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ABSTRACT
This paper concludes the analysis of the results of an acoustic survey carried out on nine Romanesque
churches built in Apulia (in Southern Italy), and described in detail in a previous paper. The study was
performed taking into account both room-average values and individual position values of monaural and
binaural acoustic parameters, measured according to the ISO 3382 standard. First the effect of architectural
parameters on reverberation time was investigated, showing that volume and materials play an important
role. Then room-average values of the other acoustic parameters were investigated, showing that some of
them are mostly correlated with reverberation time and the others with total acoustic absorption. The analysis
of the individual location values showed that the monaural parameters can be expressed as functions of the
source-receiver distance and one or two of the following parameters: room volume, total absorbing area,
mean absorption coefficient, total length and reverberation time. Furthermore, it was demonstrated that the
individual position values of the acoustic parameters describing the clarity are significantly correlated to
each other.
1. INTRODUCTION
Acoustic surveys carried out on buildings or places which share several characteristics may provide
different information according to the scale of analysis. On a detailed scale it is possible to
understand how specific architectural features influence the distribution of the acoustic parameters
and, if required, it is possible to rate the acoustics of each room with reference to its use. On a large
scale, if the sample dimension is statistically significant, an acoustic survey may be useful to
investigate general relations between acoustics and architecture, correlations between different
acoustic parameters, and, eventually, to provide empirical or theoretical relations for prediction
purposes.
Many large-scale studies can be found in the literature. Some of them are only based on
reverberation time measurements and generally investigate how the acoustic parameter correlates
with room volume [1-4], some take into account even speech intelligibility [5,6], and others are
based on more detailed measurements of the most important acoustic parameters made in both large
[7-10] and small [11-13] groups of churches. Some of these studies have pointed out the existence
of significant correlations between different acoustic parameters [7,10,13] and relatively weaker
correlations between acoustic and architectural parameters [8,10]. In other cases the results of the
measurements were used to define empirical prediction models [8,11,12].
The results of an acoustic survey carried out on nine Romanesque churches, built in Apulia (in
Southern Italy), and described in a previous paper [14], have been gathered in this paper in order to
2
search for correlations between acoustic and architectural parameters. The common features which
are typical of this architectural style, known as Apulian-Romanesque because of its strong regional
characterization [15,16], are of great importance in the analysis of the results. In fact, regression
analyses are possible because the churches under investigation have different dimensions (room
volume varies from 1500 to 32000 m3), and if one of the churches shows “unusual” behaviour it can
be generally explained as the consequence of its few specific characteristics.
2. MEASUREMENT TECHNIQUES
The measurements were carried out using an omni-directional sound source made of twelve 100
mm loudspeakers mounted on a dodecahedron driven by a 300 W amplifier. A GRAS 40-AR omni-
directional microphone was used together with a 01 dB Symphonie system installed on a laptop
computer. An MLS signal was used to excite the rooms. The order of the signal was adapted to the
reverberation characteristics of each room to avoid time-aliasing problems and each MLS sequence
was repeated 32 times to improve the signal-to-noise ratio. Binaural measurements were obtained
using a pair of Core Sound binaural microphones taped to the ears of one of the authors and
recording the room responses to a logarithmic sine sweep [17] on a Sony TCD-10 DAT recorder.
At least two source positions were used in each church, one on the symmetry axis and one off the
axis, both in the presbytery area. The source was placed 1.5 m from the floor. Nine receiver
positions were used on average. In very large but symmetrical churches the receivers were only
placed in one half of the floor, otherwise they were spread to cover the whole floor area uniformly.
The microphone was placed 1.2 m from the floor surface. A total of 156 monaural and 135 binaural
impulse responses were collected.
The measured monaural impulse responses were used to determine the following parameters for
each frequency band: reverberation time (RT), early decay time (EDT), sound strength (G), clarity
(C80), definition (D50) and centre time (tS). Since in some of the churches the measured decay was
smaller than 30 dB, RT was determined in every church using a 20 dB decay in order to have
comparable measurements. The measured binaural impulse responses were used to calculate IACCE
(where “E” stands for “early”, that is integrating the function from 0 to 80 ms), over the frequencies
from 500 to 4000 Hz. All the measurements and the calculations of the indices were carried out
according to ISO 3382 standard [18]. In particular, the strength index (G) was calculated assuming
the sound pressure level measured in a reverberation chamber as a reference, employing the same
measurement chain and the same settings used during the on-site survey. STI and RASTI [19] were
calculated from the monaural impulse responses obtained using the omni-directional sound source,
therefore they account for the effect of the reverberation but not for that of the background noise,
which, however, was negligible.
In order to characterize the acoustics of each church the following multi-octave-band average
indices were calculated: RTmid, EDTmid, Gmid, D50mid, and tSmid, defined as the means of the
corresponding mid frequency (500-1000 Hz) values, and C80(3) and IACCE3 defined as the means of
the values at the frequencies of 500, 1000, and 2000 Hz.
women’s galleries, while the nave ceiling is wooden with large painted canvases. The side aisles are
cross-vaulted.
Bari Cathedral (Fig. 1B) has a transept with three apses and a dome over the crossing. The
remaining part of the church has a wooden roof with trusses. There are false women’s galleries,
therefore the side aisles are roofed and higher than in St. Nicholas .
Bitonto Cathedral (Fig. 1C) has a transept with three apses. The aisles are cross-vaulted, while the
remaining parts are roofed with trusses.
Barletta Cathedral (Fig. 1D) is made of two parts, on the facade side it is Romanesque with wooden
roofs, and on the presbytery side it is Gothic with ribbed cross-vaults on large pillars. There is no
transept but there is a Gothic choir with radial chapels.
Bisceglie Cathedral (Fig. 1E) has a transept with a large central apse and wooden stalls on both the
sides and carpets on the presbytery floor. Since there are false women’s galleries, the aisles are
roofed as is the nave.
Ruvo Cathedral (Fig. 1F) has a transept with three apses. There are no women’s galleries and the
aisles are cross-vaulted. The nave and the transept are roofed with trusses.
Bovino Cathedral (Fig. 1G) has a transept with a vaulted choir. There are no women’s galleries and
both the nave, and the aisles are roofed. The walls are plastered.
Ognissanti church in Valenzano (Fig. 1H) has no transept but it has apses. The nave is vaulted with
three domes, while the aisles are barrel-vaulted. Because of restoration work the floor is currently
made of concrete and there are no pews.
Vallisa church in Bari (Fig. 1I) has three apses, without a transept. Both the nave and the aisles are
roofed with trusses. Since the church is used as an auditorium there are lightly upholstered seats
instead of pews. The presbytery area is used as a stage and is made of wood on wooden joists.
In order to characterize the architecture of each church with a set of “numbers” to be used for
regression analyses, two groups of parameters were employed. The first included parameters
describing the room geometry: total volume (V); floor surface area (Sf); total surface area (S); nave
volume (Vn); area of the nave floor (Sn); total length (L) from entrance to the apse; total width (W)
including nave and aisles; maximum height (H) chosen between nave and transept. The second
group included parameters describing the acoustic behaviour of the materials: the mean absorption
coefficient at mid frequencies (α), calculated using the measured RT and Sabine’s formula, and the
corresponding total acoustic absorption (A). A summary of the values of these parameters,
measured, or obtained from drawings, is reported in Table 1.
In order to clarify the role played by α, RTmid was plotted as a function of V/S (Fig. 3d), so that,
according to Sabine’s equation, the slope of the line conjoining each point with the origin is
inversely proportional to the mean absorption coefficient. The data appear distributed according to
their respective α values, so that St. Nicholas Basilica has the highest value (0.11), Ognissanti
church has the lowest value (0.04), and the remaining can roughly be divided into two groups
having average α values equal to 0.069 (D and G) and 0.096 (the others). The first group has a
lower α because Barletta Cathedral has half the nave roofed and half vaulted, and the walls of
Bovino Cathedral are finished in plaster. A similar distinction between vaulted and roofed churches
was found in [9].
Finally, it can be observed that RT and volume (or, as it will be shown below, any other geometrical
parameter) are well correlated only if the churches have a similar α. This means that the materials
used, the way in which they are used, and consequently their acoustic absorption characteristics
play a fundamental role in determining the acoustics of a church.
This can be further observed in Figure 2b, which shows the frequency plot of RT normalized using
Eq. (1) and assuming as a reference a volume of 10000 m3. In this way the curves reported in Figure
2b are mainly the result of differences in sound absorption due to the materials used. Only five
churches show a similar α, and their RT values, over the six octave bands, are concentrated in a
relatively narrow interval with an average standard deviation of about 0.3 s. The other churches
show different behaviour depending on their specific characteristics. However, it can be observed
that, at high frequencies, RT values tend to converge, clearly because of the common absorbing
effect of air. Only Ognissanti church is an exception, probably because its volume is small
compared to other churches and because the church was completely bare during the measurements.
On the other hand, at lower frequencies RT varies from low to high values according to the larger or
smaller amount of wooden surfaces used in the churches.
Most of the architectural parameters taken into account proved to be well correlated with room
volume (Table 2), so they were expected to be well correlated with RTmid, provided that the “odd”
churches (D and H) were excluded. In fact, Table 3 reports the results of the regression analyses
performed with and without those churches, showing that the correlations are significant only when
churches D and H are excluded, that is only when churches with similar α are considered. In this
case, the floor surface proved to be the best correlated parameter, followed by room volume and
total surface area.
Table 3. Coefficients of determination calculated between geometrical parameters and RT taking into
account all the churches and a selection (sel) of similar churches (excluding Barletta and
Ognissanti). Values reported in brackets correspond to logarithmic regressions.
V S V/S Sf V/Sf Vn Sn W L H A α
RT(all) (0.20) (0.17) 0.29 (0.29) 0.09 (0.28) (0.41) (0.21) (0.33) 0.10 0.04 0.31
RT(sel) (0.80) (0.80) (0.77) (0.86) 0.58 (0.71) (0.75) (0.79) (0.76) 0.60 (0.71) 0.01
Table 5. Coefficients of determination calculated between geometrical and acoustic parameters. Values
reported in brackets correspond to logarithmic regressions.
V S V/S Sf V/Sf Vn Sn W L H A α
EDTmid (0.22) (0.19) 0.32 (0.31) 0.10 (0.31) (0.44) (0.22) (0.36) 0.11 0.06 0.28
C80(3) (0.24) (0.20) 0.36 (0.32) 0.11 0.34 (0.46) (0.22) 0.39 0.12 0.08 0.17
D50mid 0.18 0.14 0.26 0.24 0.04 0.28 0.38 (0.18) 0.30 0.05 0.06 0.23
tSmid (0.24) (0.20) 0.36 (0.31) 0.12 (0.34) (0.46) (0.20) (0.38) 0.14 0.07 0.21
RASTI (0.32) (0.29) 0.42 (0.43) 0.16 (0.41) (0.55) (0.32) (0.48) 0.18 0.14 0.18
Gmid (0.90) (0.90) (0.85) (0.80) (0.90) (0.82) (0.68) 0.68 (0.78) (0.89) (0.99) (0.52)
1-IACCE3 (0.34) 0.36 0.29 (0.27) 0.48 (0.27) (0.20) 0.25 (0.21) 0.48 (0.33) (0.20)
The strength factor Gmid shows different behaviour from other energy-based acoustic parameters. In
fact, it is scarcely correlated with RTmid (Table 4), but is highly correlated with many architectural
parameters (Table 5) and, in particular, with the logarithm of the total acoustic absorption, for
which R2=0.99 (see Fig. 5a). This correlation is in agreement with diffuse-field theory, according to
which, if the contribution of the direct sound is neglected, G is just a function of A, or, using
Sabine’s formula, of the ratio V/RT. The theoretical relation is reported in Table 6 and the
correlation between its values and those measured is considerably high (R2=0.99). In this case, the
regression equation shows that the agreement between theoretical and measured values is good, and
G can be expressed using Gth (Fig. 5b).
The comparison between measured and theoretical values of the energy-based acoustic parameters
shows that the strength factor performs better, probably because it depends on the energy of the
reverberant sound field which is well predicted using a purely exponential sound decay. On the
contrary, the other parameters, mostly depending on the early reflections – which are hardly
predictable using the classical theory – perform as badly as the smaller the early reflections interval
they consider.
Finally, the inter-aural cross-correlation coefficient is investigated. Table 4 shows that it is best
correlated with Gmid, but the determination coefficient is 0.339, proving that the correlation is
scarcely significant. Similarly, even the correlation with architectural parameters is poor (Table 5).
However, it was observed in [14] that the IACCE3 value measured in St. Nicholas Basilica was
unusually small, probably because of the columns which separate the nave from the transept and
consequently interfere with the propagation of the direct sound reducing the correlation of the
binaural signals [22]. Thus, the correlations between room-average values of (1–IACCE3) and
architectural parameters were calculated excluding St. Nicholas Basilica from the analysis. The best
correlated parameter was the total acoustic absorption with an R2 equal to 0.88, followed by the
room volume with R2 equal to 0.75. The comparison of the plots of (1–IACCE3) as a function of
both A and V explains the unusual correlation with total absorption. Figure 6a shows that (1–
IACCE3) values decrease linearly with volume with the exception of two points: point A which was
8
discussed above, and point D. The latter corresponds to Barletta Cathedral and if it is excluded from
the regression analysis the coefficient of determination between (1–IACCE3) and V becomes 0.99.
The unusually high (1–IACCE3) value measured in Barletta Cathedral may depend on the shape of
the “sending end” of the church that, with its chapels and pillars, may provide a reduction in the
correlation between binaural signals due to diffraction effects. The high correlation observed
between (1–IACCE3) and A is scarcely significant because it is the consequence of the
correspondence between the “unusually” lower absorption of the church due to the plastered vaults,
and the “unusually” high (1–IACCE3) due to its particular sending end. On the contrary, the
correlation between (1–IACCE3) and V is in agreement with the dependence of this acoustic
parameter on room dimensions [23,24].
Table 7. Coefficients of determination calculated between slopes (a) and intercepts (b) of the regression
equations calculated in each church, and architectural parameters. Best correlation values are
indicated in bold letters. Values reported in brackets correspond to logarithmic regressions.
V S V/S Sf V/Sf Vn Sn W L H A α RTmid
aEDT (0.35) (0.32) (0.39) (0.37) (0.24) (0.33) (0.31) (0.19) (0.46) (0.27) (0.21) 0.01 (0.39)
aG (0.71) (0.60) (0.63) (0.50) (0.70) (0.60) (0.46) (0.33) (0.58) (0.69) (0.59) (0.21) (0.11)
aC80 (0.30) (0.27) (0.35) (0.28) (0.27) (0.28) (0.23) (0.19) (0.31) (0.29) (0.21) (0.01) (0.23)
aD50 0.07 0.04 0.09 0.11 (0.0) 0.14 0.22 0.03 0.15 (0.0) 0.01 0.21 0.55
aTs (0.30) (0.27) (0.39) (0.33) (0.21) (0.34) (0.35) (0.17) (0.42) (0.23) (0.14) 0.03 0.47
aRASTI 0.06 0.04 0.07 0.11 (0.0) 0.14 (0.24) (0.11) 0.13 (0.0) 0.00 0.18 0.69
bEDT 0.13 (0.11) 0.22 (0.20) 0.05 0.22 (0.34) (0.14) (0.25) 0.06 0.03 0.36 0.96
bG 0.41 0.40 0.20 0.34 0.26 0.25 0.18 0.36 0.17 0.26 0.49 0.48 0.08
bC80 (0.44) (0.44) (0.42) (0.32) (0.58) (0.34) (0.20) (0.24) (0.32) (0.58) (0.59) (0.54) 0.02
bD50 (0.01) (0.01) 0.01 0.01 (0.07) 0.03 0.07 (0.0) 0.03 (0.06) (0.08) 0.40 0.51
bTs (0.11) (0.11) (0.09) (0.05) (0.22) (0.06) (0.01) (0.02) (0.06) (0.21) (0.26) (0.57) 0.23
bRASTI 0.01 (0.01) 0.02 0.02 (0.04) 0.05 0.11 (0.0) 0.04 (0.04) (0.07) 0.41 0.87
The clarity index (Fig. 7c) shows a different behaviour. In fact, its values decrease with the source-
receiver distance, but none of the architectural parameters showed significant correlations with the
slopes of the regression lines. Intercept values appeared to be best correlated with the logarithm of
total absorption A (R2=0.59), so the corresponding regression equation was used to provide the
following equation for C80:
C80 = −11 log(d ) + 4.97 log( A) − 5.99 , (4)
where the constant slope is given by the mean of the slopes relative to each church.
The definition index (Fig. 7d) decreases with the source-receiver distance and both slopes and
intercepts of the regression equations are correlated best with RT (with determination coefficients
respectively equal to 0.55 and 0.51). Thus, taking into account the respective regression equations
gives:
D50 = (7.86 RT − 75.5) log(d ) − 10.65 RT + 108.3 (5)
Centre time (Fig. 7e) increases as the distance from the source grows. The rate of the increase is
proportional to RT (R2=0.47), while the intercepts are correlated best with the logarithm of α
(R2=0.57). Using the respective regression equations the following expression was obtained:
t S = (37.2 RT + 49.25) log(d ) − 405.6 log(α ) − 366.3 . (6)
Finally, RASTI values appear more scattered than other parameters (Fig. 7f). A decrease with the
distance can be observed, but the correlations are lower and in one case (Vallisa church) not
significant (R2=0.18). Therefore the correlations between slopes, intercepts, and architectural
parameters were investigated disregarding the Vallisa values. RASTI decreases with the distance at
a rate which is proportional to RT (R2=0.69), and even the intercept is correlated to the same
parameter (R2=0.87). The resulting equation obtained by combining the corresponding regression
equations is:
RASTI = (3.6 RT − 36.3) log(d ) − 7.5 RT + 91.4 . (7)
10
In conclusion, it appears that the acoustic parameters under investigation show a clear dependence
on source-receiver distance which is the consequence of the attenuation of the direct sound and of
the early reflections as the sound propagates. The individual location variations and the “initial”
values of the parameters appear to depend on one or two of the following “architectural”
parameters: V, L, A, α, and RT. It is significant that the parameters which influence the individual
location values are so simple and nearly coincide with those used in the diffuse-field theory.
Equations (2-7) were not defined for prediction purposes. In fact, only 1 kHz octave band values
were considered and only linear and logarithmic regression models were used. However, it is useful
to investigate their prediction accuracy, even though their performance is expected to be
unsatisfactory because a continuous model can hardly take into account the fluctuations of
individual location values.
The best measure to test the accuracy of a prediction formula is the rms error calculated between
measured and predicted data in each source-receiver combination. However, in order to evaluate a
prediction error, it should be expressed in terms of “just noticeable difference” (JND), that is the
minimum variation between two parameter values required for a subject to perceive a difference.
The prediction error, expressed in terms of JND, is given by the mean of the absolute values of the
differences between measured and predicted values divided by the corresponding JNDs, and it is
acceptable if it is smaller than one. JND is equal to 1 dB for both G and C80, is equal to 5% of the
measured value for tS and EDT, and is equal to 5% in absolute value for D50 [25,26]. For RASTI no
JND has been defined in the literature, so only the rms error is given.
The results, reported in Table 8, show that, on average, G can be predicted with good accuracy in
nearly all of the cases, with errors smaller than one JND. The other parameters show higher errors,
generally varying between one and two times their respective JNDs. It must be pointed out that in
this kind of analysis the determination coefficient may provide quite misleading results, in fact, as
reported in Table 8, in some cases high R2 values do not correspond to accurate predictions. Finally,
it appears that, apart from the procedure used to find the equations (which may lead to
systematically overestimate or underestimate the values in some of the churches), their best or worst
performance depends on the smaller or larger fluctuations which characterize the measured
parameters. Thus, G which is generally more uniform, can be predicted better than the others, the
fluctuations of which cannot be easily predicted when empirical or even theoretical models are
used [27,28]. Therefore, if this limitation is known, the equations found can be a practical tool to
give rough predictions based on a few simple architectural parameters.
Table 8. Round mean square errors, just noticeable differences (JND), and determination coefficients
between measured values of acoustical parameters and those predicted using equations (2-7).
EDT G C80 D50 tS RASTI
rms JND rms JND rms JND rms JND rms JND rms JND
St. Nicholas Basilica, Bari 0.17 0.57 1.02 0.95 2.02 1.84 7.1 1.23 58.0 2.9 2.5 -
Bari Cathedral 0.38 1.36 0.92 0.80 1.94 1.61 6.9 1.18 23.3 1.1 5.1 -
Bitonto Cathedral 0.41 1.98 1.02 0.96 1.44 1.24 9.7 1.70 33.4 2.3 3.7 -
Barletta Cathedral 0.23 0.57 0.63 0.53 3.69 3.58 2.1 0.34 45.4 1.5 2.0 -
Bisceglie Cathedral 0.31 1.57 0.83 0.66 1.86 1.33 10.3 1.27 37.9 2.9 4.9 -
Ruvo Cathedral 0.18 0.79 0.71 0.58 1.50 1.27 6.3 0.97 29.3 1.9 3.3 -
Bovino Cathedral 0.23 1.24 1.06 0.97 1.44 1.19 6.9 1.07 40.1 3.2 3.1 -
Ognissanti church, Valenzano 0.42 1.47 0.71 0.66 0.84 0.66 10.3 1.98 42.3 2.0 3.9 -
Vallisa church, Bari 0.15 1.27 1.30 1.24 3.26 3.10 9.8 1.74 14.0 1.6 -
Mean values 0.27 1.20 0.91 0.82 2.00 1.76 7.71 1.28 35.9 2.1 3.6 -
Determination coefficient R2 0.95 0.96 0.63 0.56 0.89 0.72
11
6. CONCLUSIONS
The acoustics of nine Romanesque churches, mostly cathedrals, was studied during an experimental
survey. The most important acoustic parameters were measured and their correlation with
architectural parameters was investigated. Architectural parameters included descriptors of both
geometry and acoustic characteristics of materials.
Room-average values of the acoustic measures were considered first. No significant correlation was
found between RT and geometric parameters unless the churches having the lowest α were
excluded from the analysis, so that the remaining churches had nearly the same α. When this
selected sample was considered, the correlations with architectural parameters increased
significantly, and, as shown by other researchers [1-6], it appeared that RT is well correlated to
room volume. Among the other acoustic parameters, G was highly correlated with total absorption
area, while EDT, C80, D50, tS, and RASTI, proved to be highly correlated to each other and with RT,
so the correlations with architectural parameters proved to be as scarcely significant as those
reported in [8,10]. A comparison between measured parameters and those calculated as functions of
RT, using diffuse-field theory, showed that G can be predicted with good accuracy, while C80, D50,
and tS, showed considerable scattering of the data and lower correlations. A comparison with a
similar analysis performed in [8] showed that the equation to predict G was nearly the same, but the
equations to predict the other parameters were significantly different.
The analysis of the individual position results showed that EDT, G, C80, D50, tS, and RASTI
measured in each church proved to be related to source-receiver distance as a consequence of the
attenuation of the direct sound and of the early reflections as the sound propagated. The individual
location variations and the “initial” values of the parameters appeared to depend on one or two of
the following “architectural” parameters: V, L, A, α, and RT. The resulting equations provided good
predictions of individual position values of G, while the other acoustic parameters were predicted
with less accuracy. However, if used carefully, Eqs (2-7) can be conveniently used in similar
12
Romanesque churches to obtain a rough estimate of the acoustic parameters as a function of a few
simple architectural parameters and the source-receiver distance.
The correlation between C80, D50, tS, and RASTI was observed even when individual location values
were considered, demonstrating (as shown by Carvalho in [10]), that these parameters give nearly
the same information.
Despite the observations made in this paper being based on a relatively small sample, the results
proved to be significant. However, a wider survey is underway in order to enlarge the number of
churches under investigation and take into account different architectural styles.
ACKNOWLEDGEMENTS
The authors wish to thank all the parish priests and church management for allowing access to their
churches.
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Acustica–acta acustica, 86, 381-384 (2000).
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survey, Building Acoust. 9(4), 271-288, (2002).
[15] Belli D’Elia P., La Puglia, Milano: Jaca Book (1987), (in Italian).
[16] Petrucci A., Cattedrali di Puglia, Roma: D’Arte (1960), (in Italian).
13
[17] Farina A., Simultaneous measurement of impulse response and distortion with a swept-sine
technique. Proc. 108th AES convention, Paris, February 2000.
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acoustical parameters, (1997).
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speech transmission index, (1998).
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Applied Science Publishers (1982).
[22] Cirillo E., Martellotta F., On the measurement of binaural acoustic parameters in some
Romanesque churches. Proc. Forum Acusticum 2002, Seville (2002), Paper RBA-06-016.
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Am. 96(6), 3525-3535, (1994).
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York: Springer Verlag (1998).
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auditoria. Acustica 79, 27-41 (1993).
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computer simulation. Acustica – Acta acustica 86, 943-956 (2000).
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clarity inside highly diffusing rooms. Proc. Forum Acusticum 2002, Seville (2002), Paper
ARC-Gen 004.
[28] Cirillo E., Martellotta F., An improved model to predict energy-based acoustic parameters in
churches, Applied Acoust. 64(1), 1-23 (2002).
14
Figure 1. Plan of the churches surveyed. Church ID are the same reported in Table 1.
( ): source positions. ( ): Receiver positions.
15
9.0 10.0
A A
8.0 9.0
B B
7.0 8.0
C C
7.0
normalized RT (s)
6.0 D D
6.0
5.0 E E
RT (s)
5.0 F
4.0 F
4.0 G
G
3.0
H 3.0 H
2.0 2.0 I
I
1.0 1.0
0.0 0.0
125 250 500 1000 2000 4000 125 250 500 1000 2000 4000
a) Frequency (Hz) b) Frequency (Hz)
Figure 2. a) Frequency plot of RT measured in the nine churches surveyed. b) Frequency plot of
RT values normalized as if all churches had a volume of 10000 m3. Church ID are the
same reported in Table 1.
7.0 D
12000
y = 0.790Ln(x) - 3.345
y = 6.246x 0.712 A
6.0 R2 = 0.798 10000
R2 = 0.994 B
H B
5.0 8000
RT mid (s)
C
S (m 2)
C A
4.0 G F 6000
D
E E
3.0 4000
G F
2.0 I 2000 H
I
1.0 0
1000 10000 100000 0 10000 20000 30000 40000
3 3
a) V (m ) b) V (m )
7.0 D
7.0 D
6.0 6.0
H B H B
5.0 5.0
y = 0.19x + 1.03
RT mid (s)
RT mid (s)
C A G A
4.0 R2 = 0.76 G 4.0 C
F y = 2.39x F
E
E
3.0 3.0 R2 = 0.99
y = 1.68x
2.0 I 2.0 I R2 = 0.98
1.0 1.0
5 10 15 20 25 0.0 1.0 2.0 3.0 4.0 5.0
0.29
c) V d) V / S (m)
Figure 3. a) Room-average RTmid vs. room volume; b) Total surface area vs. total room volume;
c) Room-average RTmid vs. V0.29, the dashed line is the regression line calculated
excluding points A and G; d) Room-average RTmid vs. V/S. Church ID are the same
reported in Table 1. ( , , ): Points excluded from regression analysis.
16
0.0 25
-2.0 20
-4.0
D 50mid (%)
C 80(3) (dB)
15
-6.0
10 y = -3.78x + 30.94
-8.0 R2 = 0.88
y = -1.76x + 1.60
5
-10.0 R2 = 0.94
-12.0 0
1.0 2.0 3.0 4.0 5.0 6.0 7.0 8.0 1.0 2.0 3.0 4.0 5.0 6.0 7.0 8.0
700 50
600 45
y = 85.06x - 31.47
500 R2 = 0.98 40
RASTI (%)
ts mid (ms)
400 35
300 30
y = -4.43x + 55.22
200 25 R2 = 0.96
100 20
1.0 2.0 3.0 4.0 5.0 6.0 7.0 8.0 1.0 2.0 3.0 4.0 5.0 6.0 7.0 8.0
Figure 4. Plot of room-average values of (a) C80(3), (b) D50mid, (c) tSmid and (d) RASTI vs. EDT.
25 20
20
15
G mid (dB)
15
Gmid (dB)
10
10
y = 0.97x - 0.32
5 y = -4.22Ln(x) + 43.35
R2 = 0.99
R2 = 0.99
0 5
100 1000 10000 5 10 15 20
2
A (m ) theoretical G mid (dB)
a) b)
Figure 5. Plot of room-average values of Gmid vs. (a) total acoustic absorption A, and (b)
theoretical G values calculated using diffuse-field hypothesis.
17
0.70 0.70
G G
D D
H F H F
0.68 A 0.68 A
E E
1 - IACCE3
1 - IACCE3
0.66 0.66
C C
0.64 0.64
R2 = 0.75 R2 = 0.88
0.62 B 0.62 B
0.60 0.60
0 10000 20000 30000 40000 0 500 1000 1500
V (m 3 ) A (m 2 )
a) b)
Figure 6. Plot of room-average values of (1–IACCE3) vs. (a) total room volume V, and (b) total
acoustic absorption A. ( ): Points excluded from regression analysis.
18
8.0 25
7.0
20
6.0
15
EDT (s)
5.0
G (dB)
4.0 10
3.0
y = 0.07x + 3.17 y = -5.85Ln(x) + 26.55
5
2.0 R2 = 0.23 R2 = 0.59
1.0 0
0 10 20 30 40 50 1 10 100
a) Source-receiver distance (m) b) Source-receiver distance (m)
4 70
2
60 y = -12.60Ln(x) + 47.88
0
R2 = 0.47
-2 50
-4
C80 (dB)
D50 (%)
40
-6
-8 30
-10 20
-12 y = -4.26Ln(x) + 4.70
R2 = 0.54 10
-14
-16 0
1 10 100 1 10 100
c) Source-receiver distance (m) d) Source-receiver distance (m)
700 60
40
400
ts (ms)
300
30
200
20 y = -8.75Ln(x) + 57.95
100 R2 = 0.48
0 10
1 10 100 1 10 100
e) Source-receiver distance (m) f) Source-receiver distance (m)
Figure 7. Plot of individual location values of (a) EDT, (b) G, (c) C80, (d) D50, (e) tS, at 1 kHz
octave band and (f) RASTI, vs. source-receiver distance. Different symbols correspond
to different churches.
19
4 70 700
2 -0.40x y = 87.32x - 43.82
60 y = 64.56e 600
0 R2 = 0.91
-2 50 R2 = 0.50
500
C80 (dB)
D50 (%)
-4
ts (ms)
40
-6 400
-8 30
-10 300
20
-12 y = -2.08x + 2.47 200
10
-14 R2 = 0.62
-16 0 100
0 2 4 6 8 0 2 4 6 8 0 2 4 6 8
EDT (s) EDT (s) EDT (s)
70 70 60
RASTI (%)
45
D50 (%)
D50 (%)
40 40
40
30 30
35
20 20
30
10 10 25
0 0 20
-15 -10 -5 0 5 20 30 40 50 60 -15 -10 -5 0 5
C80 (dB) RASTI (%) C80 (dB)
ts (ms)
ts (ms)
Figure 8. Plot of the correlations between individual location values of different monaural
parameters.