Professional Documents
Culture Documents
Olongapo City
GORDON COLLEGE
College of Education, Arts and Sciences
CONTENT STANDARD
The Learner demonstrates understanding of the musical characteristics of
representative music from the lowlands of Luzon
PERFORMANCE STANDARD
The Learner performs music of the lowlands with appropriate pitch, rhythm, expression
and style
LEARNING COMPETENCIES
The Learner creates appropriate movements or gestures to accompany the music
selections of the Lowlands of Luzon;
I. OBJECTIVES
III. PROCEDURE
Prayer
Everyone please rise for our (Everyone stands and Ella leads the
prayer. Ella kindly lead us. prayer) Classmates let us pray. In the
name of the Father… Amen.
Greetings
Good morning class! Good morning too Sir Ismael.
Please take your seats. Thank you Sir. (students take their seats)
Checking of Attendance
Let me check your attendance.
Say “present” as I call your name.
Checking of Assignment
Kindly pass your assignment in (students pass their assignment in front)
front.
A. MOTIVATION
What can you say about the songs Ma’am because it expresses the customs,
we used in activity we did? tradition and people’s activity of a
particular place.
Yes. How can you say that it is a folk
song?
Bahay Kubo,
How many folk songs do you know?
Magtanim ay di biro.
What are those?
Leron Leron Sinta
(learners continue to answer)
Yes. We are part of Luzon. What are Layang Pasyak and Petrona Pipay
the folksongs of Palawan do you Dolores0
know?
Now, let us discuss the different Ma’am, they were courting a lady through
classification of secular music of serenading or what we call harana.
Luzon, vocal form.
That’s right. What is the song all Sir that song is “Mutya ng Pasig”
about?
Nicanor Abelardo.
Correct! Balitaw is a dialogue or
courtship song in triple meter. Mostly It is about love, specifically, mourning the
in 2 and 3 part forms an arrange with loss of loveone.
counter melodies.
Yes Sir.
Okay, do you know the song Bayan Ko? Love for our motherland.
None Sir.
Do you Know Francisco Santiago?
Of course ma’am. We can!
That’s great!
C. APPLICATION
Okay, let’s have an activity. Now,
each group (the same group) will
create a short presentation; at least
1-2 minutes, you are going to
choose a song from the secular Yes clear Sir.
music of Luzon and sing it,
accompanied by improvised
instrument available in surrounding
and create appropriate movements
or gestures to accompany the music
selections. Your performance will be Yes we are Sir.
rated as follows:
Let’s give a boom panis clap for group 1 It is a quite challenging but enjoyable
ma’am.
Let’s give a wow galing clap for group 2
As we sing the songs, we realized that
Let’s give a ayos na okay clap for group each song has a significant social function
3 and purposes.
Let’s give a lodi clap for group 4. We also realized that we should love and
be proud to our very own music, the
You dit it very well class! Thank you for secular music of Luzon.
your cooperation
D. GENERALIZATION
Harana
Do you enjoy your activity? Polka
Pandanggo
What can you say about your Balitaw
activity? Kumintang
Kundiman
What do you realize in your activity?
That’s good!
None Sir
IV. EVALUATION
Identification
Direction: Identify the different secular music of Luzon being defined below.
Write only your answer on ¼ sheet of paper.
Matching type
Direction: Identify what classification of Secular Music of Luzon each song that I
am going to play.
6. Sitsiritsit
7. O, Ilaw
8. Lawiswis Kawayan
9. Nasaan Ka Irog
10. Mutya ng Pasig
Key to Correction
1. Polka
2. Kumintang
3. Balitaw
4. Kundiman
Republic of the Philippines
Olongapo City
GORDON COLLEGE
College of Education, Arts and Sciences
5. Harana
6. Polka
7. Harana
8. Balitaw
9. Kundiman
10. Kumintang
V. ASSIGNMENT
Direction: Compose at least 3 stanza of song inspired by our love to the culture
and traditions of our society. Write it on a short band paper.
Prepared by:
Submitted to: