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Neal Battaglia
Monday, February 21, 2011
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Why?
Saxophone technique alone does not make a great
musician.....
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Neal Battaglia
Monday, February 21, 2011
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Finger Position
Correct positioning
Incorrect positioning
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Neal Battaglia
Monday, February 21, 2011
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Neal Battaglia
Monday, February 21, 2011
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Navigation
(Notes side by
side are
enharmonic
equivalents)
Bb (A#)
Monday, February 21, 2011
SaxStation.com Below the Staff
D
C# (Db)
C (B#)
B (Cb)
Bb (A#)
Monday, February 21, 2011
SaxStation.com Next Five Notes
G
F# (Gb)
F (E#)
E (Fb)
Eb (D#)
Monday, February 21, 2011
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Next Five Notes
C (B#)
B (Cb)
Bb (A#)
G# (Ab)
Monday, February 21, 2011
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Next Five Notes
F (E#)
E (Fb)
Eb (D#)
C# (Db)
Monday, February 21, 2011
SaxStation.com Next Five Notes
Bb (A#)
G# (Ab)
F# (Gb)
Monday, February 21, 2011
SaxStation.com Eb (D#)
Next Five
Notes D
C# (Db)
C (B#)
B (Cb)
Monday, February 21, 2011
SaxStation.com Top three notes
F# (Gb)
F (E#)
E (Fb)
RH
LH
LT RT
T=Thumb
P=Pinky
H=Hand
Left Hand Right Hand
Fingers 1,2, 3
Monday, February 21, 2011
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L2
L3
R1
R2
R3
Sometimes
adjustments to
the palm keys
make this easier.
Abbreviated LH
Monday, February 21, 2011
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Right Hand Side Keys
Abbreviated RH
Eb and C keys
Use RP
L2
If you don’t have that 23rd key (high F#), don’t worry about it!
The note can be played without that key.
Enharmonic Equivalents
Notes can be written different ways to describe the same
pitch.
Alternate Fingerings
Some alternate fingerings are more equal than others.
Treble Clef
Bb a.k.a. A#
L1
L2
Both ‘Bb’ and ‘A#’ L3
show up in music.
LP R1
There is only one
fingering for this R2
note, maybe Chuck R3
Norris knows
another RP
(a.k.a. Cb)
L1
L2
L3
LP
R1
R2
R3
RP
(a.k.a. B#)
L1
L2
L3
R1
R2
R3
RP
C# a.k.a. Db
L1
L2
L3
LP R1
R2
R3
RP
L1
L2
L3
R1
R2
R3
L1
L2
L3
R1
R2
R3
RP
(a.k.a. Fb)
L1
L2
L3
R1
R2
(a.k.a. E#)
L1
L2
L3
R1
F# a.k.a. Gb
L1
The first note with an L1
alternate fingering! L2
L2
L3 Alternate
Generally, use the L3
usual fingering, the Fingering
alternate can be useful R1
in some situations - R2
for example F -> F# at
high speeds. R3
L1
L2
L3
G# a.k.a. Ab
L1
Alternate Fingerings
L2 (Pinky used for all table keys)
L3
LP
Main
Fingering
L1
L2
Bb a.k.a. A#
Three good fingerings
L1 L1 L1
L2 L2
L1
R1 Two more
alternates
R2
R1
Monday, February 21, 2011
B
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(a.k.a. Cb)
L1
(a.k.a. B#)
L1
L2
Alternate
C# a.k.a. Db
LT
L1
L2
L3
R1
R2
R3
LT
L1
L2
L3
R1
R2
R3
RP
(a.k.a. Fb)
LT
L1
L2
L3
R1
R2
(a.k.a. E#)
LT
L1
L2
L3
R1
F# a.k.a. Gb
LT
L1
LT
L2 L1
Main fingering L3 L2
Alternate
L3
R2 R1
R3
Monday, February 21, 2011
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LT
L1
L2
L3
G# a.k.a. Ab
Main fingering
Three alternates
L1 L1 L1 L1
LT LT LT
L2 L2 L2 L2
LT
LP L3 L3 L3
L3
LP LP LP
L1 LT
L2
Bb a.k.a. A#
LT LT LT
L1 L1 L1
Two extras
L2 LT
Three main L1
fingerings
RH R1
R2
(a.k.a. Cb)
L1 LT
(a.k.a. B#)
LT LT
L1
L2
RH
(Alternate, doesn’t
sound quite as good)
C# a.k.a. Db
LT
LT
LH
LT
LH
(a.k.a. Fb)
L1
LT LT
LH
L2
R1 L3
(Side)
(a.k.a. E#)
L1
LT LT
LH
L2
R1 Either fingering
(Side) works, think about
the context in which
the note appears.
F# a.k.a. Gb
L1
LT LT
LH
L2
R1
(Side)
RH
R3 Either fingering
works, think about
the context in which
the note appears.
Monday, February 21, 2011
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Acknowledgements
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