c. A concert grand piano.

HISTORY 3 d. A courtyard.

1. Dining dining hall in a monastery, a convent, or a 8. Thomas Chippendale:

college.
a. wasn't English furniture designer in the 18th
a. Refectory
century.

b. Cortel
b. never actually lived; the furniture called
c. Apse
Chippendale is named for a town.

d. Dipteral
c. is famed for his Queen Anne style furniture.

d. was an American furniture designers in the

2. These refer to the typified posture, colors and eighteenth century.

symbols as used in ancient art to create standards

and consistency in meanings and significance.
9. The Federal style:

a. order
a. became popular in the generation before the
b. conventions
American Revolution.

c. guidelines
b. was a purely American development with no
d. registers
European influences.

c. was heavily influenced by the neoclassical

3. The column and capital design derived from the design of Robert Adam.

Etruscans.
d. was heavily influenced by the Baroque
a. Composite
designs of Christopher Wren.

b. Tuscan

c. Doric
10. The interior and furniture styles of the Greek
d. Ionic
revival are called

a. American Empire style

4. A block on the column serving as a springer for an b. Sheraton style

arch.
c. Hepplewhite style

a Intrados
d. Victorian style

b. Keystone

c. Haunch

d. Impost
11. Type of window introduce drink the French
Renaissance, which literally means “bull’s eye”.

5. The “cubicula” or bedroom is from what a. Palladian window

architecture.
b. French windows

a. Roman
c. Tabernacle window

b. Greek
d. Oeil de Boeuf

c. Egyptian

d. Byzantine
12. Who is NOT an Expressionist artist?

a. Ernest Ludwig Kirchner

6. What is the name for a room or a group of rooms b. Vincent van Gogh

where artwork is displayed?

c. Edward Munch

a. Gallery
d. Jackson Pollock

b. Galley

c. Balcony
13. Agreement of columns in Greek temples as seen
d. Corridor
in the Parthenon

a. Dipteral

7. The term “piano nobile” refers to:

b. Peripteral

a. The ground floor of a Renaissance Villa.

c. Perimeter

b. The second floor of a Renaissance Villa.

d. Amphiprostyle

14. The color most often associated with the c. Verner Panton and Ron Arad

Victorian period is
d. Verner Panton and Jasper Morrison

a. white

b. bright red
21. A common Philippine Spanish colonial's furniture
c. mauve
you used to start pillows and mats.

d. clear, pale blue

a. armario

b. credenza

15. Small Japanese folding screen with designs c. gallinera

painted on silk or paper are

d. papag

a. shoji screens

c. coromandel screens
22. The history of English Renaissance in furniture is
c. byobu screens
typically seen as the beginning in what era?

d. louvered screens
a. the Victorian era

b. the Cromwellian era

16. Furniture leg form used in the Queen Anne period c. the Tudor dynasty

except
d. the Angevin dynasty

a. Cabriole leg with ball and claw feet

b. Marlborough leg
23. An art movement, which emphasized subjectively
c. Cabriole leg with scroll foot
and emotions over the realistic appearance of things.

d. Cabriole leg with pad foot

a. impressionism

b. expressionism

17. This man introduced light weight furniture in mass c. fauvism

with a style of curvilinear shapes, made possible with d. all of the above

his invention of steamed-bending machines.

a. Frank Gary
24. A twisting, spiraling “Horn of plenty” of
b. Michael Thonet
mythology, often depicted with flowers and fruits
c. Martin von Severen
pouring forth.

d. William Morris
a. Anthemion

b. Cornucopia

18. Upholstery first appeared in the ______ period.

c. Acroterion

a. Egyptian
d. Rinceau

b. Roman

c. Jacobean
25. Spanish handpainted tiles popular during the
d. French Baroque
Renaissance

a. Murano

19. The art style, which flourished from about 1893 to b. Faience

1910 and is characterized by moving sinuous and c. Mallorca

swirling lines.
d. Majolica

a. Baroque

b. Arts and Crafts

26. The Restoration style that began in the 17th
c. Art Nouveau
century with Charles II helped English furniture
d. Rococo
transition between which two styles?

a. from Gothic to Baroque

20. Two members of the team America designers b. from Baroque to Eclectic

who won the Organic Design Competition sponsored c. from Eclectic to Modern

by the Museum of Modern Art just before the second d. from Medieval to Jacobean

World War.

a. Charles and Ray Eames

b. Charles Eames and Eero Saarinen

27. Votive sculpture from Tel Asmar

34. What materials was not used by Boulle to create
a. Eshnunna statues
this works?

b. Lamassu
a. Tortoise shell

c. Sphinx
b. Pewter

d. Anunnaki
c. Brass

d. none of the above

28. France’s 18th-century was defined by three major

artistic movements, each of which had its own 35. An ornament placed in the middle of something,
impact on furniture. Which of these was NOT one of as a decoration in the center of the ceiling.

the 3 movements of the century?

a. strapwork

a. the Baroque
b. medallion

b. the Rococo
c. voussoir

c. the Neoclassical
d. centerpiece

d. the Gothic

36. Which of these is NOT a common characteristic

29. What characterized the Baroque furniture styles most Egyptian furniture?

of Louis XIV?
a. made of wood

a. Regal opulence and solemnity

b. low to the ground

b. Whimsical and playful experimentation

c. featuring legs carved with animal feet

c. Light colors and asymmetrical designs

d. brightly painted with geometric designs

d. An interested in East Asian motifs

37. Which designer was influential in both the

30. 18th-century furniture represents _________.
Modern and Art Deco style?

a. the Golden age of cabinetmaking

a. Louis Tiffany

b. the age of mahogany

b. Miles Van der Rohe

c. the age of strict rules

c. Gustav Stickley

d. the Golden age of Queen Anne’s rule

d. Frank Loyd Wright

31. King William and Queen Mary brought the 38. The interior spaces in French Baroque
influence of what country to England?
architecture usually are

a. France
a. highly ornamented and illuminated naturally

b. Holland
b. minimalistic and well illuminated

c. Italy
c. decorated only with frescoes

d. Greece
d. filled with straight lines and right angles

32. Belgian Art Nouveau architect and designer who 39. American architectural movement that Burnham
helped establish the Bauhaus school.
envisioned to apply in the design of Manila

a. Victor Horta
a. New Urbanism

b. Henry Van de Velde

b. City Beautiful

c. Walter Gropius
c. City Sprawl

d. Adolf Loos
d. all of the above

33. An Indian temple intended to keep Buddhist relics

40. English version of Art Nouveau.

a. Stupa
a. Secession

b. Pagoda
b. Stile Liberty

c. Jinja
c. Modernismo

d. Honden
d. none of the above

41. Which is not true in Chinese interiors?

48. The part in Egyptian temples that feature two
a. formality
rows of taller columns and flanking rows of short
b. symmetry-shapes, arrangement of doors columns

and windows and furniture placement

a. hypostyle

c. hierarchy is important for room and furniture b. sanctuary

placement
c. naos

d. bright colors
d. podium

42. What theme was inspired by Chinese design?

49. Lighting technique in art that combines high
a. Renaissance
contrast of light and dark and full saturation of color

b. Baroque
a. Chiaroscuro

c. Rococo
b. Sfumato

d. American Colonial
c. Tenebrismo

d. Imprimatura

43. Small single arches built across the corners of a

square or polygonal space.
50. S-curve in painting and sculpture

a. squinch
a. Saltire

b. pendentive
b. Solomonic

c. lierne
c. Cyma

d. vault
d. Serpentinata

44. Sculptural approach to furniture design

51. Argyle chair

a. Saarinen
a. Stickley

b. Bertoia
b. Macintosh

c. Eames
c. Horta

d. Jacobsen
d. Rietveld

45. A movement during the Victorian era pushing for 52. Pedestal and urns are characteristics of designs
a return to Medieval art and techniques
of?

a. Realism
a. Robert Adam

b. Art Nouveau
b. Thomas Chippendale

c. Pre-Raphaelite movement
c. Duncan Phyfe

d. Barbizon
d. John Goddard

46. The central part of a church, extending from the 53. “ Le Corbusier” is the pseudonym of

narthex to the choir and flanked by aisles

a. Ludwig Mile Van de Rohe

a. Apse
b. Peter Paulin

b. Dome
c. Charles Edouard Jeanneret-Gris

c. Nave
d. Marcel Breuer

d. Pulpit

54. Viennese Art Nouveau

47. These are Egyptian temples dedicated to a deity a. Jugendstil

or god
b. Stile Floreale

a. mortuary temples
c. Sezessionstil

b. cult temples
d. none of the above

c. necropolis

d. none of the above

55. Foot stool to reach couches

62. A Neoclassic lithographer known for works such
a. Threnys
as the “Uprising”

b. Curule
a. Jacques Louis David

c. Tabouret
b. Honore Daumier

d. Sigma
c. Nicolas Poussin

d. Jean Dominique Ingres

56. Italian and Spanish pottery, coated with tin

enamel and painted with bright colors
63. A painting technique that consisted of one tone in
a. Vermeil
various tints and shades, which gave the impression
b. Sgrafitto
of sculptural relief

c. Majolica
a. Grissaile

d. Lustreware
b. Trompe l’ oeil

c. Quadratura

57. A massive Italian church designed by the likes of d. all of the above

Bramante, Michelangelo, Maderna and Bernini

a. Church of St. Joseph the Lateran

64. Massive sloping towers at the entrance of
b. St. Peters Basilica
Egyptian temples

c. Church of Il Gesu
a. Pylons

d. Cattedrale di Santa Maria del Fiore

b. Pronaos

c. Podium

58. Inlaid design composed of hard semi precious d. Pyramidion

stones

a. Intrasia
65. It is the period style that coincided with Napoleon
b. Certosina
Bonaparte’s enthronement as emperor of France

c. Faience
a. Neoclassic

d. Pietra dura
b. Directoire

c. Empire

59. A gallery or space open on at least one side, d. Regency

which opens to a garden or a court

a. promenade
66. Dome type of the Roman pantheon

b. corridor
a. Corbel

c. loggia
b. Stepped

d. all the above

c. Hemispherical

d. Onion

60. A style of marking the transition from

Renaissance to Baroque featuring disproportionate, 67. Classical pose showing the twisting of the body,
elongated bodies and limb, and dramatic with the weight resting on one leg, and the other leg
perspectives
bent at the knee

a. high Renaissance
a. Serpentinata

b. mannerism
b. Archaic pose

c. symbolism
c. Contrapposto

d. all of the above

d. all the above

61. Painter of the “Girl with a Pearl earring”

68. Architectural style that place the structural and
a. Hans Holbein
mechanical components of the building on the
b. Johannes Vermeer
exterior shell

c. Pieter Bruegel
a. Deconstructivist

d. Rembrandt
b. Critical regionalism

c. Brutalist

 d. High Tech
75. Spanish architect who designed the Templo de
Sagrada Familia

69. A triangular space following the roof outline a. Antoni Gaudi

surmounting classical architecture, and later on b. Hector Guimard

adapted during that Georgian period for furniture, c. Santiago Calatrava

doors and windows

d. Alejandro Aravena

a. pediment

b. pentative
Draw the following:

c. trumeau
1. Acroterion

d. cornice
2. Dulang

3. Pembroke table

70. An arrangement in art showing figures in various 4. Espagnolette

horizontal levels demarcated by a line

5. Pantokrator

a. register
6. Caryatid

b. tiers
7. 7 chair by Jacobsen

c. terracing
8. Ribbed vaulting

d. rows
9. Butaka

10. Marshmallow chair

71. Half-arches featured on Gothic arches that c

counteract forces that push the walls of the building
of outwards

a. piers

b. ribbed vaulting

c. flying buttress

d. lintel

72. An almond shaped light surrounding the image of

Holy figures in their entirety

a. Halo

b. Mandala

c. Mandorla

d. all of the above

73. Which one of the following is NOT a Gothic

artist?

a. Giotto

b. Jan Van Eyck

c. Fra Angelico

d. Simone Martini

74. The art critic and academic that spearheaded the

English Arts and Crafts Movement

a. William Morris

b. John Ruskin

c. Charles Locke Eastlake

d. Henri Van de Velde

ANSWER KEY: HISTORY 3

48. -

49. D

1. A
50. D

2. B
51. B

3. B
52. A

4. D
53. C

5. A
54. C

6. A
55. A

7. B
56. C

8. A
57. B

9. C
58. D

10. D
59. C

11. D
60. B

12. D
61. B

13. B
62. B

14. C
63. A

15. C
64. A

16. C
65. C

17. B
66. B

18. B
67. C

19. C
68. D

20. B
69. A

21. A
70. A

22. C
71. C

23. B
72. C

24. B
73. B

25. D
74. B

26. A
75. A

27. A

28. D

29. A

30. A

31. B

32. B

33. A

34. D

35. D

36. D

37. D

38. A

39. B

40. B

41. A

42. C

43. A

44. A

45. C

46. C

47. B