gce pes ‘project ohne Beran Coxe itor David Gauthier, Jamie Aen ‘Jost Noble Maren fae Fst tation September 2012, 100 copes Seton Bition: Oetber 2012) 300 epice DPubishod by Hae Berea ‘Panto in darelona code poemecom © Asuct 2012, The Auhors “This hook and entunt fe enaed under a Creve ‘Conran sbaon NonCommerda! NeDests 3. ‘Unported LicenseFOREWORD In this room are images Teannot Hook at ‘Objects and people I eannot recognise ‘Codes [wil never decipher Books fill never road Tean see, fean hear 1 have my own language Poetry and computer code come out of language Many forme of poetry ean be thous of a= cade; sets of encrypled verses, to be read and reread Interpreted, “compiled” in the mind, The poet has lahiabs hae herty to play in this way because we are [at least) tice bora: once into this works, and ‘once into language. We kuow languages intimately, land are each virtuosic in aur own ways, at the SD ‘noning and conjuring that they allow code poems), ‘84 book, ie an experiment in the potential of tis zune intimacy, But in the realm of computer sft tare languages. It is a investigation of the explo- Sion of title forms and imaginative worlds that ooult from our close communion with simple syzz