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SAN JOSE — Women’s figure skating holds marquee status at the Winter Olympics for its athleticism, artistry and
beauty — and, occasionally, for the drama that extends beyond the ice.
By those measures, the Games scheduled to begin next month in South Korea got an early start at this weekend’s U.S.
Figure Skating Championships.
Ashley Wagner, a three-time national champion and 2014 Olympian, was supposed to be one of the most endearing,
most familiar female athletes representing the United States at the PyeongChang Games. Instead, she will not be there,
giving way to a new wave of talent with no well-established star.
Wagner, 26, stood a few feet away and a few feet below the podium Friday night at the conclusion of the women’s
singles competition at the sport’s national championships, a noticeable distance between her and the winners of the
three medals. The image could also linger as the uncomfortable end of an era in American figure skating. Hours after
Bradie Tennell, 19, completed an unexpected run to her first national championship, a committee of U.S. Figure
Skating officials announced that Tennell, nationals silver medalist Mirai Nagasu and bronze medalist Karen Chen will
comprise the U.S. Olympic women’s figure skating team.
The 13-member committee’s decision came despite a selection process adjusted in recent years to allow deference to
skaters such as Wagner with more substantial international track records. Four years ago, the Olympic selection
committee chose Wagner, who finished off the podium at the national championships, over Nagasu, a 2010 Olympian
who finished on it. This time, Tennell and Nagasu left them little choice for two of the three spots, and Wagner did not
who finished on it. This time, Tennell and Nagasu left them little choice for two of the three spots, and Wagner did not
provide as strong an overall season as she did then.
“The discussion between Karen and Ashley was pretty academic,” U.S. Figure Skating President Sam Auxier said.
“Karen was fourth last year” at the world championships. “Ashley was seventh. And then third versus fourth at this
year’s U.S. championships. It was a very straightforward, clear criteria for selecting Karen as the third member of the
team.”
Those criteria to which Auxier referred are relatively new. U.S. Figure Skating officially changed the rules for Olympic
selection a year ago, outlining the use of a skater’s recent body of work (including his or her results in the most recent
world and U.S. championships) as opposed to simply choosing the top three finishers at the national championships, as
had been done in the past and is still the method used in many other sports.
This year, the criteria couldn’t save the former resident of Alexandria, Va., who attended West Potomac High School.
She needed a strong performance at nationals to cement an Olympic spot after a season curtailed by injury but entered
Friday night’s free skate, the more heavily weighted portion of two-part figure-skating competitions, in fifth place. She
skated as if undaunted by the pressure, unaffected by having only a month of training for her program performed to
music from the movie “La La Land.”
She wasn’t perfect, but she was initially pleased with her performance, enough to hide her face in her hands in the
immediate aftermath, overcome with emotion. When her free-skate score of 130.25 appeared, the spunky veteran
shook her head in pointed disagreement. She had not erred much. Her passion was palpable. She thought she deserved
better.
When it was all over, Wagner told reporters she was “absolutely furious,” the latter a word she repeated over and over.
“For me to put out two programs that I did at this competition as solid as I skated and to get those scores,” said Wagner,
whose third-place finish in the free skate improved her overall standing only slightly, to fourth, “I am furious.”
Wagner’s program was not designed to score as many points based on technique or athleticism as Tennell’s or Nagasu’s,
but she has never been known as one of America’s best jumpers. Instead, Wagner’s trademark is her skating quality, her
performative skills, her transitions — in other words, the little artistic elements measured as “component scores.” For a
“La La Land” program that looked strong in all those ways, Wagner earned a component score of 68.00 for her free
skate. Tennell, a strong technical skater who lacks Wagner’s polish and maturity in the more subtle aspects of her
skates, earned 69.71.
“I understand her disappointment and reaction,” Auxier said. “As an ISU judge, frankly I agreed with the judging. I
think when she reviews what she did, her mistake in the short program was very costly. Missing a level in the free skate
Throughout this week, Nagasu was asked over and over about what happened four years ago, when the committee
chose Wagner despite a disappointing nationals that season. Between then and now, the organization clarified its
position, outlining clear criteria for Olympic selection that weighted the past year and a half of results in tiers. Asked
whether she thought the committee should simplify its selection process and select the top three finishers at the U.S.
championships in an Olympic year, Nagasu paused before smiling.
This time, she rendered the selection procedures irrelevant to her case. Nagasu, the second American woman to land a
triple axel in international competition, is as technically advanced as anyone who could have represented the United
States in South Korea. She is as experienced as anyone. She will be the only Olympic veteran on the women’s team.
“It’s hard for me. I’m ecstatic for myself because this was my goal and my dream,” Nagasu said. “But at the same time, a
part of me really feels for [Wagner] because she is an amazing skater and one of our strongest competitors.”
Whether fairly or not, whether she was ready or not, Wagner’s Olympic career likely came to an inglorious end Friday
night, when she stood just outside the podium, smiling in the face of deep disappointment, then railing against it, faced
with the frustrating reality of her Olympic near-miss.
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† 604 Comments
† 604 Comments
Chelsea Janes covers the Nationals for The Washington Post. ™ Follow @chelsea_janes
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I think Ashley may look back and regret that she didn't put on a gracious face in front of
reporters and show the sportsmanship to congratulate the others who beat her. I hope she can
reflect and realize her mistakes cost her a spot on the team.
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Good for her speaking out anyway. That is every Americans prerogative and if you have a
platform use it. Americans better wise up or we are in for big trouble. Trump is a threat to
America, not to "liberal theology".
Let's celebrate Asian communities of color, not marginalize them. Stop normalizing erasure of
strong, powerful Asian women of color!
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The Negotiator 1 day ago
You had to go there didn't you. These young women are all Americans. That's what's
important here "yodawg"!
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You're correct here, but her Asian of color heritage was marginalized. The heritage of
Asian communities of color today, more than a decade later, is not merely marginalized but
erased.
Again, the media need to stop normalizing erasure of strong, powerful Asian women of
color.
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