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British Poetry (MEG1) - Notes: Age Period Features Prominent Poets Notes/Comments
British Poetry (MEG1) - Notes: Age Period Features Prominent Poets Notes/Comments
Romantic Age Late 18th to Early William Blake Blake – “The Tyger”
19th century
William
Wordsworth
Samuel Taylor
Coleridge
Postmodernist Age
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cures for illness, gain remission for sins and
satisfy their curiosity; before continuing, the
narrator declares his intent of describing each
member of the group. Each pilgrim is to tell 2
tales on the way to Canterbury and two tales on
the return trip to London; tales will be judged by
the Host on their moral value and the winner
will receive a dinner at the Tabard Inn paid for
by the other pilgrims on the return trip. Chaucer
planned to write 124 tales, but could only
complete 24 before his death. The tales have
irony, comedy and satire, used for commenting
on the social problems of the poet’s age,
especially the church’s hypocrisy and
worldliness.
The knight is the noblest of the pilgrims;
mercenary. Only the knight and his son, the
Squire 1 , qualify as true aristocrats, both
inwardly and outwardly.
The Merchant illegally made his money by
selling French coins (a practice forbidden in
England at the time).
The Sergeant of Law made his fortune by using
his knowledge as a lawyer to buy up foreclosed
property for practically nothing.
Clerk has gentle manners and an extensive
knowledge of books.
The craftsmen (specialized labourers) like the
Haberdasher, the Dyer, the Carpenter, the
Weaver and the Tapestry-Maker do not tell any
tale.
Cook is a master of his trade and his respected
by the fellow travellers.
The Shipman has immense knowledge by virtue
of his travels throughout the world.
The Wife of Bath is presented for her
knowledge and deportment 2 and her many
pilgrimages.
The Parson and the Plowman, though poor and
lower class, represent all the Christian values.
The Reeve 3 tells dirty stories and cheats his
trusting young master.
The corrupt Summoner takes bribes.
The Pardoner sells false pardons and fake relics.
Chaucer used the device of pilgrimage to depict
the people of 14th century England; pilgrims
represent 3 sections of the society: the feudal,
1
A man of high social status who owned land
2
The way in which a person stands and moves
3
The law officer in England in the past
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the ecclesiastical (church) and the urban.
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are embedded in the fable, the fable in the
widow’s story, the widow’s story in the
priest’s and the priest’s story in the CT. The 3
story tellers of this tale are the cock, the priest
and the poet himself. The first two tellers are
indeed the creation of the third.
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game and meets the justification of his act.
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true and signify coming events, Pertelote
disagrees to this point of view. They both give
examples to substantiate their viewpoints.
Pertelote quotes Cato, who said dreams are of
no pertinence. Chauntecleer alludes to writers
who were of the view that dreams are true and
signify the joys and troubles of our life. He
refers to two tales from the past to prove the
reality of dreams:
4
A medicine, food or drink that makes somebody empty their bowels easily
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with the popular or superstitious view;
(3) The man-woman relationship;
(4) Contrast between freewill and
predetermination.
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of love, but only a stage of development in the
process of being canonised.
Andrew Marvell To His Coy Mistress Charles I’s execution in 1949 was an
unprecedented event in England’s history, and
Marvell was acutely aware of its political and
spiritual implications. According to the
contemporary “divine right”, the monarch was
appointed not by the people, but by the divine
ordinance of his birthright; thus, any trespass
against the king was a sin against God. The
absolutist Charlest I would take this principle to
an extreme; Only God, he believed, could
overrule his judgment. In the wake of the
Protestant Reformation, the Parliament decided
to execute their king, as a result of long-brewing
discontent with both Charles’s absolutism and
his seeming encouragement of the anti-reformist
practice within the English church.
Marvell, indicatory of this ambivalent historical
moment, supported the antiroyalist Oliver
Cromwell as England’s Lord Protector in the
country’s interregnum government – even
serving as a tutor to his family – yet also penned
a sympathetic description of the executed king.
His speaker in “To His Coy Mistress” rebels
unequivocally against the figure of the monarch.
He engages in hyperbolic 5 reverence for an
elusive woman made famous in the medieval
sonnets of the Italian poet Petrarch. The speaker
then turns his beloved from this immortal, ideal
object of reverence to a possible co-conspirator
against godlike “Time”, which does hold the
power of life and death. Forewarning his
mistress of “Time’s winged chariot”, he gives a
crude description of her dead body in the grave.
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Deliberately exaggerated
6
Seditious
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sits, and sings’. The symbolism of the soul as a
bird is an ancient one, found in various myths,
though Marvell may be describing a real
experience in this simile. The soul is preparing
itself ‘for longer flight’, that is, the journey back
to heaven. We are at the other extreme of
Donne’s love poetry, as seen in The Extasie,
where the out-of-body experience must end by a
return to the body. Marvell would be happy if he
never returned.
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should fight back against the conquest by the
new Gods or not.
T. S. Eliot The Waste Land The poet compares modern life to hell;
highlights the “unreal” modern cities,
unsavoury 7 sexual practices and indulgent
lifestyles in the poet’s time; the poet remembers
watching a crowd flowing over the London
Bridge like zombies. The sunken gang and limp
leaves waiting for rain symbolise hope and
optimism for a better future. The black clouds
may be a visible possibility of a better future.
Edmund Spenser Epithalamion Spenser blended renaissance and reformation
perfectly in his poetry; Renaissance brought in
a lot of interesting features to poetry such as an
innovative taste in music, rich imagination, fine
expression and strong patriotic feelings. He
never encouraged the effect of mysticism and
wanted his intellect to rule his thoughts and
works.
No direct mention of class, but it is obvious
from the fusion of different Classical legends,
local folklore and Christian myths that the
poem was inspired by the newly developed
Reformist-Christian ideas; shows the
beginning of a new class – a class not of princes
and nobility but of people belonging to
commerce and trade.
Regarded as Spenser’s most successful fusion of
diverse poetic traditions and styles; platonic and
Christian perspectives combined; an excellent
amalgamation of classical and Christian beliefs.
Poem starts with traditional invocation of
muses, who are asked to join the marriage
ceremony as bridesmaid. He celebrates his love
for Elizabeth Boyle by underlining her virtues –
constant chastity, unspotted faith, comely 8
womanhood, mild modesty and regard of
honour. This poem takes its setting and several
of its images from Ireland, where Spenser’s
wedding with Boyle took place. Spenser’s love
for the Irish countryside is clear through his
vivid descriptions of the natural world
surrounding the couple.
Edmund Spenser Prothalamion Few similarities with Epithalamion, but
different themes. Some of the common devices
are use of pastoral setting, use of river
Thames; use of a couplet at the end of the
first stanza, which is reworked into refrain at
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Morally unacceptable
8
Attractive
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the end of its subsequent stanza. In both the
poems, pagan gods are invoked to bless the
couples.
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Thinking deeply about something, especially because you are sad or worried
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poetry in the period of civil war. One of his
earliest poems was an elegy on the death of the
‘Protector, Oliver Cromwell was written in
1658. His greatest works are political satires.
Both as a poet and a person, he kept shifting his
loyalties, which causes much of the critical
confusion about his work. As Milton’s poetic
career was affected by the Restoration of 1660,
Dryden’s got affected by the revolution of 1688.
Dryden’s major contribution to English is the
heroic couplet, of which he is considered a
master. Pope, who himself was one of the
greatest masters of heroic couplet in English
verses, said that he learned it from Dryden.
Dryden’s mastery owes to his dramatic
experiment. He is also considered as the father
of English criticism.
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The Liberal Party
12
also wrote some of his finest criticism like the
criticism of Chaucer and The Discourse on
Satire, and also some of his best poems. His
creative and artistic power remained constant
irrespective of his growing age.
13
Shadwell’s status is elevated as the new heir of
the Kingdom, but this is, in fact, a mockery as
the kingdom is the kingdom of nonsense.
Samuel Taylor Coleridge Dejection: An Ode11 One of the greatest romantic poems; depicts a
great spirit of romantic revival in its emotional
depth, passionate feeling, intensity of experience
and expression, selection of image, lyrical flow
and structural arrangement; Romantic traits like
the subjective approach that the world is no
more than what we think about it and that is
imagination is the most important thing; another
Romantic trait is the importance given to the
human mind; the theme of the poem is but the
poet’s mood or mental state; the poet says that
he has lost the power to feel, but the entire poem
is about the expression of despair and anguish;
poet seems to be talking about the apprehension
of loss than real loss.
Dante Gabriel Rosetti The Blessed Damozel Rosetti was only 19 when he wrote the Blessed
Damozel. It is a beautiful story about how two
lovers are separated by the death of the Damozel
and how she wishes to enter paradise, but only if
she can do so in the company of her beloved.
One of Rosetti’s most famous poems, it has
been dissected and explicated many times by
many different people; the theme is that
separated lovers are to be rejoined in heaven; his
young vision of love was very picturesque; the
heaven painted in this poem is warm with
physical bodies and beautiful angels full of
love; others say that the heaven was described
so in his poem because he was still young and
immature about such matters and had not yet
seen the ugliness and despair that love can bring
(which he experienced later in his life upon the
demise of his true love Elizabeth).
Poem flows easily from one line to the next,
brimming with symbolism. First few stanzas tell
of how the Damozel is in heaven, overlooking
the Earth and thinking of her lover; there are
few stanzas in the poem where the narrative
jumps to the lover, wherein he is talking about
his beloved. Heaven, its location and the fact of
other lovers reuniting around here as she sits and
watches alone has also been described in the
following stanzas. Then the earthbound lover
describes the sound of her voice like a bird’s
song, which tells the reader that he is not just
thinking about her, but can also hear her and feel
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A poem that speaks to a person or thing
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her around him. The Damozel doesn’t
understand why she must be miserable in
heaven when all others are with their loved
ones. It is in this stanza that the poet lets us
know that she has not yet entered the heaven;
she is at the outer gates of the kingdom of
heaven. She tells how they will be together
again someday in the heaven and how she will
teach him the songs she sings. She says that the
two worlds separating them can’t keep them
apart in thought, but it is not possible to be
together. Near the end of the poem, she finally
realizes that she can have none of this till the
time comes. She suddenly becomes peaceful and
lets the light take her in.
Rosetti used the ideas of Christian belief to write
his poem; it explores if two lovers or anyone
will be reunited once again in heaven; the poem
is both optimistic and idealistic.
Christina Rosetti Goblin Market An early work considered as one of Rosetti’s
masterpieces; intended simply as a fairy story;
the poem’s suggestive language has caused it to
be practically ignored as children’s literature
and instead regarded as an erotic exploration of
sexual fantasy, a commentary on capitalism and
Victorian market economy and a Christian
allegory about temptation and redemption.
Critics have looked to Rosetti’s life for
interpretive keys. Her love affairs and work with
Oxford Movement, in which she helped to
rehabilitate prostitutes, have helped to achieve a
greater understanding of the poem. Critics rarely
agree about theme as poem suggests a variety of
meanings.
Obvious themes like: “one should be careful of
temptation”, “little girls should not talk to
strange men” and even “sisters should love each
other”; however, the poem is rather complex and
able to support a more revolutionary reading
than such trite12 ideas. Rather than saying that
“Goblin Market” has a particular theme, it
would be better to put forth the notion that it
attempts to deal with certain problems that
Rosetti recognized within the canon of English
literature, and specifically with the problem of
how to construct a female hero as there were
significant female heroes up to Rosetti’s time.
Female protagonists like Elizabeth in Austen’s
Pride and Prejudice had no outlet for heroic
12
Dull and boring
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action and their roles were constrained place
upon them by a male-dominated society. Rosetti
did create a basic framework of behaviour in
which the heroine might operate and was
slightly, though not completely, successful in
her efforts.
Throughout the poem, Lizzie remains pure and
actively pursues temptation with the intention of
conquering it. When she sees Laura getting
wasted away, she makes a desperate effort to
save her sister’s life by getting her the fruit.
When the Goblins refuse to sell her the fruit and
attack Lizzie, she forbears temptation and keeps
her mouth closed. Eventually, she saves Laura
by running home and asking her to suck the
juices from Lizzie’s face; the reader is left
confused as to whether she was cured by the
juices or her sister’s love.
Related to a woman’s heroic and self-sacrificing
action (related to Christ’s sacrifice) to save her
sister; but the problems are there as it is a
passive kind of heroism whereby Lizzie does
not attack the Goblin men or weave a spell upon
them; she is rather force to offer herself up to
the goblin’s physical and sexual abuse, which
indicate that Rosetti herself had not reached a
satisfactory conclusion on the subject of female
heroism.
Some critics say that Rosetti’s romantic
relationships influenced the poem.
Sylvia Plath Lady Lazarus Plath was a confessional poet in that her poems
often spoke about personal failures and
breakdowns, and this feeling often gets extended
to the sense of self-destruction; theme of suicide
and death central to their poems; many
confessional poets, including her, were suicidal
in their real life. Her poem Lady Lazarus
expresses her suicidal tendency beyond any
limitations.
In this poem, she speaks of her previous suicide
attempts; although based on her personal
experience, it has been given wider applicability
as the poetess invokes the Egyptian myth of the
Phoenix, which periodically destroys itself and
is then reborn from the ashes. The private
suffering is also equated with the public
suffering (that of the Jews) to give it a bit of
universality; strong autobiographical element
despite her best efforts to conceal them.
Sylvia Plath Daddy The poem is a response to Plath’s complex
relationship with her father, Otto Plath, who
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died shortly after her eighth birthday as a result
of undiagnosed diabetes. The poem represents
the ambivalent feelings that she expresses
against her dead father; references to her mixed
parental background. The feeling like a foot in a
black shoe reflects the feeling of suffocation.
She has been living that way for thirty years.
John Donne The Extasie My soul is the real “me”, but my body is how I
interact with the world. The poet demonstrates
that the inward union of the body and soul of a
man is achieved through the outward union of a
man and a woman; the soul realizes and knows
itself through the experience of love.
George Herbert Pulley The poet talks about God bestowing all the gifts
to man except one and that would be peace so
that it acts like a pulley to draw man back to the
divine grace; emphasizes the dignity of
humankind, bestowed by a God who is
thoughtful, generous and kind. Although the
poem doesn’t suggest that humankind is
disastrously flawed and impotent, it does show
the limits of human powers and the liabilities of
earthly existence.
John Milton L’Allegro and Il Penseroso Both these poems complement each other
structurally and contain images which are in
specific dialogue with each other, so much so
that it is nearly impossible to understand and
appreciate L’Allegro without also having read
its companion piece, Il Penseroso. Whereas
“L’Allegro” is “the happy person” who
spends an idealized day in the country and a
festive evening in the city, “Il Penseroso” is
“the thoughtful person” whose night is filled
with meditative walking in the woods and
hours of study on “L’Allegro”.
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John Milton Lycidas Written to commemorate the death of Edward
King, Milton’s college mate.
William Blake The Tyger Blake’s triadic division of poetry: he believed
that the function of poetry is to recreate the
oneness with life which has been lost. For him,
the 18th century represented the fall, the period
or the age of reason was for him, equivalent to
the eating of forbidden fruit. It seemed that he
was against intellect, for he believed that the
intellectual ways of seeing things have
destroyed the earlier perception about the world,
and poetry is the medium that can restore the
earlier perception in the reviving of the heart.
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Poetry that has a regular rhythm
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William Butler Yeats No Second Troy The poet wonders why should blame her (Maud
Gonne 14 ) for his unhappiness and the reckless
manipulation of the emotions of Irish
commoners to rouse political violence. Then he
asks whether it would even have been possible
for her to be a peaceful person. His rhetorical
question is also a warning of an apocalyptic
future “was there another Troy for her to burn”
as he wonders if her fiery brand of nationalism
and the attractions she held for men were
responsible for a revolution that would leave the
city of Dublin in flames.
William Butler Yeats Adam’s Curse The poet describes the difficulty of creating
something beautiful. The title refers to the
Genesis, evoking the fall of man and the
separation of work and pleasure. Yeats relates
his struggle in writing poetry to the struggle
women have in maintaining their beauty. He
believes that it is customary that, once a woman
a woman is born, they must sustain their
appearance. Yeats further implies that women
do not talk about their “labour to be beautiful”
because it is an everyday standard. He traces
back women’s struggles to the fall of Adam. He
suggests that ordinary and simple tasks now
require a great deal of work. This poem
reiterates his traditional ideas and beliefs about
feminine beauty. Yeats frames a philosophical
argument: that because of the curse of labour
placed upon Adam by God when the former
was expelled from the Garden of Eden, every
worthwhile human achievement (particularly
those aimed at achieving beauty, whether in
poetry, physical appearance, or love) requires
hard work. Behind the natural, unsophisticated
feel of the poem, of course, lies a great deal of
hard work and structure – just as the poem’s
speaker says must be true of poetry in general.
William Butler Yeats Easter 1916 This poem is related to the events of the Easter
Rising staged in Ireland against British rule on
Easter Monday, April 24, 1916. The uprising
was unsuccessful and most of the Irish
republican leaders involved were executed for
treason. Yeats is well aware of the common
identity he shares with the people who are
insignificant to him as individuals, but have a
common identity and are all united in a fight for
their homeland of Ireland. According to Yeats,
14
An English-born Irish revolutionary, feminist and actress who was won over to Irish nationalism by the plight of
the evicted people
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the birth of these people is both terrible and
beautiful because while the fight for
independence will inevitably cause bloodshed
and death, it will also finally unite the people for
the cause of their beloved country. This line is
the theme of the poem. Although Yeats
memorializes the patriots of Easter 1916, he
illustrates the stagnant indifference and
conformity in Ireland prior to the Rebellion
through his description of the leading figures in
the Easter Rebellion. He suggests that the dream
of Irish independence has not yet materialized
because people talked of rebellion and politics,
but before Easter 1916, they obediently
conformed to England’s rule rather than actively
pursuing change. By focusing on their daily life,
instead of their political involvement, Yeats
suggests the humanity of Ireland’s heroes and
indicates that common citizens have the ability
to effect a change in society if they rebel against
obedient conformity and “ignorant goodwill”.
He implies that the figures of the Rebellion
should be respected for their participation in an
event that will evoke change in Ireland.
Evaluated on their individual merits, the
participants of the Easter Rebellion are one of
the many insignificant figure shouting to be
heard until “their voice grew shrill”. Through
their efforts to instigate change in Ireland, these
figures establish their own coming of age. Yeats
emphasizes that by rebelling against the
established ruling class, the martyrs of the
Easter Rebellion overcome their former
weaknesses and establish their memory as
heroes.
A stone represents an inanimate object that stays
the same. The state of constancy is the important
aspect of this world. The stone will forever be a
stone, as will the deaths of those mentioned
earlier. The stone, whose purpose is “to trouble
the living stream”, hinders the flow of water.
This entire stanza has a motif15 of nature.
He leaves this poem as a legacy and memorial to
all those people who are united by their
dedication to the heroic dream of giving Ireland
everything they could. Yeats continues to say
that wherever the spirit of Ireland lies,
represented by people wearing the colour
“green”, those people will be forever changed.
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Theme
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The “terrible beauty”, dying for this beautiful
dream, has been born.
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