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ROBERT MEJIA
State University of New York, The College at Brockport
Posthuman~ postrights?
ABSTRACT KEYWORDS
Project LifeLike refers to the efforts to create a 'realistic avatar supported by an artificial intelligence
intelligent engine capable of online learning'. In essence, this means the encoding technology
of the intelligence of presently living individuals in order to preserve the persons' ontology
epistemological structures beyond their ontological death. To do this, the team must epistemology
distil those 'humanistic' elements that are deemed essential to the human experi- human rights
ence, and thus this process reconfigures the very concept of the original itself Hence, posthuman
I argue that Project LifeLike constitutes an epistemological cooptation of the onto-
logical project of life, whereby the technological apparatus of the body is effaced in
favour of the epistemic projections of the mind.
'Where is God gone?' [The Madman] called out. 'I mean to tell you!
We have killed him, -you and I! We are all his murderers! [... ] God
is dead! God remains Dead! And we have killed him! How shall we
console ourselves, the most murderous of all murderers? [... ] Is not the
magnitude of this deed too great for us? Shall we not ourselves have to
become Gods, merely to seem worthy of it?'
· (Nietzsche 1924: 167-68, original emphasis)
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Robert Mejia
Have you ever wished you could be in two places at once? Perhaps
you've had the desire to create a copy of yourself that could stand in
for you at a meeting, freeing you up to work on more pressing matters.
Thanks to a research project called LifeLike, that fantasy might be a
little closer to reality.
(Cruikshank 2009)
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Posthuman, postrights?
PROJECT LIFELIKE
As a joint collaboration between the ISL and the EVL, Project LifeLike is a
National Science Foundation-supported program tasked with the creation of
a 'realistic avatar supported by an intelligent engine capable of online learn-
ing' (DeMara et al. 2008: 3). So that they might fulfil this objective, the Project
LifeLike team began first with the mission to 'create interactive computer
generated representations of individuals to preserve their knowledge' (EVL
2008). This marks a contemporary approach to artificial intelligence design
that differs significantly from conventional models.
Conventional techniques for producing artificial intelligence have built
their foundation on rudimentary systems of feedback loops (Wiener 1954).
These basic systems operate on a relatively rigid logical schema: if no stimu-
lus, then follow a prescripted basal state; if stimulus A, then output B. Even
systems that undergo a rapid flow of stimulus from multiple input mecha-
nisms, such as anti-aircraft weaponry, can function on this basic principle of
feedback loops (Wiener 1954). Indeed, video games, which arguably oper-
ate as a testing ground for the public acceptance of artificial intelligence (e.g.
do the characters behave in a 'LifeLike' fashion; Halter 2006) operate within
this simple model of feedback loops (Manovich 2001; Miklaucic 2004). Due
to their crude design, conventional models of artificial intelligence must rely
upon a restrictive approach to an appropriate response; in other words, these
systems attempt to constrain the possible types and combinations of stimu-
lus that a system can receive in order to offer a limited selection of intelligent
responses. Within a relatively controlled environment, where the stimulus
and responses can be reasonably known in advance (such as in air combat
or a video game world), these systems of artificial intelligence are capable of
functioning adequately. However, when operating outside of these controllecJI
environments, or when those environments breal<: down, this model of artifi-
cial intelligence remains unable to cope - as anyone who has 'exploited' the
artificial intelligence of a video game can attest.
Project LifeLike differs from these previous models of artificial intelligence
in that it utilizes an emergent schema. While this method does not neces-
sarily entail an abandonment of the feedback loop process, it offers a more
complicated arrangement of artificial intelligence components as a means
of simulating generative thought. This is done by creating a multi-layered
synthetic artificial organism. As mentioned, conventional systems of artificial
intelligence operated as a relatively monolithic entity governed by inputs and
outputs; everything worked in perfect harmony, as in a mechanical sort of
logic (e.g. if A, then B; if C, then D; ifB and D, then G). However, in seeking to
create a synthetic organism, Project LifeLike offers a 'biological' arrangement
of output production in so far as it places various artificial intelligence systems
within contention: 'Speech Recognizer' (SR), 'Dialog Manager' (D11), 'Speech
Generation module' and 'Lifelike Responsive Avatar Framework' (DeMara
et al. 2008: 5-8). These are not delegations of task, as in the relationship
<O
Posthuman, postrights?
MODERNISM
The subordination of the ontology of the body to the epistemology of the
mind is a legacy that transcends the work of Project Lifelike. This dichotomy
is embedded within the cultural legacy of the West: both science and theology.
Frequently positioned as antithetical poles within the western cultural milieu,
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Robert Mejia
science and theology remain in conflict not because of their differences neces-
sarily, but rather because of their similarities. This is because were science and
theology to conflict solely due to differences, then there would be no point of
contention: to each their own. Instead, the conflict stems from science and
theology's disdain for the ontological and equal investment in the pursuit of
the epistemological; they conflict because they share the same concerns and
objects of study. Yet, their differences do matter, and as such it is necessary
to trace the history of the mind/body dichotomy in order to better understand
the implications of its modem expression.
Science and theology share a basic fundamental premise of an episte-
mological scepticism of the ontological experiential. The establishment of
this principle can be found in each of their respective foundational texts:
the Christian Bible and the philosophy of Plato - at this point in history,
philosophy and science had not yet split as distinct entities. Both Plato and
The Bible spoke of a metaphysical world beyond the ontological reaches of
our experiential reality. Our flesh functioned as a temporary container for
the immutability of the transcendent soul (The Bible, Matthew: 10: 28; Plato
1995b). For both traditions, the body was something that had to be overcome
in order to reach the realm of the truth (The Bible, Mark: 14: 38; Plato 1995b).
Scepticism played a central role in this process of overcoming the flesh, as one
needed to always be sure that their experiential senses did not betray them.
Differences in practice did exist, as Plato's philosophy advocated dialogue and
debate, whereas the Christian Bible encouraged intimacy with the word, but
both were concerned with placing an epistemological barrier between the
mind and the potential frailty of the body.
While tensions would exist between philosophy and Christianity, their
mutual agreement in terms of the mind/body dichotomy would lead to several
centuries of relatively peaceful coexistence. Indeed, Christian intellectu-
als, such as Augustine (354-430) and Aquinas (1225-1274) studied classical
philosophy as a means of arguing for the logical basis of their faith (Bizzell
and Herzberg 2001; Smith 1998). And while tensions would appear, such as
in the case of Niccolo Machiavelli (1469-1527), such critiques were typically
centred on the problem of not properly evoking the metaphysical as a means
of controlling the populace (see Machiavelli 1950). It would not be until after
the period of the Enlightenment, with its subsequent fracturing of philosophy
and science, that a sustained period of strife between theology and science
would emerge: we call this period Modernism. \
But before we get to Modernism, we must first deal with the Enlightenment,
as it is here that we witness the first successful, crippling blow by philosophy
upon theology. The blow had been thrown unintentionally, but it was thrown
nevertheless. As Friedrich Nietzsche's Madman would later state:
'I come too early,' he then said, 'I am not yet at the right time. This
prodigious event is still on its way, and is traveling, - it has not yet
reached men's ears. Lightning and thunder need time, the light of the
stars needs time, deeds need time, even after they are done, to be seen
and heard. This deed is as yet further from them than the furthest star, -
and yet they have done it!'
(Nietzsche 1924: 168-69, original emphasis)
The fatal blow was thrown from the unlikeliest of individuals, Rene Descartes
(1596-1650). Descartes (1995b) was a devout Catholic and it had not been
Posthuman, postrights?
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Robert Mejia
(Marx and Engels 1988). As significant as Marx and Engels critique was, and
still is, they could not have imagined the technological possibilities of our era.
Project LifeLike represents a technological reality whereby the ontological is
left no quarter from the tyranny of the epistemological. The ethical implica-
tions of such a potential reality are explored within this section.
Conceived as an instrument, the body itself is now in danger of becoming
obsolete. Previous technological apparatuses were centred on the amplifica-
tion of the instrumental capabilities of the body: hearing aids, glasses and cars
for the creation of a more perfect worker; hydraulic presses, conveyer belts
and robotic manufacturing for the creation of a more perfect factory. In the
first class of technology, the gadgets allow for every ounce of labour to be
exploited from the labourer; in the second class of technology, the machinery
allows for the displacement of the inferior body for a more capable machine.
This is not meant to deny the potentially liberating possibilities of techno-
logical development, as I for one am hesitant to give up my own glasses, but
rather to suggest that these instruments carry the possibilities for exploitation,
as evidenced by the fact that I perhaps wear glasses from years of overusing
my own biological eyes. Regardless, classical technology still operated under
the assumption of the ontological necessity of the body - whether the body
existed in a mechanical or biological fashion, some 'thing' was still needed to
interact with the physical world. However, Project LifeLike marks the possibil-
ity of a metaphysical transference from the physical to the ephemeral, digital.
It is doubtful, at this point in time, to imagine a reality whereby such a
transference could ever completely manifest itself. However, it is possible to
imagine that a significant amount of the political economic elite would be
interested in the immortality offered by such an opportunity. This interest can
be assumed based on the salience within which cryonics (the extreme freezing
of dead bodies in the hope of future resuscitation) has become an acceptable
part of our popular consciousness; even though many of us may still exhibit
a knee-jerk reaction against this practice, this apprehension seems to exude
an air of strangeness, rather than moral outrage (for instance, no one seems
troubled by the suggestion that Walt Disney was cryogenically frozen). Where
Project LifeLike differs is that cryonics is still bound to the ontology of the
flesh: the flesh operates within its own rationale for existence, and as of yet
researchers are unable to coax it from the comforts of death for another take
at the hardships of life. However, in conceptualizing the body as a technol-
ogy, Project LifeLike is liberated from the mind/body dichotomy in so far as it
constructs an all mind, no body reality.
This all mind, no body erasure of ontology is allowed qecause of the
primacy of the DM. The DM, at the centre of the Project LifeLike experience,
allows for rationality and empiricism to be joined in a perfect epistemologi-
cal union that bypasses the ontology of the body. This fusing together of two
seemingly divergent philosophical schools is able to manifest because the
DM represents the dialectical collapse of the mind (rationality) and empiri-
cal (instrumental body) into each other; the DM is both perfect instrument
and perfect calculating machine. The DM is the perfect instrument because
its input mechanisms can easily be updated to accommodate the latest
advancements in data gathering: for instance, its SR system currently consists
of publicly available parts, but this can presumably be upgraded once the
prototype stage is completed (see DeMara et al. 2008). The DM is a perfect
calculating machine because it presumably possesses no emotional attach-
ment to its instrumental body- they are merely parts. In essence, the primacy
Posthuman, postrights?
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Robert Mejia
The ideal Man is an escapism which eases every kind of enormity with
tranquilizing abstractions. We should remember what the Nazis did
with respect to this ideal in their extermination camps (which destroyed
some millions of unimportant specimens). We ought to avoid the same
mistake with respect to this all virtuous ideal in the universal concentra-
tion camp we live in. What is important is not the adaptability of Man,
but the adaptability of men. We shall find the answer, not in the immor-
tal soul of the Species, but in the preservation of our own souls, which
are, perhaps, not immortal.
(Ellul1964: 397-98)
[Project LifeLike] can also remember each user and its interaction
with the user as episodic knowledge. A future version will incorporate
the ability to access user historical information to recall conversations
of users involved in the I/UCRC [Industry/University Cooperative
Research Center] program who have exchanged communications
with the AlexAvatar. This can enable new levels of automated After-
Action Review trainee recall capabilities within the military training
process.
(DeMara et al. 2008: 4)
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Robert Mejia
Here, Project LifeLike represents not merely the move towards an educational
supplement, which has been happening for years withe-learning programs,
but rather a complete erasure of the human instructor as such. This in itself
carries with it worrisome consequences regarding a manifestation of an all
mind, no body technological paradigm. But this bodily erasure is perhaps
even more insidious when connected with our political economic concerns, as
Project LifeLike marks the possibility for a new era of intellectual exploitation.
Project LifeLike functions as a new era of intellectual exploitation on two
interconnected fronts: intellectual acceleration and bodily liberation. In order
to understand these concepts, it must be reiterated that the ontological forma-
tion of the LifeLike avatar is itself an epistemological projection. This lack of
an intrinsic body circumvents the various ways of knowing that come with a
conventional consciousness. For instance, if we believe that our conscious-
ness forms at the threshold of the physical and metaphysical, where our body
and mind meet as equal partners in life (Heidegger 1977), then my fingers,
which press upon this keyboard in the writing of this very sentence, contrib-
ute to the essence of it as such, just as much as my thinking mind, the word
documentation program, and the paper that it will inevitably be printed
out upon, will have an influence on its meaning - those are all constitutive
moments in this sentences moment of revealing. However, whereas my body
is intimately linked to my being, the ontological reconfiguration of the input
mechanisms (e.g. SR) of Project LifeLike matter little to the epistemological
reality of the Data Manager. Or s,ather, the input mechanisms matter signifi-
cantly, but because its body has been conceptualized as a perfect instrument,
the Data Manager can place the knowingness of the body in servitude of the
absolute knowingness of the mind: the Cartesian principle of doubt is elim-
inated from the calculations of the machine, thereby ridding the rationalist
safeguard against tyranny. Since the Cartesian consciousness was grounded
within the principle of a fallible body, the consciousness was humbled with
the knowledge that its ability to speak of the particular remained limited: it
could only speak of abstractions. While this intellectual safeguard of uncer-
tainty remained rather feeble, it did slow the process of enfrarning. This is
because as long as an inkling of doubt existed, there remained the possibil-
ity for thinking of an ontological otherwise: 'Enfrarning cannot exhaust itself
solely in blocking all lighting up of every revealing, all appearing of truth'
(Heidegger 1977: 28). However, with the possibility of instrumental certitude,
the process of enfrarning is liberated from the site of the doubtful body, and
can therefore be accelerated.
Because Project LifeLike offers the possibility for accelerated intel-
lectual labour and intellectual certitude (liberated as it is from the body),
intellectual exploitation is a necessary result of the project's realization. This is
because, since the LifeLike avatar can conceivably do intellectual labour faster
and better than its biological equivalent, the avatar makes for a more perfect
worker. But were this to be my stopping point, then my contention would be
open to critique, as there would be little to separate this technological devel-
opment from those that have already displaced physical labour. And while
I do not mean to suggest that this displacement is in any way worse than
that experienced by physical labourers, I do mean to suggest that there exists
something truly insidious about the intellectual labour exploitation offered
in the possibility of Project LifeLike: that of the enslaved doppelganger. This
possibility for the creation of a synthetic self/non-self carries with it significant
political economic implications for labour, both physical and intellectual.
Posthuman, postrights?
NO HUMAN, NO RIGHTS
This section is dedicated most specifically to those who have never had, or
only feebly hold, some claim to humanness. As argued above, the project of
modernity represents a historical fissure in the metaphysical realm. This was
the moment whereby the death of God created a vacancy in creation. With
theology crippled, and incapable of offering a viable epistemological defense
against science, the Scientist stole the mantle of creator from the body of God.
Hence, Modernism also marks the moment of a radical reconfiguration of
the ontology of the human. This is not the first moment of such a recon-
figuration, but it is perhaps the first without God and hence carries forth its
most significant implications. Romanticism, as represented by such figures
as Mary Shelley, was perhaps amongst the first to express anxiety regarding
the ethical implications of Modernism. But whereas Mary Shelley's figure of
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L..O
Posthuman, postrights?
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ACKNOWLEDGEMENTS
The author wishes to especially thank Clifford Christians for the generous
support and feedback given throughout the writing of this article, as well as
Paul Grosswiler, Robert MacDougall and the additional anonymous reviewer
for their reviews, feedback and support.
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Cesaire, Aime (2000), Discourse on Colonialism (trans. Joan Pinkham), New
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Posthuman, postrights?
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Wajcman, Judy (2010), 'Feminist theories of technology', Cambridge Journal of
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SUGGESTED CITATION
Mejia, R. (2012). 'Posthurnan, postrights?'. Explorations in Media Ecology 11: 1,
pp. 27-44, doi: 10.1386/eme.l1.1.27_1
CONTRIBUTOR DETAILS
Robert Mejia is an assistant professor in the Department of Communication
at the State Urliversity of New York, The College at Brockport. His research
interests operate at the intersections of political economy, cultural studies,
media studies and game studies. He has written on the politics of mobile
information and communication technologies in Rebecca A Lind's (ed.) Race/
Gender/Class/Media 3.0: Considering Diversity Across Audiences, Content, and
Producers (Pearson 2012) and the representation of disease and contagion in
video games in Matthew Kapell and Andrew Elliot's (eds) Playing with the
Past: Digital Games and the Simulation of History (Continuum, forthcoming).
He is a co-editor of New Times: Making Sense of Critical/Cultural Theory in a
Digital Age (Peter Lang 2011).
Contact: Department of Communication, The College at Brockport, 350 New
Campus drive, Brockport, NY 14420, USA
E-mail: rrnejia@brockport.edu
Robert Mejia has asserted his right under the Copyright, Designs and Patents
Act, 1988, to be identified as the author of this work in the format that was
submitted to Intellect Ltd.
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