IB SKILLS AND PRACTICE Sale iawAe Language and Literature 0) ao OY > - ison rian Chanen OXFORDOXFORD Infuse de Universi’ objective of excellence in esearch ‘holt, an eesston by pobishing wolewie in Dford New Yorke ‘Aucsand Cage Towa, Dar slam Hong Kong Karach esis ismpa adhe Melboume. Mexia City aint New Den” Shaaghat “Tipe Toros ‘opentins Assia Brazil Chile Casch Republic France Grece Ciena “Hungary aly Japea Poland Porta Susapore Soon orea Swszeind thane rkeyUkeine ie Cfo ia etre trade mar of Oxforé Univers Press [© oxford University Press 2013 The mara sighs ofthe author hve been asserted Database ight Oxford Univesity Pes kes] ‘Aliph reserved. No pat of tix publication may be epoca, ‘ored in svetival rem orate any eso yan) mea ‘eithout the poe permission ertng of Oxord Univer ress. o 38 Teper peste yl, or nr ogrend wilh he apps Seiad the scope af she pad en tothe Rips Departs Sxtord Unive Presa the ates above ‘You must not eeu is book nay othe blading a over 3nd you must pose ths sine condition on any seer Bish Library cataloguing in Publston Data Printed in Great Bean by Bell Bln Ld Glasgow Taper tse inthe precio of thin ck anatase pode ade from wood grown nsusnable foes The manufacurag proces confers to thc entsonmental repitions the enaney a org Acknowledgments The author and publisher are grate for permlsion to rept fom the fallow [Andre Agass exc from Op An cathy HarperCollins. 2030) cope fight © 2008 AKA Publishing 1c, printed by person o the ples, ‘nperclins Posters td and Ae A Kaopt vin of Kano Huse Raymond Carver: extract fom resereton n Cat See Vintage, 200) reprinted by permission of the publishes The Random House Grup id. ind antom Howe ne (aryl Chur extrac fom Top Gis 198) a Pes? Methuen Dra, 190), copynght © Cay Church 992 repented by permision of Methuen Drama peat of oeauy Publating ple evil Coghil Extract rm is translation of “The Prologue’ Te Catctury Toby Gute Chaucer engui Cases 200), copyright © (951 by Nevdl {Cops cop ©The state of Nel Cop 198, 180,997. 3977 re Pted by portion of Fong Books Ind {t.Col Daniel L Davis: extract from Trth, Lies nd Aphis’ publi in {he med Fores jc ebrusry 212 eprint by permission of te Suton Enuly Dickinson: XVI Tw butterflies weot ou a noe ows The Pens ‘gly Decks ete by Temas H Jhon The elap Pes of ara Presiden od Fellows of Harvard College, feponed oy permission of he pub Dave FagarsThe Fighter fst published a Aciden in The Cuaron, Api 2005, copra © Dave gas 2012, pine by pesmsion a Te Wyle Agency UO Le Gorye: ‘Somebody That Use o Know: vcs by Water de Backer cops Sha, pobesed by Op Shop Songs Py td aeminitered by Kol Mase Pal id ad hl Leonard Asa Pe Li, abd Pepe ws We permission Claude MeKay:-quashe co Succ 1912 fom Cpe Pos vers of lk Sos Pees 00 repaned by permiston and cosy of the erst epresea tive forte Wocks af Chude Mca, Scumberg Center ar Research fn Black [ite The New Yook Pi ibrar, Aor: Lenox and Tien Fouts dna Se Vincent Milly Rezo from ev Fs Tes Pens ed Sone 1c arper Bos 198, epited by permission of he Milsy Sot via The Fermislons Company. ng Loerie Moore: etre fos How o Become a Wier, copyright © 1985 by it Moore: trom Sie Vintage Contemporaries, Kop 38, repented y na faber aber, ~ Marianne Moore: "The at ln The Coie ef rane Moore edited by {race chun Viking Peng, 200 copra © Marianne Moore 1935, Publishers, Sete, von of Sion Schuster Inc abd Faber aber. nd ‘Aah eserved ‘nn paifulyincom. eprinte by permission ofthe author. ‘O'Connor. extrac fom The Displaced Peso in A Goat Mon ard {ba ltrenurt Brace oranovich, 197) eprint by persion of Petes Fo- Set Dunlop wor peerstserdunlo com) on belo the Bsa of Haney Sano ‘Gconge Orwell: extrict rom ‘How the Por Di fs padi Now 1546 1 by Sonia eves om Showing ean and Ur sys Penguin 1968 cera rom Wy wnt’ Sit polite Such Suc re tom eee ‘ace Co 1955, copyght © Soni Brownell O-wel 1953, © reneed 1981 by Ys George Perit: Minam Crocs ane Or Michael Dion meron the nate a Sona Hrowael Orwel om Sst fans an ier Be ‘1968 apd extract ro Anal om Scher & Warbrg 1935) copra ‘Serge Orel 10, © renewed 1574 by Son Browne Orel sepia ‘ypermstn of il alton ss the teary Beau of he sate of Sons ‘rowel! 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A Diiion Of Random House Incl STRANCH By Aber: Camo. nanalted By Stee aber Ud By Festalsion Of Aled & Kno! & Division Of Rndot House, ne Any tad ‘Pary Uke OFT her ote OF Tas Pbeton I Pobbie. nrereste ‘utes Sts Apply Diely To Rando Howe tse for hemi’ PIDE "Beak over" Copy © 1984 By Vintage Boos, Divston OF Random Hows, Ine Use OF Ths Matera, Orde Oris blest, Is rohibied, nested ‘ares Ms Apply Dery To Random House tne for Permnian: PAO: THE ‘OUTSIDER by Alber Camus engi Cassie 2000, Reproduced by persion ‘ot Penguin Book ne P11 Roman Plane im Company Pathe At Archive ‘any Pitt Tebrecit Muie And At Photo Layla, PHY: Ole sing {or ore om The Adventures Of Olver Twist BY Chaties Dickens 181270), 18, Pbltbed fy Chapnan Hal 191 Egsavngh George Cukshane iooi-srarreate Colection{ine Boageman At bry P07 Henry Holt And ‘Corp. Lc: Pisa: Wandon Vrghios Fer: PIB Mowestre Coben ‘ex Features P4O3: Toms Gaul: PISS ls Lee PIB Oregon Shakespeare Festivals Prodction Of Willan Shakespeare's Ts Andon 2002)con ce Peterman Background | 49 oi MELEE | Language and Mass Background | 50 eeu Communication Instruction 5 Image Reception | 51 Background 6 Line Reception | 53 Reception 8 Light and Colour Reception | 54 Production 6 Shape, Form and Texture Reception [55 Issue 5 Working with Images Insight [57 Insight 6 Space and Perspective Reception | 58 Texts 6 Unity Reception | 60 Burien eorcd Contrast, Repetition and Reception [61 Language in Cultural Context: An | Background Proportion Overview Communication Background | 62 Dialect Reception [8 Semiatios Background | 65 Pidgin and Creole Reception | 10 Print Media Reception | 66 Gesture and Expression Reception | 11 Film and Sound Reception | 67 Note Taking Production | 12 Digital Media Reception | 69 Class Work Insight | 14 Media Institutions Background | 70 What is Language? Background | 15 Objectivity and Bias Reception | 72 Knowledge Issue 16 ‘Advertisement Production | 74 Register Reception | 17 Stereotype Reception |75 Idiolect Reception |12 | | Persuasion and Rhetorical Reception [77 Marking a Text Production | 20 Analysis ‘Active Reading insight [21 Speech Production |78 The History of English Background | 22 panelled Fiesta El Community Tee rT Ecitrial Reception | 84 Sm Reception 125 Blog Production | 86 ‘Analysis and Comparative Production 27 Pts eee Vossen Analysis Censorship Reception | 90 Semantics Reception | 29 Popular Song Reception [91 Grammar Issue aI Social Media Reception | 94 Boliot Issue 2 Oral Presentation Production | 95 Language Acquisition Background | 34 The Future of English Issue 97 Loxis Reception | 36 Pre oews Rationale Production | 37 Literature: Texts and Contexts— | Background | 103 Identity Issue 38 An Overview ‘Tone and Mood Reception | 39 Plot. Reception | 104 ‘Modality Reception [41 Setting Reception | 106 Linguistics Background [42 Whats Literature? Background | 108 Essay Production 44 Thinking and Planning Insight | 110 Wilting at Home insight 148 Characterization Reception | 111 Sexuality ie a7 Generating Topics Production [112