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David Carrión
Prof. Lucas Andino
Taller de tesis
20 de noviembre de 2018
Bibliografía

Britton, Andrew. 1979. American Nightmare: Essays on the Horror Film. Toronto: Festival
of Festivals.

Brown, Jennifer. 2013. Cannibalism in literature and film. Houndsmills, Basingstoke,


Hampshire ; New York, NY: Palgrave Macmillan.

Carroll, Noël. 1990. The philosophy of horror, or, Paradoxes of the heart. New York:
Routledge.

Castoldi, Gian Luca, y Harvey Fenton. 2011. Cannibal Holocaust, and the Savage Cinema of
Ruggero Deodato. Surrey, England: FAB Press.

Cline, John, y Robert G. Weiner, eds. 2010. From the arthouse to the grindhouse: highbrow
and lowbrow transgression in cinema’s first century. Lanham, Md: Scarecrow Press.

Clover, Carol J. 2015. Men, women, and chain saws: gender in the modern horror film. First
Princeton classics edition. Princeton classics. Princeton, New Jersey: Princeton
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Dussel, Enrique D. 1994. 1492: el encubrimiento del otro : hacia el origen del «mito de la
modernidad» : conferencias de Frankfurt, octubre de 1992. La Paz, Bolivia: Plural
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Fahy, Thomas Richard. 2012. The Philosophy of Horror. Lexington, Ky.; London:
University Press of Kentucky ; Eurospan [distributor.

Feaster, Felicia, y Bret Wood. 1999. Forbidden fruit: the golden age of the exploitation film.
Baltimore, Md: Midnight Marquee Press.

Hall, Stuart. 2014. Sin garantías trayectorías y problemáticas en estudios culturales. Editado
por Eduardo Restrepo, Catherine E Walsh, y Víctor Vich. Popayán: Editorial
Universidad del Cauca.

Jackson, Neil. 2002. «Cannibal Holocaust, realist horror, and reflexivity». Post Script 21 (3):
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Jancovich, Mark, ed. 2002. Horror, the film reader. In focus--Routledge film readers.
London ; New York: Routledge.

Jáuregui, Carlos A. 2008. Canibalia: canibalismo, calibanismo antropofagia cultural y


consumo en América Latina ; premio casa de las Américas 2005. Frankfurt, M.:
Vervuert.

King, Stephen. 2012. Danse Macabre. Hodder & Stoughton.

Koven, Mikel J. 2006. La Dolce Morte: Vernacular Cinema and the Italian Giallo Film.
Lanham, Md.: Scarecrow Press.

Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. European Perspectives.


New York: Columbia University Press.

Schaefer, Eric. 1999. Bold! Daring! Shocking! True! a history of exploitation films, 1919-
1959. Durham: Duke University Press.

Shipka, Danny. 2011. Perverse Titillation: The Exploitation Cinema of Italy, Spain and
France, 1960-1980. Jefferson, N.C.; London: McFarland.

Slater, Jay. 2002. Eaten alive!: Italian cannibal and zombie movies. Plexus Publishing.

Smith, Adrian. 1992. Delirium : The Complete Guide to Italian Exploitation Cinema 1970-
1979. London: Media Publications.

Syder, Andrew. 2009. “I Wonder Who the Real Cannibals Are”: Latin America and
colonialism in European exploitation cinema”. En Latsploitation, Exploitation Cinemas,
and Latin America, 86–100. London: Routledge.

Testa, Carlo. 2002. Italian Cinema and Modern European Literatures, 1945-2000. Westport,
Conn.: Praeger. http://catalog.hathitrust.org/api/volumes/oclc/47443831.html.

Totaro, Donato. 2011. Genealogy of Italian Popular Cinema. Offscreen. Accedido noviembre
21. https://offscreen.com/view/genealogy_filone.

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