All

That Matters
from the Broadway Musical Finding Neverland

 6   
          

Words and music by Gary Barlow and Eliot Kennedy

 8
arr. Ceven Webb

 
  = 50 Timid solo

Soprano

 6      
 8
There are days when I feel so a fraid I can

Soprano II


Alto   86      

6  
  8                    
    

   86    
    
Piano

 
      
                
7

S.

    

hard ly re mem ber to breathe. When re al i ty crash es in wave af ter wave

Mzs.

    
A. 

            
            
    


        
Pno.
  
       
     
  
  

11

S.

   

pull ing me fur ther be neath. So what's the point in plan ing for a

Mzs.

   


A.

 
               

   

 
  
   
   
Pno.

  

  
           
      
14

S.

    

fut ure, when it all can be sto en a way? It's all I can do to hold

Mzs.

    

  
A.

  
       
                     
4


   
      
Pno.

2
  
    
              
18

S.

    

on and sur vive when the co lors have fad ed to gray. But my

Mzs.

    


A.

   
          
  
        
  
     
Pno.

 

                   
21

S.

   
 
chil dren need so much more from me and they give me the strength to go

Mzs.

   
 
          
      
A.

 

    
      
  
 
Pno.

3
     
                 
   
24
emd solo 
S.

           
on, what ev er may come. All that mat ters now is



Mzs.

          

All that mat ters now is




      

A.

     
          
   
All that mat ters now is

   
 
       
 
Pno. 



  
                        


28

S.


                       

where I go from here. There's an eas i er way if I live for to day. The

Mzs.

  
                        
where I go from here. There's an eas i er way if I live for to day. The

A.

        

 
                      
 
where I go from here. There's an eas i er way if I live for to day. The

     
        
 
Pno. 



4
  
                   
  
 


32

S.

    
                   
beat ing of my heart is all that mat ters, mat ters. He makes

 



Mzs.

   
                   
beat ing of my heart is all that mat ters, mat ters. He makes

 



A.


                        
beat ing of my heart is all that mat ters, mat ters. He makes

  
    
          
Pno.  



   
     
             
37

S.

  
         
 
sense of all of my cha os in ways I can nev er ex plain. He turns

Mzs.
      

  
         
sense of all of my cha os in ways I can nev er ex plain. He turns

A.
        
      
            
sense of all of my cha os in ways I can nev er ex plain. He turns

          

          
Pno.

5
  
    
                   
41
3
S.

    
                
all of my sad ness in to a smile He's help ing me live life a gain. It's the light

  
3
Mzs.

    
  
all of my sad ness in to a smile He's hel ing me live life a gain. It's the light

               
3
A.

  
           
   
    
all of my sad ness in to a smile He's help ing me live life a gain. It's the light

      
     
    
Pno.

    
             
  
45

S.

   
                
in the eyes of my chil dren it's the sound of their laugh once

Mzs.

  
                 
in the eyes of my chil dren it's the sound of their laugh ter once

A.

               
        
in the eyes of my chil dren it's the sound of their laugh ter once


        
Pno.

6
    
 
             



48

S.

              
more. Its a glimpse of a life I dared on ly to dream and a

   

Mzs.


             
more. Its a glimpse of a life I dared on ly to dream and a

   


     
A.

           
more. Its a glimpse of a life I dared on ly to dream and a

          

   
4

   
Pno.




   
              
   
51

S.

               
dream on ly life could re store. And I know that some may not

  

Mzs.

           
dream on ly life could re store. And I know that some may not

      


  
A.

         
     
  
 
dream on ly life could re store. And I know that some may not

   
 
      
   
Pno. 



7
               
         

54 
S.


                      
un der stand, but he's guid ing me safe ly to shore, not a fraid an y more.

Mzs.


                      
un der stand, but he's guid ing me safe ly to shore, not a fraid an y more.


         

A.

          
  
un der stand, but he's guid ing me safe ly to shore, not a fraid an y more.

     
       
 
Pno.

  
         
     
58

S.

      
        
All that nat ters now is where I go from

Mzs.

  
            
All that mat ters now is where I go from

          
A.

            
            
All that mat ters now is where I go from

    
   
     
      
  
  
Pno. 



8
         
            
   
61

S.


          
        

here. There's an eas i er way if I live for to day. The

Mzs.


                

  
here. There's an eas i er way if I live for to day. The

             
A.

       
            
here. There's an eas i er way if I live for to day. The

         
   
Pno.



  
                
 
64

S.

 
              
beat ing of my heart is all that mat ters. It

Mzs.

 
              
beat ing of my heart is all that mat ters.


A.


 
     

 
            

   
   
beat ing of my heart is all that mat ters.

   
     
     
      
    
  
Pno.

9
    solo ad lib- free             
   
    
 
68

S.


  
        
 
takes me far a way. There's an eas i er way if I

Mzs.


  
        
 
There's an eas i er way if I

          
A.

      
                 
There's an eas i er way if I

 
             
  
Pno.



  
                
 
71

S.


  
             
live for to day. The beat ing of my heart

Mzs.


  
         
   
live for to day. The beat ing of my heart

 
A.

         
          
 
  
live for to day. The beat ing of my heart

  
   
          
   
Pno.

10
         
   
  
74 

S.

   
   
        
is all that mat ters!



Mzs.

   
   
     
is all that mat ters!




       

A.

              


is all that mat ters!

    
    
         
   
Pno.

11