The Source

Chris Potter

  
    
  
Tenor Saxophone

  

 

 


  
 
 

Piano
     

5

           

  
 

 

 



  
 
 
  
 
  
    

10

      
  

        
 
  
        

14

       

    
 


 

 

   
 
 
 
  
 

    

2
18

   
        
   
            
       

 
  
     
     

22

Interlude
        
      
 
  
              
  
        

     

           

 
27

           

   
  
   
         

  
  
   
 
         


      

33
  
             

  
                 
 
  
 
   
     


     
      
 3


39

        
        
    

    
        
    
 
  

 
      


43

   
           

      
         

 
  
       

46

         
      
         

     
     