1

“BASILISK”
Written by
Jordan Streete & Natapong Collins

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CAST
ARTHUR HOLDEN JORDAN STREETE
NOAH SHEPARD NATAPONG COLLINS
OTTO SCHMIT N/A
MARIA SMOKE SAMANTHA COLLINS
DAEMON BLACKWATER JOHNNY STEEL
ZIKO MORTIV N/A
CREW
DIRECTORS JORDAN STREETE/NATAPONG COLLINS
CINEMATOGRPAHY NATAPONG COLLINS
CAMERA 1 NICO FERARI
CAMERA 2 ALEX JOSEPH
SOUND TIA SMITH/ELLOUISE MORRISON/NATAPONG COLLINS
EDITOR JORDAN STREETE
LIGHTING NATAPONG COLLINS

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SCENE 1
EXT.GRAVEYARD.MORNING
ARTHUR is standing in a graveyard. He stands alone, in the cold.
He is looking over his girlfriend’s grave, a ring in his hand. We
see him walk down a road, and look down to his phone, seeing a
missed call from his therapist. We see ARTHUR’S face, he looks
tired, and very unwell.
INT.BAR.MORNING
We see ARTHUR sitting, alone. The pub is barely open.
ARTHUR
Beer.

We see the barman go to the back as ARTHUR takes a seat. Flashes

of ARTHUR’S old military task force appear, surround ARTHUR. He is
clearly in a distressed state with his dead look, as the memories
of his late friends become more potent and painful, we see ARTHUR
not even blink but seem to build himself with anger and sadness.
“pop”. The barman places a drink down for ARTHUR’S, which breaks
ARTHURS frozen look, and the flashes of his old friends abruptly
disappear. We see ARTHUR’S cold relief and he bring the beer to
his mouth. He slams the empty beer bottle down on the bar.
CUT TO:
SCENE 2
INT.ARTHUR’S HOME.AFTERNOON
ARTHUR is passed out on his bed. There are beer and wine bottles
placed everywhere around the room. The house is dirty and worse
for wear. There’s a knock on the door. Arthur falls out of bed. He
is off kilter from the sudden fall and takes a moment for ARTHUR
to re-adjust. He finds a half empty bottle of beer on the table.
It is warm, but he takes a swig and then downs it. He throws the
bottle onto the floor. A sudden knock at the door startles ARTHUR.
No one ever knocks. Who is it? ARTHUR goes up towards the door.
All that he can see is a silhouette of a man, as the door knocks
again. ARTHUR opens the door to reveal NOAH SHEPPARD, the only
other survivor of the task force.
ARTHUR
What are you doing here?
NOAH

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Well that was a warm welcome.

ARTHUR
Didn’t answer my question.
NOAH
I came to talk
ARTHUR
Talk?!(Scoff’s) You took your time.
NOAH
I had some things to take care of.
ARTHUR
Take care of! You weren’t even at the funeral, and you just show
up here like nothing’s happened. Where were you huh? What was so
fucking important?
Grabs NOAH’S shirt.
I needed my friend!
NOAH
I was gathering information
ARTHUR
On what
NOAH
Him
They lock eyes.
ARTHUR
What did you find?
CUT TO:
SCENE 3
INT.BAR.AFTERNOON
ARTHUR and NOAH sit at the bar.
ARTHUR
So what have you got?

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NOAH
Name: Ziko Mortiv, supposed member of Basilisk. We have strong
ties to Ziko with a case back in Gibraltar. I found a possible
location of his lab and did recon around the perimetre, 10 guards
stationed round the outside of the base. Guards switch posts
every 10 minutes, most paired in groups of two. Stealth takeout,
guns as last resort. We should be able to flank from the west and
attack from behind. Swift and clean. We don’t want any unwanted
attention. Infiltrate and extract, we need Ziko ALIVE.
ARTHUR
I can’t promise anything
NOAH
Nice to see you haven’t changed
There’s a short pause, ARTHUR reverts his eyes down to the document
laid out on the bar.
ARTHUR
What time?
NOAH
Prime activity is at 2400 hours
ARTHUR’S phone buzzes loudly on the surface of the bar. He opens
phone to see a message. He glances to see a message from his
therapist. He turns his phone off and scoffs.
NOAH
Who was that?
ARTHUR
Therapist, been nagging me about this session for months
NOAH
How have you been coping?
ARTHUR
I don’t want to talk about it
NOAH glances at him, and he looks back down at his drink and
finishes it.

CUT TO:

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SCENE 4
INT.ARTHURS HOUSE.EVENING
ARTHUR and NOAH go back to the house.
NOAH
Jesus.
ARTHUR
Yep.
NOAH looks round the room, seeing the dust on the shelves and the
large amount of beer and wine bottles scattered around the house.
NOAH
You still got all the old equipment
ARTHUR
Yeah, it’s probably somewhere around here (says non-chalontly)
They both look around the room. ARTHUR rummages around the spare
closet. Behind a large assortment of junk ARTHUR finds large box.
He opens it up to reveal a small assortment of gear. He picks up
the box and gets up and turns around towards the room. As he does
a hallucination of his deceased girlfriend appears in front of him.
He is stunned by the sudden appearance and he becomes frozen. The
flash is brief but leaves Arthur in a shocked state. The girlfriend
flickers in and out before dissipating. Arthur drops back slightly
and takes a moment to balance himself.
NOAH
Ay you alright
ARTHUR
I’m fine!
He shoves past NOAH and put the box the bed. ARTHUR opens the box,
takes out the Kevlar vests, guns and then lastly a small box. He
opens it up to reveal contact lenses. Montage of suit up begin.
Guns loaded. Kevlar loaded. The end shot of the montage is of the
contact lenses being put in and them activating.
CUT TO:
Before leaving the house, NOAH puts ARTHUR to one side. He reaches
into one of his side pockets and takes out a small box.
NOAH

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Wait a sec
ARTHUR turns around and NOAH hands the box to ARTHUR. He looks down
at the small box confused.
ARTHUR
What’s this?
NOAH
Ingestible Micro-bots. If you sustain any major injuries inside
your body, activate and inject this into your arm, should help
heal any fatal injuries. This is the newest in the line of tech,
Picked this up about a month ago.

ARTHUR
Right
ARTHUR opens the box to reveal the syringe. He examines as NOAH
explains before closing the box and putting it into one of his side
pockets.
CUT TO:
SCENE 5
EXT.ABANDONED AREA.NIGHT
ARTHUR and NOAH are crouched, surveying the area from afar. They
are waiting rotation to switch before they attack.
NOAH
Rotation in 2 minutes. Engage from the west, sweep the grounds,
In straight through the back entrance. Remember guns are a last
resort. Clear
ARTHUR
Yep
NOAH
Activate contact lenses, start recording, activate infra-red.
NOAH and ARTHUR engage on the base. They close in together and
begin to pick off guards. We see ARTHUR go up to a guard and come
up behind a guard, with a quick stab to the neck. They proceed
further, with NOAH going up behind a guard and stabbing into his
neck. More and more guards are eliminated. The last guard is none
the wiser as ARTHUR grabs his head and bring the knife down into
his throat.

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NOAH
I don’t know what’s in here, guns out, infra-red off.
NOAH grabs his tablet, a wire is attached with a camera at the end.
He places the camera under the door and checks the surroundings.
They open up the door. ARTHUR enter the building covering corners
as they go. Guards begin to engage them, and they begin to fire.
They proceed onward towards ZIKO lab, they storm in. Sweeping out
the last guards, ZIKO begins to run before ARTHUR tackle him to
the ground. He begins to beat ZIKO. NOAH begins to shout at ARTHUR.
NOAH
Arthur!
Arthur that’s enough!
NOAH tears Arthur off ZIKO. ARTHUR retaliates; however, NOAH
counters and pins him to the wall.
ARTHUR
Get off me Noah
NOAH
We need him to talk
ARTHUR
I don't want him to talk; I want the truth
NOAH
We need him alive for that
ARTHUR
That scum bag doesn’t deserve to live
NOAH
You really have changed.
We need him alive. Did I not make myself clear? We need him to
find DAEMON. That’s the man you want. That’s the man who killed
her. Now stand down
ARTHUR’S grip loosens and his face drops. NOAH lets go of him and
he looks at him.
NOAH

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Go home Arthur.
NOAH walks away and injects the micro-bots into ZIKO, and we see
ZIKO stabilize. We follow ARTHUR leaving the room as NOAH IS
interrogating him. NOAH’S face reads disappointment and guilt.
CUT TO:
SCENE 6
INT.ARTHURS HOUSE.NIGHT
ARTHUR is on the bed, bottle in hand. He gulps down the rest. NOAH
storms in with anger on his face.
NOAH
What the hell were playing at? You nearly jeopardized this whole
thing.
ARTHUR
You’ve got some balls, trying to boss me around
NOAH
What happened to you man?
ARTHUR
You wanna know what happened to me? I LOST EVERYTHING… and where
the fuck were you. I NEEEDED YOU! YOU ABANDONED ME. You act as if
nothing happened
NOAH
I learned to deal with the pain, what did you do?
ARTHUR
I have spent every single waking hour torturing myself, blaming
myself. I should’ve helped, but I couldn’t.
NOAH
You couldn’t help, there was nothing we could do
ARTHUR
I loved her… and I couldn’t save her so what did I do? I left her
NOAH
She would’ve wanted you to live
ARTHUR

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Why? So, I could end up like this, a shell of the man I used to
be. I’m nothing now, I have no purpose, nothing.
NOAH
She would have wanted you to move on

ARTHUR
Don’t you fucking dare. You don’t know what it feels like when
you lose your SOULMATE! She was the one, and I am the reason she
isn’t here. I am the one whose confidence fucked everything up.
I’m a monster, the only difference is I am no longer trying to
hide that.
ARTHUR GLARES AT NOAH, which shakes NOAH to the bone. He grabs a
beer and leaves, slamming the door on the way out.
CUT TO:
SCENE 7
EXT.OUTSIDE RESTAURANT.DAWN
ARTHUR IS WALKING DOWN THE ROAD, DRINKING HIS BEER BEFORE THROWING
IT AWAY. We see him look through a window of a restaurant. He
begins to hallucinate and from the reflection of the window he sees
his girlfriend. He stares at her, with his face filled with sadness.
The reflection fades and we see a real reflection, of a man standing
right behind him, making direct eye contact with ARTHUR. ARTHUR
immediately breaks his gaze onto the mysterious man. ARTHUR sprint
to him and pins him up against a wall.
ARTHUR
Who the hell are you?! (Angry)
OTTO
Uh… uhh (Scared)
ARTHUR
I’ve had a long day, you better tell who you are before I beat it
out of you. (Scared)
OTTO
My names Otto Schmidt. I’ve got information on Daemon Blackwater.
ARTHUR
OH MOTHER FUCKER. (Fed up/agitated)

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ARTHUR takes out his phone and calls NOAH

Noah meet me at the bar I’ve got something.
CUT TO:
SCENE 8
INT.BATHROOM.MORNING
ARTHUR and NOAH are stationed in a bathroom, looking at OTTO.
ARTHUR and NOAH are both stood over him with their arms crossed
him.
NOAH
Where the hell did you find this guy? (confused)
ARTHUR
He found me
NOAH
So, what’s his deal?
ARTHUR
He said he knows some information on Blackwater.
NOAH
Did you de-bug him?
ARTHUR
Wait what... no I just brought him here
NOAH
Jesus Christ
NOAH goes up to OTTO and begins to search him. He takes off his
jacket and searches all the pocket before throwing it to ARTHUR.
He checks his back pocket for anything and finds a phone.
NOAH
Arthur?
He throws ARTHUR the phone and ARTHUR takes it and throws OTTOS
phone at the wall. OTTO flinches in fear. NOAH carries on looking,
searching the rest of OTTO’S pockets before taking off his shoes.
He examines the shoe before lifting the sole to reveal the bug.
NOAH shows the bug to ARTHUR. ARTHUR tries to go for OTTO, but this
time NOAH stops him, and ARTHUR doesn’t resist.

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NOAH
Let’s hear him out
ARTHUR looks at NOAH and he stands down. NOAH steps on the bug
Talk!
OTTO
I was forced to work for Basilisk for 3 years. I was worked in
intelligence and after I found out there were people threatening
Basilisks infrastructure, I decided I wanted to help. I have
information which can bring basilisk down
ARTHUR
Sounds like a load of bollocks
OTTO
No its not I swear (Panicked)
ARTHUR
You were following me? (Slowly getting madder)
OTTO
Well I was making sure it was you. Besides ,before I could do
anything you had me pinned to a wall.
ARTHUR
Fair enough
NOAH looks back at ARTHUR with a discerning looks, ARTHUR simply
shrugs his shoulders. NOAH looks back at OTTO.
NOAH
Ok we got to get you out of here, now
NOAH lifts-up OTTO and ARTHUR follows them out of the bathroom.
CUT TO:
SCENE 9
INT.BAR.MORNING
They all come out of once and walk through the pub. There is a much
larger increase of people in the bar and many without drinks. The
all walk out of the toilet into the bar area. As the walk out
ARTHUR and NOAH’s eyes survey the room. The notice some men that
are scattered round the bar. It is very early in the morning and
no one is ever in in that time

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ARTHUR
Want a drink
NOAH
Yeah why not

He looks at OTTO as he says this with an alarming look which makes

OTTO nervous.
OTTO
Wait what, I thought we were leaving.
NOAH
Change of plan
They sit at the bar and order a beer.
They sit down and ARTHUR is still looking round subtly. ARTHUR and
NOAH share a glance with each other. OTTO is oblivious.

OTTO
Well… like I was saying, I work for basilisk’s intelligence unit,
this unit is located in the biggest of the three locations.
Daemon visits every 5-6 months and usually stays for a month
checking progress. I only know where this location is, so we
would have to breach him there. It is located…

ARTHUR is about to take a sip of his drink before he is tackled

off his stool to the ground. NOAH is then attacked by an armed man.
The man tries to slash him with the knife. NOAH blocks the knife
away from his body, slams the knife down on the table and slams
his head down onto the knife. The man falls to the ground taking
the knife with it.
ARTHUR enraged. Rips the man who tackled him, off on to the floor,
he delivers a fatal stamp to the man’s head. He engages the next
man and hits him up against a wall. He slams the man’s head, several
times brutally, drawing back the man’s head before slamming it one
last time.
ARTHUR
We need to get our shit and get out of here, now!

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NOAH drops the last thug to the ground and grabs OTTO. They leave
the bar and head back in a panicked state. They arrive at the house
and quickly grab their things.
NOAH
Have you got everything, Arthur?

ARTHUR
I should have, I’ll check the back room
ARTHUR goes into the backroom and searches round the room. OTTO
comes in, and walks over quietly. He spots a picture of ARTHUR and
LILY in a photo. He picks it up and immediately connects with it.
OTTO
You’re a lucky man
ARTHUR
What?
He swivels, the picture to ARTHUR.
OTTO
Your wife
ARTHUR looks away quickly trying to hold back his anger.
ARTHUR
I don’t have a wife
OTTO point at the ring and ARTHUR pauses. He looks down, before
looking back at OTTO with an unsettling glare.
OTTO
Oh, sorry it was wrong for me to assume, I… I. (Very Nervous and
scared)
ARTHUR looks down, controlling his anger. He gets up with a stern
face, he walks up to him and he takes the picture off of OTTO and
places the picture back face down.
ARTHUR
You didn’t know.
ARTHUR walks back into the living room. And places his bag of stuff
on the bed.

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ARTHUR
Where are we going, because we sure as hell can’t stay here?
Noah?
NOAH
Maria? She can get us off the grid.
There’s a short pause
ARTHUR
Alright (Accepting)
ARTHUR hears a noise, he walks over to the window, and he spot four
silhouettes walk into the apartment building.
ARTHUR
We gotta go now.
ARTHUR looks over at OTTO.
ARTHUR
Stay close
NOAH moves towards the door.
NOAH
Arthur, where?
ARTHUR
4 men, stair well
NOAH
Any other way out?
ARTHUR
No
NOAH
Then we go through them
They storm out of the house and they begin the push through them.
They attempt to stop them, but Arthur throws them off, with OTTO
running past and NOAH finishing them off. They exit the building
complex. They run down the street. NOAH takes out his phone. He
scrolls through and finds Maria’s number. He calls her.
NOAH

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Maria, I’ve got a favor.

CUT TO:
SCENE 10
INT.MARIA’S HOUSE. AFTERNOON
The doorbell rings. MARIA opens the door. The 3 stand at the door.
MARIA
Arthur
ARTHUR
Maria…
CUT TO:
MARIA
So, let me get this straight, you want me to get you off the grid
so that you can go and hunt down Basilisk… again.
ARTHUR
Pretty much, yeah
MARIA
The things I do for you. It’ll take me a couple days but I can do
it.
She stands up from her desk and walks over to OTTO.
MARIA
Maria, that’s all you need to know (Gives a soft wink)
OTTO
Otto, nice to meet you.
ARTHUR
I don’t mean to intrude, but have you got any beer?
MARIA
We don't drink in this house, water would be good for you
ARTHUR grunts and OTTO walks away. NOAH is about to walk off, MARIA
stops him and puts him into one side.

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MARIA
Why are you doing this, why now?
NOAH
Arthur needs this
MARIA
How’s he been holding up?
NOAH
He hasn’t. I should never have left
MARIA
You did what you had to do
NOAH
I left him when he needed me most.
MARIA
We both did.
ARTHUR is looking over the banister. He has another hallucination
of the squad getting ready for another mission.
MONTAGE:
OF HAIRCUT, TRAINING, SUITING UP. After the montage OTTO discusses
about the plan. Mentioning a laptop that they need to retrieve, as
it has everything of DAEMON’S and would be the key in dismantling
Basilisk.
They are both standing at the door with OTTO. They finish preparing,
cocking back their weapons. ARTHUR picks up a beer and takes a
swig. He looks at NOAH and smirks.
ARTHUR
Old habits die hard
CUT TO:
SCENE 11
EXT.BASILISK BASE. NIGHT
ARTHUR, NOAH and OTTO proceed towards the facility. NOAH completes
a comms check with MARIA. ARTHUR walks into the facility before
having a hallucination. He sees his old squad die, being picked
off one by one. ARTHUR becomes distressed and grabs his head. NOAH
walks over to him trying to calm him down.

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NOAH
Is everything alright
ARTHUR looks up at NOAH.
ARTHUR
Everything’s fine, let’s do this
ARTHUR gives NOAH a reassuring look and they begin to go into the
building.
MARIA
Arthur on your left
He turns and swiftly takes out the first guard. OTTO leads ARTHUR
and NOAH down the corridor, and they take out the next guard. They
make their way through the warehouse, taking out anyone in their
way. They move into a large area, where MARIA begins to break up.
ARTHUR
Maria, do you see anything
MARIA
Be… care…fu-… i- losing… (Distorted speech)
ARTHUR
Maria, do you copy
MARIA cuts out.
DAEMON walks out with a person either side of him. They begin to
unload suppressive fire on ARTHUR and NOAH. ARTHUR and NOAH jump
behind cover.
ARTHUR
You got a plan?
NOAH
Nope, you?
ARTHUR
No… shit.
OTTO slide over into their cover.
OTTO
I got a plan

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ARTHUR
Well thank god for that
OTTO
Daemons laptop, it just over by the crates, But I need a distraction
ARTHUR
I can do that.
ARTHUR takes off the promise ring and
Listen, I need you to take this, keep it safe
NOAH
That’s your promise ring, I can’t take this
ARTHUR
I know what it is, and I need you to keep it safe for me
NOAH
Don’t this Arthur! (Upset)
ARTHUR
I’ve already made up my mind. When I say grab the laptop and run.
OTTO nods
DAEMON!!!
The shooting stops.
NOAH
Arthur don’t
He grabs ARTHURS arm. Expecting ARTHUR to retaliate, he is
surprised to see him look back and smile
ARTHUR
Trust me
NOAH is shocked by ARTHUR’S response and NOAH loosens his grip
You killed my squad, you killed my wife, how about you come
finish the job. Man to man, I wanna see you bleed. Stand your men
down… and let’s finish this.
DAEMON
Deal

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ARTHUR throws his weapon out into the open space of the warehouse.
DAEMON glances at the weapon before looking back at his men
Stand down boys
The GUARDS lower their weapons. ARTHUR slowly stands up and walks
into the open whilst unstrapping his vest.
ARTHUR
Your face is looking as pretty as ever
DAEMON
I see you still got your wits about you.
ARTHUR
I’m going to kill you.
DAEMON
(Scoffs)
No. You won’t (Monotone)
ARTHUR engages DAEMON. ARTHUR swings with several punches to
DAEMONS mid-section. DAEMON easily defends the shots and
immediately shows his dominance with a clean hit to ARTHUR’S torso.
ARTHUR’S falls back a few steps and adjusts himself. ARTHUR re-
engages and tries to hit DAEMON with a swift kick to his hip.
DAEMON grabs ARTHUR’S leg, and kicks out his other leg, sending
ARTHUR to the floor. ARTHUR gets up again but this time DAEMON
engages and immediately tries to hit ARTHUR with a right hook.
ARTHUR grapples his forearm with both hands and throws DAEMON over
his shoulder onto the ground. ARTHUR not letting him have time to
recover, jabs DAEMON in the throat, before kneeing DAEMON in the
chest. DAEMON smiles, spitting blood towards ARTHUR. DAEMON gets
up, brushing off his chest. ARTHUR runs toward DAEMON, grappling
him and pushing him up against a wall. ARTHUR swings with a left
hook as DAEMON ducks under the punch and counters with a left of
his own directly to ARTHUR’S kidney. ARTHUR stumbles back, he goes
to then kick DAEMONS chest. On impact DAEMON grabs ARTHUR’S foot
and twists his ankle. ARTHUR falls to the floor, screaming in pain.
DAEMON walks over ARTHUR and grabs his shirt, pulling him up.
DAEMON unleashes several punches to ARTHURS face.
ARTHUR
Goooooooooo!!!
As ARTHUR screams go, NOAH stands up and takes out the two GUARDS
with his gun as OTTO runs towards the computer. DAEMON’S
concentration shifts to OTTO. ARTHUR takes this opportunity to

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punch DAEMON clean in the face, taking off DAEMONS mask in the
process. DAEMON’S enraged punches ARTHUR back down. DAEMON goes to
pull out his gun and as he aims towards OTTO, ARTHUR grabs the end
of the gun, pulling it down towards HIS SHOULDER. The gun fires
and ARTHUR falls back down to the floor. Whilst NOAH is running
out of the door, he sees ARTHUR on the floor bleeding out and his
face falls with sadness, and he carries on running.
ARTHUR looks up at DAEMON, who now stands over him, bloodied and
enraged. ARTHUR smiles.
(CUT TO A SHOT IN THE ADJACENT HALLWAY, ONE SHOT IS HEARD THAT
ECHOES THROUGH THE BUILDING, A FLASH IS SEEN AS THE SHOT IS FIRED)
FADES TO BLACK:
SCENE 12
EXT.GRAVE YARD.MORNING
NOAH stands over ARTHUR’S grave, mirroring the start of the film.
We see him in possession of the promise ring and he grasps it
tight.
(POSSIBLE SHOT: CLOSE UP OF NOAH AND WE SEE HIS SADNESS AND REGRET,
FILM FADES OUT WITH A FINAL WIDE SHOT SHOWING ARTHUR LOOKING OVER
THE GRAVES)
ROLL CREDITS:

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