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façade of cheeriness,
you keep telling me not to do that, but, you see, it becomes a bit difficult
when you’re, you know, sort of sitting there trying to reduce me to cinders
with your eyes,
Blather
Egregious
He knows all too well what this is about, but there’s a small, pathetic part of
him that doesn’t want to confront the thing just yet.
Charles only caught it by chance three hours past deadline, long after
they’d gone to press, and wow, was that not a pretty scene. Actually, it
mostly involved Charles being very, very calm (read: passive aggressive),
Erik being very, very not (read: just plain aggressive), and everyone else
edging nervously towards the nearest exit until Charles
Sean and Hank eventually locked themselves in the IT office with three
laptops and a liter of Mountain Dew and didn’t come back out for several
hours. When they did, they looked unsurprisingly haggard, rubbing their
faces sheepishly and admitting that they had no fucking clue. And, okay, it
is possible that Charles was not there to shield them from Erik’s
Let’s just say that he’d rather not verify the rumor that she can crush a
man’s skull between her thighs.
but suffice to say that it very nearly ended very, very badly)
After the first week, Erik ambushed Charles in the break room and asked
him, grinning dryly, how exactly he’d managed to the pick four most
dysfunctional kids in town.
Dilapidated
Charles says, briefly taking his eyes off the road to shoot a sympathetic
glance at Janos, who steadfastly ignores him.
Charles pulls the car to an abrupt stop, and from the back seat he hears
Alex whistle under his breath. For once, Charles is inclined to agree with
him.
he says brightly, dodging around the squad car to try and get a better look
at the imminent confrontation between the blitzed-out chemist and the
sheriff
he impromptu jousting match, but skids to a stop a few yards away and
turns around to yell,
flatly,
he says brightly, dodging around the squad car to try and get a better look
at the imminent confrontation between the blitzed-out chemist and the
sheriff.
Clint orders, and Charles finds himself being dragged backwards by his
shirt collar.
“Indeed,” Charles agrees vaguely, craning his neck and squinting into the
brilliant morning sun.
Charles smiles, innocent as can be, hands clasped behind his back like an
angelic schoolboy.
Predilection
Azazel nods, something that might just be a smile flickering across his
face.
Charles says, unable to contain the triumphant grin making its way across
his face.
I thought you told me that you would dispense with these irritating people
of news,
“Well,” Erik sighs, heaving himself out of his chair (and Charles’ heart
definitely doesn’t plummet, his stomach absolutely doesn’t wrench with an
unexpected terror of being left),
Charles likes emotions, as horrible and clichéd and stereotypical as that is.
He thinks they’re complicated and interesting and important, and most of
the time it seems like Erik just doesn’t have them.
But that’s rage for a purpose, not just rage for rage’s sake. Erik doesn’t feel
things just to feel them; everything is there to be manipulated, channeled,
melted down and twisted around into a shape that he likes, into a shape
that works for him
Erik tipped his head back and laughed, and Charles did his best not to be
surprised by the vast cavern of his mouth, by the impossible long line of his
throat.
an order; before Charles knew what was happening, the handle had been
jerked out of his hand
and the suitcase was being wheeled away from him. Embarrassingly, he
had to jog to catch up with Erik’s long strides.
“I don’t fucking know,” Erik snapped, and Charles couldn’t stop himself
from physically recoiling from his phone.
Charles had already turned to make himself a cup of tea and berate
himself for his failure when Erik’s voice rang out across the tiny room,
surprising him.
Strand bookstore tank top with a putting on some actual clothes other than
a pair of boxers and a Strand bookstore tank top with a particularly nasty
bleach stain, but stops in his tracks when he comes to the realization that
he doesn’t actually have to go anywhere today and therefore has no need
of grown-up clothes.
Hank blinks slowly into the camera like a bat dazed by sunlight.
But he’s such a nice guy; everyone says so, everyone he’s ever met or
worked with or sat in a class with. He’s a nice guy with a nice smile and a
nice laugh and nice, open face. The problem is that Charles doesn’t think
he’s particularly nice. He smiles and compliments and jokes and offers
everything to anyone because he’s dying to prove himself wrong, but he
never quite manages it. A string of failed relationships and alienated
friends show that he’s nothing if not great at pulling away at the crucial
moment, at letting an angry lover walk out the door or sitting silent when a
friend needs him to say something, anything. When it matters, he never
knows what to do.