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Bataille On Inmanent and Trascendent Violence PDF
Bataille On Inmanent and Trascendent Violence PDF
Zeynep Direk
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What I call "transcendent violence" is not areturn to
animality, nor is it a "sovereign experience" in Bataille's sense.
It gives rise to the regimes of servitude in which the subject
loses itself in the power relations that belong to systems of
production and restricted regimes of consumption and serves
to establish the hierarchical differences among individual
human beings. "Sovereignty" is misread when it is taken to
mean an affirmation of the violence that gives a human being
a feeling of superiority or transcendence over others. Bataille
conceives of "sovereignty" in terms of "immanent violence."
An inquiry into the phenomenon of sacrifice is only one way
of approaching immanent violence, for laughter and erotic
experience are other experiences in which imn1anent violence
manifests itself. The key to that kind of violence can be found
in Bataille's statement that "intimacy is violence" (TR 312/
51). Bataille locates intimacy in the realm of immanence, which
I take to be the impersonal, incarnated ground of our existence
in which we are always already interconnected with other living
beings.
In the archaic world of paganism, immanence acquires
a sacred and divine character as soon as the profane world of
work and action begins to separate itself from the intimacy
of all beings. In describing that moment, Bataille qualifies
immanence explictly as "continuous," "impersonal" and
"without distinction," and qualifies intimacy as "profound
subjectivity" (TR 301/33). In The Accursed Share, he interprets
that ground in terms of the dynamic and fluid life energy
that is always in excess. Life is always already excessive because
every living organism receives more energy from the cosmos
than the amount sufficient for its self-preservation. In contrast
to the limited problems of classical economy, "in the general
problem there always reappears the essence of the biomass,
which must constantly destroy (consume) a surplus of
energy."2
Immanence can never be articulated in terms of the
opposition between subject and object, which characterizes
experience in the profane world of work, action and project.
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open the way for the discourse that paves the way for
transformation. The fighter for freedom may be saving the
dignity of the environment, but hel she cannot attain his/her
self consciousness in so far as helshe is committed to action
and work for the common utility. An interior outlet to
immanence is neither possible for those WllO wait for their
turn to be in charge of power nor for the marginalized
revolutionary. In short, struggle for power, no matter what
the consequences are, takes one away from the direction of
the immanence in which Bataille sees "the sovereign good"
and the ultimate possibility of our existence. Neither
submission to law and authority nor revolt may lead to
immanence. Occupying a position of power within a system
licenses the subject to use violence. The feeling of
transcendence experienced as the possessor of that power is
in fact illusory, for the truth is that one is temporarily possessed
by that power. Because one is only the surrogate subject, the
transient host of power, the truth of the appearance of
subjective potency is nothing but impotence. Immanent
violence targets this illusory sense of transcendence.
For example, Fight Club, one of the cult movies of
recent years, lends itself to being read in terms of the question
of the unleashing of immanent violence against the nluch
greater violence errlbedded in a society organized by advanced
capitalist relations of production. 8 The anti-heros of this
movie exert immanent violence to destroy the ways in which
life is possessed by the desire to possess. They find relief in a
play of violence among friends which makes winning and
losing insignificant and yet their immanent violence risks being
lost in revolutionary terrorism. Fight Club seems to begin in
Bataillean fashion as a "project against the project" and ends
up as a struggle to prevent the other's death to which it leads.
This struggle is not the result of a conflict between the return
to immanence and morality or religion. It is a struggle between
transcendent and immanent violence. The argument that a
living being's life can be sacrificed for higher ends is a mark
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the subject, history, God, and so on, then such violence may
attest to the experience of the living body through pain, or
through an experience of remembering that heals. The
violence that results in transcendence objectifies-the female
body killed by snuff is set on the screen as the ultimate object
in which life is destroyed. On the other hand, in the lived
experience of immanent violence, the desire is to destroy the
object that is the human body, the human body as an object.
Bataille knows well that our civilization treats the female body
as an object of a male gaze; however, erotic experience as a
sovereign experience cannot have anything to do with
objectification, except to overcome it. In so far as the erotic
is a touching of lost intimacy, it is the dissolution of both
object and subject.
11
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Galatasaray Universiry
Notes
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"TR." For ease of consultation, page references refer first to the French
edition, then the English translation. All translations, however, are mine.
2 Georges Bataille, TheAccursed Share, voL 1, trans. Robert Hurley
(New York: Zone Books, 1988), p. 182; Georges Bataille, L.a Part maudite,
in Oeuvres Completes, vol. 7 (paris: Gallimard, 1976), 171.
3 Maurice Merleau-Ponty, Phenomenology of Perception, trans. Colin
Smith (London and New York: Roudedge & Kegan Paul, 1962). A
revised edition of this translation was published in 2002, with new
pagination. Subsequent page references refer first to the 1962 edition,
then the 2002 edition.
4 Merleau-Ponty, Phenomenology of Perception, xv/xvii.
il n'est dans le mouvements des eaux qu'une vague plus haute renversant
les autres plus faibles. Qu'un animal en mange un autre ne modifie guere
une situation fondamentale: tout animal est dans le monde comme de I'eau cl
I'interieure de I'eau." (fR 292).
7 For Bataille, loss of sovereignty and fragmentation are related:
they both have to do with the submission of our being to actions with
definite ends. See Georges Bataille, SurNietzsehe, in Oeuvres Completes, vol. 6
(paris: Gallimard, 1973). 17-18.
8 Fight Club (1999) (Germany, USA), directed by David Fincher,
longueur de temps. C'est dans la mesure Oll nous sommes humains que
l'objet existe dans le temps Oll sa duree est saisissable. L'animal mange
par un autre est donne au contraire en de<;a de la duree, il est consomme,
il est detruit, ce n'est qu'une disparition dans un monde Oll rien n'est
pose en dehors du temps actuel" (fR 292).
10 See "Experience and Objective Thought: The Problem of
l' animal une chose (si je le mange - a ma maniere, ce n'est pas celle
d'un autre anima! - ou si je l'asservis ou le traite en objet de science),
son absurdite n'est pas moins courte (si l'on veut moins proehe) que
cel1e des pierres ou de l'air, mais il n'est pas toujours, et jamais il n'est
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tout afait, reductible acette sorte de realite inferieure que nous attribuons
aux choses." ["Insofar as I can also see the animal as a thing (if I eat it-in
my own way, which is not that of another animal-or if I enslave it or treat
it as an object of science), its absurdity is just as direct (if one prefers, just as
near) as that of stones or air, but it is not always, and never entirely, reducible
to that kind ofinferior reality which we attribute to things.'j (fR 294/22-
23). And a few pages later, he says: "L'homme ne mange rien avant d'en
avoir fait un objet. Au moins dans les conditions ordinaires, l'homme est
un animal qui ne participe pas a ce qu'il mange. Mais tuer l' animal et le
modifier ason gre n'est pas seulement changer en chose ce qui ne l'etait sans
doute des l' abord, c'est defInir al'avance l'animal vivant comme une chose.
De ce que je tue, que je decoupe, que je cuis, j'affirme implicitement que cela
n'a jamais ete qu'une chose." ["Man does not eat anything before he has
made an object of it. At least in ordinary circumstances, man is an animal
that does not participate in what he eats. But to kill the animal and alter it as
one pleases is not merely to change into a thing that which doubtless was
not a thing from the start; it is to define the animal in advance as a thing.
Concerning that which I kill, which I cut up, which I cook, I implicitly affirm
that thathas never been anything but a thing."] (fR 304/39).
16 Bataille writes : "Et J'esprit est si bien Jii au corps-chose que ceJui-ci ne
cessejamais d'etre hante, n'estjamais chose qu 'a Ja Jimite, au point que, si Ja mort Je
riduit aJ'itat de chose, J'esprit estpJusprisent quejamais: Je corps qui J'a trahi Je riveJe
davantage qu'au temps OU iJ Je seroait. En un sens Je cadavre est Ja pJus paifaite
afJirmation de J'esprit." (fR p.305) ["The spirit is so closely linked to the body
as a thing that the body never ceases to be haunted, is never a thing except
virtually, so much so that if death reduces it to the condition of a thing, the
spirit is more present than ever: the body that has betrayed it reveals it more
clearly than when it served it. In asense, the corpse is the most perfeet
affirmation of the spirit."] (fR 305/40). Bataille emphasizes that man's
attitude toward the body involves a deep complexity. On the one hand, the
body is man's misery, the side which makes of him an animal, an object.
On the other hand, it is sublimated as the bearer of the spirit. The spirit is
so tightly connected to the body that because of its presence the body can
only be "a thing at the limit." However, the spirit's presence in the body is
never as apparent as when death makes the body a thing, a corpse. The
corpse is the absence of the spirit yet it indicates and reveals the spirit. In
this sense, "the corpse is the most perfeet affirmation of the spirit."
17 Rene Girard, VioJence and the Sacred, trans. Patrick Gregory
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