e re w as a fig h t.
e a tin g o r g e ttin g re a d y to eat. k ilo m e te rs (600 m iles) w est, n e a r 5. T h e c re w of th e M a ry Celeste
S a ra h : T he lifeb o at w as m issin g , S an ta M aria Island. M av b e the
a tta c k e d an d ro b b e d a n o th e r sh ip
rig h t? T h ey c o u ld h a v e b e e n sh ip w a s in d a n g e r of ru n n in g
a n d left o n th e o th e r s h ip w ith its
p ra c tic in g th e ir e m e rg e n c y drill. a g ro u n d o n th e isla n d . T h e crew carg o . (W h a t o th e r sh ip ? T h e re a re
'They m u s t h av e g o tte n in to th e left th e sh ip in a sto rm .
n o reco rd s.)
b o a t a n d la u n c h e d it. 5. T h e re w a s no w in d , so th ey g o t
6. T h e y fo u n d a n a b a n d o n e d sh ip
M a rk : A ll rig h t, b u t w h a t h a p p e n e d in to th e life b o a t to to w th e sh ip . w ith a v a lu a b le c a rg o a n d sto le it.
to th e boat? T h e ro p e b ro k e . 7. C a p ta in B riggs a n d C a p ta in
S a ra h ; W ell, th ey m a y h a v e been 6. T hey saw a n isla n d th a t w a s n o t M o o rh o u se p la n n e d e v e ry th in g
ro w in g Ilie lifeb o at arcnind th e o n th e m a p a n d w e n t to
to g e th e r for th e s a lv a g e m o n ey .
s h ip , a n d ['here m u s t h a v e b e e n a in v e stig a te T h e s h ip w as n e v e r a b a n d o n e d .
g u st o f w in d ; th en the s h ip c o u ld 7. A m e m b e r o f th e c re w h a d a N o n e of th e sto ry w a s true.
h a v e m o v e d fo rw a rd a n d rim te rrib le , in fectio u s d ise ase . T h e
d o w n the lifeboat. T h a t e x p la in s o th e rs left to e sc a p e fro m it. T he O u t s id e f o r c e s w e r e a t play .
th e m a rk s o n th e b o w . o n e w ith th e d is e a se k illed him self.
1. A U FO (u n id e n tifie d fly in g object)
M a rk : C o m e on. T h ey c o u ld n 't h a v e
all been sittin g in th e Lifeboat. W hat a b o u t th e l if e b o a t ? lo o k e v e ry b o d y a w a y .
W h at a b o u t th e c a p ta in ? H e 2. A g ia n t w a v e o r a to rn a d o
If th e c re w left th e s h ip by lifeboat, k n o c k e d th em ah fro m th e d eck.
s h o u ld h a v e b een ste e rin g th e w h a t h a p p e n e d to th em ?
ship! 3. A sea m o n s te r (a g ia n t o c to p u s o r
1. T h e lifeb o at cou ld h a v e s u n k in a sea serpent.) a tta c k e d th e sh ip .
S a ra h : W ell, h e m ig h t h a v e been sto rm . 4. M en liv in g below th e sea a tta c k e d
w a tc h in g th e drill a n d ju m p e d in 2. T h e sh ip itself c o u ld h a v e ru n
to sav e th e o th e rs. d ie sh ip w h e n it p a ssed o v e r th e
d o w n tlie lifeboat. o ld site o f A tla n tis.
3. T lie lifeb o at c o u ld h a v e d rifte d
A m a z in g ly , all of these p o ssib le a w a y , a n d all o f th e m cou ld h a v e
e x p la n a tio n s o f w h a t h a p p e n e d h a v e d ie d of h u n g e r a n d th irst. E x e r c is e
b een s u g g e s te d a t s o m e tim e: 4. T h e y m ig h t h a v e re a c h e d lan d . C h o o se o n e group of explan atio n s and
T h ey w e re ro b b e d a n d killed th e re d isc u ss w h eth er or not they m ake
T he crew a b a n d o n e d the 5. A w h a le o r sh a rk s m ig h t h a v e se n se .
s h ip . o v e rtu rn e d th e boat.
1. T h e re w as w a te r in th e h o ld . T h e
crew p a n ic k e d a n d a b a n d o n e d th e
s h ip b e c a u se th ey th o u g h t it w as
g o in g lo sink.
languagedownload.ir

1 W hat really h a p p en ed to M arilyn M onroe?

. M arily n M o n ro e w as b o rn N o rm a m a rrie d baseb all h e ro Joe D iV laggio.


Jean M o rte n so n in Los A n g e le s on S h e w as th e n T w e n tie th -C e n tu ry
Ju n e L 1926. N o rm a Jean n e v e r F o x 's b ig g e st box-office a ttra c tio n a n d
k n e w h e r fath er. H e r m o th e r, w h o se an in te rn a tio n a l sex g o d d e ss . O n ly
m a id e n n a m e w as M o n ro e, w as n in e m o n th s a fte r th e y g o t m a rrie d ,
m e n ta lly ill a n d w a s o ften c o n fin e d w h ile s h e w a s w o rk in g on The Seven
to m e n ta l In stitu tio n s. As a resu lt, Year Itch, M arilyn a n d D iM ag g io got
N o rm a Jean lived w ith h e r m o th e r’s d iv o rc e d , b u t they re m a in e d frien d s
frien d s, in an o rp h a n a g e , a n d w ith to r th e re st of h e r life.
v a rio u s fo ste r p a re n ts, w h e re s h e
w a s often n eg lec ted a n d a b u se d . 4. h i 1955. M arily n a n n o u n c e d th e
fo rm a tio n o f M arily n M o n ro e
2. At th e a g e of 16, .Norma Jean left high P ro d u c tio n s. S he w a n te d to p lay
school a n d m arrie d Jim D o u g h e rty , se rio u s ro le s in stead o f th e " d u m b
w h o w as 21. T h eir m a rria g e w a sn 't b lo n d e " ro le s she u su a lls g ot, She
v e ry h ap p y . T w o y ears later, b eg an ta k in g a c tin g classes at th e
D o u g h e rty , a m erch an t m arin e, w e n t fa m o u s A cto rs S tu d io , an d
o v erseas, an d N o rm a je a n began a sso c iatin g w ith N e w Y o rk 's
w o rk in g as a p a in t s p ra y e r in a in te lle c tu a l c ro w d . It w a s th e n th at
d e fe n se p la n t. It w as th e re th at sh e s h e m e t th e p la y w rig h t A rth u r M iller.
w as "d isco v e red " by a U.S. A rm y In D e c em b e r 1955, T w en tie th -
p h o to g ra p h e r, w h o a s k e d her to po se C e n tu ry Fox g o t h e r to sign a n o th e r
for so m e p h o to g ra p h s fo r a m ag az in e c o n trac t, p ro m isin g h e r m o re s e rio u s
article. She w as so o n n o ticed by o th e r ro les a n d a p p ro v a l o v e r h er film s'
p h o to g ra p h e rs an d e n co u rag e d to d ire c to rs. H e r first film u n d e r the
e n te r a m o d e lin g ag en cy , w h e re h e r n e w c o n tra c t w a s th e d ra m a
b ro w n h a ir w a s bleach ed an d for w h ich she w o n critical acclaim .
resty led . It w a s n o w 1946. T h a t year,
sh e d iv o rce d D o u g h erty , w h o w a s 5. In Ju n e 1956, M a rily n a n d A rth u r
still ov erseas. Later th a t y e a r, she M iller w e re m arrie d . S he th e n sta rre d
sig n ed a o n e-y ea r co n tra ct w ith in th re e co m ed ies: The Prince nntt the
T w e n tie th -C en tu ry Fox S tu d io s, an d Shoivgirl [ IV57), th e sm ash h it Some
h e r n am e w a s ch a n g e d to M arily n Like It Hut (1959), a n d Lt’/'s Make Luvc
M o n ro e. ( I960). M arilyn, th en sta rre d in th e
d ra m a The Misfit*, w h ic h w a s w ritte n
3. in th e y e a rs b e tw e e n 1946 a n d 1950,. esp e c ially for h e r bv h e r p la y w rig h t
M arily n g o t o n ly <maU p a rts. B ut by h u s b a n d . D u rin g th e film in g , M arilyn
1953, sh e h ad s ta rre d in tw o of h er w as fre q u e n tly ill a n d d e p re s s e d , a n d
m o st fam ous, co m e d ie s, Gentlemen sh e b ec am e d e p e n d e n t o n sle e p in g
Prefer Blendes a n d Hoio to M arry a pills, tra n q u iliz e rs , a n d alco h o l. She
Millionaire. In Ja n u a rv 1954, M arily n sa w a p s y c h ia tris t ev ery d a y . In
languagedownload.ir

J a n u a ry 1961, a w e e k b efo re th e 10:30 pm, M a rily n s housekeeper


O pening o f The M isfit*, s h e d iv o rc e d discovered her body. S he called
M iller, A bout a m o n th la te r, s h e w a s M a rily n 's psychiatrist.
h o sp ita liz e d . S h e w as s e rio u sly ill,
b o th p h y sic a lly an d e m o tio n a lly . 9. O n A u g u s tS , 1962, a t 4:25 AM,
M a rily n 's p s y c h ia tris t c a lle d th e Los
b. In M ay 1462, M arilyn a g a in b ecam e A n g e le s po lice an d re p o rte d ,
e m o tio n a lly d is tre s se d a n d p h y sic a lly "M a rily n M o n ro e i> d e a d . S h e just
ill, a n d th e film in g o f h e r n e w e st c o m m itte d su ic id e ." Police S e rg e a n t
m o v ie , Sdnit'ihing's Gal h) G ive, w as Jack C le m m o n s a rriv e d o n th e scen e
d e la y e d , h i e a rly Ju n e, T w e n tie th - a n d b e lie v e d th e s u ic id e h ad been
C e n tu ry Fox tire d M arily n from th e sta g e d . H e to ld th e p re s s o n S u n d a y ,
m o v ie an d b eg an a n e g a tiv e p u b lic ity "M a rily n M o n ro e d id n 't co m m it
c a m p a ig n , la b e lin g h e r m e n ta lly ill. su ic id e ; sh e w a s m u r d e re d ."
M arily n th en e n te re d a H o lly w o o d
h o sp ita l fo r th re e d a y s u n d e r a n
a ss u m e d n a m e T h e re w ere ru m o rs E x e r c is e
that sh e w as (o r h a d b e e n ) p re g n a n t. Find an o th er way to say e ach
W h e n s h e g o t o u t of th e h o sp ita l, sh e ex p ressio n highlighted below. H o w d id M a r ily n
re -n e g o tia te d w ith T w e n tie th - 1. Marilyn w as often se e n sjvniiihg M o n ro e d i e ? H e r e a re
C e n tu ry Fox a n d p la n n e d to re tu rn to Huh with New York's intellectual s o m e p o p u la r
w o rk on Som ething's Got tn Give. crow d. th e o rie s .
2. S he w as given tfw right to accept or
7. In th e last w eek b efo re h e r d e a th , lY-jccf h er directors. It w a s s u ic id e .
3. Her first h u sb an d sp en t several (T h is is th e o fficia l
M a rily n h a d th re e b u sin e ss m e e tin g s ,
c a u s e of d e a th g iv e n
se le c te d d o z e n s of p la n ts fo r h e r y ea rs abroad. by t h e Los- A n g e le s
g a rd e n , a p p e a re d o n th e c o v e r o f Lift' 4. S h e w as emolionally upsi'i and County Coroner.)
M ag azin e, o rd e r e d a $10,000 e v e n in g physically ill.
g o w n , a n d s p e n t m u r e th a n ten h o u rs 5. S h e b e c a m e nih1ki,',l to sleeping It was m u r d e r .
w ith h e r p sy c h ia trist. pills and alcohol.
6. The filming of th e movie w as heitf It w a s a n a c c id e n t.
8. O n A u g u st 4, M a rily n called h e r «P* M a rily n s d e a th w a s
p sy c h ia trist, w h o w e n t to h e r h o m e 7. Her p erform ance received high th e r e s u lt o f a te rrib le
an d h e ld a 9 0 -m in u te se ssio n w ith h e r praise p vm the a c c id e n t c a u s e d b y
th e in te ra c tio n o f tw o
th a t p ro b a b ly in v o lv e d an in jectio n of 8. The movie studio fired her, catting
d r u g s g iv e n to h e r b y
b a rb itu ra te s. A fte r h er p sy c h ia trist her mentally III. s e p a r a te p h y sic ia n s*
left, M arily n ^poke to frie n d s a n d 9. AS a child, sh e w a s often ignored by
o th e rs, n o n e o f w h o m th o u g h t sh e her foster p aren ts.
w as a c tin g u n u su a l- T'hnt n ig h t, at 10. T he psychiatrist probably gave her
tt shot ol barbiturates.
languagedownload.ir
A p o lo g ies

.YIELD,

A: 1lello?
B: l li, Rafael. T his is Alex.
A: O il, h i. Did vou get h o m e nil rig h t?
B: Y eah, th an k s, b u t I w an ted to
ap o lo g iz e for last night.
A: D o n 't w o rry a b o u t it.
E: Oh! G ood m o rn in g , M ary A nn.
15: But y o u r carpet! Il m u st b e ru in ed ,
E: C tx id aftern o o n , S h aro n . Late
ft w as so d u m b o f m e to p u t mv
a g ain , I see- 1: A re vou all right?
cot tee on the floor.
E: i'S'igh) Yes. I'm sorrv, I c o u ld n 't J: ‘Yes, I’m O k , b u t w h a t a b o u t m v
A: C o m e on, A lex, fo rg e t it. fin d a p a rk in g spaoe. car?
B-. But it m u s t h a v e m a d e a reallv E: M ay b e vou sh o u ld h a v e left hom e I: T h ere d o e s n 't seem, to be too m u ch
ugly stain. earlier.
A: Look, it's n o th in g . I w as u p set at dam age.
E: Yes, I know . It w o n ’t h a p p e n J: Let m e se e ...lo o k .it that! T his is a
first, but il d o e sn 't look so bad this
a g ain . M ary A n n b ra n d -n e w car! Y ou s h o u ld n 't
m o rning. E: It'd b e tte r not, S haron. T his is th e
li: A n v w ay , 1 w a n t to p a y for the have b een g o in g so fast.
third tim e th is w eek. I: W e ll it w a sn 't m v fault.
cleaning.
J: It w a s n 't y o u r fault?! W hat d o you
A: Listen, Alex, it's no big d eal.
m ean , il w a sn 't y o u r fault? f had
A ccidents h a p p e n — at p arties
the rig h t of w ay.
especially.
I: As a m a tte r o f fact, y o u d id n 't. You

WEM AIRLINES
B: Well, if y o u say so, b u t I really am
s h o u ld n 't h a v e co m e ou t like? that.
so rry .
J: W hy not? T h e re 's no sign.
A: OK. See you on M onday. I5ve now .
I: T hen w h a t's that?
J: O h . A sto p sign. I m u st h av e
m issed il.
I; W ell, y o u sh o u ld h av e been m ore
careful. You could h av e g o tte n u s
NO EATING, D R IN K IN G , all k illed.
OR RADIO R tA Y IN G
J: Yes, y o u 're right. I'm so rry . W hat
else can I say?
I: ju s t th a n k g o o d n e ss n o b o d y ’s
DON'T h u rl. I lere com e tlie police. Y ou'd
FEED b e tte r ex p lain il to th em .
THE
AN IM ALS

G: H ey, y o u [
H : A re y o u talk in g to me?
C: Excuse m e. W ould you m in d n o t G: Y eah, y o u . W hat d o y o u th in k
w a lk in g on the g ra ts? y o u 're d o in g ?
D: I beg v o u r p a rd o n ? H: l‘m just w a itin g for the bus.
C: You a re n ’t a llo w ed to w alk on the G: C a n 't y o u see th e re 's a line?
g rass. H: O h , th e re is7 I'm so rrv . I d id n 't
D: R eally? 1 d id n 't see a sign. m ean to cut. I d id n 't realize th ere
C: T h e re il is, Right o v e r there. w as a line.
D: O h, y o u 're rig h t. I'm te rrib ly sorry.
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T hey didn't stop to tell me!

TRUCK HIJACKED IN BEDFORD


$ 2 0 0 , 0 0 0 CA RG O S T O L E N
A tr u c k c a r r y in g te le v is io n sets, v id e o re c o rd e rs ,
ra d io s , o n d o th e r e le ctro n ics v a lu e d a t o v e r $ 2 0 0 ,0 0 0 w as
h ija cke d yeste rd ay m o rn in g . The truck b e lo n g e d to the Ruby
S tar C o m p a n y , a n d the d riv e r, N ic o la s Estrella, w a s m a kin g
delive rie s to the custom ers in the B ed ford section.
This is the eleventh truck h ija c k in g in the first five months o f
this ye a r. O v e r the last fo u r yea rs there have been 3 8 hija ckin g s
in the m e tro p o lita n a re a . The h ija cke rs co n ce n tra te on trucks
c a rry in g carg oe s tha t can b e sold q u ickly fo r cash.
Drivers have been w a rn e d to lock th e ir d o o rs a n d not pick
u p hitchhikers. But some insurance in vestig ators belie ve th a t as
m a n y as o n e -th ird o f these cases a re n o l h ija ckin g s a t a ll. They
believe th a t dishonest d rive rs steal the ir o w n cargoes.
(con tinu ed o n p a g e B6)

P olice-C aptain M ol T o rin o is M r. E stre lla : Yes, I a lw a y s re m e m b e r a lw a y s lo ck ed , a n d 1 n e v e r u se it.


q u e s tio n in g N icolas E strella, th e to lock it! I’m n o t stu p id ! C a p ta in : But y o u d o n 't re m e m b e r
d riv e r ot th e hijacked R uby S tar truck. C a p ta in : O K , O K , ta k e il easy . C a n c h e c k in g it?
C a p ta in : L et's s ta rt a t th e b e g in n in g you a c tu a lly re m e m b e r lo ck in g it M r. E strella: N o, n o t reallv . M a y b e 1
ag ain , M r. E strella. Hoyv d id y o u th is tim e? fo rg o t to c h eck it.
lo s e y o u r truck? M r. E stre lla : Yes, d e fin ite ly . I C a p ta in : So it c o u ld h a v e b e e n open.
M r. E stre lla : I w a s m a k in g d e liv e rie s re m e m b e r p u ttin g th e k e y in th e M r. E strella; Yes, I g u e ss so. B ut I'd
m B edford. T h e tru c k w as lo a d e d lock. T h e k ey w a s all w e t and b e t a n y th in g it w a s n 't.
w ith TVs, V CRs, r a d io s ...y o u d irty , ft w a s ra in in g , an d I had. C a p ta in : So w h a t's y o u r th eo ry ?
k n o w , electro n ics. d ro p p e d it in a p u d d le . M r . E strella; T h e y m u s t h a v e h a d
C a p ta in : L /h-huh. So v o u d ro v e to C a p ta in : W h a t a b o u t tine d o o r on th e key s. T h e y s ta rte d th e e n g in e ,
B edford from th e R u b y S ta r o th e r sid e? D id v o u re m e m b e r to d id n ’t th ey ?
w a reh o u se. check it? C a p ta in : H o w d id th e y g et th e k ey s?
M r. E strella: R ight. A b o u t ten o'clo ck M r. E stre lla : 1 d o n 't ac tu a lly M r. E stre lla : D o n 't a sk nie. 1 h a v e n o
I m a d e a d e liv e ry on Hoyle Street. re m e m b e r ch e c k in g it. But it'^ id ea. T h e y d id n 't s to p to tell me!
I'd fin ish e d a n d I w a s d riv in g u p
Boyle w h e n I s a w a coffee sh o p . L o o k a t t h is : L o o k a t t h is :
C a p ta in : So VoU d e c id e d to sto p . He w as driving. He stopped. He got a I drove a car for the first time w hen I
M r. E strella: T h a t's rig h t- I s to p p e d w as 16. I w as so nervous but so
sandw ich.
to g et a sa n d w ic h to go. A: Whirl did hr stoji doing? I le atnyiM'd h appy that day!
C a p ta in : G o o n . driving. I rentemhet driving a car far the first tune.
M r. E strella: It d id n 't ta k e in e m o re B: Whnt i.litI he to do? He ttnfynui to
th a n th re e m in u te s. I s ta rte d I w as going to mail this letter. I still
get n sandwich. have it.
w a lk in g b a c k to th e tru c k a n d ...
C a p ta in : D id y o u s e e a n y b o d y n e a r I didn't remember to rmri! it.
E x e r c is e 1 I forgot to mail it.
th e tru c k ?
M r. E strella: N o, n o b o d y . So Ask two q u estio n s and give an sw ers
a n y w a y , I d e c id e d to m a k e a for each. E x e r c is e 2
p h o n e call. I p a ss e d a m a g a z in e 1. He w as driving. He slopped. He Make se n te n c e s.
s ta n d a n d I s lo p p e d to g et ch an g e. bought so m e g a s 1. I should have turned off the light Its
C a p ta in : O K . T h en w h at? 2. He w as w atching th e truck. He still on.
M r. E strella: W ell, I w as ta lk in g to m y sto p p ed He m ad e a p h o n e call. 2. I read a b o u t th e crime in the
w ife w h e n I saw th e tru c k g o in g 3. He w as talking to his wife He n ew sp ap er. I can rem em b er it
d o w n the street. 1 c o u ld n 't believe stopped. He ran down the street. clearly.
m y eyes. I d ro p p e d ihe p h o n e a n d 3. T h e re ’s a movie on TV tonight. I
ran d o w n lhe street. But they w e re saw it at a th e a te r ten y ears ago.
m o v in g fast. I c o u ld n 't catch up. 4. They ought to have d one their
C a p ta in : D id y o u re m e m b e r to lock hom ew ork. Their te a c h e r's very
th e cab d o o r? upset.
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John Lennon 1940-1980

” ffflTTlli i f ' /™£2![7 ;

s t , ‘w n Cp • ^ o .v
57". VJA

fo/VOft:
John L ennon w as m u rd e re d ju st b efo re 11 I’M o r
D ecem ber S, I980, o u ts id e th e D ak o ta, th e a p a rtm e n t
b u ild in g w h e re h e lived in Mew York City. H e h a d just
g o tten i'lit of a car a n d w as w a lk in g tu th e en tra n c e w h en
a voice called, "M r. L ennon." L ennon tu rn e d a n d w as sh o t
five tim es. T he k iller thro w h is g u n d o w n a n d sto o d th ere
sm ilin g , "D o y o u k n o w w h a t y o u just d id ?" sh o u te d the
d o o rm an . “ I ju st sh o t John L ennon," the killer rep lied .
L en n o n w a s ru sh ed to the h o sp ital in a p o lice car, b u t il
w as too late. T h e k iller w as 25-year-old M ark C h a p m an
from H a w a ii. E arlier th e sa m e ev en in g h e h ad ask ed
L ennon for his a u to g ra p h . In fact, he had been h a n g in g
a ro u n d o u tsid e the a p a rtm e n t b u ild in g lo r several d ay s.
C h a p m a n w as a Ian of L e n n o n 's an d h ad tried to im itate
him in m an v w avs, it is said th a t he even believed thal he
w a s John L ennon.

B io g r a p h ic a l n o t e s
1940 Born in L iverpool, E ngland.
1942 L ennon fam ily d e se rted by father. M o th er leaves.
John b ro u g h t u p by a u n t.
1956 F orm s ro ck b a n d a t school.
1957 S tu d e n t a t I .iverpool C ollege of Art,
1958 M o th er killed in c ar accident.
I960 G oes p ro fessio n al as o n e of th e B eatles (L ennon,
M cC artney. H arriso n , B est,Sutcliffe). Plays in
H a m b u rg , G erm an y .
1961 Plnvs in H a m b u rg a n d L iverpool. Sutcliffe
(L en n o n 's best friend) dies of brain tu m o r. Brian
E pstein begins to m an ag e the Beatles.
1962 R ingo S tarr rep laces Pete Best as B eaties' d ru m m e r.
M arries C v n lh ia Powell,, an a rt stu d e n t. B eaties'
first re c o rd , "L ove M e D o." F irst TV ap p e a ra n c e .
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1963 T h re e re c o rd s hit n u m b e r I in B ritish T u p 20.


In cred ib le p o p u la rity . S on Ju lian born.
1964 First hit re c o rd in U n ite d S tates, "1 W an t to H o ld
Y our H a n d ." T w o U.S. to u rs. In A p ril, B eatles'
re co rd s n u m b e r L 2, 3. 4, a n d 5 m U.S. T o p 40. F irst
m o v ie, .4 H nnl D ay's N ight. F irst book.
1965 Help! B eatles' seco n d m o v ie, B eatlem an ia at its
h eig h t. U.S. to u r, i lu g e a u d ie n c e s in sp o rts
s ta d iu m s. B eatles re ceiv e MBF, (special h o n o ra ry
a w a rd )Trom Q u ee n E lizabeth.
1966 L en n o n in m o v ie Mow I IViur the War-— n o t a
m usical. M eets Y oko O n o , J a p a n e s e a v a n t-g a rd e
artist.
1967 Sergeant Pepper—B ea tle s1 m o st fa m o u s a lb u m . A ll
th e B eatles in te re ste d in m e d ita tio n . M a n a g e r B rian
E p stein fo u n d d e a d fro m o v e rd o s e of sle e p in g
pills.
1968 B eatles' c o m p a n y , A p p le , fo u n d e d . L en n o n a rt
ex h ib it "Y ou A re J lere." L en n o n d iv o rc e d b y w ife.
1969 B eatles’ m o v ie Let It fie. R u m o rs of q u a rre ls a b o u t
m o n e y T alk o f B eatles b re a k in g u p . B eaties' last
p u b lic p e rfo rm a n c e on roof of A p p le B uilding.
L en n o n an d Y oko m a rry , i le 2^, s h e 36. L en n o n
still re c o rd in g w ith B eatles b u t also w o rk s solo.

1970 M cC artn ey le a v e s B eatles. O th e rs s ta rt so lo care e rs.


1971 L e n n o n 's a lb u m Im agine— m o s t su ccessfu l so lo
alb u m . L en n o n a n d Y oko O n o in N e w Y ork o n e -
ro o m stu d io a p a r t m e n t
1973 L e n n o n o rd e re d to le a v e U n ited S ta te s— p ro te sts
a n d a p p e a ls.
1975 Son Sean b o rn O c to b e r (I e n n o n ’s b irth d a y ).
1976 R etires from p u b lic life. E x te n siv e trav el. B u sin ess
affairs m a n a g e d b y Yoko O n o .
1980 F irst reco rd in six y e a rs. A lb u m Double Fantasy.
C ritics sa y it is "a n e w b e g in n in g ." Dec. 8. L en n o n
m u rd e re d . M assiv e m e d ia co v erag e.
1981 T h ree re c o rd s in T o p 40: "<Just Like) S ta rtin g
O v er," " I m a g in e /' a n d "W o m a n ."
1985 " S tra w b e rry F ie ld s" m e m o ria l to L e n n o n o p e n s in
N ew Y o rk 's C e n tra l P ark on O c to b e r 9, Sean
L e n n o n ‘s te n th b irth d a y -
1988 B eatles in d u c te d in to Rock t i Roll H ail of F am e.
1990 T rib u te co n cert to L e n n o n in L iv erp o o l fe a tu rin g
M cC artn ey .
1994 L en n o n in d u c te d in to th e Rock n ' Roll ETall o f
F am e a s so lo artist. T h re e su rv iv in g B eatles a d d
th e ir vo ices am i in s tru m e n ts to an old L ennon
tap e, 'T r e e A s a B ird ''— th e linnl B eatles re c o rd in g .
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Beach watch

HEY, LOOK AT THAT GUY.


HE'S WAY OUT THERE.

R IG H T .
Y O U 'R E
UNLESS HE T U R N S
A R O U N P 5 0 O N HE'LL
© 6 IN T R O U & u e .

'O H , N o ! UNLESS T H E
V LI FEGUAR.E? G 6 T 5
PO TH ER S S O O N /T H A T
iG U Y W IL L P R O W N !

THATGUY NEEP5,
HFUf^ CA LI /
EMERGENCY/-
THE
U f g S U A R I ? 0 R IN u !>
?£ T H A T 6U V J
h im in f a s t , m e
Lguy w i l l p ie / j UN LESS SW EC AN G Ef
THOS^ „<

H IS H E A R T <SOtN<3, .
HE W O N T IV \A K E I T /

E x e r c is e 1 E x e r c is e 2 E x e r c is e 3
L o o k a t th is : It you were the man who alm ost What would you do in these
U nless he turns around soon, h e’ll be drow ned, would you give the em ergencies? Discuss.
In trouble. lifeguards a reward? W hat else You s e e so m eo n e tall into a river.
If he doc&i't turn artmnd -won,, he'll be In would you do? Vou’re aione.
i rouble. It you were the man who alm ost You're at a restaurant with a friend and
Find all the se n te n c e s with antes* and drowned, would you do anything your friend starts choking.
m ake se n len ces with i f , - not. differently in the future? What would Y ou're walking down a street and you
you do? s e e sm oke coming out of a house.
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H ave y o u seen this ad?

M ik e: W an d a, h av e y o u seen this S a n d y : 1 ley, Bill, look a t th is ad .


ad ? ♦♦♦♦♦♦ F r e e ! ♦♦♦♦♦* B ill: I In im ...it looks like fun. W h y
E X PER T H A IR ST Y L IN G
W an d a: Y eah, it looks great, d o e s n 't d o n 't y o u call th em up?
il? I called th em an h o u r ago. We need volunteers far our statewide S a n d y : I'd love to, b u t it's a w a ste o f
T hey']] call b ack if th e y w a n t me. hairstyting competition among ihe top tim e. M y h a ir's just to o sh o rt.
bairstyfiste of South Dakota.
M ik e: O h , th e v 'll w a n t you You B ill: W ell, 1 Like il Ihe w ay it is.
Wednesday, January 28
h a v e b e a u tifu l h air. Ramada Inn, Rapid City A n y w a y , y o u d o n 't k n o w w h a t
W an d a: T h an k s. You know , Irm Free Lunch & Dinner th ey m ig h t d o ...
excited. 1 m e a n , if i go. I'll gel a Free Transportation S an d y : O h. th a t w o u ld n 't b o th e r m e.
n e w h airsty le to r nothing ! The only qualification is long hair, al laasl 8 inches. If J had lo n g e r hair. I’d call th em
Call toii-ftee u p . A ctu ally , y o u r h a ir is p retty
1- 8 0 0 - 2 22 -10 10 long n o w ...
Soum Cbwm Sooefyol BeautEura and hfiirawtas
SoSMOHSMJ

K athy: P am , d id y o u see this?


P a m : Y eah. You a re n 't in te re sted , ^re
you?
A M B IT IO U S ?
Louis: Pablo, look a t this. Lt so u n d s K alhy: Mo, th e re a re lo o m a n y th in g s
S E L F -S T A R T E R ? w ro n g w ith it.
g reat. A nd you h a v e a d e cen t c a r..
Are jwj tired of not nuking enough money?
P ab lo : U li-huh. B ut th e r e a re so m e P a m : L ike w h at?
Doyou wart lo find die fastest v»hvtoga ahead?
d isa d v a n ta g e s. Qccuine a ctxnmhgoncd representative for K alh y : A re vou k id d in g ? You
Louis: E very job h a s d is a d v a n ta g e s . w o u ld n 't h a v e an y se c u rity You
DIRECT SALES. INC,
Pablo: O h , I d o n I k n o w . P m w illin g w o u ld n 't e a rn a n y th in g if you
All you need is energy, enthusiasm, your own
to try it. B u t 1 w o n 't tak e it if th ey car. iirnl a telephone And ynu too tan have a d id n 't w o rk all d a y lo n g ev ery
d o n 't p a y th e p h o n e bill! six-figuie income1No salary, but a generous d a y . A nd I w o u ld n 't tak e a job in
commission one vary sale you tnaktf! Write sales il they d id n 't p ro v id e a cat
DIRECT SALES. ESC., Pam : L ook at the a d d re s s — so m e
Lexington HoLei, Suite 304. holel. I'd n e v er w o rk fo r a
Philadelphia. PA 19033. c o m p a n y if th e y d id n 't ev en have
Qr call (215)472-5304 an office.

Roger: T ina, w h a t d o you th in k ot K itty: T h e re 's a job in F ranco in th e


th is ad ? Child Care M/F paper
T ina; It w as in last S u n d a y 's p a p e r FTofessionai couple moving lo T erry: Yeah, I k now . I w o u ld n 't
too. I called. I h a v e an in te rv ie w Lyons, France, for work needs d re a m o f ta k in g it.
to m o rro w . child-care specialist for 2 young K itty: W hy not? You'v e a lw a y s
R oger: D o vou th in k y o u 'll g e t it? children. M ust like dogs ant! have w a n te d to w o rk ov erseas.
driver's license. Private room with
T ina: T h ey seem ed v ery in te re ste d T errv: It's hard work, is n 't Lt? O n e
phone. TV, bath. One-way airfare
on th e p h o n e. I th in k th e y 'll o ffer n ig h t o ff a w eek.
paid. Two weeks' vacation a year.
m e tlie job. One night free a week. Salary K ittv : But th e m o n e y m ig h t be good.
R oger: So y o u 're g o in g to France! negotiable, References required. T erry: W ell, I w o u ld n 't tak e it u n le ss
T ina: I d id n 't s a y th at. I w o n 't ta k e Only mature non-smokers please. th ey p aid m e a really goo d s a la ry ,
th e job u n le ss they giv e m e a w ith a lo n g e r v acatio n , a n d m o re
Write Box 5116 this paper, or call
ro u n d -trip ticket. It'll be h ard 989-1787. free tim e. A nd I c ertain ly
w o rk , a n d f w o n 't go u n le ss lh e \ w o u ld n ’t go a n y w h e re o v erseas
offer m e a g o o d salary . u nless m y tick et w as ro u n d -trip !

L o o k a t t h is : E x e r c is e
I'm interested. I've applied. I'm not interested. I h aven't applied. Would you ever travel alone lo a
foreign country?
I’ll accept, ihe job if they offer enough I'd apply if they offered more money.
Niff unless I kin'zv sot/wonc thrrc.
money.
I WQitldu’t Imvcl akntt' to a foreign
! w on't accept the job il they don't pay I wouldn't accep t th e job il they didn’t country unless I kivnr sonuYmc there.
more. offer enough. Would you e v e r hit som eone/jum p
| won’t accep t the job unless they pay I w ouldn’t a c cep t the job u n less they from a high building/take your clothes
more. offered more. off in Ihe street/jum p off a moving
train/walk on hoi coals/go
skydiving/make a sp e ec h in
Enghsh/sing in front of an audience?
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Glacier watch

Alaska's glaciers—the facts


There are more mountain glaciers in Alaska than fn|
rest ol lhe inhabited world altogether
Five percent of Alaska is covered by glaciers and ict
fields.
The largest glacier, the Malaspiba. covers 840 squa
miles (2,17© sq km).
The Muir glacier is two miles (3.2 km) wide. V
G laciers move b e c a u se of thetr weight. They cut dot
valleys in the earth, They adv an ce every winter and
retreat in the sum m er.
Between 1991 and 1994 th e giant Columbia Glacier
ratreated more than a mile (1.6 km).
-ICKIIL'IUI••,aJT..«'.^i5.-g:grH-:-r.f: . . ■
__________________ J __

C a rm e n M elv in is from M iam i, Florida. S h e's on vacatio n C a rm e n : So in 50 y e a rs' tim e th is w ill all be gone?
in A laska and ^ lit-’^ taken a "flig h t seeing'' trip Us a glacier. G u id e : R ig h t...u n le ss the w in te rs slarL g e ttin g colder.
T he h elico p ter has lan d ed on the glacier. C a rm e n : C o ld e r w in ters? H ow d o you feel a b o u t th at
h ere in A la sk a ’ A re n 't they cold en o u g h for y ou?
G u id e: T his w ay .. w a tc h \\ h e re y o u 're g o in g , p lease. O u r G u id e : Sure! But I w o u ld n 't live h ere u n le ss I liked snow
in su ran ce c o m p an y d o e s n 't w a n t y o u to h u rt an d ice. A nd to u rists w o u ld n 't co m e h ere u n less there
you rselves! w ere glaciers. A nd believ e trie, w e need the to u rist
C a n n o n : T h is is incredible! b u sin ess.
G u id e: Isn 't it great? W atch y o u r step , an d stay d o s e by
m e— th at is, u n le ss you w a n t to fall into a crevasse.
T here are crevasse? h u n d re d s o f feet d e e p o v e r there. E x e r c is e 1
W e're g o in g to begin by w a lk in g o v e r to look at them ,
C arm en : T h ere's so m u ch ice! A n d th ey k eep tellin g u s Rewrite these sen ten ces. C hange i f . . w t to u»h^<.
ab o u t global w a rm in g , v o n k n o w , th a t th e ea rth is [fit doesn't yi't colder. Ilie ghtcu’r wifi dbttfifv/v.
I lilies it gets collier. Hit' glacier :L<ill dimippem.
g e ttin g hotter.
G u id e : W ell. I've been d o in g th is job lo r five years, and 1. If there isn't m ore snow, the glacier will retreat.
the glacier h a s retre a ted . Il used to b e lialf a m ile 2. He wouldn't live there if he didn't like ice and snow.
3. If there w ere no glaciers, many tourists wouldn't visit
longer.
C arm en : O h, really? Alaska.
4. II we don1! stop using so much energy, the world will get
G u id e : Sure. U nless it b eg in s sn o w in g m o re d u rin g th e
w in ters, it’ll be g o n e in 50 years. warmer.
5. If we don't stop destroying trees, the world will get
C arm en : W h a t's th e reason for that?
warmer.
G u id e : W e c a n 't say. F arth er n o rth , so m e g la d e rs a re still
6. If you don’t watch your step, you’ll have an accident.
ad v an cin g . M ay b e it's th e local w e a th e r h ere in
7. If you don't take the helicopter trip, you’ll regret it.
so u th e a st A laska, not th e w o rld clim ate. U nless w e do
8. He wouldn't be a guide if he didn't know a lot about
m o re research, w e w o n 't k now .
C arm en : P eople say it s the g re e n h o u se gases. You k now , glaciers.
if ev ery car c arried one m o re p a sse n g e r, th e U n ited
E x e r c is e 2
S lates w o u ld u se less gasoline.
G u id e : W ell, m nvbe. if e v e ry o n e p lan ted o n e tree a y ear Discuss: Do you think the world is getting warmer?
things w o u ld im pro v e, a n d if w e all w alk ed Instead ol Whal can we do about it?
d riv in g th e air w o u ld be clean er, .an d I g u ess w e ’d all Make sen ten c es with if ... not or u/rfess
h e h ealth ier But y o u c a n 't m e a su re it, really .
languagedownload.ir

What w o u ld you have done?

THE RE A PE RS PACE
\ \ it vi w o u l d v i> r h .w i. DoM-'?
as! w e e k w e invited y o u . the
L readers, to w rite and tell us a b o u t
th in g s ihat had h ap p en e d to y o u , or
th in g s that you h ad h e a id abo u t. We
w an ted sto ries w here p e o p le jus!
d id n 't know w hat to do nex t! H ere
are ihe stories that in terested us the
m ost!
T h a i ’s An <01 it.i,...o r wvs

I w as at a c o u n te r in a re sta u ra n t in a
sm all w estern tow n. J h ad jusi been
served a e u p o f coffee. S u d d e n ly diis
h uge m an — he Looked lik e a b o x er—
cam e over, p ick ed up my eoftiee.
d ran k it. banged the cu p d o w n on the
q u e stio n otic o f the re p o rte rs ask ed
table, stared at m e, and then w alked
w as. “D o you intend to visit any D e e p -f r ie d
aw ay w ith o u t say in g a n y th in g . F
n ig h tc lu b s in L o n d o n ?“ R e v e re n d
I
had p ark ed m y c a r at a local
su p p o se 1 sh ould h a v e said
C ra c k e r sm ile d at the reporter. "A re sh o p p in g m ail, and L w as tak in g a
so m eth in g , but 1 w as scared still"! i
th ere any n ig h tc lu b s in L o n d o n ? ” he sh o rtcu t th ro u g h (he sid e d o o r o f a
d id n 't know w hai to do! W h a t w ould
an sw e re d in n o cen tly . T he nexi restau ran t. H alfw ay a cro ss ihe
you h ave don e?
m o m in g th e h ead lin e in o n e o f the re stau ra n t, I sp o tted my fath er ea tin g
SlclnU' v Wemju-
L o n d o n p ap ers w as " C ra c k e r's firs! a h a m b u rg e r an d french fries— h e
C a rb a m ftilv. I L
q u estio n on arriv al in L o n d o n — A re o fte n eats there. 1 sn eak ed up b eh in d
Ln nr i i* vvatkr th ere any n ig h tclu b s? " H ow w o u ld him . p u t m y hand o v e r his sh o u ld er,

I
w as d riv in g th ro u g h O reg o n on my y ou have felt? to o k a french fry o ff the plate, d ip p e d
v acation. It w as a very hot day, an d Rev. Aurtd Richards it in th e k etch u p , and ate it. T h en 1
I sto p p ed at a sm all, d e serte d b each . I Columbia. SC realized dial the m an w as noi my
d id n 't have my bath in g suit w ith m e, father! 1 w as so em b a rrassed ! 1
Stranchks ln t i j f n i g h t
but it w as early in the m o rn in g and c o u ld n 't say a w ord! W h at w ould
y sto ry is n ’t fu n n y at all. Il
there w ere no people o r h o u se s in
■Mght. So I look o ff m y c lo th es and M w as a v ery frig h te n in g
e x p e rien c e. You see. o n e nighi 1 w oke
y o u h av e d o n e?
C lu n y l R e d b u m
sw am out in ihe o cean in m y A/ in n ea p o lis. M N
u p suddenly. 1 h eard th e tinkle o f
u n d erw ear. I’m a very stro n g
b ro k e n g la s s fro m d o w n sta irs, a n d f
sw im m er. 1 flo ated on m y back,
heard th e w in d o w o p en in g . T h en I
c lo sed m y eyes, a n d relax ed in the
heard I w o voices! M y w ife w oke up Look a t th is :
w ater. W h en I looked b ack al the
too. She told m e to d o so m e th in g . A
b each , several c a rs had arriv ed and Would you have said anything?
c o u p le o f d a y s b efo re. Ihere had been W hat would you h av e d o n e 7
there w ere 20 or 30 p eo p le sittin g on
u rep o rt a bo u t a b u rg lary in ihe Local
the sand h av in g u picnic! W h at w ould I'd have said | som ething.
paper. T h e b u rg lars h ad been
y ou have d o n e? would done
in terru p ied . and they had b eaten up anything.
.fane D u rr ; wouldn't
ihe h o m eo w n er. T h e y ’d n early killed
Spiikiirte. WA
him . I w as tre m b lin g w ith fear. I ju s t E x e r c is e 1
d id n ’t know w hat to d o . Tri the en d . 1
Write se n te n c e s about each of the
T m r ‘s \ n o - ncj d id n 't go d o w n , an d ihev stole Ihe
five stories.

I heard a great story aboui the sterlin g .silv erw are w e h ad in herited I'd Frnrr faflriit....
R everend B illy C rack er. H e ‘d g o n e from m y m o th er. W as I rig h t? W h at I wouldn't hffve (done)....
to L ondon to sp eak at a large w o u ld y o u h av e d o n e?
m eeting. A nyw ay, w hen he step p ed Lorenizo Ma vh ado E x e r c is e 2
o ff the p lan e there w ere a lot o f A b ilen e, TX Tell th e story o1 an interesting,
rep o rters and T V cam e ra s. T h e first surprising,
or em b arrassin g exp erien ce you have
’ h ad or h eard abo u t. _____
languagedownload.ir

A bad day at the office

A m y: What was wrong this morning? E x e r c is e 1


Tim: Wrong? What do you mean?
Amy: You walked straight past me. He didn’t s e e her. He didn’t say hello.
Tim: Really? Where? If he hud seen her. he would have said
Amy: By that newsstand on Ist street. hetto.
T im : I’m really sorry, Amy. I just lie uvirhl Jiape sffW hello if he had seen
didn't see you. her.
Amy: Come on, Tim. You must have. Do the sam e:
I w as waving! 1. He didn’t recognize her He didn't
Tim: No, honestly. I didn't see you. It stop.
1 had seen you, I w ould've said 2. He didn’t notice her. He didn't stop.
hello. 3. He didn't s e e h er waving. He didn't
w ave back.
Rob: Tim, have you sent that fax to
Japan? E x e r c is e 2
Tim: No, 1 haven't.
H ave you se n t Una fax?
Rob: Why h a v e n ’t VOU doJ\e it yet?
If you hud naked rue, I would have sent it.
I t’s urgent.
Tim: Bo cause you didn't ask m e to Do the sam e:
do it. 1. H ave you mailed th e letters?
Rob: 1 didn’t? 2. H ave you photocopied th e report?
Tim: No, ycou didn't. If vou had 3. H ave you typed th e contract?
asked me. I'd have sent it.
E x e r c is e 3
He had a bad cold, but he cam e lo
work.
T im : What's the matter. Debbie? You I wvuldn't have come to work if I had had
don't look well. a cold.
D ebbie: No. I've had a terrible cold.
Do the sam e:
It's better today, though.
1. S h e had a h e a d a c h e , but sh e
Tim: H m m ...l had a bad cold last
stay ed at work.
week.
2. He had a so re throat, but he worked
Debbie: I know , and vou gave it to
all day.
everyone in the office. 1 wouldn't
3. S h e had a toothache, but sh e didn't
have com e to work it I'd had a
go to the dentist.
cold like that.
E x e rc ise 4
He noticed the error. They didn't lose
R ob: Tim, did you type this letter or the order.
did Akiko? lfh e h tu h i! rnr!teed the error, they could
Tim: 1 did. Is there something wrong? htit'c fosl if/e order.
Rob: Take a look. This should be Do the sam e:
$400,000. You typed 340,000. 1. He noticed the spelling m istake
Tim: Oops. I'm really sorry. They didn't u p se t the custom er.
R ob: A nd the customer's name 2. He saw the lypo in time. T hey didn't,
should be "Snelling/' not se n d Ihe letter.
"Smelling." 3. He ch eck ed the a d d ress. They
T im : O h , no! D id I p u l th at? didn't mail it.
R ob: If I h ad n 't noticed it, we could
have lost the order! E x e r c is e 5
I w ent to a party./) went to bed late./
D a n a: H i, T im . D id y o u h a v e a g o o d I forgot to s e t th e alarm./l gol up late./
d a y to d a y ? I m issed the bus./l w as late lor work./
Tim: No, not really I'm glad it’s I’ve had a bad day ./I forgot to sen d
over. Every thing went wrong. a fax./I m a d e a m istake in typing.
D a n a : Really?
T im : Yeah, I made a lot of m istakes II t hadn't g o n e to a party, none of
m typing, then I forgot to send a th e se Ihings would h av e h ap p en ed .
fax, and Amy got upset because I It i hadn't gone lo Q party, t rrooldn't have
ignored h eron the sheet. gone to bed lute
faijn
D an a: Why was that? Write se v e n se n te n c e s.
Tim: If I hadn't gone to bed late, it
wouldn't have been ^uch an awful
day.
languagedownload.ir
A Saturday afternoon

L aura: A nd th at Was 4U y e a rs ago?!


D r. B litz k o p f: I'm a fra id so.
o
Laura: B ut he c o u ld n 't still be
d a n g e ro u s '
D r. B lilz k o p f: N o. If h e 'd w a n te d to
s ta r t a fire, he c o u ld have d o n e it at
a n y tim e.

L au ra w a s sh o ck ed b y th e sto ry . She
w ro te le tte rs to E d w a rd 's fam ily , b u t
n e v e r receiv ed a rep ly . H e h a d n e v e r
b e e n officially certifie d as in sa n e , so
h e c o u ld leav e a I a n y tim e. Dr.
B lilzkopf lei h e r talk to E d w a rd .

L aura: E d w a rd , h av e y o u e v e r
th o u g h t a b o u t le a v in g th is place?
E d w a rd : NJo. T his is m y h o m e. A nd
a n y w a y , I h a v e n o w h e re e lse lo go.
L aura: B ut w o u ld n 't vou like to g o
in to to w n so m e tim e s?
E d w a rd : I s u p p o s e it w o u ld b e nice.
B ut I w o u ld n 't w a n t to sta y a w a v
for long. I'v e sp e n t 40 y e a rs
w o rk in g o n th is g a rd e n . W h a t
L aura I'elt slig h tly u n e a sy a s the w ith d ra w n a n d d e p re s s e d ; so m e w o u ld h a p p e n to it if 1 w e re n 't
g u a rd u n lo ck ed Lhe g a te s a n d w a v e d s e e m e d a lm o st n o rm a l. S he fo u n d 3L h ere?
h e r th ro u g h . T he B litzk o p t C linic h a rd lo b e lie v e th a t all of t hem h a d
w as. a fter ail, th e m o s t e x c lu siv e b e en c o n sid e re d to o d a n g e ro u s to live L a u ra re a liz e d th a t i t w o u ld be
in s titu tio n o f its type in Ihi- c o u n try . in n o rm a l society. u n k in d to m a k e h im leave. But w h e n
She p a rk e d h e r ca r o u ts id e th e m ain sh e fo u n d o u t th a t th e n e x t S a tu rd a y
entrance o f th e ste rile w h ite m ain L au ra o ften s a w lh e o ld m a n in th e w a s h is b irth d a y , s h e a rra n g e d w ith
b u ild in g . S he p a u s e d on th e ste p s stra w hat. H e sp e n t m o st of his tim e the staff to g iv e h im a p a rty . T h e y
to to o k at th e b e a u tifu l flo w er w o rk in g in Lhe flo w e r g a rd e n s , b u t h e w a n te d it to be a su rp ris e , an d Dr.
g a rd e n s . A n old m a n w a s w a te rin g a lw a y s s to p p e d to sp e a k to her. She B litzk o p f a g re e d to le t h im go o u t for
th e flo w e r bed b e sid e th e step s, l ie fo u n d o u t th a t his n a m e w a s E d w a rd the a fte rn o o n . E d w a rd left at hvo
sm iled at her. Beale. H e w as a g e n tle a n d m ild - o 'clo ck . H e se em ed q u ite excited.
m a n n e re d m an , w ith clear., b lu e, T h ey e x p ected him to re tu rn a b o u t
O ld m an : G o o d afte rn o o n . A re y o u a h o n e st ey es, w h ite h air, a n d a p in k ish fo u r o'clo ck . T h e co o k h ad m a d e ,i
n e w p a tien t? c o m p le x io n . H e a lw a y s lo o k e d b irth d a y cake.
L aura: O h, I'm n o t a p a tie n t. I'm ju st p le a se d w ith life. S he b ec a m e
h ere lo d o so m e re se a rc h ..I p a rtic u la rly c u rio u s a b o u t h im . O n e L a u ra w a s s t a n d i n g in t h e w in d o w
w o n d e r if you co u ld tell m e the n ig h t, a t d in n e r, sh e a sk ed a b o u t Mr. w h e n sh e sa w him . H e w as w a lk in g
w a y to Dr. B litz,kopf's office? Beale. u p th e d riv e to w a rd the h o u se,
O ld m an : C e rta in ly . Ju st g o th ro u g h w h is tlin g ch ee rfu lly B ehind him ,
the m a in d o o r, tu rn left, w a lk D r. B litz k o p f: Ah. y es, E d w a rd . N ice a b o v e Lhe trees, thick black c o lu m n s
d o w n Lo th e e n d of Lhe hall, a n d old g u y . H e 's been h ere lo n g e r o f sm o k e w e re b e g in n in g to rise
it's th e la st d o o r on th e rig h t. th a n a n y b o d y . slo w ly in to lh e c lea r b lu e skv.
L au ra: T h a n k y o u v ery m u ch . L au ra: W h a t's w ro n g w ith him ?
D r. B lilz k o p f: N o th in g . H is fam ily E x e r c is e 1
D r. B litzk o p f w a s e x p e c tin g her. H e p u t him h e re 41) y e a rs ago. T h ey Find w ords that m ean:
had b een lo o k in g fo rw a rd to m e e tin g n e v e r co m e to v isit h im , b u t th e 1. the skin's color a n d a p p e a ra n c e
his n e w re s e a rc h a ssista n t. Dr. b ills a re a lw a y s p a id o n lim e, 2. socially restricted, snobbish
B litzkopf sh o w e d h er a ro u n d . H e w as L au ra: But w h a t h ad he d o n e ? 3. lifeless
o b v io u sly very p ro u d of his clinic, D r. B litz k o p f: H e b u rn e d d o w n h is 4. socially or emotionally d etac h ed
a n d Laura w a s impressed b y the sc h o o l w h e n he w a s 17. O v e r th e
re lax ed a n d in fo rm al a tm o sp h e re . n ex t few y e a rs th e re w e re a E x e r c is e 2
n u m b e r oi m y s te rio u s fires in his
n e ig h b o rh o o d , b u t lh e fam ily d id D iscuss: W ho do you think w as
For th e next few w eeks, L au ra s p e n t
n o th in g u n til he trie d Lo seL fire to resp o n sib le for th e fire? To w hat extent
th e m o rn in g s in te rv ie w in g p a tie n ts w ere th e se people responsible:
a n d th e a fte rn o o n s in th e flo w e r th e fam ily m a n sio n . 1 le w a s in
h ere th e n e x t d ay . E d w a rd n e v e r Edward, his family. Dr. Blitzkopf,
g a rd e n s , w ritin g u p th e re s u lts o f h er
p ro te ste d . L aura?
research . Sortie of th e p a tie n ts w ere
languagedownload.ir

Vacation U S A

WESTAIR Ai
THE GOLDEN W E S T •
San F ra n c is c o • 5
Las V e g a s • 2 ni
Lo s A n g e le s * 6 ni

Can you see yo u rse lf


rid in g a cable car in
San Francisco,
w in n in g a fo rtu n e in
the casin os o f Las
Vegas, and w alking
w ith the stars on
Hollyw ood
Boulevard? WESTAIR
invites you to spend
tw o u n fo rg e ttab le
w eeks in C alifornia
and Nevada and enjoy
the g litte r and the
glam o u r of the
Golden w est.

M ijrisol is C o lo m b ia n a n d m a rrie d to m o re tim e. If w e w ent a g a in , w e 'd ihe h o te ls, fo o d , a n d se rv ic e w ere


G eo rg e M arek, a n A m erican te ac h in g sta y lo n g er. W e w o u ld h a v e sp e n t excellent. M arisol fo u n d A m e ric an s
in C o lo m b ia. I h e v ’ve jus I re tu rn e d to m o re hint? in S an F;ran ciseo a n d less to be v e r \ frien d ly . W e p ro b a b ly look
C o lo m b ia a n d G e o rg e is tellin g his lim e in Los A n g eles il w e 'd h a d a too m u c h lu g g ag e. ( lo ih es in
trie n d s ot w o rk a b o u t their trip. choice. Los A n g eles w a s a little C alifo rn ia w e re so cheap! It w o u ld
d is a p p o in tin g . Wo w e n t o n a to u r o f h av e b e e n a g o o d idea lo la k e a lo n g
"W e h a d a g reat tim e, b u t it w a s B everly IHills to see th e h o u se s o f the an e m p ty suilease! If I'd d o n e th a t,
p re tty tiring. W e w en t o n m a s t ot the sta rs. Bu! u n le s s y o u h a d stu d ie d film the sa v in g s on c lo th e s w o u ld alm o st
to u rs b ecau se M ari.sol d id n 't w a n t to h isto ry , vou w o u ld n e v e r h a v e h e a rd h a v e p a id for h alf o f tlie airfare! W ell,
m iss a n y th in g I really felt w e n ee d e d of m o st of the m l G e n e ra lly sp e a k in g , n o t re a lly "
languagedownload.ir

Los Angeles,
home of the
movie industry,
Sunset Boulevard,
San Francisco with the Beverly Hills—and
Golden Gate Bridge. of course—the
Chinatown, Japantown, cable stars! Choose
cars climbing up the steep from any number
hills, restaurants serving of tours—the
food from the four corners wonderful world
of the world. Tour Monterey, of Disneyland,
Carmel, and the wine U n iv e r s a l S fu rtin s
country of Napa and
Sonoma.

This exciting three-city


Las Vegas, the gambling tour offers you a golden
capital of the world! Las opportunity to
Vegas never sleeps and
the entertainment is the experience the special
finest in the world. There's atmosphere of the
an optional flight over the Golden west.
spectacular Grand canyon.

T he R izzos, ,1 re tire d co u p le from h ad o u r g ra n d c h ild re n w ith us! T hev O L is t e n in g


B angor, M aine, w e re o n th e to u r w ith w o u ld h a v e lo v ed il! W e w e n t o n
th e Y lareks. F lorence R izzo w a s a sk ed so m e o f th e to u r s , a n d W e c o u ld h a v e Listen lo the ad tor Dr. B ronner's Hot
a b o u t th e trip. g o n e on m u re, b u t y o u c a n 't se e Springs S pa. and a n sw er th e se
e v e ry tilin g , c a n y o u ? I lo v ed th e fo o d q uestions.
"W e ’d been lo o k in g fo rw a rd to th is in C alifo rn ia. You k n o w , all th o se 1. In w hat city is Dr B ronner's Hot
trip fo r y e a rs, a n d it w as th e v acatio n sa la d s an d fre sh v egetables! W e Springs S p a located"?
of a lifetim e. I th in k w e e n jo y e d Las w o u ld n 't h a v e g o n e o n th is trip 2. How much d o e s a com plete health
V egas th e m o s t b u t tw o n ig h ts w e re u n less it h ad b e e n a n e sco rte d to u r treatm ent co st?
p ro b ab ly e n o u g h ! IF w e 'd clay e d g ro u p . W e’re n o t as y o u n g as w e 3. How much a re the room s a1 Dr
th e re m u ch lo n g er, w e 'd h a v e lost all u sed to b e , a n d W£ c o u ld n 't h av e B ronner's?
o u r m o ney! D isn ey lan d is a "m u st" d o n e it o n o u r o w n . E v ery o n e, 4. W hal do the room s com e with?
fo r a n y o n e w ith ch ild re n . It o n lv w e'd h o w e v e r, w a s so h elp fu l to u s." 5. W hal street is Dr. B ronner s on?
6. W hal num ber should you call for
reserv atio n s?
o
languagedownload.ir

" O n e m(in's m eat is another


Food for thought

' Part o f the secret o f success in life is to cat zvhat you like ,
m an's poison." a n d Jet the food fig h t it out inside i/o u "
I K A D IT M 'J At T'kilVJlKlI
M ark T wain

T h e re Ls a w id e ran g e of n u tritio u s H ere a re som e c o m m o n id eas a b o u t food:


food* an th e w o rld . H o w ev er, e a tin g B ating ca rro ts is g o o d fo r th e eyes.
h a b its d iffe r from c o u n try to c o u n try . Fish is g o o d for th e b rain .
In so m e societies certain fo o d s a re E ating cheese a t n ig h t m a k e s y o u d re a m .
taboo. A n eccentric m illio n a ire once G arlic k e e p s you from g e ttin g cold s.
in v ited q u e sts from sev eral c o u n trie s D rin k in g co ffee k e ep s y o u from sleep in g .
to .s b a n q u e t a n d offered th em this Y o g u rt m ak es y o u live long.
A n a p p le a d a y k e ep s die d o c to r a w ay .
m en u . All th e fo o d s are p o p u la r Ln
W arm m ilk h e lp s y o u go to sleep.
som e p a rts o f th e w o rld , b u t tire no t A c u p of tea settles y o u r sto m ach .
eate n in o th ers. Brown, eg g s taste b e tte r th a n w h ile o n es.
H av e y o u h e a rd sim ila r ex p re ssio n s?
API*£TIZERS Do y o u a g re e o r d is a g re e w ith th em ?
Snails
Frogs' legs
Pigs' feet "M ore die in the United. States o f too m uch food than too little "
Oysters John Kenneth (i-vi ut<Art h
Caviar
100-year-old eggs At d iffe re n t tim e s in d iffe re n t c o u n trie s th e re h a v e b een d iffe re n t id e a s of
Tripe (cow’s stomach) b ea u ty . T he rich w o u ld a lw a y s w a n t to look fat in a so cietv w h e re food w a s
Blood sausage
Live sea urchins scarce, an d to lo o k th in in a so ciety w h e re food w as p le n tifu l. T h e c u rre n t
in terest in lo sin g w e ig h t is b e ca u se of fashion as w ell as h ealth. H o w e v er,
SCM PS o v e re a tin g c au se s a v a rie ty of illnesses.
Birds-nesl soup
Shark-fin soup Do y o u k n o w w h a t th ey are? A re y o u o v e rw e ig h t, a v e ra g e , or u n d e rw e ig h t?
Seaweed soup
D oes it b o th e r y o u ? H a v e y o u ev er b een on a d ie t? W h at d id y o u eat? W h at
fo o d s sh o u ld you e a t/ n o t ea l il y o u w a n t to lose w eig h t? W hat sh o u ld you e a t
FISH if y o u w a n t to p u t on w eig h t?
Octopus
Jellied eels
"O n e should eat to liv e , not live to eat."
M o ijb h e
s u n i oi kni:s
Cow brains 'Year by year, w hile the w orld's population has increased , the food
Whole slutted camel
Grilled songbirds su p p ly has increased m ore. (But ) ... supplies of nourishing food
Roast snake
Bat stew could be en o rm o u sly increased if, in the richer countries o f the
Horse meat w orld, people were prepared lo eat som e o f the food th ey feed to their
Kangaroo
Whale pigs and cattle ... and to their pet dogs a n d cats."
Roast Dog D r. M aonus I'yke
Pork
Beet
Lamb
Veal
Alligator steak

UKSSF.RT
Chocolate-covered anls
Salad of flower petals

If you h a d been th e re,.w h ic h item s


could you hove e ate n ? W h ich item s
w o u ld y o u h a v e eaten ? W hich ite m s
c o u ld n l y o u h av e eaten ? W hy n ot?

Do y o u k n o w w hich c o u n trie s th ey
are p o p u la r in? W o u ld y o u e a t them
if y o u w e re sta rv in g ?

W h a t u n u su a l th in g s are e a te n in
y o u r c o u n try ? D oes y o u r c o u n tr y /
re g io n /s ta te h av e a n a tio n a l/re g io n a l
d ish ? I lo w d o y o u m ak e it?
languagedownload.ir

S h irle y : H o w a re y o u d o in g , Jue? P o lic e O ffic e r. Look a t th at,


|. J u d y : Y o u r call fro m N e w Y ork's. o n ­ Jo e: O h , hi^B hijfey, 1 d o n 't ):et-1 like S e rg e a n t , There a r e still lig h ts o n
lin e o n e . Pa ris fvnsijiist coffne : w o rk in g tonight, . in th e in s u ra n c e c o m p a n y a g a in .
th r o u g h o n 1in** tw o , a n d there'S; a S h ir le y : N either do 1. I h a te th is k in d S e rg e a n t: Yes, il lo o k s n ic e a n d
I call frpiTi T o k y o o n -lin e fo u r y ,jj ork. . :i; - ; ' ' w a rm , d o e s n 't it? Tsnm e'tTmes
L.B.: A sk th e m lo call b ack Jo e: W1 Iv do you d o it then? w ish I w o rk e d there.
to m o rro w , Ju d y . Toll th e m ...te ll S h irle y : il w ish 1 d id n 't h a v e to l B ut O ffic e r: Y ou d o 1 RfeaHy?
th e m I'm n o t h e re . I t's Loo late, I w u in eed th e m o n ey - M y h u s b a n d 's S e rg e a n t: U h -h u h . S o m etim e s. A
w ish T w a s n 't h ere. I'v e h a d n u t o f w o rk ag ain , n ic e office. a d esk , lo ts o f p e o p le
e n o u g h to d ay . f o e : I k n o w w h a t y o u m e an . 1 w ish a r o u n d .. .. It c a n ' Lbe b ad
In d y : But th e y 'r e u rg e n t, all o f th e m . I'd; le a rn e d h o w to ty p e ,o r O ffic e r: A nd th e b o s s 's lim o .o u ts id e
L.B.: D o y o u k n o w som eth in g ,. Ju d y ? - btjjm ething lik e that. S e rg e a n t: S till, y o u k n o w -w h a t th e y
I w ish I w a s a t h o m e n o w , in m in t S h irle y : W e c a n all w ish ! I d r o p p e d say : 'T h e g ra s s ik a lw a y s g re e n e r
: of th e :television w ith a c u p of h o t o u t o f sc h o o l a t 16. 1 w is h I h a d n ’t, o n th e o th e r sid e. '
- chtvcoJale ? | b u t 1 n e v e r g o t g o o d g ra d e s a n d I O ffic e r: I s u p p o s e y o u re rig h t.
h a te d ft. K ids h a v e it re a lly easy in Barge. 1 ley , th a t lim o u s in e is:in
P au l: L ook .it th at! It s p o u r in g ■ sch o o l n o w a d a y s , f w ish w e 'd h a d fro n t o f it fire h y d ra n t/: J
S n d I havi* to w a l k to lh e b*is s to p . m o re o f ft ch an c e. I'd n e v e r h a v e S e rg e a n t: O h , y e a h . Gave h im a
D ia n e : W ell a t least it’s n o t Mlovy e n d e d u p d e a n in g o ffice s,. p a rk in g ticket, L ucy, H e can a ffo rd
P a u l; I t's all rig h t fo r W a sp sp h . I lis Joe; C o m e on, S h irle y , le t's try to •<: it! | ~ lii|
lim o u s in e is d o w n s ta irs w a itin g to fin ish early a n d g e t o u t ol Here.
S ill t a k e him home . E x e r c is e 1
igijE—-1«s;g«H>ifeaa8y?-; IfSliilk. f
D ia n e : V eah, I w is h ! h a d a
1. I wish I w as on vacation.
ciia u tle u r - d n v e rt lim o u s in e .
I wish f was in Hawaii.
P a u l: J w is h Ih a d : a car,: a n y c a r. f-m
W here do you wish you w ere now?
g o in g to g e t s o a k e d to n ig h t!
Do you w ish you w ere In b ed ?/a l
hom e?/on th e b e a c h ?
T o n y : H i, Jan e. Still h ere?
2. I'm a stud en t.
Jan e: Yes. I'm w a itin g to see
P / wish I avis iin ac'tor
W a sp so n . W hal do you wish you w e re 9
T o n y : Y ou d o n 't u s u a lly w o rk late
rI fff! ja n e : 1 w ish T w a s n 't w o rk in g th is E x e r c is e 2
$M!i e v e n in g . T h e re 's a g o o d g a m e on I d o n ’t h av e a car.
TV. ■ ........
T ony: O h , w ell. M ay b e h e 'll call voii i wish I had i? car.
11)!
i n sO on- M ake five se n te n c e s.
Ja n e : I h o p e h e does!
,...'raSfr&T |fe I f c A f • r~-4^itjjjfc=-liL. E x e r c is e 3
A la n : H a v e n 't y o u left yet?
Its raining,
L o rra in e : N o. 1 w ish I h a d . 1 c a n 't g p : [ w is h il W ttsri 7 m illin g .
u n til I 'v e fin ish e d th is re p o r t.
S h e ’s working
A la n : C a n 't y o u d o it4 o m o rrp w ?
She w itihvn she wasn't ic c tic in g .
L o rra in e : I w is h I c o u ld , b u t
Wa&p&Oh w a n ts it to n ig h t C ontinue.
■I. T he p h o n e s a re ringing.
2. It's snowing.
!'. •n iteaaat &
.. rjfjgs | • r | | 3. S h e 's silting in an office
VJiH^SiSaH ?firy tj p^rVrni>t-:T-j-—
:~r~v:AYimj-jSTi 4. H e’s waiting.
gll: .-HjJJfr ' 1 • ’ H=s;njjrfj
}' m' • ;; :;U.rgzEEHE.* -’l;!R v^ jjffi H|j
E x e r c is e 4
S h e h a sn 't finished yet
•Tl.-i H ■-y j L.frrif . s'/re wishes shr had finished-
| - ill. I didn’t learn how to type.
I ziiish I hin t Imrntuf ho w to tiffw .
C ontinue
1. They h av en 't d o n e their hom ew ork
2. S h e dro p p ed out ol school at 16.
3. I h av en 't s e e n that movie.
-- r* '• *■" 4. He lost his wallet

p f c l i i d f

■ -fi i m lU n s f fliH

ii i- ^ M Pf *
| f 1
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The happiest days of your life?

Som e p eo p le say th at y o u r d a y s in
school are the h a p p ie st d a y s o f y o u r
life. 11ere a re five p e o p le talking
a b o u t th eir experien ces.

W ad e 1 lam lin is a successful self- to g e th e r in p re p school a n d th en a t H a r\ ard too. S p o rts


e m p lo y e d bu ild er. w e re v erv im p o rta n t for m e. 1 b eliev e th a t team sp o rts
"School? It's a w aste of tim e teach p e o p le to w o rk to g eth er, an d c o m p e titio n w ith
m o stly — .It least it w a s for me. I a n o th e r team b rin g s Out the best in p eo p le. .. A nyw ay,
q u it a fte r m y so p h o m o re y e a r in d iscip lin e w as stric ter then. It's too b ad th a t has c h a n g ed .
college becau se I sto p p e d h o p in g M a y b e y o u n g p eo p le w o u ld be b e tte r b eh av ed n o w a d a y s
th a t I w o u ld e v e r learn a n y th in g . I if th ere w as m o re d iscip lin e in th e schools. M y biggest
w a n te d to sta rt e a rn in g a liv in g — re g re t is th at 1 d id n 't h av e th e fam ily life o th e r hoys had.
in the real w o rld . T he b ig g est pro b lem w ith school is the A fter ag e 12, I o n ly sa w m y fam ily a t C h ristm as a n d in the
teachers. If 1 had listened to m v teachers, I W ould k n o w oil su m m e r.
a b o u t S h ak esp eare a n d w h a t d a y ihe C ivil W ar started
an d h o w to co n ju g ate S panish v e rb s a n d how to p ro v e the C olleen M cG rath is a factory,
P y th ag o rean theorem and all th a t junk. B ut I w o u ld n 't w o rk er.
k n o w a n y th in g ab o u t h o w to m ak e a b u sin e ss d eal o r "School w a s jusi a n o th e r p a rt of
raise m y k id s o r a n y th in g th a t's really im p o rta n t. I'm n e ig h b o rh o o d life. My b ro th ers
sorry I w en t to school at all/" a n d sisters and 1 wren t to a
p aro ch ial e le m e n ta ry school th ree
A n n e M arie Jo hnson is the blocks from hom e. L ater w e had to
p e rso n n el m a n a g e r of a take a b u s to the p u b lic high
d e p a rtm e n t store. school, b u t it w as only a ten -m in u te ride. A nd then w e all
"1 lo v ed school-1 w as a stra ig h t- w en t to the local com m unity college. I w ish m y k id s co u ld
A stu d e n t alm o st e v ery year, blit d o that. I h av e to take th e y o u n g est in th e car to th e big
I d id n 't sp e n d all m y tim e e le m en ta ry school across th e river. A school b u s picks u p
stu d y in g , I p artic ip a te d in a lo t of th e o th e r tw o w h o a re in ju n io r h ig h school, a n d it takes
ex tra c u rric u la r a ctiv ities a n d th em a lm o st an h o u r each w ay. I w ish th in g s h a d n 't
sp o rts too I w as Ln stu d e n t g o v e rn m e n t b o th in h ig h c h a n g e d so m u ch ."
sch o o l a n d In college. I w a s alw ay s so rry w h en su m m e r
v acatio n sta rte d — th re e m o n th s w ith no school! M ost k id s O L is t e n in g
liked v acatio n s m o re th an school, b u t not me. S om e of m y Listen lo Kaye Wilson talk about her school days, anci
frien d s in high school d id n 't go to college, b u t th ey re g ret an sw er these questions.
it now . S om e ot them w o u ld have d o n e w ell if th ey had W here did sh e go to high school?
been e n co u rag ed lo go. I o n ly reg ret n o t g o in g to g ra d u a te W here did sh e live?
school a fter I g o t m y b ach e lo r's d egree. I've started an W hat c o u rses d o es sh e wish s h e had taken?
MBA at n ig h t, b u t it’s n o t th e sam e. W ork is all rig h t, b u t I Why did her parents sen d her to a fancy girls' college?
m iss tlie frien d s and th e fun th a t w e n t a lo n g w ith the W hat d o e s sh e do now?
s tu d y in g ." W hat would sh e be il sh e had taken the c o u rses sh e had
w anted?
C raig P h illip s is a W all Street
sto ck b ro k er. E x e r c is e
"1 w e n t to p re p school, an d th en I W hat about your days in school? What do/did you like?
w e n t to H a rv a rd . I g u e s s you W hat don't/didn’t you like?
co u ld say I h ad th e b e st e d u c a tio n W hat about sports?/discipline?/'subjects you liked a n d didn't
m o n e y c o u ld b u y , but it w a s n 't like?/'teachers?/exuacurricular activities?
easy. W e had to s tu d y v ery h a rd ,
a n d a lot w a s ex p ected of us. T he
th in g I re m e m b e r m ost is ihe frie n d sh ip . T he trie n d s I
m a d e th en a re still m v frien d s to d ay . M ost o f u s w ere
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N e w Year's Eve

W^ S u ! l ^ N « SY « sT m lm e between mid-January end


• C h in e s e in ^ d -F e b ru a ry

J e w is n Ne „ Year - — «"
Islamic N e w Year 1 Muhatram - s o m e tim e in May. June. =
or July
)
A s k a n d a n s w e r th e s e q u e s tio n s .
Do you celcbmte New Y earf =
Ask "W hen'r ASt “Where .> Asls
W hai do people do ear s ■'l -
on N ew \ Ye ir'^ Eve or N ew Year '* Day'-' ^
Me there any * * * *
*“ * <Uwl? ,or N*
Do people give each other presents, 1
Do people make wishes? . . . . + » J
* if
R o b in : I'm R obin, a n d tin s is m y
b o y frie n d , PKU. W e 're from N e w
lerscv.
A d am : N ew Jersey ? Ju st a c ro ss th e
river. A re y o u h a v in g a g o o d tim e?
R o b in : G re a t tim e. N o p ro b le m s.
W e 'v e w a tc h e d th e ball d r o p on
TV ev e r sin ce w e w e re kid s. T h is is
th e first tim e w e 'v e a c tu a lly c o m e
in p e rs o n . It's g re a t. R eally g re a t.
A d a m : Do y o u w o rk .in N e w Jersey?
R o b in : Y e a h . I'm a n u rse .
A d am : O K , R obin. I w a n t to a sk y o u
o n e q u e stio n . Ju s t one! It y o u
c o u ld h a v e o n e w ish for n e x t y ear,
w h a t w o u ld y o u w ish for?
R o b in : A se rio u s w ish o r just
k id d in g a r o u n d ?
N ao m i: It's ten minutes* b e fo re A d a m : G rea t, N ao m i, ju st g re a t. As A d a m : You ch o o se.
m id n ig h t, a n d w e 'r e g o in g o v e r you can see, th e re 's a real p arty R o b in : OK If I c o u ld h a v e o n e w ish .
live tit T im es S q u a re in \ e w Y ork a tm o s p h e re d o w n here! I'm g o in g I'd w ish for th re e m u re w ish es!
C ity. T h ere a re a q u a rte r nt a to m o v e th ro u g h th e c ro w d an d A d a m : T h a t’s a g a in s t th e ru le s ,
m illio n p e o p le o u t th e re , a n d talk to s o m e o f th e p e o p le w h o R obin.
th e y 're all w a itin g to c e le b ra te th e h a v e co m e h ere. Excuse, m e. C an f R o b in : W ell, se rio u sly . I'd w ish to r
N e w Y ear. A d a m V a s q u e / is g o in g s p e a k to y o u for a m o m e n t, p lease? a n e n d to fam in e a n d sta rv a tio n
to talk to just a few o f th e m . H o w R o b in : S ure. ev ery w h ere*
are you d o in g , A d am ? A d am : W h a t are y o u r n a m e s , a n d A d am : G re a t. T h a n k s, a n d a h ap p y
w h e re a r e y o u fro m ? n e w y e a r to b o th o f yo u .

i * L is t e n in g E x e r c is e 1
Adam interviewed lour m ore people. A nswer ihe following questions:
Listen and com plete the ch a d . If you could travel anyw here in the
world, w here would you go? Why?
IN TE R V IE W NAME O C C U P A T IO N W ISH If you could live anyw here in the world,
w here would you live7 W hy?
1 If you could m eet any fam ous person
Who would you m eet?
2 If you could have any job, w hat would
it b e?
3 If you could h av e any kind of car, what
kind would it be?
4
E x e r c is e 2
D iscuss: If you could have o r e wish.
w hat would you wish for?
o
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T: N ow . 006. I w a n t vou to lo o k at
Operation im p o ssib le

these p ic tu res careful]y. A t last w e


have Hie chance to b re a k th e
biggest crim e sy n d ic a te in the
w o rld —SM A SH, Look a t th e m an
on th e right. H e 's th e o n e w e 'v e
been a fter to r years.
006: W ho is he?
T: W e th in k h e 's Ihe o n e th a t co n tro ls
SM A SH. H e's certain ly th e o n e
that o rd e re d the m u rd e r o f 003, th e
o n e that p la n n e d th e hijack in g of
the a irp la n e h ill of w o rld lead e rs,
a n d the o n e th a t o rg a n iz e d the
bigges t d ru g -sm u g g tin £ o p era tion
in the w orld.
006: D o w e k n o w his nam e?
T: O tto K ru g e ra n d .

006: O tto K ru g eran d . A nd w h o 's that


sta n d in g b eh in d him ?
T: Ah, Slojob. I le's the b o d y g u a rd
w h o trav els e v e ry w h e re w ith T : S h e's also K ru g e ra n d 's w ife a n d K ru g e ra n d is p la n n in g to b u ild a
K ru g eran d , and th e o n ly p e rso n lie th e o nly p ilot he a llo w s to fly liis p riv a te sp a c e ro c k e t w h ich cou ld
trusts. I le's an ex p ert assassin . p riv a te plan e. p u t a satellite in to orbit. Do y o u
H ers the o n e w h o led 004 to the 006: W h o 's th e little g u y w earin g u n d e rs ta n d the im p o rta n c e of this,
alligators. thick glasses? 006? If th ey got a la se r w eap o n
006: H o w charm ing! W h a t a b o u t the T: T h a t's P ro fesso r P erato tf. th e m ad in to space, th ey c o u ld blackm ail
w om an? scien tist w h o d e fected from the w o rld !
T: D on't you reco g n ize her? M o ld an ia. H e 's an e x p e rt on laser
006: M ala P ow ers! S h e's th e o n e w h o te ch n o lo g y a n d th e first m an
a rran g ed th e p ip elin e ex p lo sio n w h o 's been a b le to perfect a space
and then v an ish ed into th in air! laser w e a p o n .
T: T a k e a look at this p ic tu re , 006.
006: It’s an oil rig.
T: It looks like it, d o e s n 't it? It
b elo n g s to K ru g e ra n d 's oil
c o m p a n y . It's su p p o s e d to be
d rillin g for oit in the In d ian O cean.
B elow it, th e re 's a v a st U nderw ater
com plex.
006: The su p e rs tru c tu re looks o d d .
T: In fact, it conceals th e lau n c h in g
p a d th e y 're g o in g to u se fo r the
rocket.
006: T hat m u sl be a ra d a r scan n er,
there.
T: Yes. It's the sc an n e r th ey 'll use to
tra c k th e ro ck et, b u t they can also
see a n y th in g th a t tries to g et n ear
th e rig. It's g o in g to be v e ry
difficu lt to g et you ih> 006.
006: W h a t's ih e p la n , th en ?
T: W e're flying you to C alifornia
to n ig h t for tw o w e e k s of in ten siv e
m in i-su b m arin e train in g .
006: T h a t so u n d s like fun!
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Exercise 1 Exercise 2

S W IA S H M
- tr ^ i t t i ' ri# 1
0OvunQT
^ *V
o)1 oil &°roP
SCAJVIVITR
L ead er o t w F ° r b a c k in g xockec
l a u n c h in g p a d
° r lau r>cli[ng ro c k e t
P IP E S
| S c * W * * ' s te For ro ck et fuel

h e l ic o p t e r
P E B A T ° f o r o t A o '^ « a

s a s - - — ELEVATOR
P° I .n1S;h
com plex in 9 U ,' <1» ™ '« tei

PR IV A T E ARMY
S’il0?
M at n 3 dSvn-g
^ eat»ove
' a" o r d e fe n d in g n g
0Q6.

K ntgerantfs the one I who I ouws r??/ o/7 conqmny. W hat’s that?
! thru I I t’s the scanner I which I they'!! use tv track the racket.
I that
He’s the one I who I 'sam iilio m ire. Make m ore se n ten ces.
I f/3J7f I
Make more se n te n c e s like this about other m em bers of
SMASH.

E x e r c is e 3
S h e's the w om an. He m et her in Singapore.
She's tin' zt'omau he met in Singapore.
Continue.
1. 003 w as the agent. Slojob killed him.
2. Otto K rugerand's the leader W e've been trying to catch
him.
3. That's the laser scanner. They'll u se it to Irack the rocket.
4. Mala Pow ers is th e woman- Otto K rugerand married her.
5. Peratoft is the scientist. SMASH recruited him.
6. T hey're the people. 006 must stop them .
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Operation accom plished
w

Slojob will tak e y o u to feed the


E x e r c is e 1
sharks. They m u s t b e very h u n g ry by
Look at the itinerary. now ."
it iw e r a r
Uc Trent to San Diego,
where he learned la I ■S A N D IE G O / / * Slojob esco rted th em to K ru g e ra n d ’>
luntille n rnim-^uh. p r iva te a pa r tm en l O n e w a 11 w as
Ite icffll back Il> m a d e of thick glass. Behind it, 006
Washington. w irere he 2. OIL R IG o f f s h o r e o il rig . c o u ld see th e d a rk sh a p e s ot tlie
was tfm 'n ii t r t m s m i N e i , sh ark s sw im m in g a ro u n d , Slojob
H e ttvts t f i i v i i a
S a c £ ? Sl&n ° f t h e ng.
p u sh e d Ihe tw o a g e n ts u p a sp iral
Im im n it!v r, which 3* W a s h i n g t o n sta irca se to a p la tfo rm a b o v e the
ti'ii.s pul litre the hce.t sh a rk tan k . I le w as careful In keep his
(ifh 'H s/inr. PaP«r« a n d g u n tra in e d on them all th e tim e.
IVTake com plete GJ ° f s h o e - S u ic id e PUJ in 2 ^ t1 f l i t t e r p u t "You w o u ld n 't refu se us a last
LO w dqn cig arette, w o u ld v o u , Slojob?" 00 m
sen ten ces, using
it 'here and ivhieit about asked.
k g h te r-it c a n ^ u s e d ^ s a “I d o n 't sm o k e," Slojob g rin n e d .
006 s itinerary.
5-M OM BA SSA. k ENYA ^ t’’,OWe' "A n d you s h o u ld n 't, eith er. It's bad
for y o u r h ealth ."
e7 p ^ sr r^ “ ^ » ^ "N o w , com e o n , Slojob. T h ere a re
R endezvous «rtth a if tja f t™ SEY™ E L L E S so m e c ig arettes a n d a lig h ter in my
jacket pocket."
"OK. But d o n 't trv a n y th in g ."
Slojob reach ed into 006’s pocket a n d
Subman“ p— S S r f S & S E ? took o u t th e c ig arettes a n d lighter. He
took o n e cig a re tte oul of tlie pack,
p u sh e d it in to 0t)6's m o u th , a n d p u t
the p a c k back into 0 0 6 's pocket.
Slojob p ressed the lig h ter w ith his
th u m b . T h e s u d d e n force o f Ihe flam e
took him by su rp rise . At th at
m o m e n t, 006 kicked him , an d his gun
fell to the floor. Slojob tu m b led
b ack w a rd a n d d is a p p e a re d k n ev e r
in to th e tan k of sh ark s.

Tlie lig h ter hod d ro p p e d to th e flo o r


and w as .still b u rn in g . 006 w as a b le to
b u rn th ro u g h the ro p es that held liis
h an d s. I le q u ick ly u n tied Tic, w h o
picked u p Slojob rs g u n
"W e d o n 't have m u c h tim e," he
sa id . "C an y o u fly a h elicopter?"
"W ith m y eyes clo sed ," sh e rep lied .
"G o o d . L et's go."

006 a n d Pic tip to ed in to th e co ntrol


room , w h e re O lio a n d M ala still
w ere. P erato tf h a d joined them . 00e>
tired th e lig h ter a t th e co n tro l panel,
W hen 006 reach ed th e rig, h e clim b ed V1,ila, a n d the g u a rd w h o se clothes he w h ich e x p lo d e d a n d b u rst into
u p o n e of th e tow ers. He n e ed ed to w as w earin g , A beau tifu l w o m an , flam es- O tto tackled 006, a n d the
ch an g e o u t o f his w et suit. I le w en t w h o se h a n d s w ere a lso tied, w as lig h ter flew o u t of his hand. M ala and
into an em p ty cabin, found som e lying b e sid e him . She w as Tic W elles, I’era toff d e sp e ra te ly tried to p u t o u t
clothes just his size, an d p u t them on. an A m erican a g e n t 1)06 h a d met in the flam es. Pic p o in ted tlie g u n at
S u d d en ly , th e g u a rd w h o se cabin lie W ash in g to n . 006 g lan ce d a t his Mil la, O tto , an d Pen* tol’f, a n d o rd e red
w as se a rc h in g cam e in. E very ti ring w atch . T h e ex p lo siv e d ev ice h e'd p u t them to lie on the floor. T h en she a n d
w e n t dark. on the rig w as tim ed to e x p lo d e in 4tl 006 ran o u t of the room , locking it
m in u tes. b eh in d th em I hey ran u p to th e
00ft w o k e u p w ith his h a n d s tied h elic o p te r pail a n d quickly clim b ed
b eh in d his back. H is head w as "W elcom e, C o m m a n d e r Flem ing. into the h e lic o p ter T he h elico p ter
th ro b b in g . H e w as a p p a re n tly in W e'v e been ex p ectin g y o u ." O tto so ared into the sky. A few se c o n d s
so m e kind o! co n tro l room . In the said, sm ilin g . "U n fo rtu n a te ly W'e later th ere w as a m assive ex p lo sio n as
room w ere O tto K ru g e ra n d , Slojob, w o n ’t have lim e to show you a ro u n d the rig b lew up
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S tud ent m asterm ind

H ost: O u r n ex t c o n te s ta n t is V ickie
M acLean, w h o i> o s tu d e n t at
P o rtsto w n I ligh School. O K ,
Vickie. You h av e tw o m in u te s in
w hich lt> a n s w e r ,)s m a n y
q u e stio n s as possible, il vou d o n o t
k n o w th e a n sw e r, saw " P a s s /' 1
w ill th en g o on to th e next
q u estion, it y o u a n sw e r incorrectly,
I w ill th e n g iv e tlie correct a n sw e r.
You will get o n e p o in t to r each
co rre c t a n sw er. A re y o u re a d y ?
V ick ie: Yes.
I lo st: C a n y o u n a m e the p re s id e n t ot
th e U nited S tates w h o s e e a r k
care e r beg an a s a ra d io s p o rts
a n n o u n c e r?
V ick iu : U h— R eagan. R o n ald
R eagan.
H o st: C orrect. W h at is a n in s tru m e n t
th a t sh o w s th e d ire c tio n o f n o rth ?
V ic k ie ; A co m p ass?
H ost: E xactlv. W h a t is th e d o te w h e n
F ran ce ce le b ra te s th e ir re v o lu tio n
of I7S9?
V ick ie: The fo u rte e n th ol July E x e r c is e 1 E x e r c is e 2
H ost: C orrect. W h at d o w e call a Work with a partner. O ne of you u se s
Now practice Ihe g am e with a partner.
p e rs o n w h o a lw a y s ex p e cts th e
List A, th e other u s e s List B E ach of
be?I to h a p p e n ? Q u e s t io n s you w rites down ten q u estio n s using
V ic k ie : U h—a n o p tim ist.
1. W hat’s a p erson who b reak s into a the w ords <oltoin>I/icJi/ivh<•rein> lu 'itlw h w
H ost: C o rrect. C a n v o u tell m e th e
h o u se and ste a ls things? given in p a re n th e se s In th e list. Your
la n g u a g e th.it w a s sp o k e n in th e q u estio n s m ust ask for the an sw er
R om an E m pire? 2. Who w as the boxer w h o se most
fam ous w ords w ere "I am the provided In Ihe list. For exam ple:
V ick ie: Italian?
H o st: N o, w ro n g . I he co rre c t a n s w e r greatest"? Neil Armstrong (who)
is L atin. W h at k in d of p e rso n d o 3. W hat's a p lace w here people go to Q: C an you tell me the n am e of the
p e o p le v i s i t w h e n th ey w a n t w atch sp o rts or s e e c o n c eiis? first m an who w alked on the m oon?
a d v ic e a b o u t Lheir m arria g e ? 4. W hat is the day w hen C hristians A : Neil Armstrong.
Vickie: Pass. c e le b ra te the birth ol J e s u s ?
widower (w hose)
H o st: W ho w a s th e E g y p tian q u een 5. W hal s the place w here you go to Q: W hat do you call a m an w hose wife
w h o se b e a u ts w a s fam o u s wait lor the an n o u n c em e n t for a
h a s died?
th r o u g h o u t the w orld? flight? A: A widower.
V ick ie: C leo p atra. 6. W hal’s a tool that is u sed for
digging? Then, with books closed, ask your
H o st: T h a t’s correct. W h a t's th e kind
7. C an you tell m e the unusual sy stem partner the q u estio n s you have
of school w h e re v erv rich p e o p le
of public transportation that Is used prep ared . Vour partner will then ask
send th eir ch ild re n b efo re college?
in S an Francisco? you to a n sw e r th e q u estio n s he or sh e
V ick ie: Uh— p riv a te school?
8. C an you n am e the American h as p repared.
H ost: C an vou b e m o re exact?
V ick ie: \ To. I c a n 't th in k o f it. p resident who w as a s s a s s in a te d in Li!»T A L ist B
H o st: !fm afraid I c a n 't g iv e y o u that. 1963? Neil Armstrong widower (w hose)
W e w ere lo o k in g tor " p re p ” school 9. N am e the two young lovers w hose (who) C olum bus (who)
o r " p re p a ra to ry " school. N o w can tragic story w as m ad e into a play by sailor (who) a cover letter
y o u tell m i . .. (Ding) I'v e sta rte d , so S h a k e sp e a ie . receipt (which) (which)
I'll finish. C an you tell m e the 10. W hat do w e call a piece ol art or sub m arin e (which) driver’s license
n a m e ot th e French e m p e ro r w h o se furniture that is over 100 y ears old? n ew sstan d (where) (which)
final b a ttle w a s at W ate rlo o ? casin o (where) a shopping malt
V ick ie: N a p o le o n B o n a p a rte golden w edding (where)
anbijue uB/jai|nr pue anniversary silver wedding
H ost: C o rrect. A nd rtl th e e n d ol th at oouioy/A pauuay j u u o r/ja a asqeo
ro u n d V ickie M acL ean h a s sco red (when) anniversary
,/|3Aoqs e/aieB e-/Aeq s b l u i s i j l i O
six p o in ts. Y ou p a ss e d on o n e— th e V alentine's Day (when)
/uimpejs eyiiv pBUJOieiihW-iEtSjnq (when) Marilyn Monroe
k in d o f p e rs o n p e o p le visit w h en
they w a n t a d v ic e a b o u t th eir Jo se p h in e (who)
m a rria g e is a m a rria g e c o u n se lo r B onaparte R om eo (whose)
T h a n k you. C an w e h a v e o u r n ext (w hose) a wallet
c o n testan t, please? (where)
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T he M id d leb u rg Herald

The Middleburg Herald


l oi LSI I Xn. 2(>2 Thursday'* September 25. I'VK I*nee tide

DANIEL STRIKES CAROLINA COAST


CAPE MATTERAS. NC. Sept 25 will also assist local efforts to
(WP), Hurricane Daniel, which is reopen ihe area's steels anti roads,
ibh .reason's fourth hurricane, which were blocked by fallen frees
became die lira lo hi! this coastal and other debris.
area in live years. Gale winds, The governor, who loured ihe
which as tones readied a force of hardest hit areas by helicopter,
100 tn.p.h., downed power lines and asked rhe Federal Government To
destroyed beach houses. Flooding, declare ihe area a national disaster.
which was caused by torrential rains The president who is spending the
and high waves, let! highways anil weekend al Cainp David, is
muds impassable through last night. expected to make a declaration
Coastal resident, who had been today. Tlie declaration, which will
evacuated to inland locations, apply only lo the hardest dill areas
waited for Ihe floodwaters to on the coast, will make millions of
iiri-i • ........ subside before they returned to their Federal dollars available for
homes, which might have been emergency relief. The governor has
damaged by The slortn already announced emergency
Governor Fran Scoll called oul Ihe sruall-husiiies* loans, which will
National Guard lo help tlie Red help superm arkets and other
Cross, which i> working around the businesses make needed repairs.
clack in the emiu,sencv. The guard «M*rc wul n'jtueil ursh'jr.i tm yc .46

Sheridan Street Holdout Stands Firm Mystery Explosion


M ayor Unable to Persuade Woman and Dogs to M ove
In Indian Ocean
MIDTONViLLE. Sept. 24 Mrs. Hamilton’s house at 2:30 this her to come and meet with him. He Oil Rig Destroyed in Blast
Mrs. Flare/tec Hamilton, who has afttnu’Ktn. wasfoiei'd hr retreat to his limousine,
j.’tihwtl national attmtiun in her fight The house. which tlw Housing which stood at the curb, doors open, SEYCHELLES ISLANDS. SEPT.
(r>remain Jit her home. is sfill Anllnjrity wants to demolish to wale when Mrs. Hamilton answered by 25 (PAT). An oil rig in Ihe Indian
refusingf to mow, ami the "Bunk' of wayfora lars’e public housing (tenting loose two of her dogs Ocean exploded mysteriously
Sheridan Street" continues. development, now Hands atone. The Mrs. Hamilton, whose plight has yesterday. The oil ny. which had
Midtrvivillf Mayor Fjfatn Cox. him Mayor, who was elected <mhis inspired a wave ofptthlii support, been drilling a tesl well, belonged to
had not taken pan tn the battle wil'd promises in put people, especially the repeated her refusals to move in an Ihe Krugerand Corporation. A series
today, joined Hunting Authority poor, above other concents. spake to imetrieu n irh reporters hirer, of bright Hashes, which were
Director Hilda Marline- infmnt of Mrs. Hamilton by bullhorn, ashing fumtimied iw fO/pA9J observed by ships 60 miles away,
preceded shock waves of unusual
jgssmsjBl force. Several ships, which rushed to
Wolfe RscapUired Alar VVc 't, whll agair Wiiiuf. expr-; ra'JsS-tfi atlribtite to Wir start Business Seel Ian 0 the rescue, have been searching for
&ir.iipe'J 1mm Ihe Miiiylarn pratilletillaiy, |mr- Hamer. Vi‘55 sold lot a eicorc $2 mill on l;y ClassHteds P»ga D7 survivors, but so far none have been
te r, 'eajHUral p-:or AH Nortrfetj/s ' ^ 0 2 Etilloriiii Page M found. It is not known how many
New Construction The •:c:nsiriiot:on irousiry. Miles Drops Dut Tnr MHes. Ifie racmc diiwr Horoscope Page CA people were working on the rig al the
an itnptij !ani iilliiuiai til " k uzr.roitf^ svfw'se tecs wuus bsclly miuiiia lnjMtV«r% Movies PayeC5 time of the explosion. Krugerand
ti-iKtioii, w o iR t e i ie *- tt idinBSsia'fM n G'an'J Pnv aiciclsrt s^ysnewi nevei race Sports Section U Corp. which is based in Swilzeiiand.
In-’ i.'(5l 'flrea ji'in llif ?3qeQt 3gaIn Pitg?B3 TV Page Cfi would not comment on the
$2 M illion Homer A racenllj/ fountl painlir-Q. Calypso Mo. 1 CM c ji Is Uasl-sElna ^ 0! Wealfmr P a p A1D explosion, famtnrurdtsa pew fl*'-1

n L is t e n in g 1 O L is t e n in g 2
Listen to the new s ilem an d a n sw e r th e s e questions. Listen to th e new s item and a n sw e r th e s e questions.
1. W hat h ap p en ed lo Caroline Newton last M onday? 1. W ho b a n n ed Kural?
2. W hat do her p a ren ts do for a living^ 2. How have doctors b ee n recom m ending Kural?
3. W here w as sh e found? 3. W ho d e m a n d e d the te sts?
4. Who called the police? 4. W hai d o e s the drug sp ee d up?
5. W hat did the su s p e c ts w ant?
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bu sin ess correspondence

August 15,199-5
Mr. Les Gardner
1339 Elm Avenue ■
c AL;i6i43* 0
Memphis, TN 38104

Dear Mr. Gardner.


Thank you for your letter of August 1, in which you ask about
missing and damaged items in your laundry while staying at our
hotel.
We are sorry that you did not find our laundry service satisfactory.
May we remind you that the form on which you listed your laundry
items states very dearly that the hotel is not responsible for loss or
damage, and the plastic bag in w hidi you placed your d othes has
the same warning printed in large letters on it.
However, we of course do our best to insure that our guests get all — _____
==— — 'G^tiuTiT?TTVir~;— - , 31
their clothes back from the laundry in good condition. We will ^======1\rr----- sss-i4*» 3- “ :u An
review our laundry and dry-deaning systems to see if we can add ' Lrnverafv^A S-3futh Avniuc 1
. W fo,j; jyy 1(TO. I
further safeguards against loss or damage.
experienced and
We apologize for any inconvenience youlmay have experienc
have enclosed a ’’One Night's Free Stay" voucher. TOod for vou
voucher, good you aand
a guest through December 31,1997. We hope that you will be From:''siSron U n d ^ h‘:ir V° 0ffice
staying with us again the next time you are in the area and look
W 5f Im
A nnual 19*a ^ Y°rk °
em ah-onaJSa(e ff,ce
forward to serving you.
We are verv nl^ .j , t- ° r,fe'ence
Sin c ^ d y ^ g ^ rs.
S S ^ c e fr -,b 'e to * « « 1 ° u r
Greg Larkin ■"«nd, mosl o f ' r e n a ^ tS x ~23- 1998
Manager
end.

“ 'h ic h s h ^ h ™ h" S P " P « i " n T t t d * 2 l2 -555-> * » . e x V a i


• “ V r0,Vided •=> * * # « on -
s ° o r,b ” Z r! ' : ' ' d ln

re th<=> y u to be 3'n Mew

E x e r c is e 1
Transform th ese se n te n c e s into
H e’s the man. I wrote to him
s) formal written style E x e r c is e 2
written)** )m>‘ U' n^wm 1wwle’ fFormai b) spoken/informal written style You are Les Gardner. Write his letter
1- This ,s lhe hotel. W e stayed ,n il. of A ugust 1 lo G reg Larkin, the
He's Hie nnrtj rrhn/Unif f white to
is Ihe misiake. I am m anager of Ihe Lighthouse Hotel.
(Spoken/informal)
complaining about it.
You gave us a form. You listed your 3. She is the travel agent. We m ade
laundry items on it. our arran g em en ts Ihrough her, You are Makoto Y asuda. Write a fax lo
You gave ttfs a form im which you listed 4. This is Ihe fax. W e wrote our Katherine Horton, giving the details of
your laundry items. (Formal written} ag en d a on it. your flight.
, 0U f 1* m 11p rn t Hurt ifou listed your 5. T hese people a re the sales staff
iittcndrjf items on (Spoken/informal) You met all of Ihem.
6- i h at's the hotel. We heard great
things ab o u t it.
7. Katherine is the m anager. Everyone
expects so much from her.
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Relatives

M arjorie an d Felix H e rn a n d e z h av e just c o m e back fro m a M arjorie- T h e se a re o u r frien d s. They picket! Lit- u p a t th e
vacation in San Francisco. T hey ore sh o w in g p h o to g ra p h s a irp o rt.
of th eir trip to th eir frien d s a n d n eig h b o rs, line W inters. Feliv: A n d th a t's th e c ab le car. Tl ru n s on C alifo rn ia S treet.

E x e r c is e 1
) h ey ’re the friends. They picked us up at the airport
fh c y r e the friends who picked us up. at the airport.
T hat's the cable car l! runs on California Street.
T lvit 's f)n cabfe car. that rMn» i»» O .iliforiijo Street.
Continue
1. This js the park. II w as near our hotel.
2. S h e's the young girl, S h e sa l next to us on the plane.
3. They're our cousins. They live in Mill Valley.
4. T h at's Ihe m useum . It h as a mural by Diego Rivera.

This is Marjorie's friend- We visited her.


Marjorie: This is the car. We rented it for two weeks.

E x e r c is e 2
•She’s the friend. W e visited her.
She'? the friend zee vMt.e'd.
Site's the friend wt& rii” Visited.
She s fhr friend Itin I we Visited.
This is the oar. W e rented it lor two w eeks.
This m the car we rented for two weeks
This is the air that ire rented far two weeks.
Continue.
1. They're the people. W e me! them on the tour.
2. This is Ihe picture of the city. W e look il Irom Telegraph
Hill.
3. T h ese a re the souvenirs. We broughl them home.
4. H e's the old classm ate. We saw him in Chinatown.

Felix: I he to u r g u id e w as very k n o w le d g e a b le , She Spoke


five la n g u a g e s A nd th is is BART BART co n n ects
S an F rancisco to O a k la n d . It's O a k la n d 's su b w a y .

E x e r c is e 3
The tour guide w as very know ledgeabie. S h e spoke five
languages.
The iotir guide1. retie spoke five language*, was t*e*y
knowledgeable.
BART connects S an Francisco to O akland It s O akland's
subway.
B A K T i\<hich is Oiikliwd’^ ^uhivuif eoimects- San 'Francisco to
Oakland
Continue
1. That hotel is n e a r Union S quare. It's the m ost expensive
o n e in the city.
2. The Golden G ate Bridge h as the world's highest bridge
low ers. It links S an Francisco and Marin Counly.
3. T h e se people w ere on our tour. They’re Irom New
Jersey .
4. The Chocolate Faclory m akes delicious candy. It’s near
F isherm an's Wharf.
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I

F elix: Ymi re m e m b e r m y A u n t M olly, d o n 't y o u , Joe? You


h a v e n 't seen h e r since you w e re a b o u t ton W ell, sh e 's
86 this y ear. W e visited h e r a t h e r a p a rtm e n t in San
Francisco. A n d th is is o u r lo u r g ro u p . T h e Lour w as
lu n . T he ho tel b o o k ed it fo r us.

E x e r c is e 4
My Aunl Molly w as 86 This year. You haven't se e n her since
you w ere about ten.
Mir Ann! Molly. who i/<1r< haven't seen since iion were about tat.
ini'- N6 this year.
The tour w as lun. T he hotel booked it for us.
The tour, which flic lintel booked tor us, zvas fun.
Continue.
1. Phil and Eva se n d their regards. You m et them last year.
2. The gifts w ere expensive. W e mailed them home.
3. C ousin Frank took us out for dinner our first night th ere I
just sen t him a thank-you note.
4. The hotel w as in a great location. Aunt Molly
recom m ended it.

M a rjo rie : W e b o u g h t a b e a u tifu l b ow l fro m a p o tte r. Flis


sto re w a s in the J a p a n C e n te r. A n d w e m e t a lo t of nice
p eo p le. W e m e t tw o siste rs from D etroit. T h eir p a re n ts
live in San Francisco.

E x e r c is e 5
W e bought a beautiful bowl from a potter. Flis slore w as in
the Ja p a n C enter.
VVr bought a Im ttliftrl lunvl trow ti potter whose store irns in the
[apart Center.
W e m et two sisters from Detroit. Their p aren ts live in San
Francisco.
l-Vc met tieo listers from Detroit whose pmrvyt* live in Hurt
Francisco.
C ontinue
1. O n Monday. I had lunch with a friend- Her boyfriend is a
journalist.
2. I bought a book about a young w om an Her father ran for
president of th e United S tates.
3. We saw a ballet about a prince. His uncle hated him.
4. O n Ihe plane, we saw a movie about two young lovers.
Their rom ance e n d ed happily.

Felix: A n d th is w a s tak en a t Ihe re s ta u ra n t in the hotel


Kevin C o stley w as sittin g at a table n e x t to o u rs . W e
sa w his m o v ie la st w eek.

E x e r c is e 6
Kevin Costley w as silting at a table next to ours. We saw his
movie last week.
Kevhi Cost let/. w luvr movie we saw last week, wits sitting at a
table next to ours.
C ontinue.
1. T he Gratelul D ead w ere playing in Golden G ate Park
Their records w ere lam ous in the sixties.
2. A w om an from our town w as at th e hotel. Her brother
works with me.
3. T he tour guide w as really excellent Her n am e w as Eva
S an ch ez.
4. W e visited Phil and Eva. Their apartm ent is in an old part
of the city.
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D escrib in g th in gs
#
S tolen car Lo st a n d fo u n d
A: Police D e p a rtm e n t. S e rg e a n t W o n g sp e a k in g A: U n io n S tation L ost a n d F o u n d D ep a rtm e n t. C an I h e lp
B: M y c a r's b een stolen! It's gone! you?
A: O K , n ow , cm!m d o w n . Let m e h a v e y o u r n a m e an d B: O h , hello. Yes, I h o p e so. I left m y b riefcase on the train
a d d re s s. th is m o rn in g , I w o n d e r if it h as been tu rn e d in.
B: R ichard L o ck w o o d , 4512 E ise n h o w e r B o u lev ard , A: W h ich tra in ?
A p a rtm e n t 18J B: O h , th e S:40 fro m C o n c o rd .
A: All right. \ » w , g iv e m e a d e sc rip tio n ot th e m issin g A: A n d w h a t d o e s y o u r b riefcase look like?
vehicle. B: W ell, it's ... u h ... a n a v e ra g e -siz ed , re cta n g u lar, b ro w n
B: W ell, it’s a 95 Ford E sco rt— a lig h t-g ra v , fo u r-d o o r le a th e r a tta c h e ca se w ith b ra s s locks.
m o d e l. O h , it has a th in d a rk -b lu e s trip e a lo n g th e sic k s A: W e h av e q u ite a few tlia t fit th at d e sc rip tio n , D id it
a n d a d en t in th e left front fen d er. h a v e y o u r n a m e o n it?
A: W h a t's the licen se p la te n u m b e r? B: N o, n o t m v n a m e , b u t it has. m v in itials b y th e h a n d le :
B: RJG 1224. JiF-A.
A: H old o n just a m in u te .... H ello ? 1 h o v e so m e g o o d A: H o ld on ju st a m in u te . Let m e tak e a look.
n ew s an d so m e b ad n e w s. T h e g o o d n e w s is th a t v o u r
car w a s n 't stolen. It w as to w ed for illegal p a rk in g . T h e E x e r c is e 2
bad n e w s is th a t it w ill co st v o u S I50 to g e t it back.
Im agine you have lost som ething. D escribe it to a partner
E x e r c is e 1 without telling him/her what it is. Your partner h as to g u e ss

D escribe som ebody's car. D escribe a car you would like to


own.

T he real est a t e a g e n t E x e r c is e 3
A: H ello. D onna W oo sp eak in g . Describe so m eb o d y 's house. D escribe a h o u se you would like to live in.
B: 1 li. D onna. T h is is Joyce Fein at Ivy
Realty. 1 th in k I've fo u n d a h o u se E x e r c is e 4
y o u 'll be in te re ste d in.
A: O h , terrific! W h a t's it like? Tell m e
a b o u t it.
B: W ell, it's in A rro w h e a d , th e
sectio n y o u w a n te d . It's a split-
level, th re e -b e d ro o m , red -b rick
h o u se w ith w h ite trim . It's o n ly s i\
y e a rs old a n d h a s a larg e c o u n try -
sty le kitchen,
A: I low bijj a y a rd d o e s it h av e?
B: It's a o n e-acre lot w ith so m e nice-
sized trees a n d a v e ry p re tty
flo w er g a rd e n in back. W hen d o
you w a n t to see it?
A: C o u ld w e m eet th ere to m o rro w
a ftern o o n ? ft so u n d s perfect. D escribe your ideal living room /kitchen/bedroom /bathroom D escribe the furniture
B: S u re tiling. L et's m a k e it at tw o you would put in il and w here you would put it-
o'clock. H e re 's th e a d d re s s ... D escribe a restau ran t that you’ve b een to.
D escribe your classroom .

Note: TIus chart slum** the usual onlcr of adject ive*. You won't oftm find them nil in one ^.■ntence.

How m u c h / W h a t 's it W hat sh ape HOW OLD IS W hat c o lo r W h a t ' s THE W h e r e ' s rr W h a t ' s nr
MANY? UKE? How b i g is rr? IS IT? IS IT? IS IT? PATTERN ON IT? FROM? MADE O F? W k a " ? r "1

a/an beautiful little square old pale red checked French nl35tlc sca^
one nice small round new light yellow striped English cotton ShCT
three ugiv medlum-sizec oval modern bright green plain Japanese woddieni
some clean average-sized rectangular antique dark blue flowered Mexican leather car
3 few dirty large pointed I9th-centurv pink polka-dotted Italian gold nsuse
several cheap big triangular 1930s black American metal SC*
a lot of expansive long flat 1995 white Chinese paper
_
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D esc r ib in g p e o p le

P i L is t e n in g
Listen to th e s e people talking a b o u t their friends. Look at the
exam ple. C om plete lhe eth er colum ns.

Name Donna Tony Janet Bob

Age _____ fate teens____________


Build good figure _ _
Height p re tty tall____________
Hair Color black________________
Hairstyle long, wavy____________
Face ovabsftaped. turned-up
nose, fu ll lips
Eyes blue, long eyelashes
Complexion olive-skinned
Distinguishing features dimples ------
Dress jeans/casual -------------------------------
Personality talkative, funny fillnHrilis j;;
_ ___
L o o k a t t h is :

Age Build Height Hflft CdLOfi Hairstyle Face Distinguishing features Pebsonalitt

young heaw 57"' (5 foot 7) black long thin beard M: nee


ni(ddJe-agea thin medium height brown short long mustache iMi quiet
elderly slim overage helgnt red straight round sideburns JM) loud
old plump tall blond wavy oval unshaven/with reserved
in his/her 30s medium build Short ash blond curlv sauare stubble (M* calm
in his/her Isteteens well-built gray parted ori the left high cheekbones dean-shsven (M> moody
in hls/ner mid-20s broad-shouldered white neat high forehead a scar (unsociable
in his/her early 40s overweight eyed windblown thin lips 3 beauty mark sophisticated
big-boned a blond with braids full lips a mole funny
petite a redhead with bangs long nose freckles cheerful
skinny redheaded swept back straight ncse dimples polite
dark In a bun ifi turneo-up nose wrinkles reliable
Eves ComPlENiQU D»ESS light ponytail broken nose lines talkative
bald IM) Roman nose- glasses confident
blue pale scruff.V balding fM> flat nose hardly anv makeup (F: aggressive
grav light well-dressed thinning a Cleft chin heavily made-up iFi friendly.
brown suntanned casual receding imj a pointed chin shy
long eyelashes olive i-skinned! conservative a double chin
thick eyebrows/lashes dark <-skinned! elegant
Ousfty eyebrows black fashionable
thin eyebroV'/s,'lashes

E x e r c is e
D escribe th e s e people. D escribe yourself, an o th er s tu d e n t
a n d a fam o u s person.
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P resid e n tia l d eb a te

W e in te r r u p t o u r r e g u la r te le v is io n
s c h e d u le in o rd e r to b rin g y o u th e
fo llo w in g p re s id e n tia l d e b a te .

G o o d e v e n in g . I'm C a ro l M o o re . A s
y o u k n o w , th r e e p e o p le a re ru n n in g
for p re s id e n t of th e U n ite d S tates. I
w ill in tr o d u c e th e m in a m o m e n t. In
o r d e r to b e fair, w e w ill a llo w all
th ro e c a n d id a te s to a n s w e r e a c h
q u e s tio n . E ach c a n d id a te w ill b e
a llo w e d a o n e -m in u te re s p o n s e to
m a k e s u r e e v e ry o n e g e ts to e x p re s s
h is o r h e r o p in io n .

A n d n o w it g iv e s m e g re a t p le a s u re
to in tro d u c e o u r th re e c a n d id a te s :
Vlrs. V icto ria C ra n s to n , Mr. R on
P a r ro w , a n d M r. Bob K noll,

T h e first a re a I d lik e to a sk a b o u t is
th e e c o n o m y . W h a t a re y o u g o in g to
d o to m a k e s u re th e e c o n o m y
im p ro v e s ? M r. F a rro w , w e ’11 s ta r t
w ith y o u .
P arro w : You k n o w , I'm a su c ce ssfu l
b u sin e ssm a n , a n d I k n o w h o w to
m a k e a lo t o f m o n e y . T o g e t this
e c o n o m y b a c k o n its feet, We need
A few m inutes before Ihe presidential to re p e a l th e in c o m e t a \ in c re a se s of
E x e r c is e 1
d e b a te . th e last few vears. In o rd e r to m a k e
Ju lie : C o m e o n , G a ry . H u r r y u p . T h e garage u p fo r th e loss o f re v e n u e , I'll p u t a
d e b a te is. a b o u t to sta rt. H o w c o m e He wen I to the garage to yvf some gas. tax o n gasoline- T h e g a s tax w o u ld
y o u 'r e so la te ? M ake s e n te n c e s with. b e ju st ten cen ts p e r g a llo n p e r y e a r
G a ry : T h e b a tte ry w a s d e a d . I h a d to 1. bank for th e next fo u r y e a rs . A n d I'd d o a
call A l fro m th e g a ra g e to g iv e m e 2. d ru g sto re b u n c h of th in g s to h e lp sm all
a ju m p -s ta rt. T h e n I w e n t b a c k to 3. library b u sin e ss o w n e rs. W e n ee d to h e lp
th e g a ra g e to g e t s o m e gas-—-and to 4. n e w ssta n d sm all b u sin e sse s in o rd e r to in crease
get th e b a tte ry re c h a rg e d . 5. bakery th e n u m b e r o f g o o d jobs. For th e
J u lie : O h . no! D o w e n eed a n e w 6. fruit an d v e g e ta b le sto re p u rp o s e o f g e ttin g th e ec o n o m y
b a tte ry ? 7. p o st office m o v in g ag ain . I'll g iv e tax c re d its to
G a ry : Probably. 8. su p e rm a rk et m a n u fa c tu re rs. W e h a v e to sell
J u lie : N o t a n o th e r e x p e n se ! If it's n o t 9. b u tc h e r's th in g s, folks, if w e 'r e g o in g to m a k e
o n e th in g , it's a n o th e r! O h . th e 10. florist's m o ilev . O h! A m 1 o u t o f tim e
d e b a te 's s ta rrin g . W e'll ta lk la te r a lre a d y ?

E x e r c is e 2
M rs. C r a n s t o n 's P r e s id e n t ia l D e b a te P la tfo r m
hr order to increase the number o f guod iob>.
uv need to help small businesses. PROPOSAL PURPOSE

For I.he purpose of increasing Ihr number of Decrease dom estic spending Reduce d e f i c i -
Sim plify ta x T r e a t a l l ta x p ay ers
good jobs, we need to hr Ip small businesses. code more f a i r l y
We need to help small businesses in order to Develop permanent apace Encourage s c i e n t i f i c
imre/use the num ber of good jobs. s ta tio n re se a rc h
Wle )wed to help small businesses for the in c re a s e envircm raental- Develop new te ch n iq u es
p r o t e c t i o n budget to reduce p o ll u tio n
purpose of increasing the number of good
E s ta b lis h a b i p a r t i s a n Improve sch o o ls
fobs. commission on ed u ca tio n
M ake s e n te n c e s in e a c h of th e s e four Enforce to ugher punishments Encourage a d e c lin e in
f o r c rim in a ls th e crim e r a t e
w ays about e a c h of Mrs. C ra n sto n 's Reduce n u c le a r Promote i n t e r n a t i o n a l
p ro p o sals peace
Provide t u i t i o n Expand o p p o r tu n i tie s f o r
E x e r c is e 3 tax c r e d i t s low-income f a m ilie s
C reate more c h i l d —
c a re Aid working p a re n ts
D iscuss: W hat h a s your g o v ern m en t c e n te r s
pro m ised to do during its adm inistration?
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D o it y o u r se lf

Dn-lt-Yprjrai'If m a g a z in e s p o n s o rs a R u d y : I d e c id e d to g o to a v o c a tio n a l W rite r: W h e re d id v o u start?


c o n te s t e v e ry s u m m e r to find th e sc h o o l a t n ig h t so thaL I c o u ld lea rn Ire n e : T h e e le c tric a l sy ste m . R u d y
w in n e r o l th e a n n u a l "D o -lt- c a b in e tm a k in g a n d elec trical c o m p le te ly re w ire d th e h o u se so
YourscLf" A w a rd - T his y e a r a m a rrie d w irin g - L ate r Iren e w e n t so th a t th a t Paul c o u ld tu r n o n a n d o ff th e
c o u p le , R u d y a n d Iren e C ip ria n i, s h e c o u ld s tu d y p lu m b in g a n d lig h ts a n d p lu g in a p p lia n c e s. W e
w o n . A w rite r fro m D o-li-Y m trself is g e n e ra l c a rp e n try too. h ad to re d o th e w h o le h o u s e SO
in te rv ie w in g th em a t th e ir h o u se. W rite r: Tell m e a b o u t th e k in d o f th a t P aul c o u ld re ach th in g s a n d
c h a n g e s y o u m a d e to th e h o u se d o w h a l h e w a n te d .
W rite r: W ell I’m very im p re s s e d by Ire n e : Y ou k n o w , y o u n e v e r re a lise W ri ter: W h a t a re y o u w o rk in g o n
all th e w o rk y o u ’v e d o n e o n y o u r th e p ro b le m s d is a b le d p e o p le h a v e now r?
h o u se . H o w lo n g h a v e y o u b e e n u n til it a ffec ts y o u r o w n fam ily . Iren e: W e 'v e ju s t fin ish e d re d o in g
w o rk in g o n il? N o w a d a y s m o s t p u b lic b u ild in g s th e k itch en so th a t P au l can d o a
R u d y : W e b e cam e in te re ste d in d o -it- h a v e ra m p s so th a t p e o p le in little co o k in g - N o w w e 'r e
v o u rse lf sev eral y ears ago. O u r so n w h e e lc h a irs can g e t in. a n d b u se s c o n v e rtin g th e g a ra g e in to a
Paul w as in a n accid en t an d lost th e h a v e lilts so th a t p e o p le w ith w o rk s h o p so th a t he can m ak e
use of lus legs. H e 's in a w h eelch air. d is a b ilitie s can get o n a n d off. But so m e m o n e y liv in g a p p lia n c e s.
W e h a d to m a k e c h a n g e s so th at he ju s t im a g in e th e p ro b le m s P a u l W riter: H o w d o y o u p la n to s p e n d
c o u ld m o v e a ro u n d th e h o u se . w o u ld h a v e in y o u r h o u se . W e th e 55(1,000 p riz e ?
T h ere w as n o w a y w e c o u ld a ffo rd n e e d e d w id e h a lls so th a t h e co u ld Lrene: W e 're h o p in g to sta rt o u r o w n
to p a y to h a v e it d o n e . W e h a d to m o v e fro m o n e ro o m to a n o th e r. c o n stru c tio n b u sin e ss so th a t vve
learn to d o it o u rselv es. A nd w e n e e d e d a b ig b a th ro o m so c an d o c o n v e rs io n s for p e o p le w ith
W rite r: H o w d id you g o a b o u t th a t he c o u ld be as in d e p e n d e n t as d isab ilitie s.
le a rn in g ? p o ssib le . W e h a d to c h a n g e a lot.

L o o k a t t h is : E x e r c is e 1 E x e r c is e 2
1 did this so that h e could do that. T h e se a re so m e of th e things th e Here a re so m e of th e things the
she couldn’t Ciprianis did. Look at the chart, ask Ciprianis are going to do. Ask
this would h appen. q u e stio n s with W h y7 and What's the q u estio n s and a n sw e r them.
that w ouldn’t and an sw er them . P lan P u r p o s e ___________
Im p ro v em en t P u rp o se install an elevator He'll be ab le to
I’m doing this so that he can do that. pul in swinging Paul could push get up stairs on
I do this sh e can 't d o o rs through with his his own.
this will h a p p e n w heelchair. convert g a ra g e into He'll be ab le to
that won't w iden doors T h e w heelchair w orkshop m ak e so m e
could g e t through. m oney.
install p h o n es in Paul could alw ays install lift on van T he w heelchair
S o that he could do that. I did this. every room g et to one. will b e ab le to get
sh e couldn't in an d out,
lower light sw itch es Paul could reach
this would happen , them design a b e e p e r He c a n call us at
that wouldn't put in ram ps T he w heelchair system any time
could get in and
So that he can do lhat, I'm doing this. E x e r c is e 3
out.
sh e cant
will happen, I do this. d esign rem ote Paul could open D iscuss: H ave you ev er c h an g ed
this
control device and close the front anything in your hom e? W hy?
that won’t
door.
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Be careful!

VilfKv C o n s tr u c tio n T e c h n o lo g ie s
SfL 1 I n te r n a tio n a l, In c . Local customs
1- Avoid wearing shorts or bathing suits
M FA in re lig io u s b u ild in g s
2. Remove your shoes before entering private
To-: I>anga River Irrigation Project employees homes to avoid offending your host.
From William Mooie. Project Director
Re: Advice to employees going to Mandanga 3. Avoid wearing bikinis oi other revealing
bathing suits.
M e d ic a l p r e c a u tio n s
1 To avoid infection, have your doctor give U se fu l e x p re s s io n s
you shots xor typhoid. cholera and yellow In order not to appeal rude, learn a few
expressior.s in Mandangan before your
leveT before departure.
arrival there:
2. To prevent malaria, start, taking Arslan
tablets two weaks before dapartura M andangan
E n g lis h
Hello.
3 To prevent, heat exhaustion. b e suie to Honda/ Good-bye,
drsnk adequate quantities of liquids L ay tan,
Yes.
4. Take salt tablets to avoid g a timer dehydrated. Yep.
No
Waw P le a s e .
5. Limit the time you spend working in Aii fomh cuh cfah brun
M uh ch a /5 bilged- Thank you
direct sunlight in order to prevent sunstroke. You’re waleome.
Kul Excuse me­
O o p zee . lt’s nice to See you
Up l e t zar How are you?
Hi dee du?
Fine.
Oh key do® k&y Be careful1.
Wah chaw.1

E x e r c is e 1

Look at the e x p re ssio n s m M an d an g an . P ractice with a p a rtn er using: How do vou m / ahh> ht M nm im gan?
Otti you translate (this) into Mamimigan? What does (that) mean in English?

L o o k a t t h is :
Do this I so that you don't do that.
I in order not to

Do this to avoid that.


in o rd er to doing that.
so that you ca n
CONTACT LEM S
Do this lo prevent lhat (from happening),
to stop CLEANER
som elhing (from) happening,
to k eep som eb o d y (from) doing that
To avoid contamination
E x e r c is e 2 do not touch tip of
W hy should w e k eep plastic b a g s aw ay from bottle to any surface
b a b ie s?
l o avoid the-danger a f suffocation.
or
To prevent (wine* from $uffwi*ting (themtvhva)
Look at the table above. Ask q u e stio n s ab o u t
th e s e w arning labels, an d a n sw e r them .

texoil
M o to r O il
I a
1 his is N O T
_ .
toy To p reven t e n g in e
To avoid danger of suffocation, w e a r, a lw a y s c h a n g e ail
keep this plastic b a y away from at re g u la r in te rv a ls.
b a b i e s and young c h i l d r e n .
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A n e w w a y o f life

w e w e re m a k in g so m u ch m o n ey
th at w e w e re afraid to q u it o u r
jobs. E ven the tim e w e sp e n t at
h o m e w a s so hectic th at w e n e v e r
h a d tim e to ju st be to g eth er. So
to u r y e a rs a g o w e trav eled a ro u n d
N ew E n g lan d o n v acation, W e saw
this place. It w as for sale, a n d w e
liked it so m uch w e d e c id e d to
it. T he n ex t Week w e q u it o u r jobs,
sold m o st o f o u r tilings, a n d h ere
w e a re!
D ia n a : H o w d o y o u earn a living?
M ich e lle : W e d o n 't need a lot. W e
h av e tw o m ilk co w s an d a few
chickens. W e g ro w all o u r o w n
v eg eta b les. It's a sim p le life. W e're
A n n o u n c e r: T o n ig h t on T V Close-up still so b u sy th a t w e w o rk from b u t o f co u rse it d id n 't last long. I
o u r c o rre sp o n d e n t D iana R om ero d a w n to d a rk , b u t w e 're to g eth er. h a d to find w o rk w h e re f co u ld . [
will talk to so m e "rat-ra ce A nd n o w w e h a v e K im berly, d id a lot ol d iffe re n t th in g s—
d ro p o u ts " — so m e v e ry h a p p y w h o 's th ree. W e 're h a p p ie r than p ic k e d fruit, w a sh e d d ish e s,
p e o p le w h o 'v e giv en u p re g u la r w e 'v e e v er been. w o rk e d a s a m echanic.
jobs a n d h igh .salaries to start a D ia n a : H o w d id p e o p le react to you?
n ew w av of life. D ia n a : T he m o to rcy cle I'm sta n d in g L uke: E v e ry w h e re I w e n t, p e o p le
n ex t to is a v ery special one, w e re so frie n d ly th a t I a lw a y s felt
D ia n a : I'm h e re in n o rth e rn Special b ec au se it's been all the rig h t at ho m e. T h ere w a s su ch a
V erm o n t. W here th e n earest to w n w a y a ro u n d th e w o rld . It belo n g s tre m e n d o u s a m o u n t of in te re st in
is m o re than 25 m iles aw ay . Dan to Luke M usto , w h o h as ju st co m e th e b ik e th a t it w as easy to start a
a n d M ichelle G a lla g h e r w ere b orn back h e re to D etro it a fte r a th ree- conversation. U su ally , yon can
a n d lived m ost of their lives in y e a r m o to rcy cle trip. Luke, w h a t c o m m u n ic a te w ith o u t k n o w in g the
Boston. D an w as vice p re sid e n t of led you to q u it y o u r job a n d m ak e la n g u a g e .
m a rk e tin g fo r a p u b lish in g this trip? D ia n a : Did you e v e r feel like g iv in g
c o m p a n y , a n d M ichelle w as a n L u k e : I w o rk e d in a car factory on u p and c o m in g h o m e?
a d v e rtisin g executive. T hey g av e the assem b ly lin e. I m a d e g o o d L u k e: O n ly once, in B an g lad esh . I
u p th eir jobs rind m ov ed to this m o n e y , b u t it w as re a lly g o t ao sick from so m e th in g I ate
re m o te area of V erm o n t fo u r y ea rs m o n o to n o u s. It w as so ro u tin e th a t that I had to go to a hospital. But il
ago. M ichelle, w h a t m a d e you g ive I n e v e r had to think. My job is d id n 't last long.
u p ev e ry th in g for this? d o n e by a ro b o t now . Big D ia n a : Y o u've h a d such an excitin g
M ic h e lle : E verything? A big h o u se s u rp ris e .... A n y w ay , I b o u g h t th is tim e th a t y o u 'll find it h ard to
a n d expensive cars a re n 't b ik e se c o n d h a n d , p u t tw o p a c k s se ttle d o w n in D e tro it, w o n 't y ou?
e v ery th in g . W e u sed to w o rk long on the back, a n d got m y self on a L uke: I'm not g o in g tec N ex t w eek
h o u rs—such long h o u rs, in fact, fre ig h te r to E u ro p e . I’m le av in g ag ain , b u t this tim e Iin
th a t w e hardly e v e r sa w each oilier. D i a n a: W h a t d id y o u d o fo r m o n ey ? h e a d in g s o u th — to T ierra del
W e w a n te d to d o this y ears ago, L>ut L u k e: I h a d a tittle m o n e y sav ed vip. F uego. See you w h e n 1 gel back!

E x e r c is e 1 E x e r c is e 2 E x e r c is e 3
The people w ere very friendly. He felt T he farm w as so beautiful that Ihey S he w as such a good tennis player
w elcome. bought it that nobody ever beat her.
Thepmple were so friiiniily that hr felt It nvis sj«7r rf I’i'dutrful farm that tiny Thi tennis player *.i good Unit notwrfu
UK'hvm< ■’. bought it. r t # beat lit'r.
Continue. Continue. Continue.
1. He w as very old. He couldn't walk. 1. The book w as so interesting that 1. It w as such a d an g ero u s job tnat
2. S he w as very busy. S he didn't slop s h e couldn’t stop reading it. nobody would do it,
for lunch. 2. The problem s w ere so hard that 2. He w as such a good dancer that h e
3. S he w as very late. She m issed ihe nobody could solve them. won the prize.
plane. 3. The doctor w as so friendly that 3. They w ere su ch boring program s
4. He w as very sick. He couldn't go everybody liked her. lhal nobody w atched them.
out. 4. The box w as so heavy that he 4. It w as such a crazy story that
5. S h e had sp en t loo m uch m oney. couldn'l lift it. nobody believed it.
S he couldn't afford an o th er trip. 5. The Irip w as so exciting that h e ’s
6. T here w ere too many people in the going again. E x e r c is e 4
boat It sank. D iscuss: Would you ev er consider
being a “rat-race dropout?"
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Last of the airships?

liner. By 1437 it had e a rn e d 1,000


p a ss e n g e rs safely a n d h a d even
tra n sp o rte d circu s a n im a ls an d cars.
Its sister sh ip , the G m f ZepfK'lin, had
flow n o v e r a m illion m iles (1.6
m illion km ), am i h ad c arried 13,100
p asse n g e rs w ith o u t in cident.

N o b o d v k n o w s the ex act ca u se of the


Hiinicnburg d isaster. T he Hriuicnburs
w as filled w ith h v d ro g e n , w h ic h is a
h ig h ly fla m m a b le gas, and ev ery
safety p re c a u tio n h ad been taken to
p re v e n t accid en ts. S a b o tag e h as b een
su g g e ste d , b u t experts a t th e tim e
b eliev ed th at it w as c a u se d bv leak in g
g as w h ich w a s ig n ite d by static
electricity. It h ad been w a itin g to lan d
for th re e h o u rs b ec a u se of h eav y
A t 7:20 I’M on M ay 6, 1937, th e T he Hindeithurg w as th e last in a th u n d e rsto rm s, Tlie explosion
w o rld 's h r p est a irsh ip , the series of a irsh ip s which h ad been h a p p e n e d just as th e first m o o rin g
Hiiith’nbnrg. floated m ajestically o v e r d e v e lo p e d o v e r 40 y e a rs in b oth rope, w h ich w as wet,, to u ch ed the1
L ak eh u rst A irp o rt, N e w Jersey, a fte r E u ro p e an d the L 'nited States. T hey g ro u n d . T he m o st su rp ris in g th in g is
an u n e v e n tfu l cro ssin g from w e re d e sig n e d to c a rry p a sse n g e rs that 62 p eo p le m a n a g e d to escap e.
F ran k fu rt, G e rm a n y . Tlie re w e re 97 a n d c a rg o o v e r lo n g d istan ces. T he T he fata litie s w e re h ig h e st a m o n g th e
p eo p le on b o a rd for th e first A tlan tic Hiiideiiburg could, c arry 50 p a sse n g e rs c re w m e m b e rs, m a n y o f w h o m w e re
cro ssin g of the season. T h ere w e re a in 25 luxury c a b in s w ith dll the w o rk in g d e e p in sid e the airsh ip .
n u m b e r of re p o rte rs w a itin g to greet a m en ities of a first-class hotel. All the A fter th e Hi-iuitnburg d isaste r, all
it. S u d d e n ly rad io listeners h e a rd the Ccibins had h o t a n d cold w a te r a n d a irsh ip s w e re g ro u n d e d , a n d u ntil
co m m e n ta to r scream in g , "O h , m y electric heatin g . T h e re w as a d in in g recently, th ey h a v e n e v e r been
G od! Tt's b m k e n into flam es. It s room , a b ar, a n d a lo u n g e w ith a se rio u sly c o n sid e re d a s a co m m ercial
fla sh in g ...fla sh in g . U s flash in g d a n c e floor a n d a b ab y g ra n d piano. p ro p o si lion.
terribly." T h irty -tw o se c o n d s la te r the T he I Iin d en t ur$ h a d been b u ilt to
a irs h ip h ad d is in te g ra te d a n d 35 rival th e g re a t lu x u ry tra n satlan tic
E x e r c is e 1
p e o p le w ere d e ad . T h e A g e of th e liners— it w as a b le to cross th e
A l rs h i p w as <jy e r. A tlantic in less th an h alf th e lim e o f a Match the words from th e story in
Column 1 with their synonym s in
A irships—A chievem ents and D isasters Column 2.
1852 First airship flew over Paris. Co lu m n 1 Column 2
1010-14 Five zeppelin airships operated comm ercial flights within G ermany, majestically conveniences
carrying 35,000 people without injury, uneventful deaths
1914-8 Military zeppelins took part in 53 bombing raids on London during the disintegrated catastrophe
First World War. am enities ordinary
1919 British "R34.” First transatlantic crossing Both directions (10.128 km in rival blast
183 hours).. transported com pete w ith
1925 U S Wiemiulfflh (first helium airship) destroyed in a storm over Ohio. disaster undertaking
Heavy loss of life. ignited broken up
1926 Italian airship, the Norge, flew over North Pole. explosion grandly
1929 G erm an Graf, Zeppelin flew around the world. B egan comm ercial fatalities Lighted
transatlantic flights. proposition ca rried
1930 British R101" crash ed in France. Killed 42 out of 48 on board. British
airship program canceled. E x e r c is e 2
1931 U.S. Akron m service in USA— could carry 207 p a sse n g e rs. D iscuss, Would you like to take a ride
1933 Akron w recked in a storm. in a blimp? Why or why not?
1935 S ister ship, Li.S. Mtuvti. w recked.
1936 Htndetihurg built. Carried 117 p a ss e n g e rs in o n e flight.
1937 Himh'nbur$ crashed.
1938 Graf. Zeppelin 11 com pleted.
1940 Both G m f Zeppelins scrapped.
1958 U.S. Navy built a radar airship, Ihe “ZPG-3W "
1960 “ZPG-3W" crash e d in the ocean.
1961 U.S. Navy airship program ended.
Present; Currently airships (called blimp*) are u sed to prom ote various
corporations
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Eating out

Eating Out Because the main courses are


so large, there is really no need for
by Mimi Hilton
an appetizer or soup. For those
who want a light meal, however, I
The Blue Mill can recommend the green salad.
133 West River St.
The clam chowder was tasty
730-8375
Closed Monday. because it was homemade, bui it
Reservations recommended. had no special distinction. The
oysters on the hall'-sheU were
nicely served on a bed of ice,
This 3-month-old restaurant although 1 would have preferred a
has attracted attention because it beuer sauce for Lhem,
is a restored. 150-year-old mill. If you can still eai dessert after
The decor is chantung and warm all this, plus some rather good
in an earlv-American. country
unusually good. Among other homemade bread and creamery
style.
The menu is also very well-prepared main courses was butter, try die apple pie. The
American, though it is a bit too the fried chicken, because it wasn't apples were juicy and firm and the
traditional tor my taste. The most pre-cooked and then reheated pastry was light.
delicious main course we tried Although the vegetables that Although service at this
was the country slew, which came with the main courses were friendly restaurant is supposed to
consisted of potatoes, carrots, fresh, they were overcooked. The be good, don’t count on it. Maybe
peas, mushrooms, very tender only exception was the string because it was crowded each time
heef, and - surprise —some beans, which were green and we went, we found service to be
smoked pork sausage. Because crisp (a mistake?!). verv slow.

Diner's
Journal

L o o k a t t h is :
It w as raining. S h e took her umbrella. E x e r c is e
She fink ht'r i/mlw/h? b e a n ie ft ;r,j.< m/ning,
Now com bine th e se se n te n c e s with because or although.
1. He didn’t take th e job. The salary w as good.
It w asn't raining. He took His umbrella
He took /us umbrella although 2. S a ra h n ee d ed a new calculator. S h e bought one
il wasn’t muting. 3. They're afraid of flying. T hey flew to New York.
though 4. Mark w asn ’t thirsty. H e drank so m e milk.
eivn i In' ugh 5. They didn't buy the house. It w as expensive
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The W ashington, D C Metro

T rav elin g on th e W ash in g to n M etro B e t s y is at t h e in f o r m a t io n E x e r c is e 1


p re se n ts te w d ifficu lties fo r v isito rs b o o t h at t h e P entagon.
b e c au se of th e clea r co lo r-c o d ed m a p . Practice with a partner. Give directions
A t the b o tto m of th e m a p y o u wall B etsy: Excuse m e. HOW d o I get It from:
C o n n e c tic u t A v e n u e a n d Q S treet? 1. Court H ouse to National Airport
find fare an d trav el-tim e in fo rm a tio n .
Vou b u y y o u r farecard at o n e o f Ihe 1 m ea n , w h ic h is Ihe n e a re s t M etro 2. Federal Triangle to Union Station
statio n ? 3. Potom ac A venue to Gallery P lace
y ello w v en d in g m ach in es. You can
use nickels, d im e s, q u a rte rs, o n e - A tte n d a n t: You w a n t D u p o n t C ircle. 4. Duponl Circle to Rosslyn
d o llar, fiv e-d o llar, te n -d o llar, a n d T ak e a look at th e m ap . You take 5. Union Station to Arlington C em etery
tw e n ty -d o lla r bills, a n d th e m a c h in e th e Yellow Line to G a lle ry Place. 6. College Park to Court H ouse
T hen y o u 'll h a v e to c h a n g e fo r the
w ill g ive you change. You h a v e lo u se
y o u r fa recard to e n te r th e M etro R ed Line. It's th e th ird sto p . E x e r c is e 2
B etsy: 1 see.
sy stem by in se rtin g il in to th e slo t a t Here are som e (am ous W ashington,
th e gale. Il will he re tu rn e d to y o u a t A tte n d a n t: O r y o u c o u ld Lake th e
DC landm arks with their n earest
th e O ther sid e o f th e g ate. Do th e Blue L ine to M etro C e n te r a n d
Metro stations. Make conversations
c h a n g e to th e R ed L in e th ere.
same th in g w h en ex itin g th e sy stem . about getting to them from: (a)
B etsy: W hich w ay is faster?
D eanw ood. (b) National Airport, and
L isten to th ese p e o p le ta lk in g a b o u t A tte n d a n t: It's a b o u t th e sam e.
(c) Union Station.
B etsy: W ell, th a n k you.
Ihe M e tro m ap . and follow th e ir 1. The F B I-Federal B ureau of
ro u te s on th e m ap . Investigation {Metro Center)
L is t e n in g 1
2. The K ennedy C enter (Foggy
P ie r o a n d M a r g h e r it a h a v e Listen. Alice and Fred a re at the Bottom-GWU)
j u s t a r r iv e d at N a t io n a l Capitol H eights station. They're 3. The W ashington M onument
A ir p o r t . discussing two routes. Which one did (Sm ithsonian)
they decide to ta k e 7 4. The National Air and S p ace
P iero : OK. W e h a v e to g e t to
M useum (L'Enfant Plaza)
D ean w o o d . C on you see it? L is t e n in g 2 5. The RFK Stadium (Stadium-Armory)
M a rg h e rita : Yes, i t s u p h ere. It looks
st.i easy . W e ju st take th e Y ellow Listen. Alice an d Fred are going to visit
Ihe W ashington M onument. W hat E x e r c is e 3
L ine to L 'E n fn n t Plaza, th e n
c h a n g e to the O ra n g e Line. 11 g o es station a re they going to? Practice with a partner S tate a
stra ig h t there. It's the se v e n th sto p d eparture point and destination. Your
fro m L 'E n fan t P laza. partner h a s to give you directions
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The Six O'Clock N ew s

A nd now , th e Six. O ’L lock R ep o rt w ith Jack


D ennehy.
G ood ev en in g . T h o u sa n d s of P o rtsto w n
resid en ts m a rch ed on City Mall to d ay to
p ro te st p la n s to b u ild a state p riso n n ear th e
city. A lth o u g h a light rain w as falling, an
e stim ated 5,000 p eo p le m a rc h e d o v er a m ile
from Ports tow n H ig h School to L ity H all,
w h ere G o v e rn o r B ro w n a n d M ayor H en ry
Flores w ere m e etin g to d isc u ss lhe project. A
new p riso n is n eed ed b eca u se th e o th e r sta te
p riso n s fire o v e rcro w d ed . Several sites for the
new p riso n w ere co n sid ere d , b u t P o rtsto w n
w as ch o sen because, in the g o v e rn o r's w o rd s,
"A ll a reas in the state m u st sh a re the
p ro b lem s of o u r p riso n s y s te m /' A lth o u g h th e
p ro testers ask ed to m e e t w ith th e g o v ern o r,
he refu sed an d re tu rn e d to th e capital. A fter
th e g o v e rn o r's d e p a rtu re , h ow ever, the m a y o r
m et w ith ihe o rg a n iz e rs of the m arch an d N o w to sp o rts: P o rtsto w n Fligh School S ta d iu m w as filled last night
ex p lain ed his position. w h e n th e P o rtsto w n P irates p lay ed th e ir tra d itio n a l riv als, th e H a rb o r
C ity R aid ers. P irate q u a rte rb a c k T ony R izzuto scored tw o to u c h d o w n s
F our en tire citv blocks w e re ev a c u a ted th is in the first half. A lth o u g h the R aid ers d id n 't score at all in the first
aftern o o n in O cean sid e becau se of a gas half, th ey w ent on to w in w ith tw o to u c h d o w n s a n d a field goal in th e
explosion. T he ex plosion o ccu rred a t 1:20 PM second half. In sp ite o f th e P ira tes' g ood sh o w in g in the first half, thev
in a d e se rte d b u ild in g o n Second Street. Fire c o u ld n 't seem to d o a n y th in g rig h t in th e seco n d . T h e final score:
D ep artm en t officials b eliev e th at the R aid ers 17, P irates 14.
e x p lo sio n w as d u e to leak in g gas. The
b u ild in g had been e m p ty for se v e ra l m o n th s, L o o k a t th is :
an d they su sp e c t th a t a gas m a in had cracked It w as snowing, so they canceled the gam e.
becau se of v ib ratio n s from w o rk b ein g carried or
o u t by the city on the street. They canceled Ihe gam e b e c a u se it w as snowing,
C o ast G u a rd h elico p ters w e n t into actio n b e c a u se of I the snow,
to d a y after a y a c h t capsized in C o o lid g e due to
S o u n d . D esp ite rain a n d h ig h seas, the or
helicopters w ere able to rescu e all but o n e of B ecause il w as snowing, they canceled the gam e.
th o se ab oard. T w o m en an d tw o w o m en w ere B ecau se of I Ihe snow,
p u lle d to safely, bui o n e of th e m en w as Due to
p ro n o u n c e d d ead on arriv al d e sp ite th e
rescue te a m 's efforts. T he o th e r th re e a re in It w as snowing, but they didn't cancel the gam e,
satisfactory co n d itio n . T he fifth p assen g er, a or
woman, w as not found. A lth o u g h the C o ast
They didn't cancel Ihe gam e although il was snowing,
G u a rd co n tin u es its search , sh e is p resu m ed
in spite of I the snow
d ro w n e d . T he C oast G u a rd h ad issu ed a
despite
siivill era) I w a rn in g this m urrtirig, b u t the
vacht set out from lhe N ew g a te M an n a in
sp ite of the w arning s. Although it w as snowing, they didn't cancel the gam e.
In spile of I the snow.
Incom plete rep o rts h av e reach ed this sta tio n Despite I
a b o u t a 100-m ile-an-hour c ar c h ase on
P o rtsto w n streets. O nly m in u te s ago, It w as hard, but sh e m an ag ed to win.
acco rd in g to these rep o rts, P o rtsto w n po lice or
w ere a lerted by a n a n o n y m o u s p h o n e call and
It w as hard. However, I sh e m an ag ed to win.
ru sh ed to catch a g an g th a t w as b reak in g into
a local d is c o u n t c lo th in g store. H o w ev er, the N evertheless. I
g a n g o f y o u n g m ales escap ed in a late -m o d e l or
ca r th a t alleg ed ly had been sto len tw o d a y s It w as hard. I S h e m anaged to win, I however.
ag o in H a rb o r C itv. T he g a n g w as a rm e d an d I nevertheless.
tired several tim es a t th e po lice c a rs b e h in d or
them . N ev erth eless, th e p olice Were a b le to It w as hard. S h e m anaged. I however. I lo win.
run th e g a n g 's car off th e road a n d arre st all I nevertheless, J
the m e m b e rs w ith n o in ju ries o n eith e r side
E x e r c is e
Write one new s Item for your local area.
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All the good n ew s

the B r id g e p o r t t im e s
Thursday. January

O ur New Y ear’s
Present
to the President
defects, flown to the United
Tlie president, speaking at
States under the auspices of
the American Bur — — —— --------
the American Medical
Association convention this
Association, were success-
Farmers bring in record soybean harvest this year
year, asked why newpapers
fully operated on las! week minimum effort—over 2 1/4 in the polluted water are
only prim bad news, "Why being caught in increasing
don’t they tell us things like at Houston General billion bushels.
Hospital in Texas. After a num bers.
how many planes, landed
brief convalescence, they • It was a great year tor
saleh in the United Slates » And a final note. The
will be Mown back to Seoul. animals, too. Some
in one day?" he asked. Here death t ale fro n t suicide is on
The AM A. which is residents o f Bolton,
is our New Year's present to the decline.
sponsoring ihe "Big Heart" Massachusetts, wanted
the president—-a column o f
program, plans to help to limit the number of
good-news items. E x e r c is e 1
many other children from pigs per farm, claiming
all over the world. that pigs depressed Find w ords in th e text that mean:
* In 1931. Alice Hoover 1. a general tendency
Meyers, now #8.years old. property values, A vote
• The governor of was taken, and the pig 2. physical imperfections
began writing her first 3. a written ag reem en t
California announced last supporters won 305 lo
novel, about life in a small
week at a meeting o f 200 195 not to restrict the 4. people who a re in favor of
Kansas town. Last week. som ething
state legislators that the number o f porcine
M ilbum University Press
state treasury has a surplus farm residents. 5. varieties: types of anim als or
published the 1,500-page plants
o f over $200 million with
novel. The Women in the
nearly $ I billion projected • CompTxac, a small 6. a sum of m oney that Is lacking in
Club, more than 60 years Ihe total am ount
for next year. This is an Delaware construction
after Mrs. Meyers put pen
amazing accomplishment in company in business 7. a period of recuperation
to paper. When u>ked about
view o f the condition of for less than a decade, 8. people Who m ake laws
her reaction to becoming a
thestate treasury six months was aw arded a 340 9. the collection of fruit, grain, or
published author a.t age KS.
ag o -a SI .5 million deficit! million contract to vegetab les m ade by a farmer
M rs. Meyers replied, "1 10. a period of ten y ears
hope there's time to write build three schools in
* According to reports, Kuwait. Winning
the next one!" there were 2*439.0.00 civil large contracts seems E x e r c i s e 2
and religious marriage to be a new trend for Find ex p ression s that m ean:
• O 'B are A irport 111
ceremonies this year, an small businesses 1. b egan to write
C hicago, the busiest airport
increase o f 1% over the 2. with no unusual occurrences
in the U nited States, reports
total for last year. • T he battle to clean 3, is decreasin g
that a toud ol 645.5H6
planes took o il and landed up the W est R iver is 4, with a s little work a s possible
• E ven farm ers are beini: won. Species
w ithout incident during the
sm iling— that is. the o ff is h w h ich even E x e r c is e 3
year. soybean farm ers, w ho w ere ten years ago could
able to bring in a record Work m groups to c re a te a new spaper
. E leven K orean children not have survived
harvest last y ear with a front page, with headlines a n d reports
w ith congenital heart dedicated entirely to good news. Each
m em ber of the group takes
responsibility for one new s item.

E x e r c is e 4

The p resident said that new spapers


always print b ad new s. Is th at Irue?
Why do you ihmk n ew sp ap ers might
concentrate on b ad new s? D iscuss.
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The com pany picnic

Jackie: F ab u lo u s. W h at 1 sa w o v e r
th e re really s u rp ris e d m e. I th in k
th e re 'll be a lot of d e m a n d fo r o u r
n e w C2L p erso n al c o m p u ter.
Bari: T h a t's v ery in terestin g .
Jackie: Yes, really. W h at I lo u n d w as
very e n co u rag in g . W e h av e just
w h a l th e y 're lo o k in g for.

R ichard Fng is the Lem on C o m p u te rs


vice p re s id e n t w h o is in c h a rg e of th e
A u stin o p e ra tio n . H e 's just ru n in to
Bob F.wing, w h o is the p la n t m an ag e r.
R ic h a rd : I li, Bob. It's a n o th e r good
picnic, is n 't it?
Bob: Yeah, it really is.
R ic h ard : D id v o u g e t m v m e m o
a b o u t th e m e e tin g W ed n e sd a y ?
Bob: Y eah, ten o'clo ck , rig h t? Y our
m em o d id n 't say w h a t the
m ee tin g 's ab ou t. It's not b ad new s,
is it?
R ic h ard : N o, d o n 't w o rry . It's g o o d
n e w s in fact. W hat w e n e e d to d o
is in crease p ro d u c tio n of the C2L.
L ither w e'll h av e to go in to
o v e rtim e o r w e'll h av e to hire n ew
p eo p le.
Bob: Terrific! W hal w e 'll h a v e to
look at is how m u ch each w av will
cost.
R ic h ard : R ight, b u t w e can c o v e r the
facts an d figures o n W ed n e sd a y .
Let's n o t talk s h o p to d ay , T h a t's
n o t w h a t w e 're h ere for.
Bob: Y o u 're right. H a v e you tried the
barbecued ribs?
E very vear. (he A u stin , Texas, L eslie: O h , yes. g reat! L . u h . . .
o p e ra tio n of L em on C o m p u te rs gives w a n te d to ask y o u a b o u t th a t job L o o k a t t h is :
a F ourth of J u l y picn ic for all its in th e \ !ew Y ork office. I don’1 know it'hul to do with him
e m p lo y ees and their fam ilies. T he D ian e: It's d e fin ite ly o p e n in g up. T hat's not what we re here lor.
picnic is held aL a lak e n ear Io w n , an d A re you still in terested in it? What I sa w surprised me.
e v e ry o n e en jo y s sw im m in g , w a te r L eslie: 1 m ig h t be. 1 really d o n 't
skiing, b o ating, p la y in g g am es, an d k n o w w h a t to d o . I'm really h a p p y E x e r c is e 1
especially, eatin g th e b ig b a rb ec u e h ere in A u stin , b u t it w o u ld be
Role play in groups. Each m em ber ol
lunch. n ice to be in N ew York. M y fam ily
ihe group tak es Ihe role of o n e ol the
liv es in N ew Jersey. M ay b e I'll
characters. First act out ihe
Leslie C a rb o n e W o r k s in the a p p ly fo r it.
conversations, Then improvise
A cco u n tin g D e p a rtm e n t. S h e's D ia n e : W hy not? D ro p by m y office
conversations as you circulate am ong
talking to D iane R om berg, the next w eek a n d I'll tell y o u w h a t I
the other ch aracters at the picnic (for
p e rso n n el d irector. can a b o u t il. O f co u rse, y o u h a v e
exam ple D iane Rom berg and Jackie
LesJie: H i, D iane. W as th a t y o u r so n to d e c id e w h a t v o u w an t.
Pulido. Richard Eng and Bart
D avid you w ere just talk in g to?
C onners)
D iane: O h. hi. Leslie. Yeah, th a t w as Jackie P u lid o is in ch a rg e o f the
D avid I d o n 't k n o w w h a t to d o M ark etin g D e p a rtm e n t. S h e 's just
E x e r c is e 2
w ith him . H e n e v e r w a n ts to play seen R art C o n n e rs, w h o w o rk s in Ihe
w ith the o th e r kids. A d v e rtisin g D e p a rtm e n t. D iscuss: Are com pany-sponsored
L eslie: H e certain ly h as g ro w n sin ce Bart: lackiet I see y o u 're back from activities outside of work a good place
last year. y o u r trip, to conduct b u sin e ss? Why or why nol?
D ian e: Yeah, h e 's m u ch talle r than Jackie: Yes, I got in last n ig h t.
m o s t k id s his age. O h, w ell. I low Bart: H ow d id it go?
d o vou like th e picnic? A re von
h a v in g a g o o d tim e?
languagedownload.ir
N e w on the job

It's A lan X!lawman's first: d a y on his S u p p ly C lerk : O h, B urt H o g g I see.


first job. It’s Ln th e m a in te n a n c e W h a t co lo r strip e s w o u ld y o u ILke^*
d e p a rtm e n t of a larg e factory. B urt A lan : O h. I d o n 't k n o w . M ay b e I'd
H ogg, w h o h a t w o rk e d th e re lo r 25 b e tte r ask him .
y ears, is sh o w in g A lan a ro u n d . S u p p ly C lerk : 1 su p p o s e Lie told y o u
to g e t a rig h t-h a n d e d sc re w d riv e r
B urt: AI1 right, son. A ny q u e stio n s? too.
A lan: Uh ..y eah . W h ere •fan I lea v e A lan : No, he w a n ts a left-h a n d ed
m y jack et a n d th in g s? one.
Burt: T h e re '5 a ro w of lockers o v er S u p p ly C lerk : T h in k a b o u t w h al
th ere. It d o e s n ’t m a tte r w h ich o n e y o u 're sa y in g . Ju st s to p and think.
y o u use. T ak e w h ic h e v e r o n e y o u A lan: But Burl s a id O h. I Im m ni.
.w ant. O h, y e a h ...u h ...e x c u s e me.
A lan: O h, th an k s. A nd I h a v e m y
Social S ecu rity card . T h ey told m e A PEW MINUTES LATER
to b rin g it. W h o sh o u ld 1 sh o w it B u rt: W h a t look y o u so long, A lan?
to? A lan; W ell, th e s u p p ly ro o m d id n 't
B urt: Ju st take it u p to P ersonnel. h a v e w h a t y o u w a n te d , so 1 filled
Y ou can sh o w it to w h o e v e r is o u t a re q u isitio n form a n d to o k it
th ere. to the p re s id e n t's office. Y ou’ve
A lan: W hen can I d o th a t? been h e re so long th a t I'm su re
B urt: It really d o e s n 't m atter. G o lie'll a p p ro v e w h a te v e r vou need.
w h e n e v e r you w a n t to, w h e n e v e r
it's co n v e n ie n t. 1 0 :3 0 E x e r c is e 1
A lan: OK.
Burt: C o m e o n , A lan, y o u can sto p A: W hat would you like to do tonight?
for a w hile. It's tim e to r a break . B: f iifin'tcare— w hatever you like.
A lan: O h, a n o th e r th in g . Burt. W here
A lan : T h an k s.
c an I p a rk mv m o to rcy cle? Continue.
B urt: D o n 't th a n k m e, son. Y o u 're
B urt: T h e re 's p len ty o f ro o m in the 1. Well, w here would you like to go?
d o in g a g o o d job. It's tim e for a
p a rk in g lot. Ju st d o n 't p u t it Ln a 2. How do you want to go there?
c u p of coffee— o r w h a te v e r you
sp a c e th a t's reserv ed . O th e r th an 3. Which would you rather take— a
w a n t. O h , a n d a fter th e b reak , I
th at, you can leav e it w h e re v e r bus or a taxi?
w a n t you to g o to th e s u p p ly ro o m
th e re 's ro o m . C o m e on, L'll sh o w 4. W hen do you think w e should
a n d gel m e a few th in g s, OK?
v o u w h e re vou'LI b e w o rk in g . In leave?
A lan : Sure.
here, T h a t's y o u r w o rk b e n c h , a n d 5. W here do you want to go for
B urt: G o o d . I need a can ol s trip e d
y o u r stool is here. J list w atch m e at dinner?
p a in t, a ru b b e r h a m m e r a n d a
first a n d d o w h a te v e r I tell vou, 6. W hat do you want to have?
glass nail, a le ft-h a n d e d
OK? 7. W ho should we invite to the party?
s c re w d riv e r, a n d a b u ck e t o f
A lan: OK. 8. W hat should we se rv e ?
stea m . Ju st tell them B urt sent y o u .
B urt: F irst of all, y o u can clean th ese
tools. T h e re 's so m e so lv e n t in th a t At t h e s u p p l y r o o m E x e r c is e 2
b o ttle on th e shelf.
A lan : Hi there. A: W hat should I do with th e s e old
A lan: All eight . Is th e re a n y special
S u p p ly C lerk : Hi there. n ew sp a p e rs?
w a y to d o il? B: If doesn't mutter. Dp whatever you
B urt: H u h ? A sp ecial w ay? N o. A lan. A lan : T'm h ere to g e t a can ot strip e d
p a in t. ii'd til (0.
C lean th em h o w e v e r y o u w a n t to.
T h e re 's n o special w ay. S u p p ly C le rk : A w h a t? W h a t a re you Continue.
talk in g ab o u t? 1. So. which ol th e se books can I
A la n : I w as sen t h e re to p ick u p a can borrow?
of strip e d p a in t. 2. Who should I give my ticket to?
S u p p ly C le rk : A nd w h a t w ise g u y 3. W hen can I com e to s e e you?
told you Lo d o that? 4. How should I do It?
A lan : B urt— B urt H ogg. 5. W here can I park my car?
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Visual gossip

D o y o u like re a d in g a b o u t fa m o u s p eo p le ? H a v e y o u e v e r P h o to g ra p h e rs (or paparazzi) w ill d o a lm o st a n y th in g to


se e n a n e w s p a p e r p h o to g ra p h of a cele b rity in an g e t th e p ic tu re s th a t th ey sell to n e w s p a p e rs an d
e m b a rra ss in g situ a tio n ? S o m etim es n e w s p a p e r p h o to s m a g a z in e s. T h ey m a y re n t h e lic o p te rs, h o t-a ir b allo o n s, o r
c a u se m ajo r sc a n d a ls a n d can c h a n g e lives. L e a d e rs re sig n e v e n m in i-su b m a rin e s. T h ey m ay sta y o u t all n ig h t in
a n d g o v e rn m e n ts fall a fte r ta b lo id sca n d a ls, a n d w e c a n 't fre e z in g rain . T h ey m a y g e t p u n c h e d o r e v e n sh o t at.
g e t e n o u g h of th em . W h ile th e y d o n 't g e n e ra lly b re a k th e law , th e y m a y b rib e
d o o rm e n o r se c u rity g u a rd s to g e t th e ir shots.

O L is t e n in g
Listen and m atch the celebrities with their picture. T ake
notes under each photograph.

N ame: Duchess of Lichtenburg


N ame: . . . Name: . . .
A g e :37
Age. . . . Age. . . .
O ccupation: Duchess/multi-millionaire
O ccupation: . . . Occupation: . .
News: Planning a secret wedding to limo
N e w s :. . . News: . . .
driver.

N ame: . . . Name: . . . Name: . . .


Age: . . . Age: . . . Age: . . .
O ccupation: . . . O ccupation: . . . Occupation: . . .
News: . . . News: . . . News: . . .

E x ercise
D iscuss: Do celebrities have the right to private lives?
languagedownload.ir

A m essage to the stars

O u r p la n e t E arth is one of n in e
p lan ets rev o lv in g a ro u n d th e Sun, a
fairly sm all a n d o rd in a ry star, w h ich
lies in the o u te r areas of th e M ilky
W ay galaxy. T here a re ab o u t 250
b illion stars in o u r g alaxy a n d billio n s
of galaxies in the universe. P eo p le
h a v e a lw ay s w o n d e re d ab o u t th e
p o ssib ility of in tellig en t life form s on
o th e r p lan ets. In recen t years this h a s
becom e serio u s scientific specu latio n .
S om e scientists believe th a t th ere
m u s t b e larg e n u m b e rs of stars w ith
p lan ets th a t could su p p o rt liv in g
in tellig en t beings. P e rh a p s w e w ill
n e v e r know . The n e arest sta r is 4.3
lig h t-y ears aw ay. A lig h t-y ear is th e
d istan ce covered by lig h t [trav elin g at
a b o u t 186,000 m iles (300,000
k ilom eters) a second] in o n e year. It
w o u ld tak e the fastest E arth
sp acecraft ab o u t 40,000 y ears to reach
the n e arest star.
p laq u e , 6 inches by 9 inches (15.2 cm p ic tu re s of th e rin g s of S a tu rn an d
For a n u m b e r of y ears rad io x 22.9 cm ), w as p lace d o n th e d isco v ered p re v io u sly u n k n o w n
telescopes h av e been try in g to pick spacecraft. O n the p la q u e is a m oons. It th e n left th e so lar system .
u p signals from o u te r space, so far d ia g ra m sh o w in g the so lar sy stem Voyager 2 re a c h e d Jtip iter in Ju ly 1979,
w ith o u t success. T here are, h o w e v er, a n d its location in th e galaxy. T here is S atu rn in A u g u st 1981, U ran u s in
m illions of possible ra d io freq u en cies, also a d ra w in g o f a m a n a n d a Ja n u a ry 1986, a n d N e p tu n e in A u g u st
a n d th e re is n o re a so n w h y a w o m a n , sta n d in g in fro n t of a p ictu re 1989, b efo re leav in g th e so lar sy stem
com p letely alien civilizatio n sh o u ld o f th e spacecraft. T he m a n 's rig h t to trav el silen tly th ro u g h space. Its
n o t u se a d ifferen t ty p e of h a n d is ra ise d in a g e stu re of n ext sto p — n o o n e know s.
c o m m u n icatio n , su ch as x ray s or frien d sh ip . It is u n lik ely , h o w e v e r,
ev en a ty p e of w av e w e h a v e n o t y et A s w ell as a p icto rial p la q u e , Voyager
th a t th e p la q u e w ill ev er b e seen
d isco v ered . S u p p o se contact w e re again. If it w e re fo u n d by a n alien 2 carries a g o ld -sp ra y e d disc. T he disc
m a d e w ith b ein g s 300 light-y ears civ ilization, it seem s im p ro b a b le th at c o n tain s g reetin g s in 60 lan g u ag e s,
aw ay. By th e tim e w e h a d sen t o u r th ey w o u ld be ab le to in te rp re t it. 140 p h o to g ra p h s, a n d one a n d a h alf
rep ly a n d received th eir resp o n se, th e h o u rs of m u sic a n d songs, ra n g in g in
e a rth w o u ld be 600 y ears old er. It T h e V o y a g e r M is s io n sty le from B eethoven a n d M o zart to
w o u ld be an in terestin g , b u t ra th e r th e Beatles a n d C h u ck Berry.
E very 175 y ears th e larg e o u te r
slow -m ov ing, conversation! p la n e ts—Ju p ite r, S atu rn , U ra n u s, a n d E x e r c is e 1
N e p tu n e — a re in su ch a p o sitio n th a t
P io n e e r 1 0 a sp acecraft from E arth can fly p ast Imagine you could sen d a package,
T he first m a n -m a d e object to leav e all of th em . T he tw o Voyager weighing up to 25 kilos, which
o u r solar sy stem w as th e Pioneer 10 sp acecrafts w e re la u n c h e d in 1977 to could give an im pression
of civilization on Earth. ,
spacecraft. It w as lau n ch e d fro m p h o to g ra p h a n d in v estig ate these
C ap e K en n ed y o n M arch 2, 1972. It p lan ets. Voyager 1 reach ed J u p ite r in This would include
w as d e sig n e d to p ass close to th e F eb ru a ry 1979, a n d S a tu rn in recordings,
p la n e t Ju p iter. In 1983 it left th e o u te r N o v e m b e r 1980. It sen t b ack d ram a tic videotapes,
lim its of the p la n e ta ry system . A gold photographs,
film, etc. What
would you
choose to
sen d and why?

E x e r c is e 2
S p ace research
c o sts billions of dollars.
S om e people think that the
money would be better spent
on more practical projects here on
Earth. W hat do you think?
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s It's about time

Jan et a n d B ruce live in H o u sto n , P am : N o, I’d re a lly ra th e r vou d id n 't.


H o n estly . L oo k a t th is :
Ja n e t’s y o u n g e r sister, P am w h o lives
I’d rather I go there.
in D eliver, is Hying d o w n to s p e n d a Jan et: N o w , d o n 't be silly, P am .
long w eek en d w ith th em . W e'll p ick you up. I'd rather you went there.
P am : N o, Janet, I'd ra th e r g e t a taxi, he didn't go there.
Jan el: Bruce, J think it's tim e to g o Jan et: W e'll be th ere, Pam! See you sh e
a n d m e e t P am at th e a irp o rt. la te r, we
B ruce: O h, no, th e re 's no need to they
h u rry . T h e re 's p le n ty o f tim e. It's Jan et: O h, B ruce, th e re sh e is!
Bruce: It's a b o u t tim e. It's (about) time to go.
o nly 8:30, T h ere w o n 't be m u c h
P am : Janet! Bruce! M m m . It's w e left,
traffic a t th is tim e o f n ig h t,
w o n d e rfu l to see vou, b u t I'm w e w ere leaving,
|a n e t: You n e v e r k n o w , an d i th in k
y o u r w atch m u s t b e slo w , I h a v e rea lly e m b a rra sse d . It's alm o st It isn't a s I if Ithis were my first visit.
8:40. I'd ra th e r b e too e arly than 12:30. | though | he didn’t know.
too late! Ja n e t: W ell, w e c o u ld n 't let you find
B ruce: It'll take h er a w h ile to get h er y o u r o w n w ay — n o t at th is tim e o f E x e r c is e 1
lu g g ag e. n ig h t
B ruce: D o w e h a v e to w a it fo r the T he b a g g ag e handling is slow They
Janet: O h . co m e o n , Bruce! It’s tim e should do som ething ab o u t it.
w e w e re leav in g W e can a lw a y s lu g g a g e o r is th a t all y o u hav e?
It's about time t/in/ did something about it.
h a v e so m e coffee at th e a irp o rt. P am : N o, th is is it. I d id n 't ch eck
Bruce: I'd ra th e r see th e e n d o f th e anything- Continue.
basketball g am e, b u t n e v e r m in d , B rnce: G reat! It a lw a y s tak es fo rev er 1. Its late. W e should go to the airport.
w e 'd b e tte r go. at th is a irp o rt. 2. S h e 's getting tired. S h e should go
Ja n e t: 1 k n o w . It's a b o u t lim e th ey to bed.
B ruce: Janet! W ait a m in u te . T h e d id s o m e th in g a b o u t it. 3. He co u g h s a lot. He should stop
p h o n e ’s rin g in g . sm oking.
Jan et: HelJo? O h , Pam! W h e re a re B ruce: I'll go a n d get th e car. I w o n 't 4. T he windows are dirty. W e should
y ou? b e long. clean them.
P am : I'm still in D enver. T he flig h t's J a n e t: W ell, Pam , w h a t w o u ld you 5. T he b u s is late. It should be here.
been d e lay e d . rath tir d o to m o rro w m o rn in g , 6. H e's bored. He should find an
Ja n e t: You c a u g h t us ju st in tim e. s le e p in o r g o sh o p p in g ? interesting job.
P am : O h , go o d . T he p lan e w o n ’t be P am : You m e a n this m o rn in g ! I'd
le av in g fo r a n o th e r h o u r a t least. ra th e r go sh o p p in g , b u t th e re 's no E x e r c is e 2
L ook, d o n 't b o th e r to co m e o u t to n e ed for y o u to co m e w ith m e. I'd Are you going to do il?
th e a irp o rt, ra th e r y o u slep t in. Y ou m u st be No, I'd rather not do if. I'd rather you
la n e t: It's n o tro u b le. W e'll m eet vou. e x h a u sted ! B esides, it is n 't a s il this did it.
w e re m y first v isit to H o u sto n .
Continue.
1. Are you going to write to her?
2. Would you like to drive?
3. Do you wanl to ask him?
4. Would you like to ch o o se ?
5. Do you want to a rran g e it?
6. Are you going to s e e the m an ag e r?
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The N e w York p olice force

/ Ff-11fcEn&r’S i S ^ ^

Beat it. Thank God you got


This is p rivate! here, officer.
The driver's losing
blood fast.

O fficer,
I did not go
th ro ug h a
red light.

She's only three


years old, and she's
T hey to o k all the V:
been m issing fo r
m oney in the
tw o hours.
cash register. j ' !; — ------ --— — -i

"T h an k s for in v itin g m e to sp e a k al o b v io u sly no g o o d if y o u d o n 't h av e E x e r c is e 1


y o u r c areer assem b ly . Y o u 'v e ask ed th e sta tu re for th e job. T his m ean s
m e to lalk a b o u t w h a t it's like b ein g a h av in g concern for p eo p le , a real Answer th e se questions.
police officer. W ell, l ‘m g o in g to be sense o f fa ir p lay, a n d co m m o n sense. 1. Who do you think the sp eak er is?
h o n e st w ith you. it's n o p icn ic b eing a A nd if y o u d o n 't h a v e a se n se of 2. Whai do you think ihe sp eak er
police officer in N ew Y ork a n d y o u h u m o r, fo rg et it. T h e se q u a litie s are m e a n s by the following:
have to b e su re it's w h at y o u really m o re im p o rta n t than q u alificatio n s, a. "I'm going to be honest with
w an t to do. W h en p e o p le n eed v o u r al th o u g h v o u n eed so m e of th o se too. you.”
help, th e y 're only too h a p p \ to see You h a v e to be a high sch o o l b. “It’s no picnic being a police
von. Ikit sh o w u p w h e n they d o n 't g ra d u a te an d al least 20 v ears old lo officer."
w a n t y o u a n d w h a t y o u can g e t called g et in to th e Police A cad em y . And c. "What you can get called isn't fit
is n 't fit to p rin t. You a rriv e fo r w o rk those exam s a re tough. F irst y o u h av e to print.1'
a n d h av e no idea w h a t th e d a y will to p ass a w ritte n exam . If y o u m ak e it 3. W h a ls a typical day like for a New
b rin g : a traffic accid en t or a m u rd e r, through, th at, y o u h av e lo lake a York Cily police officer?
an arm ed rob b ery o r a false a la rm , a p hysical ex am , a n d y o u 'd b e tte r b e in 4. W hat qualities a re n eed ed by
req u est for d irectio n s o r a d ru g g o o d shape. If y o u p ass that, you go so m eo n e who w ants to becom e a
o v erd o se. I gel asked a b o u t tre a tm e n t to the Police A cad em y for six m o n lh s. police officer?
for sick can aries. Social Security 5. W hat are the ag e a n d education
N o w , the pay sta rts a t a b o u t 526,000 a requirem ents for entrance into the
p ay m en ts, politics, a n d p riso n visits- J
y ear. A n d b eliev e m e, y o u 'll e arn Police Academ y?
h av e to d eal w ith fam ily conflicts. I
e v e r y p en n y of it. Y ou'll h a v e to p u t 6. W hat ste p s d o es a person nave to
g e t a n o n y m o u s th re a te n in g letters
u p w ith lo n ely h o u rs on the n ig h t take to becom e a police officer?
an d p h o n e calls—and a lot of tim es 1
sh ift a n d y o u 'll p ro b ab ly w o rk every 7. W hat two things should som eone
recognize w h o th e y 're from . I rarely
C h ristm a s. But th e re w a rd s y o u can do if he or s h e is interested in
co m p le te a holid ay shift, especially
g e t for d o in g a goo d job w ill m ore becom ing a police officer'?
C h ristm as, w ith o u t h a v in g to re p o rt a
th a n c o m p e n sa te for th e low pay. If 1
suicide, u sually c a u se d by loneliness.
h a v e n 't d im m e d y o u r e n th u sia sm E x e r c is e 2
E very d a y th ere are d ru n k s , fights,
a n d y o u ’re still in terested , you can do
bodies, d e m o n stra tio n s, th e bru tal Discuss: A lol of television show s and
tw o things. First read a few bo o k s
an d the b rav e, th e villains an d th e movies lake place in New York City.
w ritte n by ex-cops. T h e y 'll tell you
victim s, the h a te rs an d th e lovers, and Why do you think this is? Have you
plenty. A nd also gel in touch w ith th e
th e just plain indifferent, ft is n 't easy. been to New York? Would you like to
D e p a rtm e n t of P erso n n el, 55 T h o m as
W h at k in d of p e rs o n m e a su re s u p to S treet, N ew Y ork, NY. O r call them a t go? Why or why not?
su ch a job? A nv one o f you. T h e re 's <212) 566-879(1. T h ey 'll tell you w hen
n o m in im u m h eig h t re q u ire m e n t— the next exam is b ein g given.
y o u can be tall o r short. But
T h a n k s a lot. A nd good luck."
reg a rd le ss ol y o u r height, y o u 're
languagedownload.ir

The microchip revolution

W hen co m p u te rs w ere first u so d . o n e now co n sid ered c o -in v en to rs of o n e N o w a d a y s, w e take for g ra n te d all
co m p u te r filled an en tire room . But o f th e g re a te st technological id e a s of th e thin g s th a t can be d o n e b e cau se o f
then, in 1^4M, the tran sisto r w as o u r tim e, the chip. th e d e v e lo p m en t of the chip. C h ip s
invented bv three Bell L ab o rato ries are used in cars lo m ak e s u re th e fuel
scientists, an d th e c o m p u te r w as T h e c h ip —a lso called m icrochip an d m ix tu re is correct. T h ey are used in
tran sfo rm ed from a huge, u n reliab le, in teg rated circu it— is a tiny piece ol cam e ras, calculators, an d w a tc h e s to
h eat-p ro d u cin g m ach in e into a silicon a ro u n d 1 cm sq u are. It is o p erate th e ir m ain fun ctio n s. In the
sm aller, m o re d e p e n d a b le , cooler one. d en sely packed w ith m in ia tu re m ed ical field, ch ip s a re used in
N ew p ro d u c ts w ere d esig n e d u sin g electronic co m p o n en ts. The p acem ak ers, h earin g aid s, an d a lm o s t
this n e w technology. B ut a p ro b lem c o m p o n e n ts are in te g rate d w ith each e v erv o th e r m edical d ev ice of any
d ev elo p e d ; As the p a rts g o in g into o th e r to p erfo rm control, logic, and com plexity. C h ip s are installed in
p ro d u c ts becam e sm aller, w irin g m em o ry fu n ctio n s. T hey re q u ire very ho u seh o ld appliances, such as
them to g eth er b ecam e an alm o st little p o w e r a n d p erfo rm their refrigera tors, w ash er-d ry ers,
im possible job. C o m p u te rs o f th a t fu n ctio n s w ell. m icro w av e o v en s, TV sets, VCRs,
tim e typically h a d m ore th an 20,01)0 stereos, a la rm system s, an d
tran sisto rs an d th o u s a n d s o f o th er G iven th e fact th a t the a v e ra g e chip is telephones. In so m e cases, th ey
co m p o n en ts. sm a lle r th an a th u m b n ail a n d m ay p erform functions th at once h a d to be
contain m illions of c o m p o n en ts, it is p erform ed m anually. In o th e r cases,
hi 1958, tw o d ifferen t m en at tw o re m ark ab le th a t it can b e they p erfo rm new functions, such as
different A m erican co m p an ies m a n u fa c tu re d . In fact, m a n u fa c tu rin g tim ing a telep h o n e call, th a t Were n o t
sep a ra te ly d e v elo p e d a m odel o f a p ro v ed to be so d ifficu lt th a t it w a sn 't av ailab le before. O f coursc, ch ip s are
circuit that w as b u ilt on a sm alt piece u ntil t w o y e ars afte r th e c h ip w as the b u ild in g blocks of m o st
of silicon, T h ere follow ed a d is p u te cs’eated th at th e first c h ip s w e re co m p u ters, a n d they e n ab le us to h av e
o v er p a te n t rights, b u t Lhe d is p u te av ailab le for sale. co m p u te rs on o u r d e sk s that d o the
w as e v e n tu a lly settled. Both m en are k in d s of o p e ra tio n s o n c e reserv ed for
c o m p u te rs th a t filled e n tire room s.

L ook a t th is: E x e r c is e
New products z v e r e dexigtmf using the Three Bell Laboratories scientists tm m ded Ihe transistor.
new com puter technology. Tin' Iran-intor an* invented bp three Bell Uttmratories seiaitials.
Both men nn now earrtfdetvd co-
invenlors ot one of the g reatest Confinue.
technological ideas of our time, the 1. The invention of the transistor transformed the com puter.
chip. 2. Two different men separately dei’elaped a model of a circuit.
Nowadays, we take for granted all fhe 3. They eventually settled a dispute over patent rights.
things that a w be dime b e c a u se of 4. They pnehed the chip wilh miniature electronic com ponents.
the developm ent of the chip. 5. They integrated the com ponents with each other lo perform control, logic, and
In som e c ases, they perform functions memory functions.
thal once had ta be performed S. It is rem arkable that they can ntmiufneturr the chip.
manually. 7. W e now take for granted all the things w e a m do b e c a u se ol the chip.
8. C ar m anufacturers use chips to m ake su re the fuel mixture is correct.
9. Electronics m anufacturers use chips in cam eras, calculators and w atches to
operate therr main functions.
10. Chips allow m achines to do things which they never could do before.
languagedownload.ir
G old rush

T he Y ukon
P e rh a p s th e m o st d ifficu lt c o n d itio n s
w e re ex p erie n c e d bv those
p ro s p e c to rs w h o b ra v e d th e
C a n a d ia n w in ters to w in g o ld from
th e Y ukon a n d K lo n d ik e riv ers. O n
A u g u st 16, 1896, th re e p ro s p e c to rs
s tru c k g o ld in B onanza C re e k , a
trib u ta ry of the K lo n d ik e River, a n d
then in a se c o n d creek w h ic h w a s
n a m e d Eldorado. In the Y ukon, gold
w as o b ta in e d by w a sh in g g ra v e l from
riv e rb e d s, a n d so o n as m u ch as $800
w o rth of g o ld w as b e in g ta k en fro m a
C a l if o r n ia
sin g le p a v o f d irt. W ith in a y ear, E x e r c is e 1
In 1848, gold w a s d isc o v e re d at D a w so n h a d g ro w n from n o th in g to a Match the w ords from the story in
S u tte r's M ill, a b o u t 100 m iles east of to w n of 30,000 p e o p le . E v ery b o d y Column 1 with their m ean in g s in
San F rancisco, a n d the first g re a t g old w h o e n te re d th e c o u n try h a d to carry Column 2.
rush b eg an . W ithin a y e a r 100,000 a y e a r's s u p p ly o f lo o d a n d m in in g
C olum n 1 C o lu m n 1
p e o p le , o n ly 8,000 o f w h o m w e re e q u ip m e n t o v e r ste e p a n d fro zen
w o m e n , had re a c h e d th e c o ast o f nugget a river or stream
m o u n ta in passes. H o rse s a n d
C alifo rn ia. M ore th a n half o f them d o n k e y s d ie d in th e ice a n d sn o w , b u t stam p ed e that flows into a
h a d tra v e le d o v e rla n d acro ss the th e p e o p le k e p t on g o in g . It is tributary larger o n e
A m e ric a n c o n tin e n t. "G old le v e r" gravei a narrow p a s s a g e
e stim a te d that, of th e 1.00,000 p e o p le
b eg an to sp re a d . H o m es, farm s, a n d w h o se t o u t to r th e K londike, few er p a ss a criminal
sto re s w ere a b a n d o n e d as e v e ry b o d y than 40,000 a c tu a lly a rriv e d . O n ly outlaw a sudden rush of
raced fo r C alifo rn ia. M an y cam e bv 4,000 e v er fo u n d g o ld , a n d v ery few people or anim als
sea, a n d in July 1850, m o re th a n 500 o f th ese b e ca m e rich. a small lump
sh ip s w e re a n c h o re d in San F rancisco a mixture of small bits
Bay, m an y of w h ich had been S o u t h A f r ic a of rock or small
d e se rte d by g o ld -h u n g ry sailo rs. A sto n es
By th e tu rn of Ihe c e n tu rv g o ld had
Jew p e o p le b ecam e fa b u lo u sly rich, been fo u n d in S outh A frica, a n d th is
b ui it w a s a risk v b u sin ess. L aw a n d E x e r c is e 2
laid th e fo u n d a tio n fo r th e w o rld 's
o rd e r b ro k e d o w n . E ven if a m in e r la rg e st g o ld -m in in g in d u s try . T o d ay Find w ords in the story that m ean the
' stru c k it rich" th ere w e re a lw a y s S o u th A frica a cco u n ts fo r 7Q'4 of sa m e thing a s the highlighted words.
th o se w h o w o u ld try to tak e it aw ay : w o rld g o ld p ro d u c tio n . V ast su m s of 1. The global econom y is
g a m b le rs, o u tla w s, thieves, a n d m o n e y are b e in g in v e ste d , a n d unpredictable
sa loon keepers. m o d e rn m in in g tech n o lo g y is b ein g 2. They rough!}/ calculated that only
u sed to sq u e e z e g old from the rock 40% of th e people actually arrived
A u s t r a l ia in the Klondike.
T lie next m ajo r gold r u s h o c c u rre d in T w e n t i e t h -c e n t u r y gold 3. Investors can m ake a lot of money
1851, w h e n g o ld w a s stru ck in N ew rush if the price of gold suddenly goes
S o u th W ales, A u stra lia . T his led to high.
N ew fin d s a re b e in g m a d e in the 4. Only a small p ercen tag e of the
a n o th e r sta m p e d e , an d m a n y rich
fo rm e r S o v iet U nio n , S au d i A rabia, m iners actually J w w m / gold
fin d s w ere m ad e. O th e r disc o v e rie s
a n d th e U nited States. T h e largest 5. Prospectors in C a n ad a cimrageotiitlif
w ere m a d e in V ictoria a n d
sin g le m in e in th e w o rld w a s
K algoorlie, W e stern A u stralia . In faced the cold and the ice.
d isc o v e re d in U z b ek istan , th en a 6. Thinking that you're going to find
so m e p laces m a s siv e n u g g e ts of gold
S oviet rep u b lic, in 1958. H o w e v e r, in gold is som ew hat nnmtsimtbh:.
w ere fo u n d acc id e n ta lly , just lv in g on
sp ile of recen t finds, m o d e rn -d a y 7. New gold ru sh es are limited to
th e g ro u n d . T h e "W elcom e S tran g e r"
"g o ld ru sh e s" a re u su a lly co n fin ed to trading gold in the world's gold
n u g g e t, w h ich w as fo u n d in 1869,
sp e c u la tio n o n th e g o ld m a r k e ts of m arkets.
w e ig h e d alm o st I" '7* p o u n d s (78.47
Z u ric h . L o n d o n , a n d N ew York. A t
kilos). 8. S om e prospectors found huge
tim e s o f e c o n o m ic u n c e rta in ty n u g g ets just lying around.
in v e s to rs ru s h h y sterica lly to buy 9. The ships w ere abandoned by the
g o ld , a n d th e p rice so ars, o ften o n ly sailors, who w ent in search of gold.
to fall back a g ain , G old fever is in 10. S om e investors have put i wry large
m a n y W ays irratio n a l, b u t h isto rically am ounts ol m oney into mining for
g o ld has a lw a y s h eld its v alu e, an d it gold.
is likely th a t in a n u n c e rta in w o rld it
w ill c o n tin u e to d o so. E x e r c is e 3
D iscuss: W hat would you do if gold
w as discovered n e a r your hom e?
languagedownload.ir
The circus is com ing

Jo h n : G ood m o rn in g . T his is Wh/it's


New, P ortshm 'n?, D ela w a re 's

PT.Earnum ’s
fa v o rite ra d io talk sh o w . I'm y o u r
host, John Barca. In th e stu d io w ith
m e as S a n d y th e
d a u g h te r of fam o u s circu s o w n e r
T.P. Farnham. Sandy, th e circus
w ill be h ere in P o rtsto w n for tw o
w eeks. T h a t's rig h t, is n 't it?
S an d y : Yes, th a t's rig h t, John. We
o p en to m o rro w for tw o w eeks.
Jo h n : H a s lh e circu s arriv e d yet.
S an d y ?
S a n d y : N o, not vet. It's 0 1 1 th e ro a d
so m e w h e re b e tw e e n N e w Jersey
and here.
J o h n : 1. s u p p o s e th e re 's n lot to be
d o n e b etw een n o w a n d th e first
sh o w .
S a n d y : Yes. Tve a lre a d y been here
for th re e day s, th e r e w e re all th e
a d v a n c e a rra n g e m e n ts to b e m ad e.
It's like p re p a rin g l o r a sm alt
in v asio n , I g u ess y o u co u ld say.
Jo h n : W hat d o von m ean?
S an d y : W elt, th ere a re so m an y
th in g s to be d o n e , you know .
T here a re p o ste rs to be p u t u p , f^ R T S T O W N
n e w s p a p e r a d s to be a rra n g e d , AUG 14-18
local w o rk e rs to b e h ire d . It goes 34a PM
a n a n d on.
Jo h n : W h en will the circu s ac tu a lly
arriv e? THEGREATESTSHOW ONEARTH I
S a n d y : In the next h o u r o r tw o. The
first tru c k s sh o u ld be a rriv in g a n y E x e r c is e 1 4. feed anim als
m in u te n o w , a n d th en the hard This is S andy’s checklist of 5. check sanitary arran g em en ts for
w o rk really begins. arrangem ents: th e anim als
Jo h n : M ost p e o p le love th e circus. 1. arran g e telephone lines {Delaware 6. provide straw for anim als
B ut n o t m a n y realize how m u c h T elephone Com pany) Make se n te n c e s.
w o rk th ere is, d o they? 2. consult police about parking The animal's have to be unloaded.
S an d y : T h a t's right. W e'll be (Portstown Police Departm ent)
w o rk in g all d a y a n d m o st of th e 3. c o n n e d w ater supply (Portstown E x e r c is e 3
nig h t. It's a lot like m o v in g a sm all D epartm ent of Sanitation) it’s eleven o'clock on Sunday morning.
a rm y . B ut I'm k e e p in g m y fin g ers 4. place ad s (Portstown Echo, Delaware T h ere’s a lot to be done. Sandy's
cro ssed . By to m o rro w m o rn in g Press, Portstown radio station WPTD) father. T.P. Farnham . is In charge of
e v e ry th in g will h a v e been set u p in 5. order food supplies for anim als the arrangem ents.
tim e fo r th e aftern o o n (Dover F eed Com pany)
p erfo rm a n c e But first th e re 's th e 1. ere c t big top
6. arran g e for fire protection 2. set up ticket office
big p a ra d e d o w n M ain S tre e t at (Portstown Fire D epartm ent)
11:30. D o n 't forget to co m e o u t a n d 3. park w agons
All of th ese ihings will have b een done 4. pul up stan d s
see us.
Jo h n : T hank you, S an d y , to r co m in g before the circus arrives. Make 5. erect c a g e s
in to talk to us. N o w d o n 't fo rg et, se n ten ce s. 6. connect g en erato rs
folks. T he b ig circu s p a ra d e w ill A telephone line will have been arranged- 7. put up safety net
start from the pier a t 1 1:30, go She'll Intuc contacted the Delaware 8. set up tightrope
alo n g M ain Street p a st die h igh Telephone Cumfmiif. 9. put up trapezes
10. set up ban d stan d
school, a n d end in Lincoln Park.
E x e r c is e 2 1 1 . place lo u d sp eakers in tent
F a rn h a m 's C ircu s w ill be in to w n
12. connect amplifiers
for tw o w eek s, u ntil A u g u st 28. S an d y ’s brother, Eddie Farnham , is in
13. se t up and connect lights
N ow to r o u r next g u e st... ch arg e of th e anim als. This is his
14. connect m icrophones
checklist.
15. ch eck everything
1. unload anim als
2. collect food supplies Make se n te n ce s.
3. clean c a g e s There's the big top to be erected.
languagedownload.ir
G etting things done

M ark an d T ina are g o in g on vacation O L is t e n in g 1


next w eek, th e y 'r e d riv in g to Lab
Vegas. M ark alw a y s gives T in a a lift Listen to the conversation betw een a
to w ork. H e 's d ro p p in g h e r off real e sta te agent and Robin and G ene
o u ts id e h e r office. Harvey, who are looking at the house.
M ark : T ina, I w o n 't be abLe to pick Check any items on your list that a re
you n p from w o rk tonight- I'm mentioned in the conversation.
h a v in g th e c ar tu n ed u p . I th o u g h t
w e 'd b e tte r h av e it d o n e before w e O L is t e n in g 2
go. When Robin and G ene are talking
T in a : G ood idea. W hen a re you about the house, they mention som e
p icking it up? things that they could do them selves
M ark: A t a q u a rte r to six. W hy? and som e things they would have to
T in a : Wrell, I w a n t to h av e m y hair have done. Look at the chart below
d o n e b efo re w e leave. I’ll try to and the example: They would haw to
m ake an a p p o in tm e n t to g et it have neu> cabinets and major appliances
d o n e a fter w o rk . T h en v o u can put in. Listen to the conversation again
p ick m e u p a t th e h a ird re sse r's. and com plete the chart.
M ark: OK. Call m e a t w o rk a n d let
m e kn o w w h a t tim e, OK? Do it Have it done
themselves by someone
T in a : All rig h t. I'll call you later. Bye. else
Put tn new
E x e r c is e 2 cabinets and
major appliances
A im e: Tim! T hat b a th ro o m faucet is Install
still d rip p in g . It's d riv in g m e
crazy! I th o u g h t y o u said y o u w ere
TIPS FOR VACATION DRIVERS plumbing
modern kitchen
go in g to fix it. Pui down new
B e fo re le a v in g o n a l o n g trip , tiles on floor
T im : O h, yeah. T he w ash e r n e e d s
d o rt’1 la r g e ! to.
replacing. h a v e a c o m p le te tu n e - u p Rewire house
A nne: W hy d o n 't vou rep lace it ■*'=» c h a n g e th e oil
then? c h e c k th e b a tte r y Put in more
T im : T h a t's e a sie r said th a n d o n e. I (eat tlie b r a k e s electrical
outlets
th in k y o u 'd better call a p lu m b e r • - - c h e c k th e tir e s c a r e f u lly a n d
c h a n g e o r r o ta te if n e c e s s a r y Cover all
an d get it done. I'm n o t really su re waifs with
h o w to d o it. Sorry, M om . plasterboard
Mark d o e sn 't have time to do any of
Paint all walls
th e se things himself. and ceilings
E x e r c is e 1 H e 's going to have tin car tuned up.
Convert small
Make conversations using Ihe Make five more sen ten ces. bedroom into
bathroom
following:
Install bath
1. that light’s still broken/socket/ E x e r c is e 3 and toilet
electrician plumbing
Tina's going to have her hair done.
2. the brake lights on my car aren't Repair roof
working/bulb/take it to a g arag e Make sen ten c es with:
3. o n e of the burners on the stove isn't wa s h/s h a mp oo/t ri m/dye /cut/p enn
Put in new
working/heating elem ent/electrician oil burner
4. Ihe reception on this TV set is very E x e r c is e 4
poor/cable/som eone from Ihe cable W eatherproof
windows
com pany
HOUSES FOR SALE
Put in
Quuiiti farmhouse. Built I&72. } bedrooms. insulation
Hu[iiiyinaii'.s special. Noetic work. Outdoor
plumbing, tdcal for roughii); il or for do-it-
yourself enthusiast Very reasonable price.
Uciurcfi & Cot ten Real Estate fYgcncy. Con­
cord |603) 689-1242.

Look al the ad for a farm house in New


Hampshire It is old and in very bad
condition. Imagine that you w ere
interested in buying it. What do you
think might need to be d one to it?
Theftvitae might need rep/tinting.
Make a list.
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G etting in shape

H ere a re in stru c t ions to r tw o fitness


Honolulu Marathon: exercises:

More Than 22,000 Will Hit the Road


Vfondav. December 10. 19M4 holds ihe men's record of 2:1 i 43 Both set their
More than 22.1X10 runners " ill compete in records in 1986.
Honolulu''-' twenty •first annual marathon. whidi the iimnuhon won't he a social occasion t. it.
w ill kick oft'al 5: '<) VM totnonW . About 64% o f iu>t ilie winners For Allan Katz. ;t radiologist from
the manors comc from Japan, ubouc 2%%from Largo. Florida, the marathon w ill be the perfect
Hawaii. 4% Irwm the Mainland. unit 3% from way to cclcbnite his fiftieth birthday. "When 1
<«lfcsf foreign countries Aihirdirf-the t'onipefitfjf* h&ttfd ilie Honolulu Marathim was on my
liv Women. birthday.' he said. ” 1 jam knew I had to be here.
Kenya's Cirajinils Ndeti. 23. is expected fuUike I t \ ruy thirty-third marathon. hut by far. the most
first plucc lor ilk mai. He should complete flic 26 memorable.” Dr. Kai7 expects to finish in aboul
miles and 3H5 yards <add metric conversion) in three and a half hours. W a r m -u p e x e r c is e
.about 2 twins. H) mimiles. The- first,place female S tan d w ith feet a p a rt a n d a rm s o u t at
winner is.e.\peclcd lo h& Holland''. Carta Beufskcns, s h o u ld e r level. B end fo rw a rd ,
4 1. who will probably ionic in ur aboul 2 hours. 30
tw istin g th e to rso at th e sa m e tim e to
m iniiicv A victory Is worth 100.00(1 to lmuIi nun
and woman who places first. hue the prize douhies
to u ch Ihe rig h t h a n d lo the le ft foot.
it'« record is set. Beurskens holds the women's
S tan d u p rig h t a g a in w ith a rm s o ut.
record of 2:? 1:i)l (hnihini I lussetn. also ol Kenya. T h en b en d fo rw a rd a n d tw ist,
to u c h in g th e left h a n d to th e rig h t
to o t. R ep e at 10 tim es on each sid e th e
first d a y , g ra d u a lly in c re a sin g to 20
re p e titio n s on e a c h side.
Questionnaire
1 Would you describe yourself as 7 II you panicjpate in sports,
□ Very f i t □ Average what is your favorite sport?
□ pretty fM D Oul o f shape □ Soccer □ American football
□ Baseball □ Basketball
2. Do vou ever yet out of Breath? □ Tennis □ Other (Specify)
□ Yes ; □ NO
Gan you touch your toes (w ithout
bending your knees)? 8. Do you own any sports equipment?
□ Yes □ No □ Yes □ No
Can you run lo r naif a mile'? If so, what?
□ Yes L No
Can you hang from a bar supporting T w is t in g sit - u p s
your own weight for 20 seconds? 9. Do yoti/dld ypu have to participate
D Yes □ No in sports at school/college? Lie on y o u r b ack w ith legs b en t aL th e
□ Yes □ Wo knees. You can p u t v o u r feet u n d e r a
3. Does your daily routine involve If so, whiqh ones? c h a ir o r h a v e so m e o n e h o ld y o u r feet
any physical exertion? d o w n . P lace h a n d s b e h in d h ead .
□ Yes □ NO Raise v o u r h ead a n d sh o u ld e rs a b o u t
How often? 3(.)°, h u t keep v o u r lo w e r back on th e
4. do you exercise regularly?
□ Yes □ No floor or m at. tw is t y o u r to rso a t the
10. Do vou/did you have Phys- Ed. (Physical sam e tim e to b rin g v o u r rig h t elbow
5. If you exercise regularly, how Education) classes al school/college? o v e r y o u r left th ig h . Then rep eat, th is
often do you do il? □ Yes □ Mo lim e b rin g in g v o u r left elb o w o v er
□ Every day
y o u r rig h t thigh. Repeal five tim es on
□ Every other day 11 Do you think sports or physical
□ Mare than once a week education should be a com pulsory part each side.
□ Once a week o l the school cu rricu lum 7
□ Less than once a week □ Yes □ No
E x e r c is e 2
6. if you exerdse regularly, 12. W h y? W h y not?
what do you do? G el so m eo n e to follow your
□ Sports □ D a n c in g □ Walking in stru ctio n s:
□ Jogging □ Bicycling □ W eightlifting
□ Yoga □ Swimming
11 you do ex ercises, d escribe how to
□ Other (W hal other types?) do them in detail.
If you participate in sports, describe
your favorite sp o n and briefly
explain the rules, without
E x e r c is e 1 mentioning the nam e of the sport.
Using the questionnaire above, interview another student. Then switch roles, and S e e if people c-an g u e ss which sport
answ er your partner's questions about your ex ercise habifs you have described.
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D on't panic!

GA- 1, Dan’l lorgel lo fasten 4. For further information,


Qik5ftALA«
pt-dcnti... youi seal bells. please consult the catd in Ihe
2, Please do noi Icovc seat pocket in front of you.
your seer while lhe 5. May wo remind passengers
seal bell light is on. that smoking is prohibited
3, Ple<B« look ol the on this flighl.
monitors for information (h . Smoking in lhe
aboul safely procedures. 4 ii lavatories or tampering
^ with the smoke defectors
T iff is a federal offense.

10. Here's the heodset. Let


8. I'll bring you me help you.
a blanket
in a minuie.

9. I'm ofrnid that we've run out of


chicken dinners.
s 1 v
11. We're going
ihrough some 13. Leave your things and proceed directly lo
turbulence. Please the emergency exits.
keep your ^eot
bells fastened.
12. We're going lo
make an 14. Come on. You can make it. Just pii
emergency landing. slide down the chute. J f'
Follow instructions.
Don't panic. A 15. I'll have lo push you.
XXVv*
E x e r c is e 1 8, The attendant said, “Would you mind moving your car?”
1. remind 9. She said. "I'm too busy now. Call back later.”
5he retntncferf tftert) to fasten their seat belts,. He buxxed her ntrl to shoot hint
2. warn
Continue, using these words:
She m im ed them not Iv leave Iheir seats. warn/advise/invite/remind/order/promise/ask/lell.
Continue.
3. instruct 8. promise 12. urge E x e r c is e 3
4. advise 9. tell 13- order Practice with a partner (one of you is Student A. the other
5. remind 10. help 14. urge is Student B).
6. warn 11. tell 15. force
Stu d ek t a Sil o ilkt B
7. invite
Ask B to meel you tonight. Promise to meet A.
E x e r c is e 2 Advise B not to eat so much. Tell A to mind his/her own
business.
Look at these sentences. Ask B to write a letter from Ask A to speak more
1. He said. “No, no...please don't shoot me." your dictation. slowly.
2. She said, "Whatever you do, don't go to that dentist." Invite B to a party. Refuse politely.
3. He said, “If I were you, I'd travel by train.'' O rder B lo be quiet. Tell A not to talk like that.
4. She said, “Would you like to come to a party on Remind B to repay the money Promise to pay tomorrow.
Saturday?" you lent him/her.
5. She said, “Don’t forget lo go lo fhe bank today." Order B to jump out of the Tell A not to be so silly.
6. The policeman said, “Turn oft the engine, and get out of window
the car:” Warn B not to go over the Tell A lo watch out for the
7. She said, “Don't worry. I'll definitely meet you at six speed limit. police!
o’clock."
o
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O L is t e n in g 1
M essag es

R osa Sam pson is a secretary at 3 /2 3 Peter D a le


9 :0 0 a.m. George T im e
Standard Security System s. Her boss,
Tel:
Peter Daniels, w as aw ay on business on
Message
Monday. S he took several m e ssa g es for
him. Listen to the conversations and
look at the m essages.
(Jrtjenl □HuBimoilrall CD Cnukct. □ Wi «p aaoi' Q
PrionM S T vuic. in □ Wflnte lo =sgyou □
It's T u e s d a y m o rn in g . P eter D an iels Operator:
h.is just re tu rn e d to th e office. L ook at
th e m essag es arid listen to R osa's
re p o rt, P eter: O K. W h at L*lse?
P eter; G ood m o rn in g , Rosa. C o u ld R o sa: G eo rg e cam e in lo o k in g for
y o u c o m e in f o r a m in u te , please? To: Peter Date; 3 /2 3
you. H e said h e w a n te d to m o rro w From: Watkins i imG: 3 :20 p.m.
R osa: G o o d m o rn in g , Peter. Did you off. Tel.
h a v e a g o o d h ip? P eter: D id he say w hy? Massage: C a n 't m ake m eeting
P eter: Yes, th an k s. It w e n t v erv w ell. R o sa: Yes. H e told m e his T u e s d a y p .m . He'll ca ll y o u
R osa: You hod a few m e ssa g e s g ra n d m o th e r h a d d ied a n d h e 'd W ed n esd a y a.m .
y e ste rd a y . S h o u ld I ru n th ro u g h h a v e to go to th e fu n e ral. >rv r : D Woiirnieucnll C 3 C-d.ll IWtfSf O w ulE iFa^pm
th em ? P e ter: O h, I'm so rrv to h ear th a t. I d Phom m t f w u m □ W a r n ro i e e ym
P eter: Yes, go a h e a d . b e tte r taLk to him late r on. Operator R o sa
R osa: O K. lu d v called. S h e sa id sh e Rosa: T hen loe W a tk in s called. I le
w o u ld n 't be in until F riday. said h e c o u ld n 't m a k e th e m e e tin g
P e te r O h ? W hy is that? th is a fte rn o o n b u t w o u ld call you
Rosa: S h e said she h a d th e flu. on W e d n e sd a y m o rn in g .
C h ris M a tth e w s
O L is t e n in g 2
Im agine that you are the adm inistrative assista n t to Chris M atthews, who Is out ot
the oftice for the day. Listen lo th e co nversations an d take m e ssa g e s.

To C h ris M a tth e w s T,w'r C h r is M a tth e w s l L r r m ^: -aw


-------------------- pp.' I Telephoned O W(,„|4 ta yo„£] ^
W H ILE YOU W ER E O UT W HILE YOU W ER E OUT
IJ.Q ^ ril I—i V/ifl ca(J u g a ln □ C n U * » |tO iW
v-
7 j Ocwi»Rior. ’ ----
ol
--------------
^tUfTTE, ( J " — ~~
pmwio: 1 1 i,,.,,^. * --------
AlriaOOfM himirwr FotnU,l'iII Chris M atthew s
Tt>l(=»r>nnnO a WfcAIS If, **)? ytlU □ Rti(illt»Wl ySIUf SSl1O r-ttejMWHwoO Wnnl«i*aKevouC lR 0,Ufl1MVWU£i||(--j
yrgon; Q W.ll can O C*||M to « „ y o i.d WHILE YOU WERE OUT
Ulyoni Q Wifi col’ oofiln O Callort to noe yog □
Orator
— -----------------------------_ _ J

E x e r c is e 1
I Tr ^pi>ons<» □ wants >r, Y«i □ Rutumttl yw r j
Report the m e s sa g e s to Chris M atthews. For exam ple: P Win can nonln □ Catlirt to- 1rfW^ |
Wilson Auto Sale* culled. Then/ said vour new crrr wasn V ready yet

L o o k a t th is :
am /is ►w as "It's im portant.” S h e said (that) il w as important. W hen you a re reporting, you may also
a re -> w ere T h e y 're going to be late.” S h e said (that) they w ere n e ed to c h an g e th ese words:
going to be late.
h av e/h a s had “I've d o n e the Setters." S h e said (that) s h e had d one this * that
th e letters. th e s e th o se
d on’t -* didn’t ' I don't know.” S h e said (that) sh e didn’t know. h e re -* there
want -* w anted “I want a day off." S h e said (that.) sh e w anted a day off. now -+ then
didn'l do >• hadn't done “I didn’t finish It." S h e said (that) she hadn't finished il.
saw - had se e n “I saw him." S he said (that) s h e had se e n him. yesterday * the day before
w as/w ere *■had b een “I w asn 't th ere.” S h e said (that) s h e hadn't been there. tomorrow *• the next day
will/won’t - would/wouldn't “I w on’t do it.” S he said (that) s h e wouldn't do it. this (week) -* that (week)
c a n /c a h l » could/couldn't "I can 't do it." S h e said (that) s h e couldn't do it. last (month) • th e (month) before
may — might "I may do it." S h e said (that) sh e might do it. next (year) —* the next (year)

had done/w ou Id/could/ No change,


should/ought/m ight
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G iv in g peace a chance
#

WTgMII-i

This is One Hour and I'm B arbara P ro k o w a: T h a i's a g o o d q u estio n . Prokowa: First w e a re g o in g to O slo,
W aters. T onight, a n interv iew w ith I'm su re th e y w a n t to g o v e rn N o rw a y . T hen w e a re g o in g to
S andi sta n 's P rim e M inister Sim on th em selv es, b u t I'm n o t s u r e th a t P a r is . M a y b e w e w o n 't h av e to g o
Prokow a, w ho earlier this w eek in th at will be eco n o m ically p ossible a n y w h e re else a fte r that.
D avos, S w itzerlan d , sign ed a n historic W aters: D o vou th in k th e y can g e t W aters: W ell, the w hole w o rld will
peace a g reem en t b etw een S an d istan h elp from o th e r n ations? be h o p in g for y o u r success. T hank
a n d lhe n ew co u n try of D eseret. P ro k o w a: A b solu tely . I'm s u r e you for b ein g w ith u s here ton ig h t,
W aters: G o o d ev en in g , Mr. P rim e D eseret’s le ad e rs w o u ld n e v e r Mr. P rim e M inister. Peace.
M inister. h a v e e n te re d in to these
P rokow a: G ood evening . a g re e m e n ts w ith o u t a ssu ra n c e s o f
W aters: Mr. P rim e M inister, th e so m e eco n o m ic aid. L o o k a t th is :
w orld is sim ply am az ed a n d W aters: Will y o u co o p erate w ith the 'W hat w as the immediate effect of this
d e lig h te d Lhat y o u r co u n try sig n ed n ew g o v e rn m e n t? A fter all, you p ea c e agreem ent?"
this peace ag re e m e n t. W hal w as once c o n sid ered them rebels. She ashed wluil the immediate effect of Hint
the im m e d ia te effect of th is peace P ro k o w a: W ell, w e w ill h av e lo ■peace agreement hud becrr.
a g reem en t? m o v e slo w ly , o f course. But I'm
P ro k o w a: The first th in g w a s a n su re th at, w ith tim e, re la tio n s w ill “The first thing w as an im mediate
im m ed iate cease-fire. b eco m e n o rm al. cease-fire."
W aters: H av e both p a rtie s h o n o red W a te rs : A re v o u r p eo p le h ap p y He send flint the tin t thing h<id heert im
imn wdin le cease-fire.
ihe cease-fire? ab o u t th e p ro sp e ct o f peace?
P ro k o w a: O h. yes. So far. P ro k o w a: T hose w h o b eliev e th a t w e "Have both parties honored the c e a s e ­
W aters: W h at w ill h ap p en next? w ill really h av e p e ac e a re h a p p y . fire?"
P rokow a: Well, n o w w e h a v e to But so m e p e o p le a r e h a v in g Slu (inked if both parties had honored the
begin talks to w o rk o u t th e d etails. tro u b le tru s tin g o u r o ld en em ies. cease-f t ra.
W aters: A re vou g o ing to relocate T hey d o n 't b eliev e w e a r e free
y o u r citizen s w h o live in lhe new from w ar an d terro rism yet. “Oh. yes. So J a r "
c o u n try of D eseret? W aters: W h e n d o you th in k all the lie said that both parties* had so far.
P ro k o w a: Thai is o n e of the m an y d e ta ils will be sot Lied ?
th in g s w e h a v e to w o rk o u t But P ro k o w a: It's h a rd to say. W e a re all E x e r c is e 1
will they w ont to be relo cated ? w illin g to w o rk v e ry h ard in the Look at the interview betw een B arbara
A fter all, th e y h av e b u ilt homes, next tew w eeks, 1 w o u ld lik e to say W aters an d Prime Minister Prokowa.
th ere. If they d o n 't w a n t to be th a t it w ill tak e one o r tw o m o n th s, Report all lhe questions and answ ers.
relo cated , can they c o n tin u e to live b u t I really d o n 't know , it d e p e n d s
th ere al ter o u r Iroops a re no longer on h o w sm o o th ly tilings go. E x e r c is e 2
Ihere to p ro tect them ? W aters: W h ere are you g o in g to hold
Work with a partner. Role play an
W aters: Will th e o lh e r p e o p le w h o the first n eg o tiatio n s?
interview betw een a fam ous TV
live th e re be able to g o v ern interviewer and a politician in the news.
th em selves?
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'

Here are som e notes about what jra*


happened on page 32 of Tru*t iht
Heart, when M elissa an d D or met for " '‘:-
Melissa sal alone by the empty swimming pool, watching the sun the first lime at a party. R ead The no tes
begin lo set behind the palm trees into the ocean beyond. She sat as and construct their conversation.
she had done so many times, thinking o f that last light two weeks P at Blaze Introduced her to Don. n siait.(
before. She remembered how Don had at first denied being with I t l l y o u iUl!j .
"Oh, /V1W/>srr. h i like you to meet Don
Teresa, but then when she had forced him m admit it, how he had l'" ( life air*
apologized and begged her for forgiveness. She frowned a little as Site Wnhnv right." »• "M l be
totr iia u.,,i|,;ic
-•
thought of her harsh words, and how Don, the only man she had Continue. ,r°
ever really loved, had broken down and cried like a baby when she now fy r
1. They greeted each other. nou r
had refused to see him again. That was two weeks ago, arid she had 2. He offered to get her som ething to Slir<. J " V;
heard nothing from him since. She hadn't wanted to call him, She eat -r fo ”
might want to admit, that she had been unfair or to tell him how- S h e thanked him. and ask ed him
much she regretted calling him a liar. She might even say that she
ISJ gel
yw, her ,---
just a little green salad.
hadn’t every
meantword.
to hurt him. Then she would be a liar too. She had He2 brought
brought her
her aa plate
plale heaped
heaped 1 to -M<)SC(1J
meant
■ — , roast haof
with ham beef, and
and Dpotato
O la tO ,d
Suddenly, the sound of footsteps startled her. She turned and salad and explained lhat the m eat r ' ,IJseon.
through the gloom she thought she could make out Don's familiar ■ranrisro ire
figure. Was it him? Could it possibly be? The approaching figure looked more appetizing.
stepped into the last patch o f sunlight., and the lust rays of the setting 5. S he explained that sh e w as a
sun illuminated his dark, curly hair. He stopped, unsure of himself, vegetarian and w as on a diet, but csc arc the t
“Oh, Don," lhal anyway sh e w asn’t very 1 to he rca-i-
doing here?"she said softly, trying to control her voice. “What arc. you >.'id griink "
hungry.
Melissa," he tried. “Don't send me away.” 6. He ask ed h er if sh e would like to ' K> IJeD** ,
She sighed deeply as he ran ro where she sat. dance, and sh e accep ted . . . look, v?
7. He said how much he liked the *K. W e c a J
Hl- took her hands tightly in his. "My darling," he whispered, rrsi . . ." 1
“('.an you ever forgive me?'
music, a n d sh e agreed. iainjiuJv. :
“1...,"
blame, but.,she” started but checked herself. “1 guess I'm partly to 8. He complim mviented » on’ her
hwj her 1 d for all. j .Vl
she *Hank<=ri
d ress ''K" thanked
tnarmtiU himmm and told— tfcriiig if hr->
He interrupted her. “That's all in the past. Let's not ever talk him what aa good
gooc' dance, he was. dren . . I
about ir again—not ever,... Darling, promise me something?”
“What?” site asked cautiously. 9. She invited d him to watch the 11 SJIIF?"
sunset j.om
Irom (h terrace and he
a terrace
the ) (' s Itrad.
"Here, this is for you. Please, please accept it, and vrcar it forev­ accepted.
er." He drew a small leather box from his pocket and leaned forward
to give it to her. Suddenly, the box fell from his grasp. He bent to pick 10 He asked if sh e ’d liKe to have
dinner with■ him
' the next evening.
evening, -jy peo .
|sjr&1 it up and at that moment his glasses slipped from his nose.
and sh e agreed.
“Damn! Now where have they gone? I can't see a thing without He su g g ested The Ranch Steak o ih< hrii
them,'' be explained. Melissa leaned over the arm of her chair to help
him. There w.is a crunch as his foot crushed the glasses. “Oh, no, now H ouse and explained that the
I've stepped on them!” he exclaimed. “Why can't f do anything right' owner w as an old friend from
Why do ! always ruin everything?" college. • different
Her faugbter pealed around the pool. “Oh, Don, you are incred­ S he reminded him that sh e w as a
12
ible. Who vegetarian and su g g ested The JcJlev<.*d
Come here."could hate somebody like you? I might even love you. G arden of Eden instead. ',,cd to *
13. He prom ised to pick her up at
eight o'clock. S h e explained that
sh e liked to drive and would prefer
P in to m eet him there.

,’"' -vTT;. 1 V 's fj

• ■
■ » • > • :;— 1 ■
m K S P ^ tS W ^
m m '- . c v
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And they lived h ap p ily ever after...

if i L is t e n in g
Simon R ose an d Rachel P aterson
w ere married recently at Wall
Disney World. Listen lo them talking
about their wedding. W hal w as
traditional and what w as non-
traditional aboul it?
C om pare Iheir wedding with
w eddings in your country/
state/region/city.

Look a t the pictures below. Make up stories about the


w eddings In each of the pictures. Would you get married
on a ride or underw ater? Why or why nol9
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D iv id e d b y a co m m o n lan g u a ge

"England and America are two countries divided by a common language." L o o k a t t h is :


G eorge B ern a rd Sh a w

E n g lish is th e m o th e r to n g u e o f a p p ro x im a te ly 450 m illio n


p e o p le to d a y . B ut b e c a u se o f its im p o rta n c e as a la n g u a g e
of b u sin e ss, science, a n d p o p u la r c u ltu re , it is sp o k e n
a n d / o r u n d e rs to o d b y ro u g h ly o n e -th ird o f th e 5.5 b illio n WINDSHIELD/WINDSCREEN
p e o p le in th e w o rld .
.HOOD/BONNET
GAS/PETROL
B ecau se o f th is, th e re a re m a n y v a rie tie s o f E n g lish
(A m erican , B ritish, C a n a d ia n , A u s tra lia n , Ja m aic an ,
In d ia n , to n a m e a few ), a s w e ll as re g io n a l d ia le c ts. B ut
d e s p ite th e d ifferen ces, all E n g lish s p e a k e rs re c o g n iz e th a t
th e y a re sp e a k in g th e sa m e b a sic la n g u a g e .
FENDER/BUMPER MUFFLER/SILENCER
O r d o th ey ? LICENSEPLATE / NUMBER PLATE
GEAR SHIFT/GEAR LEVER
A NEW W ORLD, A NEW LANGUAGE

C o m in g t o g e t h e r

W h en th e E n g lish co lo n ists a rriv e d in N o rth A m eric a ,


th e y fo u n d n e w p e o p le a n d la n g u a g e s. A s th e y liv ed ,
fo u g h t, a n d tr a d e d w ith th e s e p e o p le , m a n y w o rd s ,
p h ra s e s , a n d u s a g e s w e re a d o p te d in to E n g lish . A s e a rly
as 1720, p e o p le b e g a n to n o tic e th a t a n e w , d is tin c t E n g lish
w as fo rm in g .
A s th e tw e n tie th c e n tu ry m o v e d o n , o p p o rtu n itie s fo r
c o m m u n ic a tio n b e tw e e n th e tw o n a tio n s g re w m o re
E x e r c is e 1 fre q u e n t. W o rld W a r II b ro u g h t m illio n s o f A m e ric a n
Below are a list of w ords “borrow ed” from o ther lan g u ag e s. tro o p s to G re a t B ritain. A lth o u g h th e re w a s so m e te n s io n
Match th e w ords with their original language. th e e n d re s u lt w a s a clo ser re la tio n s h ip a n d la n g u a g e .
spaghetti French
B ut th e re a l d riv in g fo rce fo r c o m in g to g e th e r w a s p o p u la r
bagel Native A m erican
c u ltu re . "T a lk in g p ic tu re s " fro m th e la te 1920s, te le v isio n ,
canyon Dutch
a n d ro c k m u sic n a rro w e d th e g a p b y in tro d u c in g id io m s ,
rodeo Yiddish (Jewish)
w o rd s , a n d u sa g e s. T h is tr e n d is a c c e le ra tin g to d a y , w ith
can o e French
c h e a p e r a n d q u ic k e r p h o n e lin e s w h ic h a llo w d a ta a n d
depot Spanish
v id e o tra n sm issio n th r o u g h o u t th e w o rld , a n d th e s p re a d
b o ss Italian
o f H o lly w o o d m o v ie s a n d A m e ric a n TV w o rld w id e .
tom ato Native Am erican
levee Spanish
E x e r c is e 2
G r o w in g a p a r t Below a re pairs of w ords, ea ch describing th e sa m e object
or p erso n . Do you know which a re Am erican an d which a re
T h e in d u s tria l re v o lu tio n in th e n in e te e n th a n d ea rly
British?
tw e n tie th c e n tu rie s in c re a se d th e d iffe re n c e s b e tw e e n
garb ag e/ru b b ish ground beef/m inced beef
A m e ric a n a n d B ritish E n g lish . B ecau se te ch n o lo g y
c a b a n a /b e a c h hut VCR/video
d e v e lo p e d s e p a ra te ly in b o th c o u n trie s, d iffe re n t w o rd s
p harm acist/chem ist y ard/garden
w e re u s e d to d e sc rib e th e sa m e object. S o m e ex a m p les:
cookie/biscuit napkin/serviette
A m e r ic a n E n g l is h B r itis h E n g lis h elevator/lift au b erg in e/eg g p lan t
th eater cinem a d rap es/cu rtain s trash b ask et/w aste bin
m ovie film
ex p ressw ay / p a rk w ay m o to rw a y NOTE: A ll of th e A merican w ords would b e understood by
tru ck lorry m ost British people.
railro ad railw ay
la n d in g gear u n d e rc a rria g e
co n d u cto r g u a rd
streetcar tram , trolley
su b w ay u n d e rg ro u n d
TV telly
languagedownload.ir

Departures

Y oshiko Kyo has been stu d y in g Carlos: Yeah, and rem em b er, if
E nglish a t a college in C alifornia. y o u 're ever in C aracas, look m e
She'll finish the course at the e n d of up. I'd love to see y o u again.
this w eek. S he's going b ack h o m e to Yoshiko: O h, I will. Y ou can c o u n t
Tokyo o n S aturday. on that. A nd you d o the sam e if
Streamline Taxis: S tream line Taxi. y o u 're ever in Tokyo.
Yoshiko: I'd like a cab to San Carlos: Sure. W ell...g o o d -b y e.
Francisco In tern atio n al A irp o rt for Yoshiko: Bye, C arlos. Take care.
S a tu rd ay m orning, please.
Taxis: OK. Mrs. Simmons: Yoshiko! The taxi's
Yoshiko: T here'll be th ree of us. H o w here. A re y o u read y ? Do y o u have
m u ch w ill it be? ev erything?
Taxis: W h a t's y o u r add ress? Yoshiko: Yes, th an k y o u , M rs.
Yoshiko: I'm a t 128 C o rtlan d Sim m ons. A n d .. .th a n k y o u again.
A venue. Mrs. Simmons: T hank you, Y oshiko,
Taxis: W e charge $45 for th a t trip. for th e p re tty p lan t. N o w d o n 't
Yoshiko: Forty-five dollars! Each? fo rg et to w rite as soon as y o u get
Taxis: N o. T h at's all together. W hat h o m e—just to let u s k n o w th at y o u
tim e d o you w a n t to leave? g o t th ere safe and so u n d .
Yoshiko: C heck-in tim e is 12 n o o n , Yoshiko: OK. O r m ay b e I'll call
b u t I d o n 't k n o w h o w long it takes w h e n th e lo n g -d istan ce rates are
to get there. low. The tim e difference is a m ess,
Taxis: W ell, w e 'd b e tte r p ick y o u u p b u t I'll m ak e su re I d o n 't call in the
at 11:00, ju st in case traffic is m id d le of th e night.
heavy. Let m e have y o u r n a m e a n d Mrs. Simmons: Y ou're so sw eet,
address. Yoshiko: I'v e really learn ed a lot. I Y oshiko. G ood-bye now . Y ou'd
Yoshiko: Yes, OK. T he first n a m e is h o p e to com e back n ext y ear— o n b e tte r n o t keep th e taxi w aiting.
Y oshiko— th a t's Y-O-S-H-I-K-O— vacation. T ravel safely. Bye.
a n d th e last n a m e 's K yo— K-Y-O. Mr. Berman: Send u s a p o stc ard a n d Yoshiko: Bye. Take care. Say g o o d ­
Taxis: Kyo. 128 C o rtlan d A venue. let u s k n o w h o w y o u 're doing, and bye to M r. S im m ons for m e .. .bye!
OK. E leven o'clock S atu rd a y com e see u s if y o u do g e t back.
m orning. T hank you. Yoshiko: I'll d o that.
Mr. Berman: C om e in. Mr. Berman: Oh. T h ere's th e bell. E x e r c is e 1
Yoshiko: H i, M r. B erm an. Do you Bye, Yoshiko. Flave a good trip. Discuss: How are the custom s for
have a m inute? I ju st sto p p e d in to Yoshiko: Bye, M r. B erm an, an d saying good-bye in American English
say good-bye. th an k s ag ain fo r everything. the sam e a s or different from your
Mr. Berman: O h .. .going back to Yoshiko: Carlos! I'm g lad I d id n 't language and culture? Are there any
Japan. W hen do you leave? m iss you. differences for males and fem ales in
Yoshiko: T om orrow . M y flight is at Carlos: Fli, Yoshiko. W h en are y o u your language?
tw o o'clock. leaving?
Mr. Berman: W ell, hav e a g o o d trip Yoshiko: T o m o rro w a ro u n d eleven E x e r c is e 2
back. It's been nice h a v in g y o u o'clock. I guess I w o n 't see y o u
ag ain , so good-bye. It's b een g re a t Role play in pairs. Take turns ordering
here, Yoshiko.
k n o w in g you. a taxi, saying good-bye to a teacher,
Yoshiko: T hank you, M r. Berm an.
Carlos: T h at so u n d s so final. L et's saying good-bye to a classm ate, and
W ell.. .u h .. .1 ju st w a n te d to th an k
k eep in touch, OK? saying good-bye to a sponsor.
you an d all th e o th er teachers.
Mr. Berman: W e'v e all enjoyed Y oshiko: O h, sure. Y ou h a v e m y
h av in g y o u as a stu d en t. ad d re ss, d o n 't you?
languagedownload.ir

Neiv American Streamline fs


an intensive, three-level
series geared to the
interests and needs of
adult and y ou n g adult
students o f English as a
second or foreign
language. Its use of
American language,
culture, and humor makes
it ideal for students of
American English
ever)'where.

Destinations is suitable for high-


interm ediate through advanced level
students. It is d esign ed either
to follow Departures and Connections,
consolidating and building upon the
oral/aural skills introduced there, or
as an independent series This
second edition features new
com m unicative and listening
activities as w ell as updated art and
design. Successful com pletion of
Destinations will enable students to
com m unicate effectively in spoken
and written English.

The material consists o f 80 units,


each dearly laid out on a separate
page or spread of tw o pages.

A lso available are a com prehensive


Teacher's Book, split editions of the
Student Book, accom panying
Workbooks, and a cassette or CD
containing recordings of the material
in the Student Book.

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