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Ringkasan Discourse Analis
Ringkasan Discourse Analis
The speaker has available to him the full range of ‘voice quality’ effects (as
well as facial expression, postural and gestural systems). Not only is the speaker
controlling the production of communicative system which are different from those
controlled by the writer, he is also processing that production under circumstances
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which are considerably more demanding. In manner of production the point are
Spoken and Written
1. The writer may look over what he has already written, pause between each word
with no fear of his interlocutor interrupting him, take his time in choosing a
particular word, even looking it up in the dictionary if necessary, check his
progress with his notes, recorder what he has written, and even change his mind
about what he wants to say.
2. The writer has no access to immediate feedback and simply has to imagine the
reader’s reaction.
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6. Disadvantages of spoken interaction is it will exposing the speaker’s feeling and of
having to speak clearly and concisely and make immediate response to whichever
way his interlocutor reacts.
1. In written language
E.g: there is a speaker who speech in an event. He speeches using his text and
his language is influenced by written language forms.
2. In spoken language
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E.g: there is a speaker who speech in front of audience spontantly without look
at the text.
The standard descrive grammar of english ( e.g. Quirk, greenboun, leech &
svarvik, 1972) typically describe of the written language, or that form of the spoken
language which is higly influenced by written language. Some features which
characterize spoken language:
a. the syntax of spoken language is typically much less structured than that of written
language.
b. in written language an extensive set of metalingual markers exists to mark
relanships between clauses.
c. in written language, rather heavily premodified noun phrases are quite common - it
is rare in spoken language to find more than two premodifying adjectives and there
is a strong tendency to structure the short chunks of speech so that only one
predicate is attached to a given referent at a time.
d. whereas written language sentences are generally structured in subject-predicate
form, in spoken language it is quite common to find what given (197913) calls
topic comment structure.
e. in informal speech, the occurrence of passive constructions is relatively
infrequent. instead, active constructions with indeterminate group agents are
noticeable.
f. in chat about the immediate environment, the speaker may rely on (e.g.) gaze
direction to supply a referent.
g. the speaker may replace or refine expressions as he goes along.
h. the speaker typically uses a good deal of rather generalized vocabulary: a lot of,
i. the speaker frequently repeats the same syntactic form several times over, as this
fairground inspector does. And, as we know that in written language we can not
write the same word serially.
j. the speaker may produce a large number of prefabricated.
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1.3 SENTENCE AND UTTERANCE
Example:
1.3.1 On 'data'
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The discourse analyst, with his ‘ordinary language’ data., is committed to quite a
different view of the rule-governed aspects of a language, indeed, he may wish to
discuss, not ‘rues’ but regularities, simply because his data constantly exemplifies
non categorical phenomena. The regularities which the analyst describes are based on
the frequency with which a particular linguistic feature occurs under certain
conditions in his discourse data. If the frequency of occurrence is very high, then the
phenomenon described may appear to be categorical.
1.3.4 On ‘Context’
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CHAPTER II
THE ROLE OF CONTEXT IN INTERPRETATION
2.1.1 Reference
Lyons (1968: 404) says that 'the relationship which holds between words and things
is the relationship of reference: words refer to things'. In discourse analysis, reference
is treated as an action on the part of
2.1.2 Presupposition
presuppositions are what is taken by the speaker to be the common ground of the
participants in the conversation.
2.1.3 Implicatures
The term 'implicature' is used by Grice (1975) to account for what a speaker
can imply, suggest, or mean, as distinct from what the speaker literally says. There
are conventional implicatures and conversational implicature .
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of maxims which speakers will normally obey. The general principle is called the
Cooperavetive Principle by Grice (1975: 45).
2.1.4 Inference
Since the discourse analyst, like the hearer, has no direct access to a speaker's
intended meaning in producing an utterance, he often has to rely on a process of
inference to arrive at an interpretation for utterances or for the connections between
utterances. Such inferences appear to be of different kinds.
Since the beginning of the I ~ O Slin, g uists have become increasingly aware
of the importance of context in the interpretation of sentences. The implications of
taking context into account are well expressed by Sadock (1978: 281).
2.2.2 Co-text
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by the context in which they appear, so the words which occur in discourse are
constrained by what, following Halliday, we shall call their co-text
For the moment the main point we are concerned to make is to stress the
power of co-text in constraining interpretation. Even in the absence of information
about place and time of original utterance, even in the absence of information about
the speaker/writer and his intended recipient, it is often possible to reconstruct at least
some part of the physical context and to arrive at some interpretation of the text. The
more co-text there is, in general, the more secure the interpretation is. Text creates its
own context. As isard (1975:377) remarks: ‘communications do not merely depend
on the context for their interpretation, they change that context’.
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CHAPTER III
Nunan (1993: 125). Topic is “the subject matter of a text”. A Topic is must be
something that is either familiar (or given) itself, or is an identifiable member of some
familiar set of entities.
The data studied in discourse analysis is always a fragment of discourse and the
discourse analyst always has to decide where the fragment begins and end.
According to Hocket, a distinction can be made between the topic and the
comment in the sentence. Topics are usually also subjects and comment are
predicates
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3.3.1 Topic Framework
As there is a large number of phrases expressing the topic of even a short text, a
topic framework was introduced. A topic framework depends on which features of
context became activated in a particular piece of discourse.
3.3.2 Presupposition Pools
The relation of sentential topic and the presupposition pool: from a sentential
topic, we can take a presupposition pool.
b. Speaking topically
Speaking topically is make the contribution fit closely to the most recent
elements incorporated in the topic framework.
Speaker’s topic is a process to find topic that we are talking about, because in
each conversation tell us different conversation.
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3.6. Topic Boundary Markers
The formal devices used to mark the boundaries of chunks of both and spoken
discourse which form large units of some kind, such as paragraph.
3.6.1. Paragraphs
3.6.2. Paratones
If it can also be shown that people remember these top-most elements better
than others, then this might be evidence that what we have 'in our heads' after reading
a text are those elements which constitute the discourse topic. In order to evaluate
such an approach, we have to consider critically how such representations of
discourse content are arrived at.
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3.8 Problems with the proposition-based representation of discourse content
The majority of these discussions have been concerned with how the content of
text is processed in comprehension, stored in memory, and subsequently recalled.
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CHAPTER IV
One of the constraints on the speaker 1 writer is that he can produce only one
word at a time. When he orders these single words into sentences, and those
sentences into texts, he confronts what has come to be called the 'linearization
problem'.
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1. The Prime Minister stepped of the plane.
2. Journalists immediately surrounded her. Or
3. She was immediately surrounded by journalists.
4.3. I 'Staging'
A more general, more inclusive, term than thematisation (which refers only to
the linear organization of texts) is 'staging'. This metaphor is introduced by Grimes in
a way which seems consonant with our use of thematisation: 'Every clause, sentence,
paragraph, episode, and discourse is organized around a particular element that is
taken as its point of departure. It is as though the speaker presents what he wants to
say from a particular perspective' (1975: 323).
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b. The notion of a discourse topic is that of a common theme of the previous
sentences in the discourse,the topic carried from sentences to sentence as the
subject of their predictation.
c. In psycholinguistics literature,the term “theme” is also used to refer to the referent
of the constituent which may be developed as the central subject of the discourse.
Thus,it leads to the interpretation of theme as the main charater.
The example:
The title “Jane Eyre’’ may cause the reader to understand the theme of the
novel as Jane Eyre. The use of “topic entity’’ appears more suitable than “main
character’’since it can be used to refer to many other objects rather than
“humans’’,which may be suggested by the use of “character”
a. The title “Jane Eyre’’ may cause the reader to understand the theme of the novel as
Jane Eyre. The use of “topic entity’’ appears more suitable than “main
character’’since it can be used to refer to many other objects rather than
“humans’’,which may be suggested by the use of “character”
Thematic Structure
Refering to the writer’s topic empity, was consistently made the theme of
succeeding senteces.
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Theme, Thematisation and 'Staging'
• The 'staging' which the discourse analyst might be concerned with is that which is
manifest in the language used.
• It must be obvious, however, that, whereas the discourse analyst can draw
attention to the effect of particularly marked staging
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CHAPTER V
INFORMATION STRUCTURE
Many of the insights developed by the Prague scholars were first brought to the
attention of Western scholars by Halliday in an extremely influential article published
in 1967.
Halliday elaborated and developed those aspects of Prague work which related
directly to his own interests in the structure of text. In particular, he adopted the
Prague School view of information as consisting of two catagories:
1. New information, which is information that the addressor believes is not known to
the addressee, and
2. Given information, which the addressor believes is known to the addressee (either
because it is physically present in the context or because it has already been
mentioned in the discourse).
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many scholars have extended the discussion of ‘given’ and ‘new’ information to the
range of syntactic structures which are held to realize these categories of information.
Halliday assumes that the speaker intends to encode the content of the clause
(the basic unit in his grammatical system). In many ways what Halliday views as the
‘ideational’ content of a clause may be compared with what others have called the
‘propositional’ content of a simple sentence.
The clause content is organized into one or more information units which are
realized phonologically by intonation.
The ‘internal organisation’ of the information unit, relates to the way in which
given and new information is distributed within the unit. Characteristically, Halliday
suggests, the speaker will order given information before new information. The
‘unmarked’ sequencing of information units which are initial in a discourse will
contain only new information.
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5.1.3 Halliday’s Account of Information Structure, Tone Groups and Tonics
The tonic syllable is characterised as having the maximal unit of pitch on it.
(in other descriptions it is called ‘nuclear syllable’ or ‘sentence stress’ and is
characterised as having maximal moving pitch, maximal pitch height, maximal
intensity and / or maximal duration, Lehiste, 1970).
In working with speech read aloud, or with previously rehearsed speech, it is often
possible to identify tone groups in the stream of speech, particularly as syntactic
boundaries regularly coincide with phonological boundaries. However, in unplanned
spontaneous speech, there are problems in identifying the tone group by phonological
criteria alone. In principle, if tone groups really can be distinguished by phonological
criteria alone, it should be possible to identify them from a content-indecipherable,
but tone-clear, recording. In practice it is not. The claim, as expressed, is too strong.
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5. I .5 The Tone Group and The Clause
A problem arises from Halliday's commitment to the clause as the principle unit
of syntactic organization. In spite of his assertion that 'in the unmarked case (in
informal conversation) the information will be mapped on to the clause', in his own
extended transcription of conversation, the phrase seems a much more likely
candidate.
5. I .6 Pause-defined Units
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identifiable and, apart from the very briefest 'planning' pauses, judges have no
difficulty in agreeing on their location. They are, furthermore, amenable to
instrumental investigation, hence, measurable. What we might hope to find, in
investigating the incidence of pauses, is different types of pauses in some regular
pattern of distribution.
In extract the following pause types, defined in terms of relative of length, can
be identified.
1. Extended pauses These are long pauses which, in this extract, extend from between
3.2 to 16 seconds (which occur at points where the speaker has provided
sufficient information for the hearer to draw or write what has been described).
We represent such pauses in our transcriptions by + +.
2. Long pauses These pauses range from I .*I .9 seconds in this extract. We represent
such pauses by +.
3. Short pauses These pauses range between 0.1-0.6 seconds in this extract. We
represent such pauses by.
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5. I .7 The Function of Pitch Prominence
In fact the limited resources of pitch prominence may mark a good deal more
than this. They are also exploited by speakers to mark the beginning of a speaker's
turn, the beginning of a new topic, special emphasis, and contrast, as well as
information which the speaker presents as new. Phonological non prominence is then
associated with all the elements which the speaker does not require the hearer to pay
attention to, which will include not only 'given' information, but also, for example,
unstressed grammatical words. (For an extensive discussion of this point of view, cf.
Brown, Currie & Kenworthy, 1980; Yule, 1980.)
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definite expressions (where, for the moment, we only consider expressions which
introduce new entities into the discourse).
3. The one who is petting the cat is Given: X is petting the cat
the BOY New: X = the boy
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5.3 The Psychological Status of 'givenness'
-anchored
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New entities are of two types:
a. Brand new entities are assumed not to be in any way known to the speaker
and will typically be introduced into the discourse by an indefinite expression
like a man I know or a bus in Princes Street.
b. Unused entity, is assumed by the speaker to be known to the hearer, in his
background knowledge, but not in his consciousness at the time of utterance.
a. Situationally evoked, is salient in the discourse context (for instance 'I' and
'you').
b. Textually evoked and is an entity which has already been introduced into the
discourse which is now being referred to for the second or subsequent time.
Class of inferrables entities. These are entities which the speaker assumes the
hearer can infer from a discourse entity which has already been introduced. Thus 'the
driver' would be inferrable from the interpretation of the expression the car, as long
as you have the background knowledge that 'cars have drivers'. There is no difficulty
in interpreting the expression the driver in example: There was a car approaching the
junction + but the driver didn't stop at the give way sign
1. NEW ENTITIES
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(iii) write OUT in black
2. INFERRABLE ENTITIES
3. EVOKED ENTITIES
b. textual- current (i) to the left of the red line about half a centimeter
above it
(ii) there's a black circle . . . above it there's (iii) draw
a line in the middle and above it write on
(iv) it's a right angle triangle . . . the bottom line of the
triangle
B. ∅ in red +
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CHAPTER VI
6. I What is 'text'?
6. I. I 'Cohesion '
Halliday & Hasan take the view that the primary determinant of whether a set
of sentences do or do not constitute a text depends on cohesive relationships within
and between the sentences, which create texture: A text has texture and this is what
distinguishes it from something that is not a text. The texture is provided by the
cohesive RELATION' (1976: 2). Cohesive relationships within a text are set up
'where the INTERPRETATION of some element in the discourse is dependent on
that of another. The one PRESUPPOSES the other in the sense that it cannot be
effectively decoded except by recourse to it' (1976: 4).
a. Exophoric : Instructs the hearer to look outside the text to identify what is being
referred to. For Example: Look at that. (That)=
b. Endophoric: Instructs the hearer/ reader to look inside the text to find what is being
referred to. Endophoric relations are of two kinds:
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1. Anaphoric: those which look back in the text for their interpretation. For
Example: Look at the sun. It’s going down quickly. (It refers back to the sun).
There are some kinds of anaphoric relation: Repeated form, Partially repeated
form, Lexical replacement, Pronominal form, And Ellided form. Example:
• Repeated form: The Prime Minister recorded her thanks to the Foreign
Secretary. The Prime Minister was most eloquent.
• Lexical replacement: Ro's daughter is ill again. The child is hardly ever well.
• Pronominal form: Ro said she would have to take Sophie to the doctor.
• Substituted form: Jules has a birthday next month. Elspeth has one too.
• Ellided form: Jules has a birthday next month. Elspeth has too.
2. Cataphoric: those which look fordward in the text for their interpretation. For
example: It’s going down quickly, the sun. (It refers forwards to the sun).
6.1.2 Endophora
Note, finally, that it is characteristic of 3rd person forms that they may be
cumulatively anaphoric. One occurrence of John at the beginning of a text may be
followed by an indefinitely large number of occurrence of he, him, or his all to be
interpreted by reference to the original John. This phenomenon contributes very
markedly to the internal cohesion of a text, since it crates a kind of network of lines
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of reference, each occurrence being linked to all its predecessors up to and including
the initial reference.
6. 1.3. Substitution
e. g: Wash and core six cooking apples. Put them in a fireproof dish.
Expression them in the second sentence really simply refers to the six cooking
apples in the first sentence.
- what is important are the relations the text establishes between the referents;
Haliday & Hasan- too simplistic (for discourse analysts) .Concerned with linguistic
resources available to the speaker/ writer to mark the cohesive relationship.
6. 2. Discourse Reference
In the traditional approach, the term 'reference' is used, together with 'sense',
to discuss lexical meaning. The meaning of a lexical item, such as chicken, is partially
determined by its sense, that is, the component properties of 'animate', 'feathered',
etc., and also determined by its reference, that is, the set of objects in the world to
which the expression can be correctly applied.
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the purposes of understanding the current linguistic message, the speaker's intended
referent, on the basis of the referring expression used.
The expression used to refer to an entity must, in its description, be true of the
entity. That is, if an individual is referred to by the expression the king of England,
then the description contained in this referring expression must be true of the
individual in order for correct reference to take place. Example: If a speaker and
hearer believe that the man who is married to the present queen of England is,
indeed, the king of England, then the speaker can, on some occasion, successfully
refer to the individual by using that expression.
speaker's aunt.
For example, it can help them interpret anaphora. Anaphora include personal ("she")
or demonstrative pronouns ("that").
There is a vast literature in philosophy and linguistics on the nature and status
of expressions which can, or cannot, be used to refer. Since much of the debate
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revolves around issues of truth, existence and uniqueness, and concerns itself with
single system sentences, cited in isolation from an communicative context, the
controversies may appear rather esoteric to the practical discourse analyst. After all,
the discourse analyst is largely concerned, in his investigation, with data which is the
product of the actual use of linguistic expressions in a definable context for a
particular purpose, rather than the potential use of such expressions.
Pronouns are typically uttered with low pitch in spoken discourse and, as
such, are types of referring expressions which, in Chafe's terms (1976), are
phonologically and lexically 'attenuated'. Because of their lack of 'content', they have
become the crucial test-case items for any theory of reference.
Example: (A large dog approaches A and B. A says to B:)I hope it's friendly.
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which the speaker uses in referring on the basis of which the hearer will be able to
pick out the intended referent given certain contextual and co-textual conditions.
Example: There's two different ladies go up to the whist and both have a wig and
they're most natural.
That is, the speaker may structure his message in such a way that some “new”
information is attached to a “given” element (i.e. a pronoun), intending to provide the
hearer with “given/ new” interpretive procedure. However, the hearer may have to
reverse that procedure and use the “new” information to decide what the 'given'
referent must have been.
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6.3.4 Interpreting Pronominal Reference in Discourse
On what does the hearer base his interpretation of the referent of a pronoun in
discourse? We have suggested in this section that he may have to use his knowledge
of (some of) the elements listed below:
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CHAPTER VII
7. 1 Coherence in Discourse
Example: Within five minutes, or ten minutes, no more than that, three of the others
had called her on the telephone to ask her if she had heard that something had
happened out there. (Tom Wolfe, The Right Stuff, Bantam Books, 1981)
Labov (1970) argues that there are 'rules of interpretation which relate what is
said to what is done' and it is on the basis of such social, but not linguistic, rules that
we interpret some conversational sequences as coherent and others as non-coherent.
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A: Can you go to Edinburgh tomorrow?
As de Beaugrande (1980: 30) notes, 'the question of how people know what is
going on in a text is a special case of the question of how people know what is going
on in the world at all'.
One metaphor for the way we process and comprehend discourse comes from
computational modelling of language underencounstanding. We can think of our
processing of incoming discourse a the combination of (at least) two activities. In one
part of the processing, we work out the meanings of the words and structure of a
sentence and build up a composite meaning for the sentence (i.e. bottom-up
processing). At the same time, we are predicting, on the basis of the context plus the
composite meaning of the sentences already processed, what the next sentence is
most likely to mean (i.e. top-down processing).
Given one particular situation, such as a restaurant scene, the writer /speaker
should not have to inform his reader 1 hearer that there are tables and chairs in the
restaurant, or that one orders and pays for the food consumed therein. Knowledge of
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this sort about restaurants is generally assumed. In representations of this knowledge,
conventional aspects of a situation, such as the tables and chairs in a restaurant, can
be treated as default elements.
Frames : One way of representing the background knowledge which is used in the
production and understanding of discourse can be found in Minsky's frame-
theory. When one encounters a new situation (or makes a substantial
change in one's view of the present problem) one selects from memory a
structure called a Frame.
Here script tell us what mis actually the real situation and what are the
actions.
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general notion of inference appealed to is used to describe that process
which the reader (hearer) must go through to get from the literal meaning
of what is written (or said) to what the writer (speaker) intended to convey.
Inferences as Missing Links: Is a conclution missing link, where the sentence have
connection and have relationship between frist sentence and second
sentence.
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