Buddy Rich provides advice on proper drum practice techniques to develop wrist strength and eliminate unnecessary arm motion. He recommends practicing slowly on a pillow to remove the bounce and force reliance on the wrists. Students should watch their arms and ensure no excess movement. With patience and consistent practice focusing on the wrists, drummers can improve their technique and play in a relaxed manner.
Buddy Rich provides advice on proper drum practice techniques to develop wrist strength and eliminate unnecessary arm motion. He recommends practicing slowly on a pillow to remove the bounce and force reliance on the wrists. Students should watch their arms and ensure no excess movement. With patience and consistent practice focusing on the wrists, drummers can improve their technique and play in a relaxed manner.
Buddy Rich provides advice on proper drum practice techniques to develop wrist strength and eliminate unnecessary arm motion. He recommends practicing slowly on a pillow to remove the bounce and force reliance on the wrists. Students should watch their arms and ensure no excess movement. With patience and consistent practice focusing on the wrists, drummers can improve their technique and play in a relaxed manner.
Using a Pillow For Practicing By BUDDY RICH In Conjunction with Henry Adler
Many young drummer wonder why
their technique fails to improve in pro- Now that you are armed with your portion to the amount of time they bounce-proof pillow and your determi- spend on a practice pad. nation to eliminate all arm motion. try The answer to this problem lies in practicing one of your rudiments. Play knowing the proper method of practic- the rudiment very slowly at first, and ing, with special emphasis on developing Walch Your Arms. If you become a a technique. little tired, stop and rest for a few sec- Technique. to begin with. is the ex- onds. Never over-strain yourself. Keep clusive property of a drummer with practicing slowly until your’re able to Strong wrists. You therefore should pIay in that particular tempo with ease, practice in such a manner so as to entirely without any strain. Not until compel your wrists to do most of the then should you attempt to increese the work in the execution of your studies. speed of the rudiment. Thus, very grad- The first step is to eliminate complete- ually are you to increase the rate of Iy the arm motion commonly used in speed in your practicing. drumming. In order to do this properly. This method of practicing is one it is best to keep an eye on your arms. which requires plenty of patience and while playing to check up on any un- consistent effort on your part. If you called for movement from them. If you do practice patiently and faithfully every only took the trouble to look at your day, you will be more than amply re- arms, you would be amazed at the warded for the extra time you have amount of sledge-hammer arm motion spent in studying. Your wrists will you unknowingly use while practicing. gradually begin to develop to such an The next step is to eliminate com- extent that you no longer will have to pletely the bounce. I would suggest use your arms unnaturally in order to practicing on a pillow as the best, yet play. What‘s more, the newly acquired simplest, object to answer the need of a power in your wrists will enable you to bounce·less pad. I would also suggest execute your musical problems in a using your own pillow, so as not to an- manner so relaxed as to make practic- tagonize any members of your family ing, as well as playing, a new and satis- against your playing drums. fying pleasure. I might add at this point that it would Buddy Rich, Tommy Dorsey’s famous be a very good idea for you to main- drummer, offers regular advice to tain a firm grip on your sticks with your METRONOME readers. Send him your fingers. In this position. you will find questions ; he’ll be glad to answer them. it more natural to play on the pillow with your wrists.