Professional Documents
Culture Documents
Pre-Assessment:
This will need to be done prior to teaching your lesson. Outline the method you will use to determine the skill/knowledge level of your students based on the concepts/enduring understandings/objectives of the lesson.
(Hint: turn these into questions.) Be specific in describing what you would recognize as proficient skill/knowledge.
Students complete a checklist and check off all of the things they have done previously. Checklist will ask students if they’ve: used/put together a
jeweler’s saw, used a polishing machine, heard of polishing before, etc. This way teacher can see which students don’t have experience with
certain things and tailor instruction according to that.
Performance:
What will students accomplish as a result of this lesson? This can be presented to students in the form of a story. In this narrative the students take on a role and create a learning product about a specific topic for a
certain audience. (RAFT – Role / Audience / Format / Topic)
Students will create a key that unlocks something they love. For example, if students love motorcycling and that’s a big part of their life, they
would create a key with a design inspired by motorcycles. The key does not need to be “functional” but can have a creative twist to the actual
design of keys. (Head, teeth, etc)
Role - Student
Audience - Peers, Teachers, Parents
Format - Copper, nikel, or brass metal, cut by a jeweler's saw
Topic - Creating a key that unlocks something you love.
Concepts:
List the big ideas students will be introduced to in the lesson. These ideas are universal, timeless and transferrable. Examples of concepts used in art might include: Composition, Patterns, Technique, Rhythm, Paradox,
Influence, Style, Force, Culture, Space/Time/Energy, Line, Law/Rules, Value, Expressions, Emotions, Tradition, Symbol, Movement, Shape, Improvisation, and Observation Look for concepts in the standards, content
specific curriculum, etc.
Technique
Style
Symbol
Polishing
Line
Expressions
Elements/Principles
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Enduring Understanding (s):
Enduring Understandings show a relationship between two or more concepts; connected with an active verb. The best enduring understandings not only link two or more concepts; but demonstrate why this relationship
is important. Like concepts, they are timeless, transferrable and universal.
Students will understand how technique and polishing can enhance style/professionalism in a piece
Students will understand how to convey unlocking something they love by using lines and symbols.
Students will understand how to use artistic elements and principles to express a certain meaning or convey expression.
Objectives/Outcomes/Learning Targets:
Objectives describe a learning experience with a condition → behavior (measurable) → criterion. A
ligned to: Bloom’s – Standards – GLEs - Art learning and, when appropriate, Numeracy, Literacy and Technology.
Should be written as: Objective. (Bloom’s: _____ - Standard: _____ - GLE: _____ -Art learning: _____ -Numeracy, Literacy, and/or Technology)
Students will create a key out of metal that unlocks something they love. (Bloom’s: Create - Standard: create - GLE: Ideate and build works of art and design to demonstrate
growth and proficiency in traditional and new art media - Art learning: Polishing, sanding, filing, sawing - Numeracy, literacy, and/or technology: artist statement, new vocab
words, pictures of past examples)
Students will write an artist statement highlighting what they learned and decision-making along the way. (Bloom’s: Analyzing, Evaluating - Standard: Reflect - GLE: Use
criteria and personal discernment to evaluate works of art and design, taking into consideration the variables that influence how the work is perceived - Art learning:
communicating about art work, reflecting on art making - Literacy: artist statement involves writing)
Students will be shown examples of other artists/students who have created keys in this manner. (Bloom’s: remember, understand - Standard: Comprehend, Transfer - GLE:
Utilize the inquiry method of observation and the language of visual art and design to gather information and determine meaning. - Art learning: observing work, discussing
work, ideation based on example - Technology: Pictures shown on projector of past examples)
Students will file, sand, and polish their cutout key to a high professional manner. (Bloom’s: apply, create - Standard: Create - GLE: Establish a practice of planning and
experimentation to advance concepts and technical skills. - Art Learning: Polishing, sanding, filing, generally cleaning metal projects - Technology: students must know how to
use certain machines to achieve a professional polish)
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Differentiation:
Explain specifically how you have addressed the needs of exceptional students at both end of the skill and cognitive scale. Describe the strategies you will use for students who are already proficient and need growth
beyond what you have planned for the rest of the class, as well as modifications for students with physical and/or cognitive challenges. Students must still meet the objectives.
Literacy:
List terms (vocabulary) specific to the topic that students will be introduced to in the lesson and describe how literacy is integrated into the lesson.
Polishing
Jeweler’s saw
Professionalism
Literacy will be integrated during demonstrations. As students are being shown certain processes, they will be told new vocabulary words, as well
as the definitions, the implications, etc. Literacy will also come into play when students write their artist statement. Students are required to
consider what they have learned, what elements of art they used, if they were successful, etc.
Materials:
Must be grade level appropriate. List everything you will need for this lesson, including art supplies and tools. (These are the materials students will use.) List all materials in a bulleted format.
Brass
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Nikel
Copper
Jeweler’s saw
Polishing machine
Sand paper
Files
Saw blades
Clamp/ Wooden block for sawing
Drill tool for negative space
Resources:
List all visual aids and reference material (books, slides, posters, etc. Be specific; include title, artist, etc. Make reference to where the material can be found. (These are the resources used by the teacher to
support/develop the lesson.) List all resources in a bulleted format.
Resources are all pictures of past student work (That way students can see what has been done in the past, what the teacher counts as success, etc.)
Preparation:
What do you need to prepare for this experience? List steps of preparation in a bulleted format.
Safety:
Be specific about the safety procedures that need to be addressed with students. List all safety issue in a bulleted format.
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Action to motivate/Inquiry Questions:
Describe how you will begin the lesson to stimulate student’s interest. How will you pique their curiosity and make them interested and excited about the lesson? What inquiry questions will you pose? Be specific
about what you will say and do to motivate students and get them thinking and ready to participate. Be aware of the varying range of learning styles/intelligences of your students. Some ideas might include: telling a story,
posing a series of questions, role-playing, etc.
What would it look like if you could create a key to unlock something important to you? Something you love?
How would you create a key that conveys to everyone around you what you care about and what’s important to you?
What is important to you?? Why? How can you convey that in a tiny design for a key?
Ideation/Inquiry:
Ideation is the creative process of generating, developing, and communicating new ideas, where an idea is understood as a basic element of thought that can be visual, concrete or abstract. List and describe inquiry questions
and processes you will engage students in to help them develop ideas and plans for their artwork.
Students will first be asked their feelings about keys. After reflecting on that, students will be asked several questions above (without hearing about
the assignment first) so they are forced to contemplate and consider these broad questions. Students can quick write about the questions, talk in
partners, share in a group discussion, whatever the vibe in the classroom is that day. After that, students will be shown examples of keys in the past,
and fully introduced to the assignment. Doing it this way will force students to contemplate and think deeply, without knowing what expectations
are for the project (it gives them a chance to think freely). Students will be shown MANY past examples to see exactly what was successful and
what wasn’t, what ideas can be pursued, how students in the past handled the topic, etc. Students can use past examples, as well as the answers to
the above questions, to guide their design and come up with a truly unique concept. Students are asked to sketch out at least three separate ideas,
based on the examples and questions.
Instruction:
Give a detailed account (in bulleted form) of what you will teach. Be sure to include approximate time for each activity and instructional methodology: skills, lecture, inquiry, etc. Include motivation and
ideation/inquiry where appropriate; including what student will understand as a result of the art experience
Day
2 10 mins - Block Day Reflection - Understand strengths and weaknesses in different key designs to
- Students are given a prompt for their block day reflection. create a more successful design
85 Today, the prompt is asking them to critique 2 examples of - Create and transfer their design onto their metal
mins keys, focusing on strengths and weaknesses - Clean up their spaces and tools thoroughly
- After a few minutes of thinking and writing, students are - Develop a clear and successful design for their key
asked to discuss their thoughts. Students may receive saw
blades as a “prize” for participating in the discussion
- Students are shown a few more examples of keys, as well as
why they are successful/unsuccessful
70 mins - Work time
- Students are given most of the rest of time to work on their
keys
- Today, students need to finish coming up with their design
and gluing it onto their metal
- Most students will probably get started with cutting today as
well, although that’s not necessarily a requirement for
today
- Teachers will come around and answer any questions that
may arise
5 mins - Clean-up
- Students are given the end of class time to clean up their
tools and spaces
- Students need to pay special attention to metal shavings that
may have come off while sawing
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Day
3 10 mins - Intro/Demo - Understand how to file and sand effectively
- Students are given a list of things they need to get done - Finish cutting out piece +negative spaces
48 today - Understand what is expected of them for the day
mins - Students must finishing cutting out their piece and the - Work on their keys
negative spaces in their piece - Clean and file their key to create a more successful piece
- Students are given a short demo on how to file and sand - Clean up their tools and spaces thoroughly
their piece
- Students can’t use dremel tool for metal project because it’ll
make the metal even coarser
- Students are expected to file all edges and use every grit of
sandpaper on their pieces
- Students are reminded how to sand and file so they know
what is expected of them
33 mins - Work time
- Students are given the rest of class time to work on key
- Students are expected to finish most of cutting and begin
filing their pieces by the end of class
- Teachers will walk around and answer questions as they
arise
- Students are expected to file according the the
demonstration today
5 mins - Clean-up
- Students are given the end of class time to clean up their
tools and spaces
- Students need to pay special attention to metal shavings that
may have come off while sawing
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- Most students should be focusing on filing and sanding their
keyes, getting them ready to be polished
- If not fully cut out yet, students should focus on finishing
that today
5 mins - Clean-up
- Students are given the end of class time to clean up their
tools and spaces
- Students need to pay special attention to metal shavings that
may have come off while sawing
Day
5 10 mins - Grading Breakdown - Understand how they will be graded, and let that guide their
- Students are shown exactly how these keys will be graded decision making
48 - Keys are graded on professionalism, creativity, - Continue to file, polish, and sand their key
mins craftsmanship, the presence of negative space - Clean up their tools and spaces thoroughly
- Students should fully understand what is expected of them
for this project and how they will be graded
33 mins - Work time
- Students are given most of class time to work on key project
- Students should be completely done with cutting at this
point
- Ideally, most students will be finishing up polishing and
filing this class and next class
- If students finish early, they will be given an extra credit
assignment involving cutting out a US state from metal
5 mins - Clean-up
- Students are given the end of class time to clean up their
tools and spaces
- Students need to pay special attention to metal shavings that
may have come off while sawing, filing, or sanding
Students are asked to complete an artist statement based on a series of predetermined questions. This helps teacher gauge the level of
understanding, the purpose behind each piece, and how the student feels about the particular assignment. In order to go a little more in depth,
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students are asked to share their thoughts and ideas with a partner before turning in their key and artist statement. This way, students are allowed to
feel accomplished and practice talking about their art in an academic manner. The artist statements are a great tool for reflections, partner work is a
great tool for learning how to talk about art.
Studio Time and Work ethic (Did students use their time wisely, take
advantage of every period, etc)
Self-Reflection: After the lesson is concluded write a brief reflection of what went well, what surprised you, and what you would do differently. Specifically address: (1) To what extent were lesson objectives
achieved? (Utilize assessment data to justify your level of achievement.) (2) What changes, omissions, or additions to the lesson would you make if you were to teach again?
This lesson was very successful, and very engaging for my students. Because this is one of the very first lessons for a metals 1 class, it was a fairly
simple project. However, the criteria for it allowed students to be truly creative and create pieces they could be proud of. The objectives of this
lesson were highly achieved by students. The main thing I wanted them to learn how to do was polishing their piece to a high professional level. I
felt as though the students who put forth the effort were extremely successful in this objective. Although other students weren’t as successful, the
main reason was simply because they didn’t have the patience to go through all sand grits and use the polishing machine. Because of this, I feel the
only improvement this lesson needed was more motivation for students. The project itself was really cool, and you could tell students were excited
to create personal keys. However, some students just didn’t have enough excitement to carry them through all grits and polishing. To combat this, I
could’ve tried to come up with some kind of moral booster for the middle of the lesson that would reinvigorate my students and give them enough
excitement and inspiration to reach my objectives.
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Other than a moral booster during the lesson, there weren’t many things I would have changed about this lesson. The demo went extremely well,
and it was clear that students understood exactly how to use the polishing machine safely by the end of the lesson. Most of the keys my class turned
in ended up in the display case because of how beautiful and detailed they were. Perhaps this lesson would have been enhanced if I had shown
more artists who created pieces similar to these. However, I specifically chose to only show past student work because it made students more
comfortable with the idea, it showed them that people in their age group have been extremely successful (and they can too), and it didn’t intimidate
them like an artist’s work might. All in all, this was a great lesson that the students enjoyed thoroughly. Now that they can successfully use the drill
press, polishing machine, and jeweler’s saw, the next lesson will feature a demo on soldering.
Appendix: Include all handouts, prompts, written materials, rubrics, etc. that will be given to students.
Artist Statement:
Name: ______________
Date: _____________
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5) If there was one thing you could change about your piece, what would it be?
Rubric:
Execution, Originality, - Students create a key that is - Student creates a key that is - Student creates a key that is - Student creates a key that - Student creates an artwork
bold, brave, and completely completely original and original and somewhat feels somewhat cliche that feels cliche or “done
and Uniqueness original reflective of personal “voice” reflective of personal “voice” - Personal “voice” and style as before” or copied from the
- Artwork is highly reflective of and style as an artist and style as an artist an artist needs further internet
personal “voice” - Risk taking is evident and - Risk taking could be pushed exploration - Little to no personal “voice”
- Rick taking was clearly part artist has made new to make deeper connections to - Minimal risk taking shown or style as an artist
of the process connections to material/process - No risk taking shown
material/process - OR student did not complete
project
Requirements and - Not only are requirements - All requirements are met - Most requirements are met - Some requirements are met - Minimal requirements are
met, but they are exceeded - High level of - Strong level of - Satisfactory level of met
Craftsmanship - Exceptional awareness of awareness/understanding of awareness/understanding of awareness/understanding of - awareness /understanding of
techniques and steps shown in techniques and steps shown techniques techniques techniques not shown
a high quality, neat, engaging - Strong quality, neat, - Acceptable quality, level of - quality and level of neatness - Artwork lacks a sense of
artwork engaging artwork neatness, engaging artwork needs improvement PRIDE or focus
- Artwork lacks engagement - Artwork is not complete
Studio Time and Work - Student ALWAYS puts in - Student often puts in effort - Student usually puts in effort - Student sometimes puts in - Student rarely puts in effort
effort and ALWAYS and almost always perseveres and perseveres when effort and perseveres when and often gives up when
Ethic perseveres when problems when problems arise problems arise problems arise problems arise
arise - Tools and materials are - Tools and materials are - Tools and materials could be - tools and materials not cared
- Tools and materials are properly used and maintained properly used and maintained treated more respectfully for or maintained
properly used and maintained - Student is on task and - Student is usually on task - Student is sometimes on - Student is rarely on task,
- Student is on task and consistently working toward and working towards task, but needs to work harder and/or shows little interest in
always working toward improvement improvement towards improvement growth or improvement
improvement - Helps and encourages others - Helps and encourages others
- Always helps and
encourages others
Ideation - Highly inspiring level of - Inspiring level of exploration - Effective level of thought and - Some level of thought and - Minimal or no thought and
exploration into idea into idea exploration exploration exploration
- More than 3 sketches with - 3 sketches with notes taken - 2 sketches with notes taken - 1 sketch with notes taken - no sketches and/or no notes
notes taken from presentation from presentation of previous from presentation of previous from presentation of previous taken
of previous examples examples examples examples - No interest in connecting on
- Profound connections made - Clear connections made on a - Connections could be - Work lacks connections on a a personal level
on a personal level personal level pushed further personal level
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