Professional Documents
Culture Documents
Examples
I. Rule of thumb: move to nearest available note--without making errors
(aim for smooth voice leading in all parts)
II. Errors
A. No parallel (or consecutive) 5ths or 8ves
1. P5 to d5 is permitted
2. d5 to P5 is permitted--unless it involves the bass
F. No crossing voices
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III. Voice leading and Doubling
A. Include all notes of triad (however, the fifth may be omitted when necessary or
when desired)
B. Leading tone moves up by step (except in an inner voice the leading tone may
"sneak" down to the fifth of the next chord, a special case)
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D. Sevenths of chords must move down by step (one exception: V43 to I6)
F. In deceptive motion double the 3rd of the vi or VI (the tonic note of the key)
G. When the tonic is the last chord, double the root if possible
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H. Six-four chords always appear in one of the patterns (cadential, passing, pedal,
arpeggio)
I. Non-chord tones must form one of the identifiable types (passing, appog, etc)