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Intro to Dance
11/22/2018
suffers a “pathological preoccupation with an imagined or slight physical defect of one's body to
the point of causing significant stress or behavioral impairment in several areas” meaning the
person is looking at his or her body in dissatisfaction with its size and shape. Sadly this intense
dissatisfaction and intense pressure from the dancing community usually forces dancers to turn
to drastic measures to achieve the ideal body type. Ballet dancers force themselves to dance on
little to no food for hours every day just to achieve the ideal look, and in turn, causing serious
and sometimes irreversible damages to there otherwise incredibly healthy and limber bodies.
Ballerinas have begun coming out of the woodwork telling media the heartwrenching stories of
A former principal dancer for the New York City Ballet Kathryn Morgan told Huffington
Post about the pressures she received about her body weight. Kathryn was struggling with a
serious thyroid condition during the peak of her career and when her body began to change due
to the condition her ballet masters would constantly comment on her size. When asked if her
ballet masters were more concerned about her appearance or her health she gave the shocking
response “To be honest, it was just a concern for my appearance. Ballet is an aesthetic art and
you have to look a certain way. If you don’t meet the standards, they can’t put you out on the
stage.” While suffering from a potentially life-threatening illness the focus of the ballet master
was placed on Kathryn Morgan’s body shape, instead of her condition. Despite suffering from
the daily pressures of dance and the physical and emotional toll of her body issues Kathryn
continued to dance until she broke down physically and emotionally. She says “I broke down
because I just couldn’t do it anymore. I was not getting better — it was getting worse with all of
the pressure they were placing on me and the pressure I was placing on myself.” With the
emotional pressures, she faced due to her illness and changing body Kathryn was forced to leave
In addition to Kathryn’s story, the Chicago Tribune wrote a story on Anias Garcia and
her struggles with body dysmorphia after leaving a ballet school. The author describes her as a
“ballerina who contended with anorexia nervosa for years, Garcia, who is just over five feet tall,
has reached 105 pounds, a safer weight than the 79 pounds of a year ago. In her gray turtleneck
sweater and casual black leggings, her extreme thinness remains apparent. "For the past five
years, I've done nothing but hate and try to disown my body," she says. Throughout her dancing
career Garcias, constantly attempted to achieve the slimmer idealistic ballet look forcing her
body to extremes. She describes her struggles as “a dangerous spiral of wanting to please my
teachers”. She pushed her self to the point where "My body was so thin and weak...I just wanted
to die. I was so weak, I couldn't move. I was ready to peacefully go." After that point, she was
rushed to a hospital and diagnosed with a slew of mental health disorders revolving around her
body dysmorphia.
These dancers are not alone. Linda Hamelton a clinical psychologist told the Chicago
Tribune "One out of two dancers suffer from an eating disorder [and] It's still an ongoing
problem and it needs to be addressed, because once ballerinas develop an eating disorder, it's
hard to recover." She stated that at the moment, the small size and stature expectations are “the
ballet culture”. Ballerinas are expected to be small, thin, and graceful long limbs and necks are
desired and due to this, she reports that "the disorders start early, as young as 12" due to changes
in the body because of puberty. When puberty hits young girls their hips and breast begin to
grow and make their bodies curvier, these curvier body types are not desired in the ballet world.
An additional study by Nascimento AL, Luna JV, Fontenelle LF published in the journal Annals
of Clinical Psychiatry found that “The lifetime prevalence of BDD and ED among elite
professional female ballet dancers was higher than the general population. High standards of
beauty, public body exposure, and repeated exposure to mirrors in the rehearsal rooms may
contribute to the development of body image disorders”. The high pressures of the competitive
dance world have shown negative effects on the young minds of dancers across the world. These
highly competitive environments young girls are forced into sadly pressured them to in turn from
negative thoughts about their body. The young dancers find that they are not thin enough to
appeal to their educators and leaders and will often forcer their bodies to the extremes in order to
please them. Ballerinas starve and overexert themselves just to be cast into the leading roles of
their school or company and their unhealthy bodies are the bodies young dancers look at when
decided what peak performance should look like, thus creating a vicious cycle of body
European Menopause Journal on the long-term effects of Anorexia (a common form of body
dysmorphia). The researchers concluded that the long-term effects of the disorder include long-
term hormone disruptions that can lead to difficult pregnancies and potential birth defects in
children, anemia, cardiac issues including arrhythmia and hypotension and bone density issues.
If you couple these extreme risks with the fast pasted and exertive work of the ballet world it is a
recipe for a medical disaster. This disorder not only is not only a crisis for ballerina bodies but
minds as well. According to the Diagnostic and Statistical Manual of Mental Health Disorders
and Mental Health America, Body Dysmorphia Disorder is often coupled with, depression,
In light of media attention to the body issues of ballerinas in recent years ballet
companies and school have taken precautions to help ballerinas avoid the physical and mental
health issues that lead to and stem from body dysmorphia psychologist are urging a change in the
ballet community. In the Chicago Tribune Phycologist Linda Hammelton states “To address
eating disorders in ballet, the whole environment has to support that, including teachers and
choreographers at ballet schools. They have to educate dancers, to prevent them from developing
dysfunctional eating habits or relapsing after treatment.” In Dance Teacher Deborah Wingheart a
dance teacher and former body dysmorphia suffer presses the ideas of a healthy body onto her
students. She encourages them to see psychiatrists, concealers, nutritionist, and dietitians if the
feel like they are not at the weight they should be. She encourages her dancers to look out for one
another and most importantly, she encourages instructors to monitor their students and ask
questions. While she says its an uphill battle supporting body positivity in the ballet world is
essential to the mental and physical health of its dancers. While instructors and doctors are
making progress with the battle against body dysmorphia in ballerinas, there is still so much
change that needs to happen for the dancing world to become healthy. Until that point in time
Bjornsson, Andri S et al. “Body dysmorphic disorder” Dialogues in clinical neuroscience vol.
Adams, Rebecca. “What It's Like To Gain 40 Pounds As A Professional Ballerina.” The
www.huffingtonpost.com/2014/10/01/kathryn-morgan-ballet-dancer_n_5850642.html
Amarks. “Stop Eating Disorders Before They Start.” Dance Teacher, Dance Teacher, 16 May
2017, www.dance-teacher.com/health-stop-eating-disorders-start-2392821158.html.
www.mentalhealthamerica.net/conditions/body-dysmorphic-disorder-bdd#5.
www.merriam-webster.com/medical/body dysmorphia.
Meczekalski, Blazej. “Long-Term Consequences of Anorexia Nervosa.” Maturitas, vol. 81, no.
1, 2015Rolz, Isabella. “A Ballet of 'Living Hell': Ex-Dancer Recounts Her Battle with
www.chicagotribune.com/lifestyles/health/sc-hlth-ballerina-anorexia-1112-story.html.
, p. 116., doi:10.1016/j.maturitas.2015.02.050.