A Primavera

(As Quatro Estações)

Trumpet in Bb VIVALDI

    
Allegro

                            

mf

 
5

                          


  
8
     
                               

 Fim
              
12

                      
mf

 
16

                             


    
19

                             



   
23
       
                        
01
 Trumpet Voluntary
(Sing to God) H. PURCELL
Trumpet in Bb

AllºMaestoso (q = 100)
  
                  
     
ff

      1.  

             
6 2.

     
  
ff

     
           
11

    
  

 
                  
16

     
ff

   1.
            
21 2.

          
 

      
26

             
          
mf

            
   
31 1. 2.

     


                 
36


 
ff

  rall... 1.

          
40 2.

           

02
 Chanson du Prince
Trumpet in Bb M. LEGRAND

  
Maestoso
        
3

          

3

3 3

    
mf

                     
9

        rall... 

    
17 in tempo
       
3

        
3
 
3 3

     

                      
25 3
  
   
3

  
in tempo

   
32
 
3

        
    
3

       

rall...
rall...

   
40

        

3
    
3 3
   
3

  
mf

                  
48

         
 rall...
in tempo
   
56

        
3

      
3
 
3 3

    

               3          

64 3

    
in tempo
71
  
  
3 3

    
      
 
3

       
rall... 03
rall...
 Concerto nº 1
(From Piano)
Trumpet in Bb TCHAIKOWSKY
redução de Maurinho Griffo

            
Andante Maestoso
     
                     

ff

   
7

      
  

           


13

                    
 
3
 
3

    

 
19

                   

   


24

           
               


29
        
3
    
3
    
         

  
34
   
3 3
       
3

            
3 3 3
    
rall.

 
39
  
a tempo
    
                   

   
45

3 3

            
         
50
    

      
  
  
04
 Rapsódia sobre (Um Tema de Paganini)
(18º Variação)
_____________________________________________________________

Trumpet in Bb S. RACHMANINOFF

   
Andante Cantabile

   3
3
   
3 3

          

3

      mf 
mf p p


6

      
   
3 3 3
 
3

    
3

      
cresc.

 
11
      3
   
3
      mf     
f mf f p
p


16

  
3

      


cresc.

        
21

       

3
     mf

mf ff
p

        
26
 3
     
3
      
p dolce


32
   
       
3

    
    


36 3 dim. ritard.
       
3

            
pp pp 05
 Arioso
da Sinfonia da Cantata 156
Trumpet in Bb J.S.BACH

     
              
Larghetto
 
mf

          
5

          

 
            
9

           

 
      
13

            

            

       
18 3

   

  
                
22

  

    
  
26 3 3 3 3

     
3

    
    
30

         
 



34

rall.

                
06
 Largo
From Xerxes

Trumpet in Bb GEORGE F. HANDEL

Largo
                   
      

mf

    
6 A

         
p p

        
  
12
 
      
3
  
mf f

17
     
  
B

         
p f

      
23
     
C

        

p

          
      
D
 
28

  
ff

  
      
34 E

         
3 ff
p

                 


40

    
rit. 07
 Aria da Corda em Sol
Air (Suite No.3)
Trumpet in Bb J. S. BACH


        
Lento e molto expressivo
      
  

  
pp cresc. poco

               
6

     

                
10
 
1. 2.

     

      
          
15

  

              

20

       


           
25

    
 p
pp cresc. f cresc.

          
     
31

 
f p

                
35 1. 2.
  
   
p
08 f
 Bolero de Ravel

Trumpet in Bb MAURICE RAVEL

 
                        
p

 
                   
6

       
mf


11

                                         

     
16

                  


f

21
 
        3       
                 

        3   
            
26
   
   

31
           
                       
  
ff

  
36

                             

41
  
              
     
     

fff

  
45 6

             
3

         


        
  ffff  09
 Theme from"Pathetique Symphony"

Trumpet in Bb PETER I. TCHAIKOVSKY

Moderately,with expression
        
    
mp
    
 
 
 
 

Piano

     

    
5

     
  

 
 
 

    

     

2nd time 8va----------------

          
9

   
f

     
 
 


  
     

13
    
1.

2.

         
 
mp

1. 2.

       
 






 



 
  
   
10   
 Jesu, joy of man's desiring
Chorale"Jesus bleibet meine Freud"
(Cantata No.147)
Trumpet in Bb J. S. BACH

   
Evenly Tacet

  
          
         
        
  
p


Play
          
5
 
        
    
          

mf

  
Tacet Play
   
10

         
            
p mf

   
17 Tacet

             
  
            
        
p

          
22 Play Tacet

   
   
           

mf p


Play

     
Tacet

 
28


 
   
             
  
mf p

      
34
          
       
     
     


Play
   
Tacet

         
38


  
       
  
 
mf p

                
Tacet
  
44 Play

      
     
mf p


Tacet
 
Play

  
50

      
         
      
mf p


Play Tacet

     
56

  
   
              
  

mf p

      
62
        
            
   
  
    


66
    
          
     
   
  

    
69


  
rall.
     
       
 
  
 11
 Ode to Joy
Chorale"Ode Alegria"
(Sinfonia No.9)
Trumpet in Bb LUDWIG VAN BEETHOVEN

Introdução Canto

        
          
Moderately

  

f mf

                      
6

 

                        
11

 

            
      
16

  

                      
21

 

                   
26

 

31
             
  

      
Volta no canto se precisar
   
34
  
 
12
 Coro Di Schiavi Ebrei
Le Sponde Dell' Eufrate
De la opera "Nabucco" III ato
Trumpet in Bb G.VERDI


    
      
Largo Cantable
   
sfz sfz sfz p
13
   
3
  

                   
   
3 3
    
17 3

                 
3

       

     3  3 
21
     
3

                
3


f
3
               
25 3

     
3 3

    
mf
     3   3    
 
29
             
3

         
pp
mf
33
       
3
    
 
3 3

               
3

pp p

                     

37

  
    
f

      3 
3
 
42 3 3 3

                         
3

p mf

    3
46

          3 
p mf

 
48

          
    
p pp ppp
13
 Memory
Solo Trumpet in Bb ANDREW L. LOYD WEBBER
T.S. ELIOT & T. NUNN

                            
  

 
5
  
2

                          
2

       
9

    
                        

 
13
   
2

                   

2

 
 


17

  
    
Fine

         

     
      

  
                
21

 
2 2

   

                 
25

   
2

 
28

2

               

2

   

            
31

       
  

    

         
35

           

38
  2
      
2
      
  
D.C al Fine

       
 
14
 Todo Azul do Mar
Trumpet in Bb FLÁVIO VENTURINI
RONALDO BASTOS

  
Introdução
  
  
 

  
    
        

 

 Canto
 
        
6
 
   
   
  
  
   
 
mf

    3      
 
       
11

  

 
1. 2.
     
    
16

       
f

      3     
22 1.

               

  
   
27 2. Solo

     Ao  e   
f

                
33

   

diminuindo...

       
37 Rep. ad libitum

         

15
 Você é Linda

Trumpet in Bb CAETANO VELLOSO


      
3

            


10

                                

 
15

                        
 

     
20

                

               
25 3 3

   

                    
31 3 3 3

 


       
37

      


   
58

            
3 3

 

          
64

  
3 3 3

       

68 1. 2.  
       
16
Letra portuguêsa de
autor desconhecido Ó Deus,aqui viemos te adorar
Trumpet in Bb REGINALD DE KOVEN OP 50
ARR. J. W. FAUSTINI 1960

         
Introdução

      

  
p
Canto
           
5

         
dim.

   
9

      

    
14

          

       
18


           

17
 Minueto em Sol Maior
Trumpet in Bb LUDWIG VAN BEETHOVEN

                 
         
p
7
        

   
1. 2.

         
 

      
      
13 1.

          


 2.                   

19
 
             
p
 
24
          
    
   
1. 2.

    
         
    

                       

29

     
mf

 
     
                    
34 1. 2.

 
p

        
39

                

      
         
45

 
 

        

50

        
18
 Minueto de Bach
Trumpet in Bb J. S. BACH

 Allegretto
             
       

        
7

       

    

                
13

       
p

                        
19

   

             

25

         

   
31

         
     
p

            
37

        
  
   
44

        

  
  
p

 
50

                    
    
      
56

           

 
  
61
    
    

 
  
19
 Minueto de Mozart
Trumpet in Bb MOZART

Allegretto
  D.C
  
              

p


8

          
      
p

      
15

                         

p


21

                 

cresc.- - - - - - - - p


27
   
                     
cresc.- - - - - - - -

               
33 Fim

            
p

            
39

                  
p


45

                             

f


                            
51


57

                             

f


                             
63


69 D.C e Fim
                         
20
 Minueto
Trumpet in Bb BOCCHERINI
TEMPO DI MINUETO

   
                              
    
p


1. 2.

 
7

                                 


 mp


12
    
     
   
   
                     

  


          

1. 2.
 
18

          


    
    
   
mp mf

       
24

 
                            
     

      
29

     
                 



34

              
      
          
  
 
      
39
         
  
      
      

      
p

   

45

                                

 mp


51
  
          

            
       
p

      

     
56

           

21
 Over The Raibow
Trumpet in Bb Theme from "O Mágico de Oz" Sugestão para:
Style/ Beat /Rithm :8 Beat
Arr.Facilitado por J.A.Navarro Voice / Tone / Instr:Strings
Tempo aprox :85


C G F C Dm Fm C A
   
   
     



7 D G C C G F C
      
     

          
13 Dm Fm C A D G C
            


          
18 G C G C
           

     
D

22 G C G
     
     


27 F C Dm Fm C A D G C
         
  
22
 Marcha Nupcial
(Wedding March)
Trumpet in Bb F.MENDELSSONHN

    
 
3 3

      
3 3 3 3 3

                    
 
 
  
 
 
 
      
f

            
8 1.
     
3 3
                       
    f

      
15 2.
 
3 3

   
3 3 3

                        


21
                       
         
 

   
        
28 1.

           
           
       

 
        
35 2.

          
Fim
 
 

    
       
42

             
   
p

 
        
49 1. 2.

              
  

                     

57

     

ao e Fim
  
63

       
3 3 3 3 3 3 3

                          
23
 Wedding March
Marcha
(Redução paraNupcial
Casamento) FELIX MENDELSSOHN
Trumpet in Bb
Allegro
 
        
3 3

 
3 3 3 3 3

          
                           
f

  
    

8
 
3 3
          
                     
 
    
15

   
3 3


3 3 3

          
                    

  
    
 
20
  
                      
  
Ode to Joy
(9º Sinfonia) BEETHOVEN
Trumpet in Bb
Allegro     
26
                               
 
f  

   
33
                         
  

40
                     
 

          
          
45

  
 


Pomp and Circunstance

Trumpet in Bb EDWARD ELGAR

    3  
 
  
50 Allegro Moderato
   
3
      
f

    
58

    
3
       

   3       3  
64

   
3
 
24 rall.
 Bridal Chorus
(From "Lohengrin")
Trumpet in Bb R.WAGNER

     
          
       
mf


       
12

             

 
     

3
      
20
              
3
  

f f


                   
28

  
mf

                     
37

  
f

  
       
45
     
       
mf

 
 
53

               
p

    
  
   
60

       
pp 25
 Aida Grande Finale
(2º Ato) G. VERDI
Trumpet in Bb
   3   3     3   3            3   3 
AllºMaestoso (q = 100)
 
                                                     
ff p ff

   3   3            3   3               
7

                                  
p ff p p
ff ff
  
                             
13

      
           
p mf

                     
19

                           

 
p
            
               
25

      


  

ff

   3   3     3   3 
33
3
                                              
p ff p ff
  
          3   3                                
39

             
ff p ff p
p
 
                          
45


               
      
mf
 
1º tempo

                    

51 Tacet-from piano

 
            
      
   
rall... mf

                  
58

                  

  
                            
66 3 3

         

ff
 
                           
74

               
3 3


3

  

   
                             
82 3 3 3 3 3

              
  
p cresc... ff

                       

90 3 3

                     
3

  
ff

                         
97 3 3

      
3
 
3

   
    
      
105 3 3 3

           
       



  p cresc... ff

        
  
          
110

 
3
    
3

 
26
 Cantate Domine
(See the conquering hero comes)
Trumpet in Bb HAENDEL


Introdução

              
  
f

        

5 Canto

  
mf


            
10

   
mf


       
     
15

  

    
20

         


                

25

   
sfz f


        
     
31

 

         
36

     

mf


             
41

  
27
 Hino ao Amor
(Pastoral)
______________________
Trumpet in Bb Dos Canticos de São Francisco
Introdução Canto

 
              
G C D G G
 
C
         

             
8 D G G G Am D G

    


 G   Em   Bm   C 

14

    

G C Am

 

 D
18
         
G D G G

C
        

         

24

G Am D G G Em Bm C

  

 G           
29
         
C Am D G C
    

 D     
34
   
G G G Am D G

         


 G     
40 Em Bm C

          

 G          
42 C Am D

      
28
Modo: Dó-Tônica: Fá
Salmo 127
Ritmo: 3 e 2 acentos

Trumpet in Bb GALINEAU
 

Introdução

        
           

Trumpet in Bb


  
  







        


  

       
    
Piano
    
      
 

  Do_tra
8 A - balho_de_tuas mãos_come - rás. B Tran - quilo_e_fe - liz.
      
 

   

        



    
    
   
   



15 C

Tua_es - posa_qual vinha_fe - cunda. D No_re cesso_de_teu lar;
     
-
   
 


 
 
  
   


  
      
     
 


22 E Teus


filhos,re - bentos_de_o_li - veira. F Ao_re - dor_de_tua mesa.

  
 
   
   

 
 
   


 
  
 
 
  

   



  

   
29 Fe - liz quem te me_o Se - nhor e an da_em seus
 
ca - mi - nhos. Que_o Se -

               

  
  








    
 
  
 


 
       
        



 


   
 


nhor vos con - ser - ve sem - pre_u - ni - dos! Que_ê - le fi - que_en - tre vós.
 
37

      
3

             


 
3
      
        


       
    
         3
    
29
 Cantemos todos - Aleluia
(Canto de Aclamação)
____________________________________

Trumpet in Bb PE. ISMAEL DESTEFANI

      
           

 
10

                  

     
      
19

     
 

     
          
27
  


30
 Olho em tudo
CHARLES ROUSSIN
Trumpet in Bb

            
Introdução

       
           
f

  
6 Canto
  
             
p

         
11

         

 

           
17

            


              
22

Refrão

          
mf

     
27
 
                   

                
32

        

 
36
 
                
31
Cd: Sonda-me SONDA-ME
Estilo: Piano Balada ou Balada
Tom: Ré menor
D.R
Trumpet in Bb

 q = 74
    
                          


6

               
         


11

      
                       

                      
16

              
    

  
21

                 
              


26

     
                          

31

               
         


36

        
                  

  
41

                                 
   

  
46

                               

      
51

                        
 

 
55

                         
32
 AVE MARIA
POUR VOIX DE SOPRANO OU TENOR

Trumpet in Bb BACH/GOUNOD


Introdução
     Canto
 
 
  
       


   
mf p

7
      
          
   
          

12
        

             
      
   
   
f

   
    
17

     

             
   

  
            
21 Coro

       
   
     

mf

 
   
   
  
26

        
       
 
cresc... p

    

    
 
31

              
 
  
cresc... ff

    
35
  
          
     

rall... p 33
 AVE MARIA
POUR VOIX DE SOPRANO OU TENOR
Trumpet in Bb FRANZ SCHUBERT

Andante
Piano
 
3 3 3
    
3 3
     
3 3

    
3 3 3 3 3
           
        

      
Canto

              
4 3

A
   
3 3

 
3
  

 
p

            3          3   3 

10
3

     

              3    
15

B

        
3 3

  
3 p


                   
20

    
3 3 3

p

f
Piano

     
26 3

3 3
 
3 3
     
3 3
          
3 3 3 3 3
 
        

 

   
Coral

              
30 3

C
   3  
3 3

     

 
p

             3           3    

36 3
3

   

              3    
41

 
D

         
3 3

 
3 p

     3          3   3 
46

       
f p


      
50

       
34
 AVE MARIA
POUR VOIX DE MEZZO-SOPRANO OU TENOR

(avec CHOEUR ad libitum)

Trumpet in Bb J. FAURE

Andante ( q = 66)

Voz
  
       
Piano
 
       
      
     p
p


7
     
             
rall.

          
13

             
cresc.
sf

         
19

      
ad lib.
      

1º Tempo

   
25 Piano sostenuto
 
 

 



  

 
     
    p


31

                    
rall.

         
37

             
cresc.
sf

    
43

             


49
           
rall.
   
f pp

56
     
      
35
 AVE MARIA
POUR VOIX DE MEZZO-SOPRANO OU TENOR
(and Grand Chorale)
Trumpet in Bb SOMMA
Introdução
  
   
Voz

                     
Andante

  

p rit. p

         
7

            
 
mp

                       
14

       
 
rit.

                          
21

    

                      
26

         
rit.

                  
32

         

      

   
38

            

  
   
44 Poco meno

    
    
rit.

              
49

            
a tempo
rall.

    
                     
54

   

rall. poco meno

  
              
59

     
    
36 
 AVE MARIA
Intermezzo
from"Cavalleria Rusticana"

Trumpet in Bb P. MASCAGNI


Arr. Larry Yester
               
Andante Sostenuto

       
pp legato sf

     
7 5

               
    

pp

  
12
                    
          
pp dolce pp dolcíss.

   
18

             
   
pp mf

     
25

           


               
 
32
 
       
con fuoco p

38
            
       
f p

43
      
    
         
sempre

dim. e rall.

p
p 37
 PAI NOSSO

Trumpet in Bb PE. IRALA

 
Introdução Canto

                   
 


7
    
            

   
13

                          
  

18
     
                     
  

  
24

               
 

  3   3  
29 3

           
    

 
34

               
    
38
 PAI NOSSO

Trumpet in Bb ALEXANDER

      
    
Introdução Canto

            

           
9

               

 
          
16

               

                     
24

 

         
        
31

  
   

 
38

                     

 
       
45
      
           


                  
52

  

              
       
60

   

        
67

              
74
    

                  
39
 Creio em ti
(I Believe)
EUVIR DRAKE
Trumpet in Bb IRVIN GRAHAN

   
  

        


7


                 

13

                  

             
19

 

 
25

    
        


31


                  

37

                  

            
43

 

48
        
 
40
 Panis Angelicus

Trumpet in Bb CÉSAR FRANCK

 Lento    

           
mf

  
   
6

 
      

 
11 Canto

                   
p

         
16

          


          
22

           
f

          
28

     
a tempo
        
p  
Solo Trumpet


Violin soli
     
33
          rit.
  
    
mf Violin soli

         
38

           


                
44

     

50
     
                 
        
Solo Trumpet

    

55

        
    
  
  
  
41
 To Mindinha
Trumpet in Bb Bachianas Brasileiras No. 5
Reduction for piano for Soprano and Orchestra of Violoncelli
by the composer
Text by Ruth V.Corrêa I Aria (Cantilena)
english version by Harvey Officer (1938) Heitor Villa-Lobos

 
Tacet

 
Adagio rall.
         
                        
                
                  
  
              
p

         
             
3 Play

   
a tempo


mf vocalizzando con ah"

               

7

               
dim.
allarg.

11

          
3 1

              
3
   
3

14
   
a tempo
                     
 
     
f

 
allarg.
        
17


3 2

      
3

Tacet Play a tempo

  
20
       
a tempo
  
                        
p mf vocalizzando con ah"
23
                   
       

               

26

     

        
dim.


30

      
3

               
allarg. 

 
32 allarg.

           
3 3 gliss.

42 ppp
 Concerto Pour Une Voix
CANTO & PIANO
Trumpet in Bb SAINT-PREUX

Andante q = 88
          
                       
mf

           
          
             
5

 

           
                  
10

                  


                                      
15

  


Violin Solo


21

              

3
3
 
         

                
27
       
             

    

      
Voz

 

                
32

  

 

f

           
     
38
          
   

       
Piano Solo
        
45
 

                   

             
             
Voz
  
51

        
 
mf

              
                          
57

  

                              
62

     


              
68

          
             
mf
              
                  
74

      

                   
Rallentando ..........................................
     
78
   
   


43
 All I ask of you
Theme From "The Phanton Of Opera"
(Tudo Que se Quer)

Trumpet in Bb ANDREW LIOYD WEBBER

        
Moderato (M.M.q = 60)

  
          
f

  
5

                              
Canto


p

              
9
  
    
   
 
   
mp

14
   
  
    
  
          
              
 p


  
19

                                  


 
24
        
                
  
 
     
mp 

 
29
      
        
    
   
           


 
34
        
           
                 
mf

                
39 Soli

                 
  
f

      
45

   
 
  
    
  
  
Voz
49
          
              
      
rall.
44
 Perhaps Love
POUR VOIX DE MEZZO-SOPRANO OU TENOR
(John Denver and Plácido Domingo)
Trumpet in Bb JOHN DENVER
Slowly
              
  
       
     
pp rall... a tempo


7

                                 
p

          
11

                         
 
p

             
16

              
              


                       
21

               
ff

                             
26

    
    

         
31

                   
     
p

           
36

                         
  
ff

                             
41

          

           
46

                          
p

      
   
51

           
   

       
54

  

          
mf 45
 Andrea Bocelli Records
Nessun Dorma
De la Opera "Turandot"
____________________________________________________
Trumpet in Bb GIACOMO PUCCINI

   
Andante Sustenuto

      
                    
      
         
5
      
3
          
             
    
             

               
Coro

    
9

   
    
 

                
  
13

 

17
             
               
       
      

                
 
21
   
  
  

     
                
  
 

  
25

        
         

  
        
Rall.
        
29
   
 
 

                    
34

     

      
   
38
   
Coro


46
 Serenata
Trumpet in Bb FRANZ SCHUBERT

  
Moderato Solo

               
3 Eco

 
3 3
 
3
 
  
 pp
mf
11
        3
3

Eco 3
  


          
3
     

mf pp f
18
           
           
3 3

 
  

  3      3    

25

          

mf

                     
32 3

    
3

 
p mf
39
  
3 
Eco
3         3
3

   
     
3

        
 
pp mf

 
Eco
         
46

 

  
3 3

        
 
 
pp f

          3   

53


3
  
3

          
 

       3   
            
60

    

ff

                      

67 3 3
 
   

        diminuindo 
74

         
...

p pp 47
 Andrea Bocelli & Sarah Brightman
CON TE PARTIRÒ / TIME TO SAY GOODBYE
Testo di Lucio Quarantotto - Musica di Francesco Sartori
Trumpet in_______________________________________________________________________________
Bb

  Lento   3   3
Introdução
3 3
   
3
             
      

mf

                            
6 Canto

  
     
p

     
10 3

        
3 3 3
 
                       
3 3
    
mf
15
     3   3  
        
3 3

               
3


f

   3   3
3

 
21
        
3 3

      
3
     


26

                  
    
p p

  
30
          
3
     
     
f
35
   3   3  
         
3 3

          
3 3


f

   3   3   3 3  
           
40 3

              
3

ff

    3   3
  
   
45

   3 3
     
ff

    
Solo Canto
   3   3
49
               
 
3 3

48
 CLARINS DE ROMA
POUR TRUMPETS AND GRAND CHORALE
(Triumphal Trumpet)
_________________________________________________
Trumpet in Bb H. OSWALD

Allegro Moderato q = 96
 
7
                   
  
3

ff rall.

 
5 Canto
       
3
  
3 3
              
mf a tempo

3

   

10
 
3

3

             
 
3 3 3 3


    
14 3

   
3
 
3
            
 
3

   3         
   
18
 
3

3

 
f

     
 
22 3 3 3 3

                 

   
   
26

  
3
   
  
3 3

 3     
 
30 3

             
3

   
35 1. 2.

       
 
3 3 3 3 3 3
   
rall. 49
 MAGNIFICAT
Trumpet in Bb J. S. BACH

       
Introdução Canto

 
              
Allegro
  

f mf

       
     
        
8

   

       
          
14

      

     
             
20

     


        
           
26

      
p

              
32

            


     
          
38

          

         
       
43

    
   
f

           

48

          
  rall.
50
 Cantai,ó céus
POUR VOIX DE MEZZO-SOPRANO OU TENOR
(and Grand Chorale)

Trumpet in Bb LUDWIG VAN BEETHOVEN

Introdução

        
 
Maestoso

           
 


Canto
8
   
rall.
    
              


 
     
14 rall.
  
      
     


20

              

   



              
26

 
rall.
            

       
    
32

             
 

   
38

     
   


43
        
        
51
 Halleluja
(From Messias Chorus 42)
__________________________________
Trumpet in Bb HAENDEL

 Allegro
                
  
        
   
ff

                                   
6

      

   
                       
11

   
 ff
          
mf
16
                      
        
ff
     
                     
22

     

mf
              
            
28

    
ff
       
mf

           
 
34

    

                        
 
52

        
p ff

 
58
      
     
     
 

67 
         
    
       
mf

                       
78

   
    
ff

            
    
84

        

   
mf

  
 
 
    
 
 
    
 
 
 
  
 
 
 
 
   

  
               
89


52 fff rall...........
 Amigos para sempre
Trumpet in Bb CORAL CATEDRAL
 
                       
       

 
8

                   

 

 
15

                    


                 
21

      


 
                        
27

           

 
33

                    
1. 2.

    
     


40

                  

 



47

                    



                 
  
54

   


60
     
               

  
                   
66

   

         
           
72

           

        

  
77

          
  
53
 Theme From Somewhere in Time
(Em Algum Lugar no Passado)
___________________________________________

Trumpet in Bb JOHN BARRY

         
3
      
  


   
6

    
3

        
      

   3  
12

           
3
  

    
18
 
  
3

              




    
24

   
3

       


        
30

          
3

  

        
   
36

3
      

  
   
41
 
    
3
     
54
Trumpet in Bb

LA VIE EN ROSE
Letra francêsa A VIDA CÔR DE ROSA
EDITH PIAF
Letra Brasileira
"You're too dangerous, Chérie"
OSWALDO SANTIAGO Musica de LOUIGUY
Letra Inglêsa

             
MACK DAVID Slowly


              
mp

         
5

                       
mf

  
9
   
       
 
 
 
    

   
13

                
   
mf

       
17

       
        

22
           
  
  
ten.
        
mf

    
 
25 1. 2.

          
 
 Agnus Dei
Trumpet in Bb Lamb of God
INTERMEZZO
English revision by Trumpet and Piano
Margaret Bristol
Georges Bizet


Maestoso q = 88 Allegro moderato q =163

               

dolce espressivo

21
         
         
sf

                
26 3

dim.

         
p crescendo...

              
31

      
 
f p

                 
36

  
       
p sf p cresc. molto ff
sf

        
               allarg.
41

  
p cresc. molto

45 

        
ff p

     
51 riten. molto

   
ff
56
 EXODUS
(CANÇÃO DO ÊXODO)
Trumpet in Bb
Versão de ROMEU NUNES Música de ERNEST GOLD
Versão de ALMEIDA RÊGO Letra de PAT BOON

Slowly
        
            

 
    
ff mp

 
          
6


           
 

 
10

                   
  

 
          
14


            


1.
 2.

18

                  


   
      
22
  
 
f

             
 
24

  
f espr. rit. ffz

57
 NOSSA SENHORA
___________________
Trumpet in Bb ROBERTO CARLOS

         
        
3

    
3 3


      
9 3 3 3

           


18

                
3 3 6


 
3

      
26

        
3

       
3 3

        
34 3

3

     
 
   


43 3
 
6

                
     

        
52

        
   


60

                  

      
68 rall.

           
64
 SING TO GOD
TRUMPET VOLUNTARY
Trumpet in Bb (The original chorus)
H. PURCELL

           
Allº Maestosoq = 100
     

ff f - mf

         
       
6

   


11
        
        
f

 
   
24

         
p

         
29

       

                   
34

  
f

      
      
39

 
Poco allag ...

  
ff

             
   
44

     

                   
49

 

poco rit ... molto rit ... 65
 Theme from Dying Young
(Tudo por Amor)
Trumpet in Bb or
Soprano Saxophone in Bb KENNY G
  
                     
p

             
11

       
mf

        
17 3

             
  
f

           3    3    3              3 
22 3 3

             3    3         
26

   
p f

           3             
     
32

                  3       
    
36 3

   
ff mf

   
41

                       

                               
47 3 3 3


f

  3                             3
51 3 3 3

  

 
          
55

        
3
    
66 p f
 Oração de São Francisco
(298)
Trumpet in Bb C.IRALA
q = 80

              
  
 
  

       
10

      


     
18 3
  
    

          
26

       

       
34

     
   

 
43

                   
 


52 3

              




61 3

                    

   
 
68

          
67
 Glória à Deus
Trumpet in Bb PE.NEY BRASIL

              
  
     

            
6

         

          
11

      


  
16

        
  

           
19

  
  

Glória
Trumpet in Bb MIRIA T. ROLLING

 
  
1
             
    

              
10

    


   
19

      
       
  

 
     
26

               
 
68
 O Senhor me chamou

Trumpet in Bb WALDECI FARIAS

         
JOMAR BRAGA

        
3 3 3 3

   

            
10

        
3 3 3 3

    
19

         
    

   
27
        
3 3 3

          

Senhor tende piedade

-Ato penitencial-
(Gregoriano)
Trumpet in Bb FREI JOEL POSTMA

 
1

         

  
9

        

69
 SANTO
Trumpet in Bb Repertório de Missa

                
   

 

                 
6

         


           
    
13 Bendito


         
  
f


19

          
        

  
23

    
       
   

Meu Coração transborda

Trumpet in Bb Repertório de Missa

          
1

           

          
7

          

      
13

                


             
19

      


      
1. 2.

23

             
70
 Cordeiro de Deus
Trumpet in Bb PE. NEY BRASIL

  
                    

 
7

                

 
12

                  

 
17

            

      
21

     

Cordeiro de Deus
Trumpet in Bb PE. JOSÉ CÂNDIDO DA SILVA

    
1

                       

   
                
9

       
   

          
16
  
         

 
24

                         

        
31

              
71
 Meu Deus como ès grande
(COMUNHÃO)
Trumpet in Bb MARIA LUIZA RICCIARD

    
                  
  

  
12
   
                


 
21

                           

   
30

   
   
          

  
38

              
    

Estàs entre nós

(Oferendas)
Trumpet in Bb Repertório de Missa


1

                



7

         
      
 


13

                 



18

      
          
72