Las mejores versiones corales

CONCIERTO
Y III TALLER DE CANTO CORAL
ORGANIZADO POR EL CORO
CRISTÓBAL DE MORALES

DIRECTOR INVITADO JAVIER BUSTO

EN BENEFICIO
DE MEDICUS MUNDI MADRID
DOMINGO 20.05.12 • SALA DE COLUMNAS • 12,30h
ENTRADA 5 € • SOCIOS 3 €

madrid
 Arreglo coral: Keith Abbs Can't Buy Me Love Letra y Música: John Lennon y Paul McCartney

b& h2 f Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Soprano
ca. = 108 Lively, madrigalian

Ï Ï Ï Ï
1.I'll buy you a dia mond ring, my friend if it makes you feel al
give you all I've got to give if you say you love me

b& 2 fÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Alto
3.Say that you need no dia mond rings and I'll

Ï
be

Ï Ï nÏ Ï Ï
sat is

1.I'll buy you a dia mond ring, my friend, if it makes you feel al

b& 2 fÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Tenor
give
3.Say
you
that you
all I've
need no
got
dia
lo
mond
give
rings
if you
and
say

Ï
I'll
you

ÏÏÏ Ï
be
love
sat
me
is

¥ 1.I'll buy
give
you
you
a dia
all
mond
I've
ring
got
my
to
friend, if it
give if you
makes
say
you
you
feel
love
al
me

b? 2 fÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Bajo
3.Say that you need no dia mond rings and

ÏI'll be

ÏÏÏ Ï
sat is

1.I'll buy you a dia mond ring, my friend, if it makes you feel al
give you all I've got to give if you say you love me
3.Say that you need no dia mond rings and I'll be sat is

S
b& ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
4

Ï Ï Ï Ï
right I'll get you an y thing, my friend, if it makes you feel al
too, I may not have a lot to give but what I've got I'll give to

A
b& n ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
fied (.) Tell me that you want the kind of things that mon

Ï Ï Ï nÏ Ï Ï
ey just can't

right. I'll get you an y thing, my friend if it makes you feel al

T
b& ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
too. I
fied (.)
may
Tell me
not have
that you want
a
the
lot
kind
to
of
give but
things
what I've
that
got

ÏÏÏÏÏÏÏ
mon
I'll
ey
give
just
to
can`t

¥ right. I'll
too. I
get
may
you
no
an
have
y
a
thing,
lot
my
to
friend,
give but
if it
what I've
makes
got
you
I'll
feel
give
al
to

B b? ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
fied (.) Tell me that you want the kind of things that mon

Ï ÏÏÏ Ï ey just can't

right I'll get you an y thing, my friend, if it makes you feel al

too I may not have a lot to give but what I've got I'll give to
fied (.) Tell me that you want the kind of things that mon ey just can't

S
b& ú. Î · 8

· fÏ Ï Ï Ï Ï Ï ÞÏ Ï n Ï Ï
Ir a la (tercera vez)

right mon ey can't buy me love Can't buy me

A
you

& b n ú. Î pÏ Ï Ï Ï Ï Ï Ï Ï fÏ n Ï #Ï Ï Ï
buy
mon ey can't
mon ey can't
buy
buy
me
me
ÞÏ Ï Ï Ï
love
Ir a la
Fa
(tercera vez)
la la

right. I don't care too much for mon ey, mon ey can't buy me love Can't buy me

n ÏÞ Ï #Ï n Ï Ï Ï Ï
you I don't care too much for mon ey, mon ey can't buy me love Fa la la

T
b& ú. Î pÏ Ï Ï Ï Ï Ï Ï Ï #fÏ Ï Ï Ï Ï Ï
buy I don't care too much for mon ey, mon ey can't buy me
Ir a la (tercera vez)

¥ righ I don't care too much for mon ey, mon ey can't buy me love.

ÞÏ Î î Can't buy me

b? ú. Î pÏ Ï Ï Ï Ï Ï Ï Ï fÏ Ï Ï Ï Ï
you I don't care too much for mon ey, mon ey can't buy me love Fa la la la la la
buy. I don't care too much for mon ey, mon ey can't buy me
Ir a la (tercera vez)
B

right. I don't care too much for mon ey, mon ey can't buy me love.
you I don't care too much for mon ey, mon ey can't buy me love.
buy. I don't care too much for mon ey mon ey can't buy me

Can't buy Me Love_final.myr 1/2 Martes 24 de enero de 2012, 11:02:12

 S
n& # w 13

w bÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï
love, ev 'ry bo dy tells me so. Can't buy me
la la fa la la la la la la fa la la

A
n& # w Ï ÏÏÏÏÏÏ Ï Ï Ï Ïj Ï Ïj Ï Ï Ï ÏÏ
love, can't buy me love, ev 'ry one tells me so. Can't buy me

T
n& # w la, la

Ï ÏÏÏÏÏÏ
fa la la la la la, la

Ï bÏ Ï Ï
la la la la la, fa

Ï ÏÏÏÏÏÏ
la la la la

¥ love,
la la
can't
fa la
buy
la la
me
la la
love,
la,
they
fa
tell
la
me
la
so.
la,
Can't
fa la
buy me
la la la la

B n? # Î Ï Ï Ï Ï Ï Ï w bÏ Ï Ï Ï Ï Ï Ï Î î
Can't buy me love, ev 'ry bo dy tells me so.
Fa la la la la la la fa la la la la la la,

S
#& w 17

w 68Ï JÏ Ï JÏ 2 ú. Ï
love, no no no. I'll
la la fa la la la la (3.)

A
#& w Ï ÏÏÏÏÏÏ 68Ï Ïj Ï Ïj 2 ú. bÏ
love, can't buy me love, no no. I'll

T
#& w la la,

Ï ÏÏÏÏÏÏ
fa la la la la la la

68Ï la la

JÏ Ï la.

JÏ 2 ú.
la
Ï(3.)

¥ love,
la la,
can't
fa la
buy
la la
me
la la
love
la
no
la la la
no.
la
I'll
(3.)

B
?# Î Ï Ï Ï Ï Ï Ï w 68Ï Ïj Ï Ïj 2 ú. Ï
Can't buy me love, no no no I'll
fa la la la la la la, fa la la la la. (3.)

S
&b2 21
Þú. Î · · fÏ Ï Ï rit.
ÏÏÏ Uw
love mon ey can't buy me love

A
b& 2 Þú . Î pÏ Ï Ï f
Ï Ï Ï Ï Ï Ï n Ï #Ï rit.

Ï Ï Uw
love. I don't care too much for mon ey, mon ey can't buy me love

T
&¥ b 2 Þn ú. Î pÏ Ï Ï Ï Ï Ï Ï Ï #fÏ Ï Ï rit.
Ï ÏÏ nUw
love I don't care too much for mon ey, mon ey can't buy me love

B b? 2 Þú . Î pÏ Ï Ï Ï Ï Ï Ï Ï fÏ Ï Ï rit.
Ï Ï Uw
love I don't care too much for mon ey, mon ey can't buy me love

Can't buy Me Love_final.myr 2/2 Martes 24 de enero de 2012, 11:02:12

 Arreglos: Roger Emerson
Because Compositor: J. Lennon & P. McCartney

#& # 4 Î ä FÏj úq Î ä Ïj ú
Soprano
1 Moderately slow
Î ä Ïj ú = 71

#& # 4 Î FÏ ú Î Ï ú
Alto Î Ï ú doo doo doo

#& # 4 ä FÏ . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï
Tenor
doo doo doo doo doo doo

¥ ## 4 F doo

w doo doo doo doo doo doo doo doo doo doo doo

?# # w F
Bajo w
&# # 4 Î Fä Ïj ú Î ä Ïj ú Î ä Ïj ú
Doo doo doo

Sopr_Coro 2

& 4 ÎF Ï ú Î Ï ú
Alt_Coro2 Î Ï ú doo doo doo

#& # 4 ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï
Ten_Coro2
doo doo doo doo doo doo

¥ # # 4 Fw w doo

w doo doo doo doo doo doo doo doo doo doo doo

?
Baj_Coro2

Doo doo doo

S
#& # Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú Î ä n Ïj ú
4

A
#& # Î #Ï ú Î Ï ú Î Ï ú Î Ï ú doo doo doo doo

T
#& # ä Ï . Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä n Ï . Ï Ï Ï Ï
doo doo doo doo doo doo doo doo

¥ ## doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

B
? ú. Ï w w w
S2
#& # Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú Î ä n Ïj ú
doo doo doo doo doo

A2
#& # Î #Ï ú Î Ï ú Î Ï ú Î Ï ú doo doo doo doo

T2
#& # ä Ï . Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä n Ï . Ï Ï Ï Ï
doo doo doo doo doo doo doo doo

¥ ## doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

B2
? ú. doo
Ï w w w
doo doo doo doo

Because-final-2.myr 1/6 Jueves 10 de mayo de 2012, 13:05:34

 S
#& # Î ä Ïúj
8

w ú ÏjäÏ Ï. ÏjÏ Ï .Ï ÏjÏ Ï Ï. ÏjÏ Ï Ï Ï ú Î äÏj

A
#& # Î ú . doo Ah

w n ú ÏjäÏ
Be cause

Ï.
the world is

ÏjÏ Ï .Ï ÏjÏ Ï Ï. ÏjÏ Ï Ï Ï ú Î äÏj

round, it turns me on; Be

T
#& # än Ï . ú doo

n w ú JÏäÏ
Ah Be cause

Ï. the world is

ÏjÏ Ï
round, it turns me

Ï . ÏjÏ Ï w #ú Î äJÏ
on; Be

¥## n w ú JÏäÏ Ï. ÏjÏ Ï w ú Î äÏj

doo Ah Be- cause the world is round, it turns me on; Be

B
? w Ï. ÏjÏ Ï
S2
#& # Î ä Ïúj doo Ah

w ú ÏjäÏ
Be- cause

Ï.
the world is

ÏjÏ Ï
round, it turns me

Ï Ï
Ï . Ïj Ï. ú Ïj ÏjÏ
on;

Ï Ï Ï Î ä Be

A2
#& # Î ú . doo Ah

w n ú ÏjäÏ
Be cause

Ï.
the world is

ÏjÏ Ï
round, it turns me on;

.Ï ÏjÏ Ï Ï. ÏjÏ Ï Ï Ï ú Î äÏj

Be

T2
#& # än Ï . ú doo Ah

n w ú JÏäÏ Be cause

Ï. the world is

ÏjÏ Ï
round, it turns me

Ï . ÏjÏ Ï w #ú Î äJÏ
on; Be

¥##
Ï. ÏjÏ Ï w ú Î äÏj
doo Ah Be- cause the world is round, it turns me on; Be

B2
? w doo
n w ú JÏäÏ
Ah Be-
Ï.
cause
ÏjÏ Ï
the world is round, it turns me on; Be

#& # ú .
15

Ï Ï ú. ú. £Ï Ï Ï ú. Î w ú Ïjä
S
Ï Ï
A
#& # ú . cause the

Ï Ï ú.
world is

Ï
round.

nw ú. Î w n ú Ïjä Ï
Ah. Be

T
#& # ú . cause the

Ï Ï ú. world is

Ï round.

w ú. Î n w ú JÏ ä ÎAh. Be

¥ ## cause the world is

w
round.

Î n w ú JÏ ä ÎAh.

B
? ú. Ï Ï ú. Ï ú.
£Ï Ï Ï ú. Î w ú Ïjä Î
S2
#& # ú . cause the

Ï Ï ú.
world is

Ï
round.

ú.
Ah.

A2
#& # ú . cause the

Ï Ï ú.
world is

Ï
round.

nw ú. Î w n ú Ïjä Î
Ah.

T2
#& # ú . cause the

Ï Ï ú.
world is

Ï
round.

w ú. Î n w ú JÏ ä Î
Ah.

¥ ## cause the world is

w
round. Ah.

B2
? ú. cause
Ï Ï ú.
the world
Ï
is round.
ú. Î n w ú JÏ ä ÎAh.

Because-final-2.myr 2/6 Jueves 10 de mayo de 2012, 13:05:35

 S
#& # Ï . Ïj Ï Ï Ï . Ïj Ï Ï Ï. Ïj Ï Ï Ï Ï ú Î ä Ïj
21

A
#& # Ï . Ïj Ï Ï Ï . Ïj Ï Ï Ï. Ïj Ï Ï Ï Ï ú Î ä Ïj
cause the wind is high, it blows my mind; Be

T
#& # Ï. Ïj Ï Ï Ï . Ïj Ï Ï w
cause the wind is

# ú Î ä high,

J
Ï it blows my mind; Be

¥ # # Ï . JÏ Ï Ï Ï. JÏ Ï Ï w
cause the wind is

ú Î ä J
Ï
high, it blows my mind; Be

B
?
S2
#& # Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú
cause the wind is high, it blows my mind; Be

A2
#& # Î Ï ú Î Ï ú Î Ï ú Î #Ï ú doo doo doo doo

T2
#& # ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï
doo doo doo doo doo doo doo doo

¥ ## doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

B2
? w doo
w w w doo doo doo

#& # ú .
25

Ï Ï ú. ú. £
Ï Ï Ï ú. Î
S
Ï
A
#& # ú . cause

Ï Ï ú. Ï nw
the

ú. Î
wind is high.

T
#& # ú . cause

Ï Ï ú. Ï w the

ú. Î wind is high

¥ # # ú. Ï
cause
Ï ú . Ï w ú .
the

Î wind is high.

B
?
S2
#& # Î ä Ïj úcause

Î ä Ïj ú Î ä n Ïj ú
the

Î ä Ïúj
wind is high.

A2
#& # Î Ï ú doo

Î Ï ú Î Ï ú ÎÏú
doo doo doo

T2
#& # ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä n Ï . Ï Ï Ï Ï än Ï . ú
doo doo doo doo doo doo doo doo

¥ ## doo doo doo doo doo doo doo doo doo doo doo doo doo

B2
? w doo
w w w doo doo doo

Because-final-2.myr 3/6 Jueves 10 de mayo de 2012, 13:05:35

 S
#& # w Ïj ä #Ï Ï Ï
29

ÏÏ w Î Ï ÏÏ ÏÏ
A
#& # w #Ïj ä Ï Ï Ï
Ah. Love is old, love is

ÏÏ w
new;

Î Ï ÏÏ ÏÏ
Love is all, love is

T
#& # n w JÏ ä Ï Ï n Ï
Ah. Love is old, love is

ÏÏ #w new;

Î #Ï Ï Ï Ï Ï Love is all, love is

¥ # # n w JÏ ä Ï Ï Ï
Ah. Love is old,

Ï #Ï
love is

w new;

Î Ï ÏÏ ÏÏ love is all, love is

B
?
S2
#& # w n Ïj ä Î î
Ah. Love is old, love is new;

Î ä Ïj ú Î ä Ïj ú
love is all, love is

A2
#& # n w Ïj ä Î î
Ah.

Î #Ï ú Î #Ï ú
doo doo

T2
#& # w Ïj ä Î î
Ah. doo

ä Ï. Ï Ï Ï Ï ä Ï. Ï Ï Ï Ïdoo doo doo

¥## Ah. doo doo doo doo doo doo doo doo

B2
? n w n JÏ ä Î î
Ah.
w doo
w doo

S
#& # #w
33

î Î Ï Ï . Ïj Ï Ï Ï . Ïj Ï Ï
A
#& # #w you, Be

î Î Ï Ï . Ïj Ï Ï Ï . Ïj Ï Ïcause the sky is blue, it makes me

T
#& # w you,

î Î Ï Ï. JÏ Ï Ï Ï . Ïj Ï Ï
Be cause the sky is blue, it makes me

¥## w you,

î Î Ï Ï . Be

ÏJ Ï Ï Ï. ÏJ Ï Ï
cause the sky is blue, it makes me

B
?
S2
#& # Î ä Ïj ú you, Be

Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú
cause the sky is blue, it makes me

A2
#& # Î #Ï ú doo doo doo

Î #Ï ú Î Ï ú Î Ï ú
doo doo

T2
#& # ä Ï . Ï Ï Ï Ï doo doo doo doo

ä Ï. ú ä Ï. Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï
doo doo doo doo

¥## doo doo doo doo doo doo doo doo doo doo doo doo

B2
? w doo
w w
doo
w
doo doo

Because-final-2.myr 4/6 Jueves 10 de mayo de 2012, 13:05:35

 S
#& # Ï. Ïj Ï Ï Ï Ï ú Î ä Ïj ú . Ï Ï ú .
37

Ï
A
#& # Ï. Ïj Ï Ï Ï Ï ú Î ä Ïj ú . Ï Ï ú .
cry;

Ï
Be cause the sky is

T
#& # w cry;

# ú Î ä J
Ï ú . Ï Ï ú. Ï Be cause the sky is

¥ ## w cry;

ú Î ä # J
Ï ú . Ï Ï ú . Ï Be cause the sky is

B
?
S2
#& # Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú Î ä Ïj ú
cry; Be cause the sky is

A2
#& # Î Ï ú Î #Ï ú Î Ï ú Î Ï ú doo doo doo doo

T2
#& # ä Ï . ÏÏ Ï Ï ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï ä Ï . Ï Ï Ï Ï
doo doo doo doo doo doo doo doo

¥ ## doo doo doodoo doo doodoodoo doo doo doo doo doo doo doo doo

B2
? w doo
w w w
doo doo doo

S
#& # Ï Ï£ Ï Ï Ï£ ÏÏ ú. Î Ï. n Ïj Ï Ï n Ï Ï . Ïj Ï Ï Ï w
41

#& # n Ï Ï£ Ï Ï Ï£ ÏÏ ú. Î Ï. Ïjn Ï Ï Ï Ï . Ïj #Ï Ï Ï w
blue. Ah

#& # w Ï
T
blue.

ú. Î nw w w Ah

¥ ## w blue.
ú . Î n w w w Ah

B
?
S2
#& # Î än Ïjú Î ä Ïúj w
blue.

nw Î ä Ïjú
Ah

A2
#& # Î Ï ú Î Ï ú n w doo

w ÎÏú
doo Ah. doo

T2
#& # än Ï . Ï Ï Ï Ï ä n Ï . ú w
doo doo

w
doo doo

ä Ï . Ï Ï Ï Ï
Ah. doo doo

¥ ## doo doodoodoo doo Ah. doo doodoodoo

B2
? w doo
w nw w doo
w Ah. doo

Because-final-2.myr 5/6 Jueves 10 de mayo de 2012, 13:05:35

 S
#& # ·
46

Ï. Ïj Ï Ï Ï Ï Ï Ï Ï Ï w
A
#& # · Ah

Ï. Ïj Ï Ï #Ï Ï Ï Ï Ï Ï w
T
#& # · Ah

w #Ï Ï Ï Ï w
¥ ## Ah
w w w
B
? ·
S2
#& # Î ä Ïj ú Ah

Î ä Ïj ú Î ä Ïj ú Î ä Ïjú
A2
#& # Î Ï ú doo doo

Î Ï ú Î #Ï ú Î Ï ú
doo doo

T2
#& # ä Ï . Ï Ï Ï Ï doo doo doo doo

ä Ï. Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï ä Ï. Ï Ï Ï Ï doo doo doo doo

¥ ## doo doo doo doo doo doo doo doo doo doo doodoo doo doodoodoo

B2
? w doo
w
doo
w w doo doo

S
#& # ·
50
£Ï Ï Ï Ï Ï£ Ï Ï ú. Î Ï. n ÏjÏ Ïn Ï Uw
A
#& # · Ah.
£ £
n Ï Ï Ï Ï Ï Ï Ï ú. Î Ï. Ïjn Ï Ï Ï Ï w U Ah.

T
#& # · Ah.

w ú. Î n w nUw Ah.

¥## w
Ah.
ú. Î nw nUw Ah.

B
? ·
S2
#& # Î ä Ïj ú Ah.

Î ä n Ïj ú Î ä Ïúj w Unw Ah.

A2
#& # Î Ï ú doo

Î Ï ú Î Ï ú nw
doo

w
doo Ah.

T2
#& # ä Ï . Ï Ï Ï Ï doo doo doo doo

ä nÏ. Ï Ï Ï Ï ä nÏ. ú w Uw doo doo Ah.

¥## doo doo doo doo doo

U
doo doo doo Ah.

B2
? w doo
w
doo
w n w n w doo Ah.

Because-final-2.myr 6/6 Jueves 10 de mayo de 2012, 13:05:35

 Eleanor Rigby J. Lennon/P. McCartney
Arr. Paul Hart

Soprano
#& 4 q · 1 Rolling along

· = 120 1 . úP ÏÏÏÏ
Alto
#& 4 úF Ï Ï Ï Ï Ïj Ï Ïj Ïj Ï. 1. úP Ï Ï Ï Ï doo doo doo doo

#& 4 úF Ï Ï Ï Ï ÏJ Ï JÏ JÏ Ï. 1P. Ï Ï£ Ïj ú Î
Ah look at all the lone ly doo doo doo doo

Tenor

¥ #4 F Ah

Ï Ï Ï J
Ï Ï J
Ï J
Ï look at

Ï. 1 . J
Ï P
all

ä J
Ï ä J
Ï the

ä J
Ï ä lone ly peo ple.

Bajo 1
?4ú Ï 1 .
#4 F
ä Ï ÏAh look at
P
all the lone ly doo doo doo doo

Bajo 2
? 4 Ïj ú w
dm dm dm dm
Ï. ä ú doo doo

S
#& ä ÏJ ä ÏJ ä ÏJ ä ÏJ Ï2.jpä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
4

A
#& ÏPjä Ïj ä Ïj ä Ïj ä Ï2.jpä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

T
#& · 2. · doo doo doo doo doo

·
doo

î
doo doo

Î ä JÏ doo doo doo doo doo doo doo doo

¥ # ÏJ ä ÏJ ä ÏJ ä ÏJ ä ä2.P Ï Ï Ï Ï Ï Ï JÏ #Ï Ï Ï Ï Ï Ï Ï ÏJ ä ä J
Ï doo

B1
? Ïj Î Î
B2
#? w doo doo
2. doo doo

· î Î Ïj Ï #Ï Ï Ï Ï Ï Ï Ïä P
doodoodoodoodoodoodoo doo doo doo doo doo doo doo

doo doo doo doo doo doo doo

S
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ï FÏ Ï#Ï Ï ÏÏ Ï Ï Ï ÏÏÏÏÏÏÏ pÏJ ä ÏJ ä ÏJ ä ÏJ ä
8

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ï FÏ Ï. ÏÏ.j Ïj Ï. Ïúj Ïpj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo dooah doo doo doo doo

T
#& Ï #Ï Ï Ï Ï Ï Ï Ï Ï Î Î ä ÏJF Ï. #ÏJ Ï. JÏ Ï. JÏú ÏJp ä ÏJ ä ÏJ ä ÏJ ä
doo doo doo doo doo doo doo dooah ah ah ah doo doo doo doo

¥ # ÏJ Ï Ï Ï Ï Ï Ï Ï JÏ Ï Ï Ï Ï Ï ÏF Ï. JÏÏ. JÏ Ï. ÏúJ FÏ Ï Ï Ï ÏJ Ï.
doodoodoo doodoodoo ah ah ah ah doo doo doo doo

B1
? Ï
B2
#? Ïj ä Î î î Î ä ÏFj Ï. ÏÏj . Ïj Ï. ÏúJ
doodoodoo doodoodoo doodoodoodoodoodooah

·
ah ah ah 1.El ea nor
2.FatherMc
Rig
Ken
by
zie,

ah ah ah ah

Eleanor_Rigby_final.myr 1/5 Sábado 25 de febrero de 2012, 10:41:18

 S
#& ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä
13

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo

T
#& ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä
doo doo doo doo doo doo doo doo doo doo doo doo

¥ # Ï Ï Ï Ï ÏJ #Ï Ï Ï ÏJ Ï Ï Ï ÏJ Ï Ï Ï w
doo doo doo doo doo doo doo doo doo doo doo doo

B1
? P
ÏÏÏÏÏÏÏÏ
picks up the rice in the church where a wed ding has been.

B2
#? ·
writ ing the words
· of a ser mon that no one will hear,

dm dm dm dm dm dm dm dm

S
#& ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä
16

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo

T
#& ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä
doo doo doo doo doo doo doo doo doo doo doo doo

¥ # Ï Ï Ï Ï ÏJ Ï. Ï Ï Ï Ï ÏJ Ï. Ï Ï Ï Ï Ï #Ï Ï Ï
doo doo doo doo doo doo doo doo doo doo doo doo

B1
?
B2
#? Ï Î î Lives in a
no
dream

·
one comes near.
·
Waits at
Look at
the win
him work
dow,
ing,
wear ing
darn ing
the
his
face
socks
that she keeps
in the night

dm

S
#& JÏ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä JÏ ä JÏ ä JÏ ä JÏ ä
19

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo

T
#& ÏJ ä JÏ ä JÏ ä JÏ ä JÏ ä ÏJ ä ÏJ ä ÏJ ä JÏ ä JÏ ä JÏ ä JÏ ä
doo doo doo doo doo doo doo doo doo doo doo doo

¥ # ÏJ Ï Ï Ï Ï Ï Ï Ï w
doo doo doo

Ï Ï Ï Ï
doo
J
Ï Ï. doo doo doo doo doo doo doo doo

B1
?
B2
#? ·
in a

ÏÏ Ï
jar
when there´s no
Ï Ï Ï Ï Ï Ï
by
bo
î
the
dy
door,

Î
there,
who is it
what does he
for?
care?

dm dm dm dm dm dm dm dm dm

Eleanor_Rigby_final.myr 2/5 Sábado 25 de febrero de 2012, 10:41:18

 S
#& ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä
22

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

T
#& ÏF Ï Ï Ïj Ï Ïj ÏjÏ. Ï Ï Ï Ï Ï Ï Ïj Ï Ïj ú.
doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

¥# w All the lone

# w ly
w
peo ple,
# w where do they all come from?

B1
? Oo

B2
? # Î ä ÏJ ÏJ ä Î Î ä JÏ ÏJ ä Î Î ä JÏ ÏJ ä ä JÏ ä JÏ Ï Ï Î
dm dm dm dm dm dm dm dm dm dm

S
#& ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä ÏJ ä 1Ï.j ä Ïj ä Ïj ä Ïj ä
26

A
#& Ïj ä Ïj ä Ïj ä Ïj ä Ïjä Ïjä Ïjä Ïjä Ïj ä Ïj ä Ïj ä Ïj ä 1Ï.j ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo

T
#& Ï Ï Ï Ïj Ï Ïj ÏjÏ. Ï Ï Ï Ï Ï ÏJ Ï Ïj 1ú. .
doo doo doo doo doo doo doo doo

Î
doo doo doo doo doo doo doo doo

¥# w All
#
the lone
w ly
w peo
1ä. Ïj Ï Ï Ï Ï Ï Ï
ple, where do they all be lo ng?

B1
? 1 . doo doo doo doo doo doo doo

B2
? # Î ä ÏJ ÏJ ä Î Î ä ÏJ ÏJ ä Î Î ä ÏJ ú ·
dm dm dm dm dm dm

S
#& Ï 2.Ï ä ÏJ ä ÏJ ä ÏJ úf Ï Ï Ï Ï JÏ Ï JJÏÏ Ï. 1Ï.FÏ ú.
30

w
A
#& Ïj2.ä Ïj ä Ïj ä Ïj ä úf Ï Ï Ï Ï ÏjÏ ÏÏjjÏ. 1Ï.FÏ ú.
doodoo doo doo doo Ah look at all

ÏÏÏÏ
the lone ly peo ple

T
#& •Ï2. Ï Ï Ï úf Ï Ï Ï Ï JÏ Ï JJÏÏ Ï. 1Ï.F ú Ï w
doo doo doo doo Ah lookat all the lone ly peo ple

¥ # w2. ng? doo

f
ú doo

Ï Ï Ï
doo
Ï J
Ï Ï JJ
ÏÏ Ï .
Ah
1î. ä ÏJFÏ Ï ä JÏä JÏä JÏä JÏ
lookat all the lone ly peo ple. Oo-

B1
? 2.
B2
#? î ú úf ÏÏ Ï Ï ÏjÏ ÏÏjjÏ. 1Ï.F Ï ä ÏJ Ï Ï ÏJä JÏäÏJä JÏä
Ah lookat all the lone ly doodoo doo doodoodoodoo

Oo Ah lookat all the lone ly peo ple doo doodoodoodoo

Eleanor_Rigby_final.myr 3/5 Sábado 25 de febrero de 2012, 10:41:18

 S
#& · 2. 35

· # # ÏPÏ Ï Ï Ïj Ï. Ï Ï Ï Ï Ï #Ï Ï Ï
A
#& #ÏP2.#Ï Ï ä #Ïj Ï Ï ä#Ïjä Ïjä Ïjä Ïj # # Ïp Ï Î ä Ïj Ï Ï Î ä Ïj El ea nor Rig
Fa therMc Ken
by
zie
died in the church
wip ing the dirt
and was bur
from his hands

T
#& ÏP2.#Ï ú. peo

ÏJ ä#ÏJ ä#JÏ ä#JÏ ä # # Ïp Ï Î ä Ïj Ï Ï Î ä Ïj

ple, doodoodoo doo doo doo doo nm nm nm nm nm nm

¥ # #Ï 2.P ú Ï #ú. Ï # # p ä
peo ple, doo doo doo doo nm nm nmn nm nm

B1
? 2. Ï Ï Î Ïj Ï Ï Î ä Ïj
B2
#? î Î PÏ #Ï Ï Ï #Ï # # Ïp Ï Î ä Ïj Ï Ï Î ä Ïj
peo ple doo nm nm nm nm nm nm

doo doo doo doo doo nm nm nm nm nm nm

S
#& # Ïj Ï Ï Ï Ï Ï Ï Ï w 1. Ï Ï Ï Ï Ïj Ï. 2.Ï Ï Ï Ï Ïj Ï.
39

A
#& # Ï Ï ied a long
as he walks

ÏÏÏÏ î 1.
with her name
from the grave, 2. î no bo dy came. no one was saved

T
#& # Ï Ï nm nm

Ï Ï Ï Ï 1. ä Ïj Ï Ï ä Ïj ä Ïj 2. ·
Oo

¥ ## nm nm
Ï Ï Ï Ï 1. J
Ï J
Ï Oo

ä ä JÏ ä ÏJ ä · 2. doo doo doo doo doo

B1
? Ï Ï î
B2
#? # Ï Ï Î Î w 1. w
nm nm Oo
2. · doo doo doo doo

nm nm Oo oo

S
#& # w 43 P
ú. Î Ï Ï ÏÏjÏ Ïj ÏjÏ. Î Ï Ï Ï Ï Ïj Ï Ïj
A
#& # ä Ïj Ï Ï Ï Ï ä Ïj ä Ïjä Ïjä Ïjä Ïj ÏPÏ ÏÏjÏ Ïj ÏjÏ. Î Ï Ï Ï Ï ÏjÏ Ïj All thelone ly peo ple, where do theyall come from?

T
#& # î ÏJ ä ÏJ ä JÏ ä#JÏ äÏJ ä JÏ ä ÏPÏ Ï ÏjÏ Ïj ÏjÏ. Î Ï #Ï Ï Ï ÏjÏ n Ïj
doodoodoodoodoo doo doo doo doo doo All thelone ly peo ple, where do theyall come from?

¥ # # ÏJ ä ÏJ ä ÏJ ä JÏ ä J äÏJ ä ä ÏPÏ ÏÏJ Ï JÏ JÏ Ï Ï Ï Ï JÏ Ï JÏ

doo doo doo doo doo doo All the lone ly peo ple, where do theyall come from?

B1
? Î Ï #Ïj Ï. Î
B2
#? # Î ÏJ ä ÏJ ä ÏJ ä ÏJ ä JÏ äÏJ ä#Ïjä ÏPÏ ÏÏjÏ Ïj ÏjÏ. Î Ï Ï Ï Ï ÏjÏ Ïj
doo doo doo doo doo doo doo All the lone ly peo ple, where do they all come from?

doo doo doo doo doo doo doo All the lone ly peo ple, where do theyall come from?

Eleanor_Rigby_final.myr 4/5 Sábado 25 de febrero de 2012, 10:41:18

 S
#& # ú î Ï Ï ÏÏjÏ Ïj ÏjÏ. Î Ï Ï. ÏJ Ï Ï w Î ÏPÏ Ï Ï Ï Ï
48 rit. a tempo

A
#& # ú î Ï Ï ÏÏjÏ Ïj ÏjÏ. Î Ï Ï. Ïj Ï Ï w Ïpj ä Ïj ä Ïj ä Ïj ä
All the lone ly peo ple, where do
rit.
they all be long? doo doo doo doo doo doo
a tempo

T
#& # n ú î Ï Ï Ï ÏjÏ Ïj ÏjÏ. Î Ï #Ï. ÏJj Ï Ï ww ÏJp ä JÏ ä JÏ ä JÏ ä
All the lone ly peo ple, where do
rit.
they all be long? doo doo
a tempo
doo doo

¥ # # ú Ï Ï ÏÏJ Ï JÏ JÏ Ï All the lone ly peo

p
w ple, where do they all be long? doo doo doo doo

B1
? î Ï. Î Ï. Ïj Ï Ï w rit.

B2
#? # ú î Ï Ï ÏÏjÏ Ïj ÏjÏ. Î Ï Ï. Ïj Ï Ï w wp
All the lone ly peo ple, where do they all
rit.
be long? Oo

All the lone ly peo ple, where do they all be long? Oo

S
#& # Ïj #Ï Ï Ï Ï Ï Ï Ï Ï Î î
54

·
A
#& # Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä Ïj ä
doo doo doo doo doo doo

T
#& # ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä ÏJ ä JÏ ä JÏ ä JÏ ä
doo doo doo doo doo doo doo doo doo doo doo doo

¥ # # ú. P
doo

ä J
Ï doo
Ï # Ï Ï Ï
doo

Ï Ï doo

Ï Ï w
a tempo
doo doo doo doo doo doo doo doo

B1
?
B2
#? # ú. Î î Î JÏ Ï Ï Ï Ï JÏ Ï Ï Ï ä P doo doo doo doo doo doo doo doo doo

doo doo doo doo doo doo doo

S
#& # Î Ï Ï Ï Ï Ï Ï F Ïj#Ï Ï Ï Ï Ï Ï Ï Ïj Ï Ï Ï Ïj Ïj Ï ¹ Uw
57 dim. e rit.

A
#& # Ïj ä Ïj ä Ïj ä Ï ÏF Ï. Ïj Ï. Ïj Ï. Ïj ú ¹î Uú
doo doo doo doo doo doo doo doo doo
dim. e rit.
doo doo doo doodoo doo doodoo doo

T
#& # JÏ ä JÏ ä JÏ ä Ï Ï F Ï. #Ïj Ï. JÏ Ï. ÏJÏ úú ¹î Uú
doo doo doo doo doo
dim. e rit.
doo doo doo oo

¥ # # ú. doo

ä F doo doo

J . J
Ïdoo doo

Ï. J
Ï ú ¹ U doo doo doo oo

B1
? Ïj Ï. Ï Ï w dim. e rit.

B2
#? # Ï Î Î ä FÏj Ï. Ïj Ï. Ïj Ï. Ïj ú ¹î Uú doo doo
dim. e rit.
doo doo oo

doo doo doo doo oo

Eleanor_Rigby_final.myr 5/5 Sábado 25 de febrero de 2012, 10:41:19

 YESTERDAY John Lennon & Paul McCartney
Arr.: Julio Dominguez (versión King's Singers)

Soprano
1
P Ï
Moderato
p
b& Î ä ÏjÏ Ï Ï Ï Ï. ÏjÏ Ï Ï ÏÏjÏjÏ Ï Ï ä ÏÏj ÏÏÏ Ï Ï£ Ïú.j
4
4 p
&b Î Ï ú Î Ï ú Î Ï ú Î Ï Î Ï w
Alto
ooh
p ooh eaooh ooh Yes ter day

4 p J
&¥b äÏú. äÏú. ä
Tenor
J Too

Ïú
j . b ÏÏ
j
ä ä w n ÏÏ
j p too too too too mm

b?
Bajo
4 p
ú . Ï ú
Too

ä ú. Ï ú ú ú. ä ÏJ
J
ÏÏ p
Too Too too too mm

Too too too too too too too too mm mm

S b& Î Ïj n JÏ #JÏ JÏ ÏJ JÏ Ï ÏJ ÏúJ Î JÏ ÏJ ÏJ JÏ Ïj Ïj ÏJ Ïj ú ä Ïj

6

All my troub les seemed so far a way Now it looks as tho' they're here to stay Oh.

A
&b w ú ÏújÏ Ï Ï ú. Ï Ï ú ÏJj ä
T b&¥ w ú ú Ï ú Ï Ï ú ÏJ ä
B
b? ú ú ú ÏJ JÏ Ï ú ú ú ä JÏ JÏ ä mm

S b& Ï Ï ÏÏ. Ïj ÏjÏj ú Î Ïj Ïj ú. Î Ïjn JÏ #JÏ JÏ ÏJ ÏJ Ï JÏ ÏJ ú

10

A
I

ä ,
Be lieve in yester day. Sudden

&b Ï ÏJ JÏÏ. Ï ú Ï ÏJjÏJjÏJjÏJjÏJjÏJjÏJjÏJj Ïú Ï n Ïú Ï ú ÏJj ÏÏ. Ï Ï

ly, I'm not halfthe man I used to be

T Ï. J . ä ,
b&¥ n Ï Ï Ï ú Ï äÏjäÏj ÏjÏjäÏjÏJjÏjÏj nú úÏ #Ï ú ÏJjÏ Ï Ï
mm mm ooh La la la la la la la la ooh a ooh

B
mm

,
b? Ï ÏjÏ. Ï ú Ï ú. ä ÏJ ú ú ú ÏJ JÏ Ï
. ä
mm ooh La la la la la la la la ooh a ooh

mm mm ooh ooh too too too too too too

Yesterday_final.myr 1/3 Sábado 11 de febrero de 2012, 17:30:30

S b& Î JÏ JÏ ÏJ JÏ Ïj Ïj ÏJ Ïj ú ä Ïj Ï Ïj ÏjÏ. Ïj
15

There's a shad ow hang ing o ver me, Oh yes ter day came
Ïj Ïj ú Ïj ä
sud den ly.

A
&b ú. Ïj Ïj ÏjÏj ú Ïj ä Ï ÏjÏjÏ. ä hang ing o ver me, yes ter day
Ï ú JÏj ä
ooh

T b&¥ Ï ú JÏ JÏ ÏjJÏ ú JÏ ä Ï JÏn JÏ Ï. ä hang ing o ver me, yes ter day
Ï ú JÏ ä
ooh

B
b? ú ú ú ä JÏ JÏ ä Ï JÏ ÏjÏ. ä
too too too too too yes ter day
Ï ú Ïj ä
ooh

S
19
f
b& ú ú Ï Ï Ï ÏJ JÏ Ï. JÏ Ï Ï ú. Ïjä ú ú dim.
Ï Ï Ï ÏJ JÏ
A
f
Why she had to go I

&b ú ú Ï Ï Ï ÏjÏj Ï. Ïj Ï Ï ú. Ïjä ú ú

don't know She wouldn't

dim.
say: I said some

Ï Ï Ï Ïj Ïj
thing wrong now I

T
f
Why she hadto go I don't

b&¥ n #ú Ï Ï Ï ÏJ JÏ Ï. JÏ Ï Ï wÎ Ï ä JJÏÏä n ú #ú
ú know She

dim.
wouldn't say: I said

ÏÏ Ï ÏÏ ÏÏJj ÏJÏj
some thing wrong now I

B
f
Why she

b? ú ú ú ú ú ú ú. JÏä ú ú
hadto go I don't know She wouldn't

dim.
say: say I said

Ï Ï Ï ÏJ JÏ
some thing wrong now I

Why she oh, say: I said some thing wrong now I

S b& ÏJ Ï Ï Ï Ï Ïj Ïj £ ÏjÏ î Î
25
Ï. Ï ú
Ï ú ,
p £ nÏj JÏ #JÏ JÏ JÏ JÏ
A
long

&b Ï. ÏJ Ï Ï ú Ï Ï w
for yes
, ter

w
day Yes ter day, Love was such an eas y

T
Ï.
b&¥ Ï Ïj Ï long

Ï Ï Ï Ï
for yes

Ï , w ter

w day mm

long for yes ter day mm

B
b? Ï Ï Ï Ï w ú. ä JÏ ú
long for yes ter day too too too
ú
too

Yesterday_final.myr 2/3 Sábado 11 de febrero de 2012, 17:30:30

S b& Ï ÏJ JÏ ú Î ÏJ JÏ ÏJ JÏ Ïj Ïj ÏJ Ïj ú ä Ïj Ï
29

game to play, Now I need a place to hidea way, Oh, I

ÏjÏjÏ. Ïj
be lieve in

A
&b ú ÏújÏ Ï Ï ú. Ï
Ïj j Ïj Ïj ú Ïj ä Ï ÏjÏjÏ. ä
place to hidea way, I be lieve

T b&¥ ú ú Ï ú JÏ JÏ Ïj ÏJ ú JÏ ä Ï place to hidea way I

JÏn ÏJ Ï. ä
be lieve

B
b? ú JÏ JÏ Ï ú ú ú ä ÏJ Ï Ï
too too too too too too too too I
JÏ ÏjÏ. ä
be lieve

S ä
&b Ïj Ïj ú Ïj Ï Ï Ï Ï Ï ÏÏú Î ÏjÏjÏjÏjJÏ
33

ä P ten.

Ï. ÏÏj Ï
A
yes ter day,

&b Ï ú ÏJj ä w w Î Ï ú p mm

ten.
ooh

ÎÏú
ooh

T
ooh

&¥b Ï ú ÏJ ä ú n ú w ä Ïú.J p mm
ten.
Too Too

äÏú.J
B
b? Ï ú.
ooh

ú ú w ú. Ï p mm

ten
Too Too

ú ä JÏÏ
ooh mm too too too too

S b& Ï Ï Ï Ï Ï JÏ ÏJ Ï ä ÏÏj Ï Ï Ï Ï Ï ú.
38

ooh ea ooh ooh

poco rit.

w
A
&b Î Ï ú Î Ï Î Ï î Too
Î Ï
too too too
w
T b&¥ ä Ïj ú. too
äb ÏÏj än ÏÏj Î Ï Ï ú
too too too
w
B
? b ú. Ï ú ú Ïj Ïj ú.
too too too too
r
too
wr

Yesterday_final.myr 3/3 Sábado 11 de febrero de 2012, 17:30:31

 MICHELLE
Arr.: K.-F. Jehrlander John Lennon / Paul McCartney

Soprano
#& 4 qÎ ú Ï Ïú Ï Ï Ï Ï Ï #w
1
= 116
Introduction
ú ú
(rubato)
ÏÏ ú Ï Ï Ï Ï Ï Ï bÏ Ï
Do do do do do do do do Mi chelle, ma belle, these are words that go to geth er

Alto 1
#& 4 ú b ú ú b ú w w Mi

Ï ÏÏ
chelle,

Ïúú
ma belle, sont les

ú ú ú ú
mots qui vont très bien en

Do do do do do do Mi chelle, ma bel le, words to geth er

Alto 2
#& 4 ú b ú ú b ú w w Ï ÏÏ
Mi chelle ma

Ïúú
bel le mots

ú ú ú bú
qui vont très

Do do do do do do Mi chelle, ma bel le, words to geth er

#& 4 Îú Ï Ï ú Ï Ï Ï Ï Ï w Mi

Î ÏÏ chelle, ma

Ïú ú
bel le mots

ú ú ú ú
qui vont très

Tenor

¥ Do do do do do do do do Mi chelle, ma
Mi chelle, ma
bel
bel
le,
le,
words
mots
to
qui
geth
vont
er
très

Bajo
? #44 w w w w Do do do do
w
Mi
Mi
ú. Ïchelle, these
chelle, sont
ú ú #ú ú words
mots
to
qui
geth
vont
er
très

S
#& ú 9
, Ï Ï£ Ï 1. w 2.ú. Ï Ï £Ï Ï Ï £Ï Ï ú ú ä JÏ Ï Ï Ï Ï w äÏJ ÏÏ Ï Ï
A1
#& #ú well, ma
1
Mi
semble, très bien en

Ï Ï w . chelle
2.ú.
semble I love you, I

Î ú ú úú
love you, I love you, that's all I

w w #ú ú, want to say un til I find a

#& n ú well,
bien,
ma
bien
1. Mi
en
chelle
2.
semble

Î ú ú úú
Love you, love you, I
, say til I

A2
#Ï Ï #w #ú. w wú ú
T
#& ú well,
bien,
ma
bien
1
Ï Ï w . Mi
en
chelle
2.ú.
semble

Î ú ú ú ÏÏ
Love you love you, I

w wú ú , say til I

¥ well,
bien,
ma
bien
1 . Mi
en
chelle
2.ú.
semble Love you, love you, I
, say til I

B
?# ú well,
bien,
# Ï Ï ú# Ï # Ï
ma
bien
Mi
en
chelle semble
Î ú ú úú Love you, love you,
w wú ú
I say til I

Michelle_final.myr 1/3 Jueves 10 de mayo de 2012, 13:51:41

 S
#& ÏÏÏ ÏÏ, Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ï Ï w #Ï Ï Ï Ï #Ï Ï Ï Ï
17 im Metrum

A1
#& ú ú , Ï Ï Ï Ï Ï Ï Ï Ï ú Ï Ï #w #Ï Ï Ï Ï Ï Ï Ï Ï
way I will say the on ly words I know that you'll un der stand Ma Mi chelle, Mi chelle, ma bel le

find way say the on ly words I know that you'll un der stand Ma Mi chelle,Mi chelle, ma bel le

A2
#& ú ú , Ï Ï b Ï Ï Ï Ï b Ï Ï Ï Ï Ï Ï w Ï Ï Ï Ï Ï Ï Ï Ï
T
#& ú ú , ú. ÏÏ, ú Ï Ï ú Ï Ï w ú ú Ï Ï ú
find way say the on ly words I know that you'll un der- stand Ma Mi chelle, Mi chelle, ma bel le

¥ Ï ÏÏ
#? Ï Ï Ï Î Ï #Ï ú JÏ , ÏJ Ï ú ú Î Ï #Ï #Ï ú Ï. , JÏ Ï. JÏ Ï Ï
find way say the words that you'll un der stand Mi chelle, ma belle

find a way to say, to say words I know you'll un der stand.Mi chelle, belle Mi chelle ma belle sont

#& Ï Ï Ï n Ï Ï Ï Ï Ï Ï Ï Ï Ï #Ï ú ä ÏJ Ï Ï Ï Ï £Ï Ï ú ú
24

£
A1
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï #Ï ú , Ï Ï Ï Ï Ï ú ú
sont les mots qui vont tres bien en sem
sem
ble,
ble,
bien
bien
en
en
sem ble
sem ble
I
I
need you, I
want you, I
needyou ,I
want you, I
need you
want you

A2
#& Ï Ï Ï Ï Ï Ï Ï Ï #Ï Ï #Ï Ï Ï ú , Ï Ï Ï Ï Ï ú ú
sont les mots qui vont tres bien en sem
sem
ble,
ble,
bien
bien
en
en
sem ble
sem ble
I
I
need you,
want you,
need you,
want you,
need you
want you

T
#& Ï Ï Ï Ï Ï ,Ï b Ï Ï ú , Ï Ï£ Ï ú. ä ÏJ Ï £Ï Ï Ï £Ï Ï ú ú
sont les mots qui vont tres bien en- sem
sem
ble,
ble,
bien
bien
en
en
sem
sem
ble
ble
I
I
need you,
want you,
need you,
want you
need you
want you

¥ ,
#? Ï. JÏ Ïj Ï JÏ #Ï. ,Ïj Ïj Ï Ïj Ï. , Ïj #Ï. Ïj ú #Ï ,#Ï Ï Ï Ï Ï ú. Ï
sont les mots qui vont tres bien en- semble très bien en semble I need you, I need you, I need you
da très bien en semble I want you, I want you, I want you

mots qui vont bien, les mots qui vont bien,tres bien, très bien en sem ble I need you, need you, need to
bien très bien en sem ble I want you, want you, want you,

S
#& ú ú ú Ï Ï ú ú Ï Ï Ï Ï Ï Ï Ï Ï. , JÏ
30

make you see, what you mean to me. Un- til I do I'm

A1
#& ú ú äJÏ Ï Ï Ï Ï ú ú Ï Ï ú Ï Ï Ï Ï
know by now Get to you some how Un til I do, I'm

make you see, what you mean to me til I do, I'm

A2
#& n ú ú w ú ú Ï Ï ú Ï Ï b Ï Ï
know by now, Get to you some how til I do, I'm

T
#& ä JÏ Ï Ï Ï Ï w ä ÏJ Ï Ï Ï Ï Ï Ï ú , Ï Ï Ï Ï Ï
make
know
you
by
see,
now,
what
Get
you
to
mean
you
to
some
me
how
til
til
I
I
do, I'm
do, I'm

¥
#? ú ú w , ú ú ú Ï Ï Ï Ï ä Ï. Ï Ï #Ï Ï
I need to make you see Oh what you mean to me, Un til I do, I'm
I think you know by now I'll get to you some how Un til I do I,m

make you see what you mean to me, I I, I do hope

know by now Get to you some how, I I, I do tell

Michelle_final.myr 2/3 Jueves 10 de mayo de 2012, 13:51:41

 S
#& Ï Ï Ï Ï ú Ï Ï 1. w #Ï Ï Ï Ï #Ï Ï Ï Ï
35

A1
#& Ï Ï Ï Ï ú Ï Ï 1. #w #Ï Ï Ï Ï Ï Ï Ï Ï
hop
tell
ing
ing
you
you
will
so
know
you'll
what
un
I
der
mean I love you, Mi chelle, ma bel le

A2
#& Ï Ï b Ï Ï Ï Ï Ï Ï 1. w Ï Ï Ï Ï Ï Ï Ï Ï
hop
tell
ing
ing
you
you
will
so
know
you'll
what
un
I
der
mean I love you, Mi chelle, ma bel le

T
#& Ï Ï Ï Ï ú Ï Ï 1. w Î Ï Ï ÏÏ w
hop
tell
ping
ing
you
you
will
so
know
you'll
what
un
I
der
mean I love you Mi chelle, ma bel le

¥
#? ú ,Ï Ï Ï Ï ú ú 1Î. Ï #Ï #Ï ú Ï. , JÏ Ï. JÏ Ï Ï
hop ing you will know what I mean, I love you,
tell ing you so you'll un der

you will know what I mean Mi chelle, belle Mi chelle ma belle sont
you will un der

S
#& Ï Ï Ï n Ï Ï Ï Ï Ï w 2. ú ú Ï Ï ú Ï Ï Ï Ï Ï Ï b Ï Ï
40
(rubato)

sont les mots qui vont tres bien en stand. Mi chelle ma belle, sont les mots qui vont très bien en

A1
#& Ï Ï Ï Ï Ï Ï Ï Ï #w 2. Ï Ï Ï Ï ú ú ú ú ú ú
A2
#& Ï Ï Ï Ï Ï Ï Ï Ï w 2. Ï Ï Ï Ï ú ú ú ú ú b ú
sont les mots qui vont tres bien en stand. Mi chelle,ma bel le, mots qui vont très

Ï Ï#Ï Ïb Ï Ï w 2. Î Ï Ï Ï ú ú ú ú ú ú
sont les mots qui vont tres bien en- stand. Mi chelle, ma bel le, mots qui vont très

T
#& w
¥ , ,
#? Ï. JÏ Ïj JÏ #Ï. Ïj Ïj Ï Ïj w 2. w ú. ,Ï ú ú #ú ú
da da da da da da stand. Mi chelle,ma bel le mots qui vont très

B
Ï
mots qui vont bien, les mots qui vont bien, tres stand. Mi chelle, sont mots qui vont très

S
#& ú , Ï Ï£ Ï ú. Î · ·
47

· · Îú Ï w
semble, très bien en semble do do

A1
#& #ú , Ï Ï ú. Î · · · · Îú Ï w
A2
#& n ú ,#Ï Ï #ú. Î ·
bien, bien en

· · ·
semble

ú bú w
do do

T
#& ú ,Ï Ï ú. , Ï Ï Ï Ï Ï Ï Ï Ï úÏ. Ïj b ú Ï Ï #ú ,Ï Ï #w w
bien, bien en semble do do do

¥ ,
#? ú #Ï Ï ú. , Ï Ï Ï Ï b Ï Ï ÏÏ ÏÏ #úú n ú Ï Ï ú ,#ÏÏ #Ï w w
bien bien en semble. I will say the on ly words I know that you'll un der stand, my Mi chelle

bien, bien en semble. I will say the on ly words I know you'll un der stand, my Mi chelle

Michelle_final.myr 3/3 Jueves 10 de mayo de 2012, 13:51:41

 BLACKBIRD
Arreglos: Daryl Runswick
Música y Letra: John Lennon y Paul McCartney

Soprano
#& 34 î Îq 4 î Î Î 43 FÏ Ï Ï Ï Ï Ï Ï
1
Tempo giusto, ca. = 92
Ï. 4 ú. Î
Contralto
#& 34 Ï Ï Ï 4 ú. Î 43 PÏ Ï Ï Black bird sing ing in the dead of

4 ú.
night

Î
Tenor 1
#& 34 ÏÏÏÏÏÏ 4 ä ÏÏÏÏÏ Ï ÏÏÏÏÏ 43 PÏ Ï Ï Ï Ï
Dn dn dn dnn Dn dn dn dnn

Ï 4 ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
#3 4 ú.
Dn dn dn dn dn dn

3
Î 4Ï Ï ÏP a dnga dn dng a dng a dn Dn dn dn dn dn dn

4 ú. Î
a dng a dn dng a dng a dn

Bajo
? 4Ï Ï Ï Dn dn dn dnn Dn dn dn dnn

S
#& Ï Ï Ï Ï Ï Ï Ï
5

Ï Ï Ï Ï Î î 24 Ï. ÏÏ Ï 4 ú. Î
Take these bro ken wings and learn to fly All your life

C
#& Ï Ï Ï Take these sunk en eyes and learn to see

Ï ú. Î 24 Ï Ï 4 ú b ú
T1
#& Ï Ï Ï Ï Ï Ï dn dn dn dn dn

Ï Ï ä ÏÏÏÏÏ Ï ÏÏÏÏÏ 24 Ï Ï Ï Ï 4 ä ÏÏÏÏÏ Ï ÏÏÏÏÏ

dn dn dn dn

dn dn dn dn dn dn dn dn a dng a dn dn a dng a dn dn dn dn dn a dng a dn dn a dng a dn

B
? # Ï #Ï Ï dn dn dn
#Ï Ï Ï b Ï Ï 24 Ï #Ï 4 Ï Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn dn

S
#& Ï Ï ÏÏ Ï Ï Ï ä Ï Ï
9

Ï Ï Ï Ï Ïú Ï ÏÏÏ Ï ÏÏä Ï Ï Ï Ï Ï ÏÏú

(una persona silbando)

You wereon ly waiting for this mo ment to a rise e e

C
#& ú #ú mo ment to be

ú Ï Î
free

Ï Ï #ú ú Ï Î
T1
#& ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
dn dn dn

ä ÏÏÏÏÏ Ï ÏÏÏÏÏ dn dn dn dn

ä Ï ÏjÏ ÏÏÏÏÏ ä ÏÏÏÏÏ Ï ÏÏÏÏÏ dn dn

a dng a dn dn a dng a dn a dng a dn a dn dng a dn dn dn a dnga dn a dnga dn dn a dnga dn

B
#? Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏÏ ÏÏÏÏ
dn dn dn dn dn dn dn dn dn dn dn dn dn dn dn dn

Blackbird_final.myr 1/4 Sábado 25 de febrero de 2012, 10:26:28

 S
#& FÏ. ÏÏÏ. Ïj
13
tutti

Black bird fly

.ú Î Ï. ÏÏÏ. Ïj ú. f Ï n Ï Ï Ï Black bird fly in to the light-

C
#& Ï Ï n Ï Ï ú ú Ï Ï n Ï Ï ú #ú
T1
#& ä Ï ÏjÏjÏ Ïj
dn dn dn dn dn dn

Ï ÏÏÏÏÏ Ï ÏÏÏÏÏ ä Ï ÏÏjjÏ Ïj Ï ÏÏÏÏÏ Ï ÏÏÏÏÏ

dn dn dn dn dn dn

dn dn dn dn a dn a dn dn a dn a dn dn dn dn dn a dn a dn dn a dn a dn

B
#? n Ï Ï Ï Ï bÏ Ï Ï Ï nÏ Ï Ï Ï bÏ Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn dn dn dn dn dn dn

S
#& 24 Ï ÏÏ Ï b Ïn Ï
17

43 Ï Ï ÏÏÏÏÏ Ï. 4 ú. Î ÏÏÏÏ Ï Ï Ï Ï
(Primera vez: night, solo duración de blanca)
(Solamente la segunda vez: una persona silbando)

h Î

of a dark black night .

C
#& 24 ú e e

43 Ï Ï Ï 4 ú. Î Ï Ï Ï Ï
e e e e, e e e

T1
#& 24 ä ÏÏÏÏÏ dn dn dn

43 Ï Ï Ï Ï Ï Ï 4 ä Ï Ï Ï ÏÏÏ Ï ÏÏÏÏÏÏÏÏ
dn dn dn dn dn dn

43 Ï Ï Ï 4 ú. Î Ï #Ï Ï #Ï
a dn a dn dn dn dn dn dn dn adn a dn dn a dn adn dn dn dn dn dn dn dn dn

B
? #24 Ï Ï dn dn dn dn dn dn dn dn dn dn

S
#& ú. Î
21

24 Ï Ï Ï 4 ú. Î Ï Ï Ï Ï ÏÏä Ï Ï
C
#& ú. Î e

24 Ï Ï 4 ú b ú ú #ú
e e

T1
#& ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
dn dn dn

24 ÏÏÏÏ 4 ä ÏÏÏÏÏ Ï ÏÏÏÏÏ ä ÏÏÏÏÏ Ï ÏÏÏÏÏ dn dn dn dn

a dn a dn dn a dn a dn dn dn dn dn a dn a dn dn a dn a dn a dn a dn dn a dn a dn

B
? # Ï Ï bÏ Ï dn dn dn dn
24 Ï #Ï 4 Ï Ï Ï Ï Ï Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn

S
#& Ï Ï Ï ÏÏú
25

Ï. ÏÏÏ. Ïj ú. Î Ï. ÏÏÏ. Ïj
Black bird fly- Black bird fly-

C
#& ú Ï Î Ï Ï nÏ Ï ú ú Ï Ï nÏ Ï
T1
#& ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
dn dn dn dn dn dn

ä Ï Ïj ÏjÏ Ïj ÏÏÏÏÏÏ Ï ÏÏÏÏÏ ä Ï Ïj Ïj Ï Ïj dn dn dn dn dn dn

a dn a dn dn a dn a dn dn dn dn dn a dn a dn dn a dn a dn dn dn dn dn

B
?# Ï Ï Ï Ï dn dn dn dn
nÏ Ï Ï Ï bÏ Ï Ï Ï nÏ Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn dn dn

Blackbird_final.myr 2/4 Sábado 25 de febrero de 2012, 10:26:28

 S
#& ú.
29
Ï nÏ Ï Ï 24 Ï Ï Ï Ï b Ï n Ï 43 ú Î
in to the light of a dark, black

C
#& ú # ú 24 ú 43 Ï Ï Ï
T1
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
dn dn

24 dn

ä Ï Ï Ï Ï Ï 43 Ï Ï Ï Ï Ï Ï dn dn dn

a dn a dn dn a dn a dn a dn a dn dn dn dn dn dn dn

B
? # bÏ Ï Ï Ï dn dn dn dn
24 Ï Ï
dn
43 Ï Ï Ï
dn dn dn dn

C
#& 4 ú Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï ÏÏ 33

ÏÏÏÏÏÏÏ ú. äÏJ
rall. a tempo

T1
#& 4 dn dn dn dng a dn

ä ÏÏÏÏÏ ÏÏ Ï ÏÏ Ï Ï ÏÏ ÏÏ Ï Ï Ï ÏÏ dn dng a dng a dn dn dn dn a dn dn dn dn dn dn dn dn

ÏÏÏÏÏÏÏ ú. äÏj
rall.
dn
a tempo

Ï Ï Ï Ï Ï Ï Ï Î î Î ä ÀJ
dn a dn a dn dndn dn a dn dn dn a dn a dn dn dn dn a dn dn dn dn dn dn dn dn Dn

B
? #44 dn dn dn dn dn dn dn
· Frrr

S
#&
36

· · 43 Ï Ï Ï ÏÏÏÏ Ï. 4 ú. Î
Black bird sing ing in the dead of night

C
#& ÏÏÏÏ Ï #Ï n ú 43 Ï Ï Ï 4 ú. Î
T1
#& dn dn

ÏjÏ ÏÏjjÏ Ïj
dn dn dn dn

ÏjÏ ÏÏjjÏÏÏÏÏj
dn

43
dn

Ï Ï Ï ÏÏÏÏ
dn dn

Ï. 4 ú. Î
dn

T2
#& ·
dn dn dn dn dn

·
dn a dn a dn

43
Black

Ï
bird sing ing in the dead

ÏÏÏÏ
of

Ï 4
night

ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
¥# dn dn dn dn dn dn

ú. Î a dn a dn dn a dn a dn

B
? ÏÏÏÏ
dn dn dn dn
ÏÏÏÏ
dn dn dn dn
43 Ï
dn
Ï Ï dn dn
4
dn

Blackbird_final.myr 3/4 Sábado 25 de febrero de 2012, 10:26:29

 S
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î î 24 Ï.j ÏÏk Ï 4 ú. Î
40

Takethese bro ken wings and learn to fly All your life

C
#& Ï Ï Ï Ï ú. Î 24 Ï Ï 4 ú b ú
T1
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î î 24 Ï.j ÏÏk Ï 4 ú. Î
dn dn dn dn dn dn dn dn dn

T2
#& Ï Ï Ï Ï Ï Ï Ï Ï ä ÏÏÏÏÏ Ï ÏÏÏÏÏ 24 Ï Ï Ï Ï 4 ä ÏÏÏÏÏ Ï ÏÏÏÏÏ
Take these bro ken wings and learn to fly All your life

¥# dn dn dn dn dn dn dn dn a dn a dn dn a dn a dn dn dn dn dn a dn a dn dn a dn a dn

B
? Ï #Ï Ï #Ï Ï Ï b Ï Ï 24 Ï #Ï 4 Ï Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn dn dn dn dn

S
#& Ï Ï ÏÏ Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ïú
44

Ï Ï Ï ÏkÏ Ï Ï Ï ä Ï Ï
You wereon ly wait ing for this mo ment to a rise You were on ly wait ing for this

C
#& ú #ú ú Ï Î Ï Ï #ú
T1
#& Ï Ï ÏÏ Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ïú
dn dn

Ï Ï Ï ÏÏ Ï Ï Ï ä Ï Ï
dn dn dn dn dn

T2
#& ä ÏÏ Ï ÏÏ Ï Ï ÏÏ ÏÏ ä ÏÏÏÏÏ Ï ÏÏÏÏÏ ä Ï Ïj Ïj Ï Ï Ï Ï Ï
You were on ly wait ing for this mo ment to a rise You were on ly wait ing for this

¥# a dn a dn dn a dn a dn a dn a dn dn a dn a dn dn dn a dn a dn

B
? Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
dn dn dn dn dn dn dn dn dn dn dn dn

S
#& Ï Ï Ï ÏÏú
47

Ï Ï Ï Ïk Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ïj ú U rit.

mo ment to

#& ú Ï Î Ï Ï #ú a rise

ä UÏ. You were on ly wait ing for this mo mentto a rise

rit.
C

#& Ï Ï Ï ÏÏú dn
ú
dng
U Ï . a dn dn dn dn

T1
Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ïj ú rit.

T2
#& ä ÏÏÏÏÏ Ï ÏÏÏÏÏ ä Ï Ïj Ïj Ï Ï Ï Ï Ï ä ÏÏÏÏÏ ä UÏ.
mo ment to a rise You were on ly wait ing for this mo ment to a rise
rit.

¥# a dn a dn dn a dn
U a dn dn dn a dn a dn a dn a dn dn

B
? Ï Ï Ï Ï Ï Ï Ï Ï
dn dn dn
Ï Ï údn dn dn dn dn dn
rit.

dn dn

Blackbird_final.myr 4/4 Sábado 25 de febrero de 2012, 10:26:29

 HERE, THERE AND EVERYWHERE
Música y Letra: John Lennon y Paul McCartney

#& 4 úP q ú
Soprano 1
1 Not too slow

nw ÏÏú ·
= 72
,
#& 4 Pú ú da da

, p
Soprano 2
w úú Ï Ï Ï Ï
#& 4 úP #Ï. Ïj ú da

ú
da

p , doo doo doo doo

Alto
w PÏ Ï Ï Ï
#& 4 ä FÏ Ï Ï Ï Ï Ï ä n Ï b Ï Ï n Ï b Ï Ï Ï w w ,
Tenor 1
da da doo doo doo doo

¥# P To lead a
p
bet ter life I need my love to be near Here

&¥
Tenor 2
4 ú ú nw Ïú Ï Ï Ï
Ï Ï
?4
Bajo 1
#4 P
ú ú
da

bú. Ï úú ·
doo doo doo doo

?4
Bajo 2
#4 P
ú ú
da

bú. Ï úú ·
da da da

da da da da

S1
#&
5

· ú ú ú ú Î Ï Î Ï
ooh doo No

S2
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú ú
doo doo doo doo doo doo doo doo doo doo doo doo ooh

A
#& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Î Ï Ï Ï Ï #Ïj
T1
#& Ï Ï Ï Ï ÏJ Ï Ï ÏJ w
doo doo

Ï
doo

Ï doo

Ï Ï Ï Ï Ï Ï ÏJ ÏJ ÏJ ÏJ ú doo doo doo doo doo doo doo wave of her hand

¥#
&¥ Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï #Ï Ï #ú
mak ing each day of the year chang ing my life with a wave of her hand

T2

doo doo doo doo doo doo doo doo doo doo doo doo

B1
#? · Ï. JÏ Ï. ÏJ Ï. JÏ Ï. ÏJ Ï Ï ú doo doo doo doo doo doo doo doo doo doo

B2
?# · Ï. Ïj Ï. Ïj Ï. Ïj Ï. Ïj Ï ú Ï doo doo doo doo doo doo doo doo doo doo doo

Here_There_Everywhere_final.myr 1/5 Viernes 4 de mayo de 2012, 12:44:27

 S1
#& Ïj Ï Ï Ï ú Ï Ï Ï Ï
9

ÏÏ ÏÏ ÏÏÏ Ï
bo dy can doo doo doo doo doo doo doo doo doo doo doo doo

S2
#& ú ú Ï Ï Ï Ï ÏÏ ÏÏ ÏÏÏ Ï
A
#& Ï Ï #ú Ï Î î doo doo doo
¹w doo doo doo

w
doo doo doo doo doo

T1
#& Ï Ï Ï Ï Ï. Ïj Ï Ï Ï Ï JÏ Ï
ooh

Ïj ú
mm

î w F
¥#
T2
Ï No bo dy can

&¥ Ï Ï Ï Ï Ï Ï Ï ú
de ny that there's some thing there

ú. Ï ú Ï There

Ï
doo No bo dy can ooh doo doo doo

B1
#? Ï Ï Ï Î Ï. JÏ ú ú Ï. ÏJ Ï. Ïj Ï. Ïj
doo doo doo doo doo doo doo doo doo doo

B2
#? Ï. ÏJ Ï. JÏ Ï. ÏJ Ï Ï ú Ï. JÏ Ï. JÏ Ï. ÏJ
doo doo doo doo doo doo doo doo doo doo doo doo doo doo

S1
#& Ï Ï Ï Ï PÏ Ï Ï Ï
13

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ah

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Here_There_Everywhere_final.myr 2/5 Viernes 4 de mayo de 2012, 12:44:27

 S1
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17

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20

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ah ev' ry where

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da I need ne ver care

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Here_There_Everywhere_final.myr 3/5 Viernes 4 de mayo de 2012, 12:44:28

 S1
#& Ïp Ï Ï
24

Ï Ï Ï Ï Ï ú ú ú ú
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Here_There_Everywhere_final.myr 4/5 Viernes 4 de mayo de 2012, 12:44:28

 S1
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32
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35 FÏ Ï Ï Ï Ï UÏ w
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ry where mm

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Here_There_Everywhere_final.myr 5/5 Viernes 4 de mayo de 2012, 12:44:28

 WHEN I'M SIXTY FOUR
Música y letra: John Lennon y Paul McCartney

Soprano
b& ·h 5 = 70 Con brío y sentido del humor
·
Alto
b& · ·
b& Ï.F #Ï Ï Ï Ï Ï Ï. Ï Ï Ïú
Tenor

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Ï Ï Ï Ï. Ï Ï
er los ing my hair

Ïú
? b Ï. #Ï Ï
I could be hand y mend ing a fuse

Bajo

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S
b& · 7

ÎF Ï. Ï Ï. Ï Ï. Ï ú ú
ÎF Ï. Ï Ï. Ï Ï. Ï ú
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A
ú Doot doo doot doo doot doo doo doo

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¥ ÏÏÏ man y years from now will you still be send ing me a

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?b
whenyour

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ligths

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Î Ï. Ï #Ï. Ï Ï. n Ï #Ï. Ï
havegone

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can knit a sweater by

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the

whenyour ligths havegone you can knit a sweater by the

S
b& ú. 10

Ï Ï Î î î î Ï. #Ï Ï Ï Ï Ï
doo doo doot If I'd been out till

A
b& ú. doo doo

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b& Ïjb Ï Ïj Ï doo doo

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¥ JÏ b Ï val en tine, birth

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day

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? b JÏ Ï
fire side, Sun day morn nings go for a ride Oo

val en tine,
Î birth day greet ings, bot tle of wine Oo
fire side, Sun day morn nings go for a ride Oo

When Im sixty-four_final.myr 1/4 Sábado 25 de febrero de 2012, 10:50:24

 S
& b Ï. Ï Ï Ï ú
14

quar ter to three

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would you lock
Ï Ï Ï ú. Î Ï. Ï Ï b Ï Ïj Ï.
the door Will youstill need me,

A
b& Ï. Ï Ï Ï ú
dig ging the weeds Who could ask

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T
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dig ging the weeds
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JÏ Ï Ï Ï ÏJ w
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B b? w w ÏJ b Ï Ï Ï JÏ ú b ú
Wouldyou lock the
Who could ask for
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more

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S
b& Ï. Ï Ï Ï Ïj Ï.
18
ÏJ
Divisi
Ï. ÏJ Ï JÏ ú. Îî î
will you still feed me, When I'm six ty four

A
b& Ï. Ï Ï Ï Ïj Ï.
will you still feed me, When I'm

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will you still feed me, When I'm six ty four

T
b& ú~~~~~~~~~~ n ú
will you still feed me,

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¥ w When I'm six ty four Da da da da da da da da

B
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Da
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S
b& ú Ï Ï 22

Ï Ï Ï Ï ú. Î ú ú ú ú w cresc.

Da da da da da da da da. You'll be old er too

&b ú Ï Ï
Da da da da da da da da We shall scrimp and save

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w
da
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T
b& Ï. Ï Ï. Ï Ï Ï Ï
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Ï. ÏÏ Ï Ï ú. Î ·
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cot tagein the Isle of Wight if it'snot too dear. We shall scrimp and save
cresc.
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da da da da da da da da dada da da Ah
cot tagein the Isle of Wight if it'snot too dear . We shall scrimp and save

When Im sixty-four_final.myr 2/4 Sábado 25 de febrero de 2012, 10:50:24

 S
b& w fú ú Î Ï Ï Ï
28
Divisi
ú Ï Ï ú. Ï ú ú ÏÎÏÎ ÏÎî 1·.
b& Ï Ï Ï Ï fú ú Î Ï #Ï Ï Ah
Ah
And if you
Grand chil dren
say
on
the
your
word
knee
I
Ve
could
ra
stay with
Chuck and
you.
Dave. 1·.
A

Ah And if you
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say the
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word
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ÏÎÏÎ
stay with
Ï Îî
you
1·.
T
b& ú #ú fú ú Î Ï Ï Ï Ah Grand chil dren
Ï ÏÏ
on your knee

Ï ú. Ï Ï Ï ú Ve ra Chuck and

ÏÎÏÎ Dave.

ÏÎî
¥ #Ï Ï Ï Ï fú ú Ï Ï Ï Ah And if you say the word

Ï ú. Ï ú ú I could stay with

ÏÎÏÎ
you
1·.
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Ah Grand chil dren on your knee Ve ra Chuck and Dave.

B Î Ah And if you say the word I could stay with

Ï Îî
you
Ah Grand chil dren on your knee Ve ra Chuck and Dave

S
b& ·2. · n ÏF. #Ï Ï Ï Ï
37

Ï Ï. Ï Ï Ï ú Ï Ï Ï ÏÏ Ï
A
b& ·2. · n FÏ. #Ï Ï Ï Ï Send me a post

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card drop me a line

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B b? · · n Î F ú
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S
& ú .42

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in di cate pre cise ly what you mean to say yours sin cere ly

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When Im sixty-four_final.myr 3/4 Sábado 25 de febrero de 2012, 10:50:24

 S
f
& Ï bÏ Ï Ï Ï Î
46

Î ú Ï Ï. Ïj Ï Ï ú. Ï
wasting a way Da dat da da dat da For

A
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da da dat da For

T
&¥ f Ï Î î Ï. #Ï Ï Ï Ï Ï Ï. ÏÏ Ï ú ~~~~~~~~~~~~~JÏ Ï. Ï ÏÏ
B
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dat Give meyour an

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swer

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fill ina form Mine for ev er more

dat Give meyour an swer fill ina form Mine for ev er more

S
& ÏjÏ ÏÏJ
50

ev er more
Î Ï. Ï Ï b Ï Ïj Ï.
Will you still need me,
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When I'm
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A
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B
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JÏ ú ÏÎ
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S
& ú Ä55
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A
& Will you need me, will you feed me, when I'm six ty four

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Will you need me, will you feed me, when I'm six ty four

When Im sixty-four_final.myr 4/4 Sábado 25 de febrero de 2012, 10:50:24