Professional Documents
Culture Documents
Chess: Logical
Decision Making
GM Ra1nesh RB
Preface 5
Introduction 6
Conclusion 281
Index of Games 284
Bibliography 287
Symbols
! Good move
!! Excellent move
? Bad move
?? Blunder
!? Deserves attention
?! Dubious
# Checkmate
D Forced; the only move
00 Unclear position
= Equal position
;!; Slight advantage for White
+ Slight advantage for Black
± Distinct advantage for White
+ Distinct advantage for Black
+ White is winning
-+ Black is winning
t with the initiative
with the attack
00
insufficient compensation for the material
00 sufficient compensation for the material
with counterplay
with the idea . . .
better i s. . .
Novelty
Time pressure
Preface
fair share of ups and downs - hopes raised high one moment, only to fall flat
the next. As a young player without the assistance of a coach, I had to rely on
books (the computer era hadn't yet begun), tournament play, and analyzing
with friends to learn the nuances of the game. I have made many mistakes
in my chess career but I did a few things right, too. I could not have asked for
more from this wonderful game.
In this book, I will try to share the lessons I've learned from my own
chess career, from my chess friends who have represented India at top-level
competitions around the world, from the books I have read and from working
with players of different levels as a chess trainer.
I hope this book will provide a practical approach to chess understanding
and provide a slightly different perspective on chess improvement.
Ramesh RB
Chennai
October 2015
Preface 5
Introduction
game I played. I lived for the thrill of beating my opponents, who were mostly
friends and neighbors. Once I started playing in tournaments, I realized
that mere passion and silly tricks alone would not be enough to win and I
undoubtedly needed to upgrade my skills and understanding of the game. I
was a very aggressive player by nature and I enj oyed surprising opponents
with my knowledge of opening theory. This approach enabled me to score quick
wins against opponents who were not tactically sharp or equipped with a deep
understanding of opening theory. After a few years, I had achieved a decent
rating and soon realized that my opponents were not falling for opening tricks
and unsound attacks as frequently as they did in the past. Thus began the
journey of slogging long hours in front of the chessboard.
The lack of proper coaching facilities and information accessible at the
time forced players of my generation to learn chess by drawing upon their own
past games and from reading the few good books that were available in India
back then. There was often a limited supply of competitions, coaches, chess
literature, and prize money, among other things, that players today may take
for granted. As a result of these limitations, my approach to learning consisted
of asking relevant questions about various aspects of my games, and thinking
deeply about the problems I faced. Eventually, I came up with answers I felt
comfortable with and later verified with other experienced players. Finally, I
attempted those ideas in my tournament games and the whole process began
again. This trial and error method, which I practiced in my formative years
in India, meant that progress in chess was slow and time-consuming but the
lessons learned were the bedrock of my chess understanding.
Later on, I gained access to many good books, especially those written by
Mark Dvoretsky. This discovery proved to be a turning point in my career. For
6 Introduction
the first time, I learned how a chess professional needs to think about different
aspects of the game, but more importantly, how to be mentally tough to handle
the many ups and downs in one's chess career, which are bound to come, no
matter what.
I became an International Master within a few years of starting to
play the game, but it took me eight long years to graduate to the next level
of becoming a Grandmaster. There were many frustrating and rewarding
moments that shaped me as a chess player in those eight years. Progress
in chess involves continuous self-introspection, learning new skills and un
learning bad qualities in our thinking process. In this book, I will frequently
use terms like "stronger player" and "younger player" to denote a chess player's
level. The term "younger player" is not meant to be derogatory, but will be used
to refer to someone struggling to improve to the next level in the upcoming
player category (from roughly 1500 to 2400 ELO rating). By the term "stronger
player", I refer to players with a 2550+ ELO rating. All others will fall under
the "intermediate level". In addition, I will use the male gender in this book to
describe a chess player, which is purely a matter of convenience.
This book is aimed at players who wish to improve their overall
understanding of the game. We will attempt to learn how to look at and
evaluate a position, which patterns to watch out for, which factors we ought
to consider before finalizing our move, and much more. For this, we need to
have some basic knowledge of key chess principles, which I mention repeatedly
throughout the text. There are many contradictory principles at play in various
positions and I have tried to explain how to choose the appropriate principle
using logical reasoning.
This does not in any way negate the importance of calculation and
concrete thinking in chess. We will try to stick to positions where decisions can
be made with the help of logical thinking. I have tried to put my thoughts into
words without hiding much from the reader, on the topics covered in this book.
I thank Ankit Gupta of Metropolitan Chess for presenting me with this
opportunity to write a book on the topic of my choice. My special thanks to the
editors Gabriella Kay, Alex King, and Kostya Kavutskiy, who have done an
excellent job of making sense of what I am trying to say, and giving the shape
to this book.
I thank all those who have been present throughout my chess career -
chess friends, fellow chess players, tournament organizers, arbiters, coaches,
and authors of chess books I have read. I would especially like to thank Mr.
Dakshinamoorthy, who was my patron from my youth, and all others from
whom I learned most of what I have written in this book.
Special thanks to my wife Aarthie, my daughter Varsha and son Karthik,
my parents and in-laws, who have all been very patient with me while I was
writing this book. Thanks for your understanding and support.
To the readers, let us begin our journey towards understanding chess in
a logical way!
Introduction 7
PART ONE:
Logical Decision Making
Playing chess, in many ways, is like driving a train on the two tracks of
calculation and logic. Even though chess is becoming more concrete, especially
after the arrival of analysis engines, I believe there is still a lot of scope to find
the best moves in a position with the help of sound logic and understanding.
Ideally, calculation should justify the logical thinking of the player.
In this book, we will focus on trying to understand the game and the
various concepts behind it by using logic and common sense. Every sphere of
chess has its own set of important principles, which tell us how to handle a
certain aspect in the position. For example: bishops are good in open positions,
rooks are good on open files, etc. These are simple principles, self-explanatory,
understood without difficulty and quite easy to apply in practice.
But there are more complex principles that are difficult to apply in our
games. To go from knowing these principles to applying them in our games,
we need to make them a part of our thinking process and maintain a firm
belief in them. For example, we say, "Sometimes it's a good idea to sacrifice
a pawn in order to make our pieces more active." Knowing this principle and
understanding the logic behind it is easy, but if we don't have a firm conviction
in the principle, it is really difficult to give up a pawn "just" to activate a piece.
Each step above has its own set of principles and methods. A broad
knowledge of various chess concepts is thus a necessary requirement for a
player to understand and assess the position before making the right decision.
At the beginning levels, a player may still win if he breaks these principles
unknowingly, but an intermediate player must learn increasingly complex
principles as he progresses in strength. Later on as an expert, he will learn to
break the rules to gain advantages based on the unique characteristics of the
position.
Just like a doctor needs to closely monitor the symptoms of a patient's
body to successfully diagnose the disease, a chess player has to learn to study
the various important features of the position to come to a correct assessment. A
correct diagnosis goes a long way in identifying a cure for the disease. Similarly,
a correct assessment of the position lets us narrow down the path we need to
take to identify the best possible move(s) in a given situation. The assessment
of the position is generally done prior to identifying moves or analyzing specific
variations, much like the doctor must assess his patient before discussing
1) KING SAFETY
29... Kf7
We need at least one minor piece There is no way for Black to escape
in front of our king to reduce the heavy material losses.
possibility of a successful frontal 29 . . . Kd7 30.Qh7+
attack by our opponent. Black's pieces Or 29 . . . Kd6 30.Qe5+
are crowded mainly on the queenside 30. Qh7+ Kf8 31. Qxa7 1 - 0
with little influence on the rest of And White converted the material
the board. The presence of White's advantage convincingly.
two bishops and the queen pointing
towards Black's kingside indicates the
possibility of tactics in the position.
24.Bxf71 Kxf7 25. Qh7+
The reason behind the need to
have at least three pieces in an attack
is to be able to give up one to open
up the opponent's king and use the
remaining two to either deliver mate
or win material.
25 Ke6
•..
king to really be safe. In case of the absence of a minor piece in front of the
opponent's king, we should try to launch a frontal attack with pieces.
F safe. Black tried to exploit the presence of White's king in the center by
rom the above game, we learned the importance of keeping our king
2) ACTIVITY OF PIECES
We might assume that the same pieces have the same power in all
situations. For example, two different knights or two different queens of any
color on any chessboard should have the same power in all possible positions.
It is not so! A piece that is actively placed is much more powerful than one
passively placed. To understand this better, we should know when a piece is
considered active or passive.
We only have pieces and pawns on the board and we know that pieces
are the more powerful of the two. So, we can conclude that playing with active
pieces is more important than having a good pawn structure or playing with an
equal number of pawns. If we are given two options:
Let us now see how to identify a passively placed piece. There are several
criteria for a piece to be deemed passive:
Position 1 Position2
White's bishop and rook are blocked Even though the bishop on g2 and
by the e4 pawn, hence they are rook on e l are on an open diagonal
very passive. White should try to and file, respectively, with no pawns
advance the pawn in such cases, or blocking their path, the knight on e4
alternatively move the bishop and slightly restricts their activity, so they
rook to a more active square. can be labeled as a little passive.
Position 4 Position 6
urgent measures to activate them at the first opportunity. Any delay can make
our position go from bad to worse.
We will see more on this theme in the chapters on "Active Defense" and
"Improving Pieces."
3) MATERIAL
White has won a pawn but things Black resigned a s there's no good
are not so simple, as his king may way to prevent White's queen from
become vulnerable after a future f7- reaching h6 .
f5. 18.Bf6 Qf4 19.Be5!+- is an
14 Be6'1/
••• important point - Black's queen is
Better was 14 . . . 0-0 15.b3! The trapped.
only way to fight for an advantage.
15 .. .f5! Black should try to exploit
White's king on el. 16.Bb2 fxe4
17.fxe4 Qg6 18.Qxd4 Bg4 19.Re5;!;
Houdini assesses this position to be
slightly better for White, though for a
human it is very risky to play.
15. b3/±
Developing the bishop to the
perfect square, taking aim at the
d4-pawn and controlling the long
diagonal.
15. . . 0- 0 '1/
Black's king would be safer on
the queenside: 15 ... 0-0-0 16.Bb2 g6
17.Rh6 f5 18.Qd3±
Wcircumstances. When
e already know that pieces are more powerful than pawns under normal
our opponent gets into a bad pawn structure
situation, whether intentionally or not, we should immediately try to exchange
his most active pieces to prevent him from gaining compensation for the bad
pawn structure in the form of active pieces. Having active pieces will naturally
lead to an initiative or attack.
Tip: It follows that when we have a good pawn structure, we should try
to exchange down to reach a simplified position. Do not allow your opponent to
get active pieces and create counterplay.
The chessboard is divided into eight ranks and eight files. It is natural
to assume that each player would want to control as many files and ranks as
possible with his pieces. In the starting position, both white and black have
control of four ranks each. In such a situation, neither player gets a space
advantage. But when one side's pawn crosses over into the 5th rank, then that
side gets a small space advantage. The more space we have under our control,
the more freely our pieces can move and infiltrate our opponent's position. The
player who controls the fewest ranks can only move his pieces within first three
ranks. With less ranks, we have less useful squares available to our pieces. We
call this a cramped position.
The player who gets more space in the center of the board has a slightly
better chance in the game. The center of the board is like the capital of a nation
- power flows from the center to the rest of the board!
Naiditsch - Timman 1 7. h8
Dortmund 2002 Also possible was 17.d5 Ne5 18.h3;!;
with the same structure as in the
1 . e4 Nf6 2. e5 Nd5 3 . d4 d6 4 . c4 game.
Nb6 5. exd6 exd6 6. Nc3 Be7 7. Bd3 1 7. . . g6 18. d5;!;
0 - 0 8.Nge2 Nc 6 9. 0 - 0 Bf6 1 0. b3 Naiditsch seizes space with this
Bg4 1 1 . Be3 Re8 12. Qd2 Nb4 central thrust.
18. Bbl Bxe2 14. Nxe2 c5 15. a8 18 . . . Ne5 1 9. Qcll
Nc 6 16. Ra2 White has more space for his
pieces. When we have a long-term
advantage such as extra space we
should not rush to come up with a
winning plan or resort to drastic
measures to increase our advantage.
The important thing to do is to not let
our opponent get counterplay and at
the same time gradually improve the
position of our pieces. With 19.Qcl
Naiditsch clears the 2nd rank for
his rook which could later come to e2
and also denies Black any chances to
create complications with Nxc4.
The immediate 19.a4 was also
possible as after 19 ... Nbxc4 20.bxc4
16... Qe7?/ Nxc4 21 .Qd3 Nxe3 22.fxe3± Black
After 16 ... cxd4 17. Nxd4 d5 18 .c5;!; cannot take on e3 due to his hanging
White retains a small advantage bishop on f6 .
because of the weak d5 -pawn. 19. . . Bg 7 20. a4
Wrank, for example, we should keep as many pieces on the board as possible
hen we have more space, when our pawn has crossed over into the 5th
in order to advance further up the ranks into enemy territory. The contrary is
also true. When our opponent has more space, our goal is to exchange pieces
(preferably our passive pieces for his active pieces ! ) to free up the position for
our remaining army.
Imagine four people inside a phone booth and one person at a six-seat
dinner table. Which is more comfortable and why?
We realize that the cramped feeling has to do with how many pieces are
fighting for that available space. Too many pieces fighting for a small region of
the chessboard leads to a cramped position. If there are fewer pieces fighting
for that same space, the position won't feel so cramped. More pieces with more
space - yummy!
Tip: When your opponent's pawn reaches the 5th rank, try to meet it with
a pawn break to fight for space. This will open up the position for our pieces.
49... RfB+?
49 ... Nc5! would have likely saved
the game for Leko. 50.Rd5 (50.Nxe5
R{B+ 51.Ke2 Rx'{2+! 52.Kx'f2 Ne4+
53.Kf3 Nxd6=) 50 ... Rf8+ 51.Kg2
Kxg4 52 .Rxc5 Re8;!; with a drawn
rook endgame.
Let's imagine a position where our opponent has a pawn without any
other pawn support. This means he has a potential weak pawn. When this
potential weak pawn comes under direct attack, it becomes an actual weakness .
A potential weakness does not necessarily turn into an actual weakness. Only
when a potential weakness is under attack, does it become an actual weakness.
From this, we can learn that we must strive to attack our opponent
where he is weak to take advantage of the potential weak areas in his position.
If we don't attack where our opponent is weak, then we aren't acting on our
strengths or exploiting his weaknesses. We must constantly watch out for
potential weak areas in the position both for ourselves and for our opponents.
We need to expect our opponent to exert pressure on our weak spots and take
precautionary measures against possible attacks.
27. Qg5/
The position looks complicated
and not very clear at first glance.
Going by the king's position, we can
see that White's king is safer as the
dark-squares near Black's king are
weak and can be exploited. We can
also notice that the open b- and d-files
are under White's control, leading to Since Black does not have any
the assessment that White is better threat or idea worth preventing,
in this position. White focuses on improving his
27. . . NeB ?I worst placed piece to a better square.
Black plans to reinforce the e5- This combination of prophylaxis
pawn with f7-f6 and reroute the and piece improvement can help us
knight to e6 via g7. The drawbacks handle most positions without pawn
with this plan are the following: it breaks reasonably well.
involves a loss of time, the d5-square 29 . . . Ne6 30. Ne3 Nf4
is left unguarded, more squares will
26.Bg7?
This throws away most of White's
advantage.
26.Rd7! would have decided the
game in White's favor. 26 . . . Rc7 (26...
Bc7 27.Re7!+- Active prophylaxis!
Black was threatening Bc6 to chase
the active White rook away from the
A direct attack on Black's king 7th rank. Now 27. .. Bc6 is met with
finishes the game in White's favor. 28.Ba6!) 27.Rd8+ Kh7 28.Bg7 Rc8
33 . . . cxd3 34.Bb3+ Kh8 35. Nxf6! 29.Rd7 ! An important move, forcing
The key point to White's Black's rook to the 7th rank. (The
combination. immediate 29.Rdl is met with 29...
35. . . Rxf6 36. Ng5! g5) 29 . . . Rc7 30.Rdl Threatening
Black's queen is hanging on c7, Rhl+. 30 . . . g5 (30... Bh4 31.RdB RcB
so there is no way to defend the h7- 32.Rd7+-) 31.Rd8!+- and Bd3+ is
pawn. coming next with mate. This winning
36 . . . Rxf2+ 3 7. Kgl! triangulation with the rook is quite
Precision until the end. impressive.
37.Kxf2 Qc5+ 38 .Qxc5 Nxc5 26. . . g5!
39.Nf7++- is also winning, but Keres Facilitating the Black king's
wants to force mate. escape.
37. . . Rfl+ 38. Kh2! 1 - 0 2 7. Rd7?
And mate can n o longer be 27.Rhl is met with 27 . . . Bh4!=
stopped. Another important point of g5.
T plays the crucial part in the assessment of the position and subsequent
he two previous games show us the importance of king safety. This element
play.
The beauty of chess lies in the fact that there is no single correct solution
to most positions in our games. There are, of course, thousands of positions
where there is only one correct path. Yet in most other positions, there is much
scope for creativity and adjustment. There are so many approaches at our
disposal. We can use our own preferences, tastes, likes and dislikes regarding
our style of play. We can take into consideration our current form on that
day, the demands of the tournament situation, an opponent's playing style,
his strengths and weaknesses, and countless other factors that influence our
judgment to help us find an optimal solution to the problem at hand.
In each of the following examples, one or both of the players will have to
face the problem of choices. I advise the reader to pay careful attention to each
example with awareness of the theme at hand:
Monnisha - Quek
World Youth U16 Olympiad Gyor 2014
Bb7 15.Qc4! Kg8 16.Be2 Rc8 17.Qb3 The queen is not particularly
Qa5+ 18.Kfl Bxd5 19.Rxd5 Rcl+ useful here, and furthermore will
20.Bdl Qc7 21 .h4! h5 22.Rh3! g6 run into a subsequent pin on the
23.Rhd3± d-fi.le.
b) 13 . . . RbS! Only this move 1 1.0-0 was absolutely necessary.
gives Black counterchances. As we 1 1 . . . Qc7 12.Bb8
see time and again, activity and
initiative are very important in open
positions. Even a tiny loss of time can
be enough to throw everything away.
14.dxc6 Qa5 15.Rcl Bg5! 16.Rdl
Bf6=
The other option was 9.cxd5 Nxd5
10.Nxd5 Qxd5 (but not 10 ... Bxg5?!
11. Qe2+ Be7 12. Qe5! K{B 13.0-0-0±)
11.Bxe7 Kxe7 12 .Qa4 Rd8 13.Rdl
Nc6 14.Nxc6+ Qxc6 15.Qxc6 Rxdl+
16.Kxdl bxc6;!;: with only a small
structural edge for White.
9. . . dxc4
• Should we transpose to an
endgame or keep the queens on the
board and take our chances in the
middlegame?
Yusupov - Sokolov
Tillburg 1987
23.Qg3
The point is seen after 23.Kxf2
Rc2+
24.Kg3 Rxg2+ 25.Kf4 Rf2+ 26.Kg5
Now, whenever White plays a5 Qg2+ 27.Kh4 g5+ 28.Kh5 Qxh3+
Black can respond with b6-b5. 29.Kxg5 Rf5#
21. Qa3 Rc21 24.Kel Qxg2 There is no defense
Seizing the second rank. to the threat of Qe2#. White has
22. Qd6? only a few spite checks: 25.QbS+ Kg7
White's position was already 26.Qe5+ f6-+
unpleasant, but this allows a 23 Re2 0-1
• • .
21. Rabll±
Prophylaxis to prevent Nb4-d5.
This is another reason why 17.Rfdl
was the correct rook to move.
21.Qf4?! would allow 21...Nb4!
22.Ng5 Bxg5 23.Bxg5 Nd5! 24.Qh4
Qd7 25.Qh6 f5 26.exf6± and Black
has slowed down White's attack at
the cost of a pawn.
But 21.a3± was equally as good as
the text.
The only way to continue. 21 . . . Qd5?
White has to keep up his initiative With this queen transfer, White
by adding more fuel to the :fire. has mobilized all of his pieces for
21 ... b4 decisive action near the Black king.
Creating space for the queen. 26 Ne5'1
. • .
34. Qg7+/I
Fischer - Petrosian
71
.
Buenos Aires 19
�
If 26. . b5 then 27. Ne 4 threatenmg
.
:
28 Nf6+ ls goo d for White.
·
27.Ne5! 1- O
.
Black has no defense agamst
White's attack.
;
For instanc 27 Ne5 Qb6 28.Qhwi 51 12.. . Qd7?!
Qxd4+ 29.Kg B d 6 30.Qf7+ K It was b etter to keep more pieces
31. Rf4+- on the 0
0-0 14. e
: �r.: �\
e
ith 12 . . . Bd7 13 . Qd4
5.Bf4 ;J;
13. Rell±
13.Bb5 lS only slightly bett"sr
.
fior White after 1 3 . . . axb5 14.Qxa
0-0± But F"lSCher choo ses positional1
. . .
pre S;ure over w1nn1ng mater1a ·
0 - 0 1 6. Bc 5
Meier - Sanikidze
French Team Championship 2011
14.Rel
It is important to note some small
details here. The cl-bishop has a
wide choice of decent squares (b2 ,
f4, g5). In such cases, it makes more
sense to keep the options open and
develop a piece that doesn't have
such a wide choice.
14 . . . Nd6 15. Bf4 ReB 1 6. h3
Fixing the back-rank weakness
and restricting the f6-knight.
16. . . BfB 1 7. Be5
4 7.. ; {6 48.h4 Nc5 49.(3 g5 50.Kb5 When our opponent has a
a6+ 51.Kb6 gxh4 52.gxh4 Na4+ cramped position we should keep as
53.Kxa6 Nxc3 54.Kb7 Na4 55.Bb5 many pieces on the board to not give
1-0 him space to maneuver his forces.
17. . . g6 18. Re3
Doubling rooks is often a good
way of increasing the pressure.
18 . . . Nh5 19. Rael
23.Bxd6
has the initiative and the one who responds to threats is on the defensive.
Right from the opening, there is a struggle for initiative. Both sides should
ideally develop their pieces early on, castle their king to safety and prevent
their opponent from doing the same, whenever possible. We should also try to
put our opponent on the defensive right from the start. We will see more about
initiative in a later chapter. Suffice it to say, when we play defensive moves we
are handing the initiative over to our opponent on a silver platter.
What's wrong with playing a defensive move? The defending piece
becomes passive and initiative shifts over to our opponent. His pieces will
become active and flourish, while our position will stay passive and cramped.
Defending passively against every threat is a common problem for
many upcoming players. It is essential that they change this defensive
mentality to improve in their chess strength. If we analyze deeply why
a player plays defensively, we can understand that the root causes
are: giving undue importance to material, a "safety first" approach to
chess, an unwillingness to take risks, overestimation of the opponent,
underestimation of ourselves, lack of trust in our ability to calculate,
and fear of making a mistake. These are some of the main causes that
make a player play defensively. To play strong, active chess, we must improve
ourselves in the above areas.
Imagine two lions in a jungle. The first lion roars ferociously at the second
lion. Hearing this, the second lion runs away. What do you think of the second
lion? Doesn't the first lion get a psychological advantage over the second lion?
Now let's see how strong players react to threats in an active manner:
Gavrilov - Amonatov
Moscow Championship 2007
Or 39 . . . Kf7 40.Qf4+!
40. Qa7+/ Kg8 41. Qxe8
5) Passive pieces lose most of their power while remaining in passive positions;
do not condemn a piece to passivity by playing defensive moves.
Carlsen - Wojtaszek
41st Olympiad Tromso 2014
Apawns
bad bishop defending important
or important squares
is sometimes considered a "useful
bad bishop". It is important not
to exchange useful bad bishops so
we don't lose control of important
squares or pawns.
Despite all these factors in Black's This may have been taking things
favor, White has certain advantages. too far.
If he can get his "bad bishop" to c3 Now looks like a good time for
then most of his problems on the 26.Bc3
queenside will be solved. The c-file 26 Kf7'1/
• . •
25.Ra4 31.g3/
When I show this game to my White wants to put his knight
students almost everyone prefers on d3 so he protects the h4 pawn
25.Bc3 here. That gives a secure in anticipation of Black's maneuver
feeling that the queenside pawns Bd8-e7-b4.
are safe and the Black rook cannot 31 . . . Kd7 32. Ke2
penetrate on the c-file. Of course Clearing d3 for the knight. Also
White also considered 25.Bc3 but by not playing Nel first White masks
decided to postpone making that
E exploit
xchanges can also be used to
weak squares in an
opponent's position.
Smyslov - Rudakovsky
USSR Championship 1945
22.(61
Having prevented all counterplay, Tiviakov - Karjakin
Smyslov now switches over to a Wijk aan Zee 2006
devastating kingside attack.
22 . . . gxf6 1 . e4 c5 2. c3 Nf6 3. e5 Nd5 4.Nf8
No better is 22 ... Bxf6 23.Nxf6 Nc6 5. d4 cxd4 6. cxd4 d6 7. Bc4
gxf6 24.Qh4+- followed by 25.Rh3 . Nb6 8.Bb5 Bd7 9.Nc3 dxe5
23. Qh4 RgB 1 0. dxe5
23 . . . f5 would be met with 24.Nf6+-
24.Nxf6 Rg7 25. Rg3 Bxf6
26. Qxf6 Rcg8 2 7. Rdl+ -
10... a6?/
The main line is 10 . . g6 11.0-0
.
Bg7
Black has n o moves and is 11. Be2/
completely lost. After ll.Bd3 Nb4 (or 11 . . Bg4!?)
.
57.Rxb4!
Eliminating Black's queenside
Clearing the route for the h-pawn counterplay. The bishop must stay on
to advance. Minor pieces are usually the long diagonal.
ineffective defenders against passed 57. . . Rh3 58. Rxa4 Rxg3+ 59. Kxf5
rook pawns. 1-0
Of course not 49.Rxf6?! allowing
49 . . . Bc3 and the bishop is well-placed
for both attack and defense.
49. . . Bc3
The passive 49 . . . Be7? would fail
to the sudden 50.Nf5 Bd8 51.Nd6#!
50. Nf5!
Keeping the f6-pawn blocking
Black's bishop.
50. . . b4 51. Rb7!
As usual, rooks belong behind
passed pawns. White also has ideas
of creating a mating net around the
Black king with Nd6+ followed by
Kf7-Ke6 and Rd7#.
51 . . . Ra2 52. h4
Nothing can stop this pawn now.
1) Not all exchanges are equally beneficial for both players; most exchanges
favor one side more than the other, so one should carefully weigh the pros and
cons before agreeing to an exchange of a pawn or piece.
2) Even for exchanges which would be in our favor, we can choose to delay the
exchange by one or more moves and maintain tension for the time being, so
that we can potentially extract more advantage by delaying or try to induce a
mistake from our opponent.
4) When we are under attack it makes sense to exchange pieces (but not the
ones in front of our king! ) so that the opponent's attack loses its venom.
5) Having a good pawn structure is also grounds for exchange pieces in order
to neutralize the opponent's counterplay in the form of active pieces.
7) When the opponent has a potentially bad bishop, it is good to exchange all
the other minor pieces and aim for a good knight versus bad bishop endgame.
I facilitate logical thinking in our games. We learned how to assess the factors
n the previous section, we saw many key concepts that will enable us to
threats at various stages of the game to have any chance of playing for a win.
There will be moments in a game when one side makes threats and the
other side must respond to, react against, or defend those threats. The side
that gives the threats is said to possess the initiative and the side reacting/
defending/responding is said to have lost the initiative.
One of the primary indicators of a successful opening is when a player
gets possession of the initiative early on. As long as both players are developing
their pieces, fighting for control of the center, castling their king into safety and
trying to complete an early development, neither player usually possesses the
initiative. In most games between younger players, however, one side or the
other fails to do all of the above. One player may unnecessarily make too many
pawn moves, fail to develop pieces on one side of the board, move the same
piece many times over without a valid reason, leave the king in the center for a
bit too long, or he may try to win material at the cost of development. In other
words, when one side breaks some opening principle, at that exact moment, the
initiative is likely to change hands if the player is willing to take advantage of
his opponent's errors.
When we realize that our opponent has made an unusual move or has
broken an important opening principle, we should try to seize the initiative
with forceful moves. Play forcing moves (checks, captures, threats, or pawn
breaks) in succession and avoid making passive, defensive or quiet moves.
When one side gives a threat or attacks something, like a pawn, the other
side should try not to defend against that threat directly for as long as possible.
As mentioned earlier, counterattack is the best form of defense. When one side
plays defensively, the other side should keep giving threats. With every move,
25... Ba4
Black could try 25 . . . Bxb2 26.Rabl
Ba4!? but White can still generate
21. h3 counterplay: 27.Rd5 Bf6 28.Rxc5
From here onward, White uses Rae8 29.Ng300 with very active
the initiative to neutralize Black's rooks to compensate for Black's two
long-term advantage of the bishop bishops.
pair and better pawn structure. Each 26. Rd2 Bf6 2 7. Nc31 Bc6 28.Nd5=
White move is a forcing move (check,
capture, exchange, threat or pawn
break) and exploits the drawback of
Black's previous play.
21 . . . Be6 22.fSI Bd7
22 ... Bxf5?? 23.Re5+-
23. d4/
Exploiting the hanging d7-bishop.
23 . . . Bxd4
23 ... Bd6 would be met with
24.Ne4 Bf4 25.Nc5 Bxf5 26.Nxb7±
24. Redll
But not 24.Radl? Bxc3 25 .bxc3
Bxf5+
24 . . . cS 25.Ne21
With a series of forcing moves
White has equalized the position and
went on to make a draw:
28 . . . BgS 29. Re2 Rfe8 30. Rael
Kf8 31. Nb 6 Rxe2 32. Rxe2 Rd8
33. Bxc6 bxc6 34. Kg2 Bf6 35. b3
Rd3 36. Na4 Bd4 3 7. Nb6 Bf6
38. Na4 Bd4 % - %
36 Nxf4'1/
•••
36 . . . g4 37.Bxg4+-
The best defense was 36 . . . gxf4
White was about to lose the pawn 37.exf5 Nf6 38.h7 Nxh7 39.Rxh7 Rxf5
on f4 or a3, when Black's queenside 40.Bh5± with some minor drawing
would pose a serious threat for chances for Black.
19... Bd6
19 . . . Nd5 20.Qf3 Bd4 21.Nh5+
followed by e2-e4.
20. Qh4 Ng8 21. Qxe7 Bxe7 13... e4
21...Nxe7 22.Nh5+- is no better, With this move Black is trying
White is up a pawn with more active to seize the initiative if White plays
pieces. passively.
22.Nxe6 Nxh6 23. NxfB Bxf8 White is clearly better after a
24.Rxc6+- "normal" move by Black: 13 . . . Qe7
14.Nd5 Nxd5 15.Bxd5 Bg4 16.Qc4±
or 13 . . . Bg4 14.h3 Bh5 15.g4±
14.Ng5/
It is natural to react defensively
when the opponent makes a threat,
but sometimes it is better to go
for a counter-offensive. Of course,
this must be supported by accurate
calculation.
14 . . . Bd6?1
Black should have continued
actively with 14 . . . Bg4! valuing
development over material. 15.Nd5!
Again, counterattack is the best
defense. (15.{3?! is quite good for
The rest was simple technique for Black after 15 . . . exf3 16.gxf3 RaeB!
Kramnik: 1ZNge4 Nxe4 18.Nd5 QdB 19.fxg4
24 . . . RdB 25. Rfcl Kg7 26. Rlc2 Qg5+) 15 . . . Bxe2 16.Nxc7 Bxdl (16...
Nf5 27. e3 a5 28. Ra6 Rd5 29. e4 Bxc4 17. bxc4 RacB 18.Nd5 Nxd5
Rdl+ 30. Kg2 Nd4 31. Rc7 Nb5 19.cxd5±) 17.Nxa8;!;
32. Rb7 Nd6 33. Rd7 1 - 0 15. Nd5/?
12. e4/
White's e3-pawn is potentially a
long-term headache since it is on a
semi-open file. Thus, White correctly
decides to seize the initiative by
playing aggressively.
12 . . . b4 13.Na4 dxe4 14.Nb6 Ra7
15. Qb3/
Since the c8-bishop is hanging,
White does not have to worry about
After 21.Bxe5 Black has n o way the d4-pawn.
of continuing the game: 2 1 . ..gxf5 15. . . Re7 16.NxcB Qxc8 1 7. Bf4±
(21 ... Rxf5 22.RdB#) 22.Bxc7 Rxc7 By temporarily sacrificing a
23.Rd7++-. In this game, Kramnik pawn to open the position, White has
seized the initiative at the right activated his pieces and trapped the
moment by taking the appropriate Black king in the center.
risk and not shying away from 1 7. . . (5 18. 0 - 0 - 0
calculations.
13. e5!
White is castled and fully
developed except for the hl-rook.
Black's king is stuck in the center and
his pieces are all awkwardly placed.
White opens the center in order to
gain access to the Black king.
13 . . . dxe5 14.fxe5 Nh7
If 14 ... Qxe5 then 15.Bxb7 Rb8
16.Nc6+- 20.Bf4
15. Rhfl More forcing was 20.f7+ Kd8
Bringing the last piece into the 21.Ne6+ Bxe6 22.Bxc4!+-
action. 20. . . Qc7 21. Bxd6 Nxd6 22. Qe3+
15 . . . Nc4 16. Nd5!! Kd8 23. Qe7+ KcB 24.Ne6 Qb6
25.(7 Qe3+ 26. Kbl Qe5 2 7.fBQ+
Rxf8 28. RxfB+ 1- 0
19.d5/
Even in apparently quiet
positions, strong players are always
looking for chances to seize the
initiative.
After 19.Nf5?! Qf8 White does not
have a good follow-up.
19. . . Qd6
19 . . . Nxd5 would be met with
20.Bxh6! gxh6 21.Rxd5 Nf6 22.Rd3 White has consolidated his
and the Black king is too exposed. queenside and stands clearly better
20. dxe6 Rxe6?/ with the extra material. Black pins
his hopes on a desperate attack, but
it ends up not being enough:
25. . . NdS 26. Rxe6 Qxe6 2 7. Ba5
Qe5 28. Rel Ne2+ 29. Rxe2 Qxb2+
30. Kd2 Qxa3 31. Qxd5 Qxa5+
32. Ke3 Rd8 33. Qe5 Qa3+ 34. c3
Qcl+ 35. Kf3 Rd3+ 36. Re3 Qdl+
3 7. Kf4 Rd6 38. Nf5 Rf6 39. Kg3
1-0
1. e4 e6 2. d4 d5 3. Nd2 Be7 4 . c3
c5 5. dxc5 Bxc5 6. Bd3 Nf6 7. Qe2
Qc7 8.Ngf3 0- 0 9. 0 - 0 Nbd7
10. Bc2 b6 11. exd5 exd5 12.Nb3
Re8 13. Qd3 a5 14. Nxc5 bxc5
15. Rel
24. Qf3
White's king is hopelessly exposed
after 24.Kxf2 c4+ 25.Kfl cxd3-+
24 . . . Nxd3 25. Qxd3 c4+ 26. Qd4
Re2 - +
Black is up a pawn with a winning
position.
2 7. Rdl Qxb2 28. QxdS Qc2
29. Bf4 Rxg2+ 30. Khl Re2 31. Rgl
Qd3 32. Qxd3 cxd3 33. Bxh6
Missing a chance to gain d2 34. Rxg7+ Kh8 35. Rgl Ne5
counterplay. 36. Bf4 Nf3 0-1
After 21.b3! Ba6 22 .c4! dxc4
23.bxc4 Qe6 24.Be3 Qxc4 25.Rcl !?
White has managed to activate his
pieces and will win back the c5-
pawn.
21. . . Ne4
Black again seizes the initiative.
22.Bd2 '1' 1
A n unsurprising blunder given
that White was under serious
pressure.
Best was 22 .Be3 d4 23.cxd4 cxd4
24.Bf4 Ndf6+
22 . . . Bxd3 23. Bxd3 Nxf2/
24.Kd2?!
White understandably tries to
head to the safety of the queenside,
White has a dream position with but there was a much better way to
the bishop pair, the open g-file, and a neutralize Black's initiative, albeit
mobile pawn center. Black has only not without risk.
one tempo to try to take advantage The engine suggests 24.Kfl! f6
of White's uncastled king. 25.Bg3 Nxg3+ 26.hxg3 Qh2 27.Bc4
21 . . . c5! Bxc4+ 28 .Qxc4+ Kf8 29.Qd3! Taking
A pawn break is an important control of the e3-square. 29 . . . RadS
tool to open up the position to gain 30.Rg2 Qhl+ 31.Rgl= and White
access to the opponent's king in the survives.
center. 24 . . . Qh6+ 25. Kc2 f6 26. Bg3
22. dxc5 Rad8
After 22.Qxc5 Rac8 23 .Qb4 Rc2+
Black gets his last inactive piece into
the game with tempo.
22 . . . d4!
Eljanov correctly takes a risk
to open up the center and exploit
White's weak king position.
23. exd4 Qh4+
Vaganian - Farago
World Student Team
Championship Graz 1972
31.Bd6?/
Even after the best move 31.f4
Bg6 32.Qc4+ Kh8 33.Bxg6 Qxg6++,
Black has good winning chances.
31 . . . QhS 32. Qc2 Qd5/
Despite his long journey, the
White king still does not feel safe on
the queenside.
33. Bh7+ KhB 34. Be4 Qa2+
35. Kcl Bb3 - +
8.cxd5
Even in the opening, White
begins a forcing sequence of moves to
seize the initiative.
8 . . . Nxd5
8 ... exd5 9.Bd3;t has given White
good results in practice.
9. Bxe7 Qxe7 10. NxdS Bxd5
Too passive.
Instead Black should have tried
ll . . . c5 although perhaps he was
worried about 12.Bb5!?
12. Qc2!'1 c5
Finally Black gets in the much
needed break, but it is one move too
late.
13. e4 Bb7
Material Advantage
Attacking Advantage
Positional Advantage
This is the most common form of advantage a player gets in games, and
the most difficult to handle in practice. Some examples of positional advantage
are: possession of a passed pawn or pair of bishops, good pawn structure,
safe king, space advantage, the presence of weak squares or weak pawns in
an opponent's position, control of files or long diagonals, a strong center, an
advantage in endgame, etc. Positional advantages are mostly long-term in
nature.
Miles - Larsen
Tillburg 1978
Prophylaxis!
After 34.Kb3 Bc6 White would With this move Black ensures he
have a hard time breaking through. will be getting the advantage of the
34 . . . Ne6 35. Nxe6 fxe6 36. Kb3 pair of bishops, which is something
The White king has a free hand to play for a win with.
on the queenside, which proves 13. Bxg4 Bxg4+ 14. Nb3 Qxd2
decisive. The two bishops are just as useful
36. . . Kg5 3 7. Ka4 e5 38. Kxa5 (if not more so) in the endgame as in
exd4 39. exd4 Kf4 40. Bd7! the middlegame.
Trapping the Black bishop. 15. Nxd2 RadB
40. . . Ke3 41. Kb 6 BaB 42. Ka7 Simple development. When we
Kxd4 43.(4 1 - 0 already possess certain positional
advantages (pair of bishops in an
open position, in this case) we should
not strive to increase our advantage
in a hurry, but patiently improve
our position, while preventing our
opponent from doing the same
wherever possible. A mixture of
"sword and shield" policy.
15 . . . Bxb2 16.Rabl Be5 17.Rxb7
Though Black retains some advantage
here too, White manages to activate
his pieces to a considerable extent.
Short - Kasimdzhanov
Wijk aan Zee 2009
Preventing Bf4.
White aims to fix the pawns on 36. . . Re 7?1
h6 and f6 (the same color as Black's 36 ... Bd6! was absolutely necessary,
bishop) and get access to the f5 and preventing b3-b4. 37.Rd5 Re7 38.Kd3
h5 squares for his knight. Be5 39.Rb5! (39. b4 axb4 40.cxb4 c6
31 . . . Rxd2+ ?1 41.RdB Ra7!-+t.) 39 . . . f6!;!; Freeing the
This voluntarily gives up one pair rook from defending the bishop and
of rooks along with control of the 5th threatening to activate via Rd7.
rank. Although Black has a bad pawn
Much stronger was 31...f5! A structure and White has a potential
good way to fight for initiative, not passed pawn on the queenside,
releasing the tension by exchanging Black's activity gives him hopes for
on d2 . After the critical line 32.Rxd5 survival here.
Rxd5 33.Re5 Rxe5+ 34.Nxe5 Kf6 3 7. b4 Re5?
35.Nc4 b6 36.b4 b5! 37.axb5 a400 Exchanging the rooks puts Black
Black would have certain drawing in a passive position with no chances
chances. for counterplay.
32.Nxd2 f5 Better was 37 . . . axb4 38.cxb4 c6
Black gets rid of his weak pawns 39.a5 Bd6! (39... Rd7 40.axb6 Rb7
at the earliest moment before the 41.Rh5 Bf4 42.Kd3 Rxb6 43.Kc4
bind is complete. White retains pressure.) 40.b5 bxa5
32 . . . Rd6 33.Re7 Rc6 34.Kd3± and 41.bxc6 Bb4 42 .Rb5 Rc7 43.Rb6;!;
White slowly makes progress. With some winning chances for
33. Re51 White.
Nice centralization. White takes 38. Rxe5 Bxe5 39. bxa5 bxa5
control of the important 5th rank, 40. Ke3 c6 41.f4 Bc7 42. Ng3!
which will activate his rook and
prevent Black from exchanging more
pawns.
more than the other. The same goes for pawn exchanges. It is often a test of
"who blinks first?" Lower rated players are not comfortable in situations where
there is some kind of tension, so they are eager to simplify the position by
trading. A higher rated player has more capacity to withstand tension in the
position for a longer period of time.
By maintaining the tension, we add pressure to the opponent
psychologically and we also gain certain concrete advantages in the position.
It is easier to make a mistake when we have a choice than when we don't have
one. So by keeping pawn tension a little longer, we give our opponent a chance
to make the incorrect decision among the choices available. We should release
the tension only when we:
Now let us look at some examples where one side, or sometimes both
sides, keeps the pawn tension longer. When possible, strong players add fuel to
the fire by introducing more pawn tension.
89... Qf3?
One move before the time control...
The best defense was 39 ... Qd4!
40.Qg3 Qd5 41.Qf4 although White
still retains some chances as long as
the a7-pawn is alive.
40. Qxb6 Qf4 + 1 - 0
Having reached the time control
with a lost position, Black resigned.
The checks run out after 40 ...
Qf4+ 41.Kg2 Qg5+ 42 .Kfl Qcl+
81.a7?! 43.Rel Qc4+ 44.Kgl+-
All the earlier calculations have
taken their toll in the form of time
trouble and White nearly drew the
game with this mistake.
Correct was 31.Qc5! Nfd5 32.a7
Kg7 33.a8Q Nxa8 34.Rxa8±
81 . . . Kg7?
Black could have reached a
holdable ending after 31...Qf3 !
32.a8Q+ Nxa8 33 .Qc8+ Kg7 34.Rxa8
Nd7! 35.Qxd7 (Or 35. QhB+ Kh6
36. QeB Kg7! repeating the position.)
35 . . . Qxa8 36.Qd6;!; and White's
17.g4!!
It is this kind of decision that a The remammg moves of the
player with weaker nerves would game do not relate to the topic under
find very difficult to make on the discussion so we will not examine
board. With this pawn sacrifice them closely. White soon challenged
White obtains a protected passed the blockade on a5 and opened the
pawn and gets tremendous positional queenside in his favor, while Black
compensation - the Black pieces could not do the same successfully on
won't find any active roles, while the kingside:
White will be able to slowly improve 22 . . . Ng8 23.Bc3 Bd8 24. Nb3
the position of his pieces and create Nxb3 25. Qxb3 Nf6 26. a5 Qb7
active play on the queenside. 2 7. axb6 Bxb6 28. Qdl Qe7
17. . . fxg4 18.(5 Bf7 19. Qdl l? 29. Bd2 Rg8 30. Ra6 Kf8 31. Qcl
Movsesian chooses to keep the Rb8 32. Ndl Nh7 33.(6 Qd7
Black pieces under control and 34. Ne3 Rg6 35. Nf5 Rb7 36. Be3
retains the possibility of improving Be6 3 7. Ra2 Kf7 38. Raf2 Bd8
his pieces and slowly creating play 39. Ng 7 g3 40. hxg3 Bg4 41.Nf5
on both sides of the board. Bxf6 42. Bf3 Bxf3 43.Rxf3 Kg8
After 19.f6 Ng6 20.fxg7 Kxg7 44.R3f2 Bd8 45. Kg2 Qe6 46. Bd2
21.Nb3 Nxb3 22.Qxb3 Nf4 23.Nc2 h5 Rd7 4 7. Ne3 Rf6 48. Nf5 Rg6
24.Ne3 Be6� it is not easy for White 49. Qdl Nf6 50. Ne3 Rh7 51. Rf5
to open the position in his favor. g4 52. Qal h4 53.gxh4 g3 54. Rhl
Black has decent compensation for Ng4 55. Nxg4 Rxg4 56. h5 Rf7
the piece and his kingside pawns 57. Qdl Rgg 7 58. Rhfl Qe7 59. h6
could pose serious problems for Qh4 60. Rhl Rxf5 61. Rxh4 Rf2+
White if he is not careful. 62. Kgl g2 63. Qg4 1 - 0
19. . . h5 20.Nc2
Again 20.f6 Bxf6 21.Rxf6 Be6
22.Rxf8+ Rxf8 23.Nc2 Ng6 24.Ne3
1 7. . . f5
Black has introduced tension into Before the final assault, White
the position. brings his last piece into the action.
18. Bg2 23 . . . b5 24. Nce3 b4
Coolly developing a piece. Always At last Black goes for active
remember that piece development counterplay but it is already too late.
comes before everything else in the His pieces are struck on the kingside
opening (except king safety). so this attack on the other side is
18 . . . Rf7 doomed to failure.
Because of the pawn moves g7-g6 25. cxb4/
and f7-f5 the dark squares around For the first time White releases
Black's king have been weakened the tension - and wins a pawn!
considerably. So he plans to maneuver 25. . . RbB 26. a3 Nd4 2 7. hxg6
his bishop to g7 to cover the dark Gaining an open file is another
squares and release his queen from concrete reason to release tension.
having to protect the bishop. 2 7. . . hxg6 28. Qxa61
19. 0 - 0 - 0 Bf8 20.(41 The main reason for this
Introducing more tension and additional pawn grab was to stop
trying to open up the kingside Black's idea of opening the b-file with
20 . . . Bg7 21. h5/ a6-a5.
Even more tension! 28 . . . Nb5 29. Qc6 Ra7 30. Rd3/
21 . . . QfB 22. Kbll
When our opponent remains
passive we should not hurry in
trying to finish him off. We should
improve our own position slowly.
This will in turn make our opponent
desperate for counterplay and in this
desperation there is a good chance
up. 21.exd5 Nxd5� It may not be not possible, he puts more pressure
immediately clear what Black has on the d6 -pawn.
achieved from his sacrifice, so here 26. . . a4
are some sample lines: 22.Racl (22. All pawn moves create weak
Be4?! Nc3 23. Bxb7 Nxe2+ 24.Nxe2 squares, and this is no exception, as
d5! 25.BxcB Qxc8+ and Black gains now b4 is weakened.
the upper hand because of his strong 26 ... f5? would be met with 27.dxc6
central pawns and the uncoordinated Rxc6 28.Qd5++-
White pieces.) 22 . . . Nxe3 23.fxe3 (Or 27. Nel/�
23. Qxe3 d5�) 23 ... e4 24.Nd4 Qg5
25.Nfl Bxd4 26.exd4 f5� Black's
protected passer will be a constant
annoyance in White's position.
20. bxc4 a5 21.Rabll
Naiditsch - Ponomariov
Dortmund 2014
25.h4/
To restrict the e6-knight, create
some attacking chances on the
kingside and give the fl-bishop a
square on h3.
25. . . Bg7 26.Bh3 c5/
Strong players are not afraid to
increase the pawn tension and often
22.Rcl welcome the opportunity to do so.
Maintaining the tension. Black would fall slightly worse
If 22 .e5 then 22 ... Nf4 with the after 26 . . . dxe4 27.Nxe4 c5 28.Ne5
idea of c6-c5 gives Black good Bxe4 29.Rxe4 Nf6 30.Reel cxd4
counterplay. 31.Rxc8 Qxc8 32.Bxd4;!;
22 . . . Nf4 2 7. dxc5 Bxb2 28. Qxb2 Ndxc5?
22 . . . dxe4 would be met with This is a serious mistake which
23.Nxe4 threatening d4-d5. 23 . . . gives White a clear advantage. When
Nhf6 24.Nxf6+ Nxf6 25.Ne5± there is pawn tension for a long period
Followed by Bc4. of moves, it can induce mistakes even
23. Bfl Qb8 from very strong players.
23 ... dxe4 24.Nxe4 Nd5 25.Ne5;!; 28 . . . Nexc5 was necessary, where
leaves Black with a weak c6-pawn. after 29.Bxd7 Nxd7 30.Rxc8 Qxc8
24.g3 Ne6 31.e5;!; White has a small advantage.
29.Ne5/±
1) WORST PIECE
2) QUEEN
3) RooK
4) KING
5) MINOR PIECES
Instead of automatically
recapturing, White puts two more
What is White's worst-placed pieces en prise!
piece? The c3-bishop looks bad but is 27. . . hxg5 28. Rxd7!
fulfilling an important function by Neither 2 8.Rd3? Nxe5
defending the a5 and e5 pawns. The nor 28.Bd3? Kg8 are sufficient for
knight on f3 is somewhat restricted White.
but is also well-placed for defense as 28 Qxd7
• • •
Landa - Svane
Politiken Cup 2010
26.Bc2?!
26.Bxd5!? was a serious
22.Bh7+! alternative, since Black has just
A typical idea, driving the king to made the weakening pawn move
the corner where it does not protect b4, giving White the option of
f7 and is farther from the center in switching plans and playing to open
case of an endgame. the queenside with a2-a3: 26 . . . Rxd5
22 . . . KhB 23.Be4 Nd5 24.Rcl 27.a3 bxa3 28.Ral±
Since Black has doubled on the 26. . . Nc3 27. Qd3 g6 28. h4
d-file, White does not want to remain Again strong would have been
in an indirect pin, so the rook to first throw in 28.a3!? a5 29.axb4
moves to the c-file where it protects axb4 and then 30.h4 as White can
the c5 -pawn. White also prepares hope to later make use of the open
to create mating threats with the a-file.
maneuver Qe2, Bbl and Qe4. 28 h5 29. Bb3
• • •
12.Bf4
Highlighting the drawback of
Black's previous move.
12 . . . Nxe4 13. Qxe4 Bb7 14. Rfdl
I . e4 c5 2. Nf8 Nc 6 8.Bb5 g6
4. 0 - 0 Bg 7 5. c8 Nf6 6. Rel 0 - 0
7. h8 Qb6 8.Ba4 R d B 9.d8 d5
IO.e5 Nd7
27.Na2 Qb6
Better was 27. . . a5 28 .c3 b3 29.Ncl
Rc4 30.Nxb3 Rxa4+
Maneuverina- of Pieces
We have seen how to improve the position of our pieces. Now let us
briefly take up the subject of maneuvering our pieces. When we are improving
pieces, we usually manage to do so within a move or two, saving precious time.
Anything that involves more time to move a piece from a bad square to a good
square, we call maneuvering.
Topalov - Aronian
Narijing Pearl Spring 2008
With a large positional advantage,
White was able to eventually win the
game.
22. Bc2!
White has restricted Black's
bishop, knight, and e8-rook with
his pawns on f3 and e4. It is time
to improve the d3 -bishop, which is
blocked by the e4-pawn, and also to
clear the d-file for the major pieces.
22 . . . Bd5!?
Black tries to do the same - this
bishop will be better on e6 than on
b7. But now White changes track and
13.Rel/
Improving his worst piece, the
rook on fl. Black still needs a few
more moves to develop his bishop
and castle, so White uses that time
to maneuver his rook to an active
square. The long-term problems
with Black's position are that the b6-
knight is restricted by the pawns on
b3 and d5, while the light-squared
bishop is also blocked by the d5 -
pawn. It is not going to be easy to White has secured a pleasant
activate those pieces any time soon. edge, since Black's cramped
Of course not 13.Qe2?? c4 queenside remains a problem.
or 13 .Qd2?? cxd4 which both lose
a piece for White.
13 . . . Be7 14. Re2/
14.e4?! 0-0 15.exd5 would only
help in improving Black's passive
minor pieces. 15 . . . Nxd5 16.Nxd5
Bxd5 = 17.Bxa6?? Ra8-+
14 ... 0- 0 15. Rec2
28 ReB 29.Ne4?!
•.•
20. Ra3!±
White first douhies his rooks on
the a-file, and th�n improves the
.
position of the b2-b1shop.
20. . . Nb 6 2 1 . R�al
I' Qd7 Jill Bell
·
Rfb8 ? -
.
coordination Black's pieces
completely.
23 . . . B dB 24 ' Bxb6 Bxb6
25. axbS+-
And Wh1"te soon won.
.
Chap te r 8 . Improving
· the Position
. . of Pieces 195
Djuric - Yusupov
Sarajevo 1984
42.b6
42 .Rh5 would be met with
42 . . . Bg3!-+
Black is about to lose his d5 -pawn 42 ... Rxb6 43. Bh4 Rbl+ 44. Kg2
but he finds a good way to relocate Rb2 45. Kfl Kg6- +
his pieces and exploit White's weak With his king ready to join the
king position and uncoordinated action, Black was able to convert his
forces. advantage.
36. . . ReB!+ 3 7. Rxd5
If 37.Rb7+ then 37 . . . Kf6 (or
even 37. .. KgB!? 38.Bh6 Nf5 39.Bg5
RaB+) 38.Rb6 Ne4 leads to Black's
advantage, for instance 39.Bf4 Re6
40.Ne2 Kf5 41.Bg3 Nf6! 42.Rxd6
Rxe2+ 43.Kfl Re3 44.Be5 Ne4
45.Rxd5 Rxc3+
37. . . Ne4 38. Bel Rh8!
The White pieces lack harmony,
while Black's coordinate perfectly
and are poised to exploit the
weaknesses in White's position.
39. Kfl
The best chance was 39.Nf3 !?
gxf3+ 40.Kxf3 Re8 41.b5 Kf6 42.b6
Ng5+ 43.Kg2 Nf7+ but Black retains
good winning chances.
39. . . Rh2 40. b5 Rb2 41.Ne2 Rbl!
41.Ne5
If 41.d7 Qe6! 42 .Qxe6 fxe6 43 .dSQ
Bxd8 44.NxdS h3-+ and the pawn
32. . . RcB! promotes.
The rook was badly placed and 41 . . . Qe6!
Black immediately takes care of it. After the exchange of queens
33. Rf3 1! Black's h-pawn decides the game.
The engine suggests 33 .Qb4= 42. Qxe6 fxe6 43.Ng4 Bd4 44.Kb3
challenging Black's blockade. 44.d7 also falls short: 44 . . . Bb6
33 . . . RhB 34. Rd3 Rh5n. 45.Kb3 Kf7 46.Kc3 Ke7-+
Suddenly the position is turning 44 K(B 45. Kb4 Ke8 46.Ka5 Bxb2
• • •
in Black's favor. The seemingly 4 7. Kxa6 Bxa3 48. Kxb5 Bxd6 0-1
formidable c6-knight is in fact
not contributing much in terms of
concrete action and may prove to be
a mere spectator. The Black rook is
aiming for the g3-square and also
keeps White's pieces tied to the
defense of the d5-pawn.
35. Qb4 Qd7 36. Qe4 Rg5 3 7. d6
Rgl+ 38. Ka2 Rg3 39. Qd5 Rxd3
40. cxd3 Qxh 3 - +
Tip: A piece in the center controls more squares than it does from other
areas of the board. A piece in the center can spread its influence in all directions.
37. Qe4!
This poses serious problems for
Black, forcing him to find tough "only
moves" to survive (which he fails to
do).
37. . . Qg5+?
After 37. . . Qa3! Black can win the
a4-pawn thanks to the pin on White's
b-pawn. However, sidelining the
queen is not an easy decision. 38.Qb7
Karpov - O'Kelly
Caracas 19 70
Gustafsson - Beliavsky
Bundesliga 2009
Rudd - Jones
European Union
Championships 2008
20. Qd4!
Centralization!
20 . . . b5 21. cxb5 Bxb5?
Better was 21...axb5 22.Bxf6
Qxf6 23.Qxf6 gxf6 24.Nd4 Bxg2
25.Kxg2 Rxcl 26.Rxcl Nd6 27.Rc7
Rd8;t although Black still has a very
passive position.
22. Qb6 d5 23. Bxf6 gxf6 24. Nd4
The difference in piece activity
for both sides is noticeable. Black's
weak pawn structure is not helping
him either.
24 . . . Nd6 25. a4 Rb8 26. Qa5 Bd7
2 7. Qxa6 1- 0
24 . . . QeB!
Using White's back-rank
weakness to gain a tempo, Black
transfers his queen to the central e5-
square.
25. Qdl ?
Completely missing Black's idea.
Karpov - Vaganian
Budapest 1973
80.Qe4!?
Another approach to the position
would be 30.Rb2 Bf5 31.Qcl Qe5
(White was threatening to play
32 .Rb4 with tempo to protect his rook
and release his bishop from the pin.)
(Worse would be 31 . . . a5?! 32. Qc7 Qxb2
From here Karpov showed 33. QxbB+ Kh7 34. Qf4 Be6 35.Be4+
good technique and won the game g6 36. Qe3± with centralized pieces
comfortably: and an extra pawn. White should try
42 . . . KfB 48. Kg8 b5 44. Qb2 Qd8+ to advance his h-pawn in the near
45. Kh4 Qd8+ 46. Kg8 Qd8+ future to create attacking chances
47. Kh2 Kg8 48. a8 Qd6 49. Qb4 against the Black king while also
Qf6 50.f8! Qh4+ 51. Kgl Qh5 keeping the pressure on the a5-pawn
52. Qe7 Kh7 (the principle of two weaknesses.))
52 . . . Qf5 would lead to a winning 32.Rb4 a5 33.Qf4!? Qxf4 34.Rxf4;!;
pawn ending after 53.QeB+ Kg7 80 Qdl+ 81. Kh2
. . •
Correct was 31. .. Qd6+! 32.f4 (32. Black should have gone for 33 ...
g3 is met with 32 ... Qe6! exploiting Bd5! 34.Bxd5 Rxb2 35.QeB+ Kh7
the fact that h3 is now weakened. 36.Qxf7 where White has two pawns
33.Rd2 Qxh3+=) The more difficult and the initiative for the exchange,
line to spot (without the help of with a roughly balanced position.
an engine) is Bxh3 ! 33.gxh3 Rxb7! 34. Qe5
34.Qxb7 Qxf4+ 35.Kg2 Qg5+ 36.Kf3 Centralization again!
Qf5+ 37.Kg3 (37.Ke3 Qe6+) 37 . . . Worse would be 34.Qf4?! Re8
Qg5+= This variation does not take 34 RdB 35. Be4!
• . •
37. h4?
Here is a general guide for knowing on which color to play on, depending
on the situation:
1. Same colored bishops for both sides: Only the bishops should focus
on their colors. All the other pieces should play on opposite colors. For exam
ple: if both sides have dark colored bishops, we should put all our other pieces
on light squares.
2. Two bishops versus bishop and knight: The side with the two bishops
should play on the colors where the opponent does not have a bishop. The side
with the bishop and knight should play on the color of the bishop.
3. Opposite colored bishops: Both sides should play on the colors of their
bishops.
14 . . . Nc4
Both sides have dark-squared
bishops, so they should try to put
their other pieces on light squares.
15. Qe2 b5
White at some point could kick the
c4-knight with b2-b3, so Black aims
to put his pawn on a4 to stabilize the
c4-square for his knight. Moreover,
if Black castles on the kingside, With a small advantage, Black
where he does not have as many went on to win from here. In this
defenders, it is possible that White example, Black not only used his
could launch a direct attack with pieces but also his pawns to gain
f2-f4, g2-g4 and f4-f5. Hence Black control over the light squares on the
wants to secure adequate counterplay queenside.
on the queenside before he makes
the decision to castle short. If things
get too hot on the kingside, then he
37.aS!
At last! The weakness on the
queenside will prove decisive.
37. . . bxaS 38. RxaS Rb8 39. RbS
If White plays a4-a5, then one Ra8 40. R b 7 a5 41.gS Bc3
of the Black pawns will become a 42. Rxe7+ Kg8 43.Ba7!
weakness on the queenside. However, A very instructive move - White
this could also weaken White's prevents Black from activating his
b3 -pawn if Black opens the b-file rook and generating counterplay.
with bxa5 , so any further advance 43 . . . Bd2 44. Bd4
should be done only after sufficient Shifting the target now to
preparation. Black's king and h7-pawn while also
28 . . . Bf6 29. RxfS gxf5 30. QdS+ indirectly defending the g5 -pawn.
Kh8 31.g4! White's piece activity is decisive.
White has a firm grip on the 44 . . . RbB 45. Rg7+ Kf8 46. Rxh7
position so he can afford to make 1-0
this risky but sound pawn break
on the kingside. It does weaken his
king, but Black is not in a position
to exploit this and moreover Black's
king could become just as exposed.
31 . . . fxg4 32. hxg4 Rg8 33. Kg2
Qe8 34. QfS Qg6 35. RdS Qxf5
36. RxfS Kg7
25.Nc2
After 25 .f3 Nd6 !+ we see the point
of 22 . . . f4 and 24 . . . Rce6: the knight
20 . . . Rc4 21. Bd4 QbB/ cannot be taken due to the pin, and
Useful prophylaxis - see the now f5 is available for Black's knight.
explanation in the following note. 25. . . Qb7
22. Rd3 Defending the d5-pawn so Nb4
After 22.Nd2 Nxd2 23.Rdxd2 can be met with a6-a5.
Bxe5+ we would see the difference 26.(3 Nd6 2 7. b3 Nf5
between 21... Qc7 and 21... Qb8: the Black could have also grabbed the
rook on e8 is now defended by the e-pawn: 27 . . . Bxe5+
queen. Again we see how strong 28. Qd2 h51+
players pay attention to such small
but important details. If we cannot
do the small things well, it becomes
difficult to do the bigger ones well!
22. . . (4/'f. 23. Qdl Rc6/ 24.Nel ?/
24.Qb3!? should have been played,
not giving Black time to organize his
pieces with Rce6.
24. . . Rce6
ll.Be3?/
Better was 1 1 .h3 Be6 12 .e4 Nxd4
13.exd5 Bd7=
1 1 . . . e51+
With this move Black seizes the
initiative.
12. Nxd5
Black has seized complete control 12 .dxe5 also led to a clear
over the light squares. advantage for Black after 12 ... d4
34. Kgl Bxe5/ 13.Bxc6 dxc3 14.Bxb7 Rb8 15.Be4
Finally, once all of Karpov's cxb2 16.Rbl Qxdl 17.Rfxdl Bxe5+
pieces are positioned optimally, he in Wang Yue-Vachier Lagrave,
wins a pawn and with it the game. Lausanne 2006.
35. Bxe5 Rxe5 36. Rxe5 Rxe5 12 . . . exd4 13. Bcl
37.Nd4 ? After 13.Bf4 Black has 13 ... g5!
Somewhat simplifying Black's 14.Bd2 d3 15.f3 Be6 16.e4 Bxd5
task.
29... Nxd3?!
Diagram 2
In Diagram 3, when White played e3, the d3 and f3 squares became 50%
weaker (as the pawns on g2 and c2 are still covering those squares).
Diagram 4
In Diagram 5, after White played e4, the d3, d4, £3, and f4 squares became
50% weaker, as White's c- and g-pawns could potentially cover those squares
when required.
Prophylaxis
When our opponent's idea has three moves, we can try to prevent
his moves in stages. If we fail to stop the first move, we can try to prevent
the second move of the idea, and so on. This is also considered prophylactic
thinking; andOnce we realize that our opponent's idea is not so good, it is better
to permit his idea and punish its drawback.
I would prefer to understand prophylaxis (for lack of a better term) in the
above-mentioned manner. In the traditional understanding of prophylaxis, the
preventive role gets the utmost attention. The danger with this approach is, in
my opinion, young players tend to play very passively after misunderstanding
prophylaxis to mean only prevention.
With such a narrow understanding of the term, I have seen many young
players automatically try to prevent ALL of their opponent's ideas, and in
the process, become players who only react. This could make them fear an
opponent's every idea; and they would stop assessing their opponent's idea
objectively. Not all of your opponent's ideas will be good. If there is something
wrong with an opponent's idea, we should willingly (or cunningly! ) allow it to
happen and then punish him.
We rarely get an opponent's perspective on the position; however, by
using prophylaxis (including the drawback principle), we get a complete picture
of the position on each turn.
Tips: After every move your opponent makes, spend ten seconds to find
all the different ideas behind the move. Spend the next ten seconds finding
problems with or negative aspects of his move. The next ten seconds should be
spent making a list of ideally three candidate moves, one of them tactical, if
possible. Only after this preliminary work has been done, should we start the
analysis process. With experience, we can learn to do the above process in less
than 15 seconds. Train using this method during your home preparation to get
better at this process.
tournament opportunities, more support from parents and schools, etc. At the
same time making progress is tougher, because there is too much of all of the
above, which turns out to be a big negative if one is not able to effectively
handle the excess of everything.
It is common to see many coaches and the students preferring to teach/
learn sidelines against most openings. Learning the main lines involves
assimilating a lot of information, spending more time and energy, whereas
learning sidelines involves going over fewer games comparatively, thus saving
time, effort, and energy.
When solving puzzles, it is easier to get the answer by moving pieces on
the board. When calculating variations, it is easier to stop the calculation at
the earliest possible moment than to carry it further into the position. Playing
intuitively is easier than playing after careful analysis. Working on areas we
are already comfortable with is easier than working on areas which don't come
naturally to us.
In worse positions, playing for some cheap tricks and hoping our opponent
will fall for them is easier than finding difficult moves to prolong the struggle
by means of tougher defense. Releasing the tension is easier than maintaining
tension, and studying chess by casually going through games is easier than
studying chess in a systematic manner. To get upset after a loss and giving
up in subsequent games in the guise of bad form is easier than making the
effort and finding the strength and resolve from within to make a comeback in
subsequent rounds.
When we lose a couple of games arising out of a particular opening, it is
easier to move to another opening than to dig deeper and find improvements
that allow us to continue with the same opening. Similarly it is easier for the
of the Soviet school of thought, the study of classics, analyzing one's own games,
and endgame preparation are given more weight than opening preparation.
A player goes through different stages in his chess career. Initially, he is a
beginner who learns the basics, gets a rating, competes in various tournaments,
increases his rating, achieves norms and titles like Candidate Master, FIDE
Master, International Master, and Grandmaster.
There is no disagreement that a strong chess player should have good
mastery in all departments of the game. But there is no general agreement on
whether a player should focus so heavily on opening preparation. How important
is opening preparation for players below, say, 2400 ELO? Or below 2000 ELO?
And so on. There are players who have achieved the level of Grandmaster with
a slightly above-basic knowledge in openings, and there are many players who
have phenomenal opening knowledge even at the level of 2300 ELO or less.
We have seen players who invariably get into some kind of mess in the
opening, but with their middlegame and endgame skills, they manage to turn
the initial disadvantages into decent positions or better against reasonably
strong opponents. There are players whose approach to chess is theoretical,
those who hate memorizing and learning vast amounts of theory, and those
who are neither here nor there!
Until a player reaches a FIDE rating of around 1800-2000, he should
focus not on openings, but on the middlegame. Specifically, he must learn to
calculate well, learn the basic principles of chess, learn how to develop properly
and quickly, how to play for the initiative, learn the value of the pieces, the art
of attack, play games in tournaments and in training, learn that passive play
can't always be avoided, study the classics, analyze his own games, solve a lot of
puzzles, and read books on past champions as well as middlegame thinking and
GM Tony Miles has played over 1000 games from the White side with
1.d4, over 300 games with 1.d4 or 1 .Nf3, and over 200 games with 1 .e4, apart
from random experiments with 1 .b3, 1 .b4, 1 . a3, 1 .g3 , 1.f4, 1 .e3, and the like.
N % Av Perf
782 49.2 2517 2459
N % Av Perf
922 42. 0 2480 2454
With the White side, Speelman has played l.Nf3 and l.d4 with around
500 games each. He has played l.e4 and l .c4 with around 150 games each.
N % Av Perf
593 42.2 2565 2544
1 . . . b6 1 0.0 2370
N % Av Perf
577 47. 1 2582 2550
B repertoire as White and Black and are quite successful with both colors.
ased on the diagrams above, we can see that these players have a broad
There are other players too, who took a very creative, non-restrictive approach
to opening theory by trying out the so-called offbeat sidelines, especially with
black, with success in their games. Still, the idea of playing side variations
did not capture the imagination of the general chess playing masses. In the
pre-computer era, players looked to world champions to set the trends for
popular openings. These days, with a larger player base of strong players,
with more tournaments, and with easy access to information, players are
increasingly experimenting with non-main lines.
The moment opening (preparation) ends and the middlegame begins has
also undergone changes. Traditionally, an opening ends and the middlegame
begins when all the pieces have completed their development. In some ways,
current opening theory ends when our memory inevitably fails us, or when we
are met with a position that is new to us in a game. Since players often don't
mind remembering long variations, opening preparation can extend well into
the deep middlegame or, in many cases, even the endgame too.
Every player needs to choose which approach he wants to take, as far as
building a long-term opening repertoire is concerned. Some of the issues that
should be considered before choosing a repertoire are: the style of the player,
the personality or age of the player, the short-term and long-term ambitions of
the player, the time available for tournament preparation, and how active or
inactive the player is.
• Vast theory is accumulated over the years, stretching our memory to its
limits.
• It is very easy to forget key ideas or confuse the move order in certain
lines.
• Choosing the best continuation out of many options that suits our style
of play can be a very demanding task.
• New ideas are constantly tried out on a weekly or even daily basis in
topical openings. Keeping oneself updated requires a player to study games
and examine the ideas on a frequent basis. This is often a difficult task for
amateur players who have commitments in life other than chess.
• With new games being played by top players on a regular basis, it is easy
to miss key developments in some lines, which could prove costly at times.
• Since sidelines are not often part of a very strong player's repertoire,
we have comparatively fewer games from which to learn the opening. As a
result, it does not take much time to learn these openings, which is a boon
for players who have less time for chess preparation.
• It is easier to remember these lines as compared to the huge amount of
theory that comes with main lines.
When I attended a FIDE trainer course some years back, one of the faculty
members warned that it is not advisable to teach young players the Caro-Kann
Defense as Black because the young player will not learn to appreciate the
value of fighting for the center with pawns. Another coach remarked that it is
not advisable to teach the Dutch as Black, since the young player won't learn
the importance of king safety. Some say the Sicilian Dragon is too risky, the
Petroff is too solid, the Grunfeld is too theoretical, the Scotch Gambit is too
drawish, the Berlin defense is too boring, etc.
Every opening has its own natural characteristics that define the
type of positions that may arise from that opening. Though these positions
are being constantly changed by human endeavors, they still contain certain
characteristics. While a player's natural style exists in his training and
tournament games, it is our goal to become a well-rounded player in all styles
and be able to play all positions.
In the short run, it makes sense to choose openings that match up with
our playing style at that point in time. In the long run, however, we should add
openings contrary to our natural playing style after doing enough middlegame
Preparing an Opening
• Study the games of one or two experts in that opening and follow their
exact move order. This is suitable for novice players who are unaware of the
subtleties in a particular opening.
• Prepare openings from books and encyclopedias of chess openings,
databases, DVDs, online materials, etc.
• Get material from an expert or coach.
[GM Ramesh]
1 . d4 d5 2. c4 c6 3 . Nf.3
[3. cxd5 cxd5 4. Nc3 Nf6 5. Bf4 Nc6 6. e3 (6. Nf.3 )]
3 . . . Nf6 4. Nc3
[4.e3 Bf5 4. Nc3 (5. Qb3 Qc7) 5 . . . e6 6. Nh4 Bg6
[4. Qc2 g6]
[4. Qb3]
4 . . . e6 5.e3
[5.g3]
[5. Bg5 dxc4 6. a4 (6.e4 b5 7. e5 h6 8. Bh4 g5 9. Nxg5 hxg5 10. Bxg5 Nbd7)]
5 . . . Nbd7 6. Qc2)
[6 . Bd3 dxc4 6. Bxc4 b5 8. Bb3 (8. Bd3 Bb6; 8 Be2 Bb7)]
6 . . . Bd6 7. Bd3
[7.b3]
[7.g4}
In the diagram above, we can see an example of a basic key for the
Semi-Slav Defense from the black side. We can build on this key as we prepare
our study materials. We will also use this key to search for games in each
variation. We can find high quality games of players rated above 2500 for each
variation, and merge the selected games separately for each variation. This
will be the basic material for our preparation.
Ai3 you can see, organizing your openings this way makes it easier to
locate the exact line or variation you want to prepare.
• Go over the games by guessing the moves for the side you are preparing.
Guessing the moves will help you remember as much as possible, especially
the initial moves.
• Add analysis and edit material by removing irrelevant variations.
Make your notes concise and relevant with the help of arrows and text
commentaries.
• Prepare a brief opening key based on the material you have prepared
separately for each variation. This is very useful to review the opening on
short notice, before a tournament game or at home.
• Update the material often to be aware of recent developments.
• Revise on a regular basis.
Tips:
• You may keep the move you want to play as the main line (in case there
is more than one option at any point). This can be altered when a newer,
better line is found, simply by promoting that move to the main line.
• Explain ideas using text commentary or arrows. This way, when you
review the material, the ideas behind the moves are easily understood at
a glance.
• Highlight important moves in a variation to mark their importance
(right click on the move, go to "special annotation", then choose the "critical
opening/middlegame/endgame position" option. )
• Once the material has been prepared, it i s important t o change the date
of the game so that we will know when the material was last updated or
revised. It becomes easier to update material by limiting the search criteria
to specific dates.
• Since going over the material for the entire opening will take a long
time, it is advantageous to make a brief opening key for each variation and
keep them saved separately to make the revising process easier. Ideally,
this key should be remembered by heart.
• Make a spreadsheet with a list of openings in your repertoire for both
sides. Add the date next to the opening name to keep track of the last time
a particular opening was played against you, to see how often you have
prepared an opening, and to identify the openings you have neglected to
study. A lot can be easily tracked with a little organization.
1 ) PRE-TOURNAMENT PREPARATION
2) PREPARATION DURING THE TOURNAMENT
3) POST TOURNAMENT ANALYSIS
Pre-tournament Preparation
My suggestions in this topic are mostly for those players who play in
tournaments with a single round or, in some cases, two rounds per day. Today,
most tournament games are played in the afternoon (post lunch) and go until
late in the evening.
In such cases, a player has time between rounds to enter the game into
his computer and save it for more thorough analysis after the tournament is
over. While entering the game, it is advisable to tum on the analysis engine
to identify missed tactical chances/opportunities and also to identify how the
play could have been improved in different situations. It is also advisable to
compare our opening preparation to what arose in the actual game. If we forgot
the opening theory or played a new move unknowingly during the game, it is
best to immediately review the opening material. It sometimes happens that
one of our competitors takes notice of our opening slip and aims to catch us in
that line in a later game, either in the same tournament or a future one, even
though he may not play that line regularly.
Once we have analyzed the game, we have to draw some conclusions
about where our mistakes were and how they can be avoided in the remaining
rounds. We must be careful not to expect ourselves to play every game perfectly
without any mistakes whatsoever. That is not going to happen and we are
bound to slip here and there. Instead, we should aim to play as perfectly as
possible while allowing a little room for the rare, occasional mistake.
During a game some of the most difficult moments are when we realize
we have missed a good move, or when we realize we have made a mistake,
or when our opponent makes a good move that we completely missed in our
preceding analysis. In such moments, it is vital to immediately accept that what
has happened has happened and worrying about it will not change anything.
We must take a deep breath, drink some water or juice, go to the washroom or
take a short walk and use that time to compose ourselves. It is best to become
slightly philosophical in such situations in order to calm ourselves down.
Otherwise, we could further damage our position with more mistakes if our
mind is still upset over what has already happened.
During the game and throughout the tournament as a whole, we should
forgive ourselves for our mistakes. In post-tournament analysis, however, we
should go over our games in detail and be ruthless in searching for mistakes or
weaknesses in our play.
Once we have analyzed our game after the round, it is time to relax and
have dinner. Some players prefer to play sports, swim, take a long walk or
relax in any other way that suits the player before having dinner. By this time,
we should be getting the pairings for the next day's game. We can quickly go
through which openings our opponent is likely to play the next day and come
up with a mental plan before going to bed.
The next morning (after breakfast) it is time to prepare for the · day's
round! We should search for our opponent's games and pay special attention
to games from the last few years, as it is likely he will play those openings
the process. So let us open our heart to difficult things and turn them into
opportunities, instead of losing our hope and the will to fight back and learn.
We should learn to handle the tournament one round at a time. Any
negative feelings we might have developed in previous rounds should not be
carried over into upcoming games. I know of one player who is usually very
good when it comes to calculation. In one tournament, he missed some moves
in his calculation and lost the game. He started complaining, "My calculation
is very bad and I am missing simple things." This negative feeling became
strongly entrenched in his mind and in the rounds that followed, his prognosis
became true. He began making silly mistakes in calculation and his attitude
got even worse. A cruel cycle can eat away at our confidence slowly, if we let it.
Later, I made him solve a few easy tactical positions and slowly we
moved to tougher positions. He found to his "surprise" that he was actually
calculating well! He got his confidence back but in the process lost a few crucial
games in his career. The lesson to be learned is not to react too negatively to the
mistakes we make during the course of a tournament. As mentioned earlier, we
need to be more forgiving of ourselves for our mistakes. After the tournament
is over, we can face the issues and find real solutions.
During the tournament, we have to keep a record of the difficulties we
faced in our games, round by round. It should contain the kinds of positions
where we struggled to find the right move. For example, in closed positions I
find it difficult to come up with a plan, or while calculating I miss my opponent's
resources, or after getting a good position, I allowed too much counterplay and
failed to win the game, etc. Your record should also contain all the openings
where you had problems or where you did not make use of the time well.
At some point in the game, we might have played too fast or took too much
time to come up with a decision, whether good or bad. Additionally, if there is
an opening we have been playing repeatedly for a matter of months and we
suspect our main competitors are also aware of this, then we should make note
of that as well. An accurate record such as this will help greatly in identifying
our problem areas and will allow us to make changes accordingly.
Now that the tournament is over and we have spent a few days away
from chess relaxing our mind, it is time to get back to work.
We need to analyze our games from the recent tournament round by
round, and this time, more slowly than the analysis done during the tournament.
We have to examine each move critically and try to find improvements for both
our opponent and ourselves. It is important to try to find improvements for
our opponent at every tum because we might have gotten into more trouble
had he played better. A stronger player would have tested us more critically.
By using this method to find improvements, we are also learning to critically
and objectively analyze a position without our biases or prejudices. Usually,
younger players tend to ignore their opponent's better possibilities and focus
only on their own moves. That is not analyzing objectively and we won't learn
as much as we can about the position from analyzing this way.
I know of one very strong grandmaster whose typical way of analyzing
his games is like this: he keeps the same time control on his chess clock and
replays the game over! The opponent's move will be the same as was played
in the actual game, but when it is his tum to move, he approaches the position
fresh, as if it was a new game, and tries to find the best move. He writes down
his analysis but makes the move he actually played in the game. He continues
this way until he reaches the end of the game. At some points the moves in the
game and at home will match up and at other points in the game, the moves
will vary. He approaches the position objectively this way. Seeing the same
position with fresh eyes and without tournament pressure can help to get a
different point of view of the same position.
We have to meticulously analyze how we played every part of the game
- opening, middlegame and endgame, if it went that long! Some common
questions which are purely chess related that we need to ask ourselves are:
Apart from the purely chess angle, we also need to ask ourselves about
the psychological part. Questions like:
why God sometimes kept the endgame between the middlegame and a win?
This was a mystery I was forced to investigate as I progressed in chess.
One common complaint from young International Masters on the verge
of becoming Grandmasters is, "Many times, I get good positions but I don't
know how to win them, especially against higher rated players. They always
come up with something that denies me the win."
In chess terminology, this process of winning a won (or advantageous)
position is called "technique." It is also one of the areas deeply underestimated
or altogether ignored by most young players. Simply because a player feels,
"Once I get an advantage I'll win somehow" - this "somehow" habit does not
encourage a player to learn the important art of "technique." The player feels
it is necessary to get an immediate advantage out of an opening or get a large
positional advantage out of the middlegame, but after getting the advantage,
he must do "something" and win the game. It is only after failing to win
numerous advantageous positions doing "something'', that a player realizes
the importance of improving his technique.
To develop good technique, the study of endgames is crucial. In the
middlegame, we have many pieces on the board and the value of each piece is
not always apparent. It is in the endgame that the value of each piece becomes
the crucial factor in deciding between a win, a loss or a draw. Since there are
fewer pieces in the endgame when compared to the middlegame, we must
handle every pawn and piece carefully and optimally. Sometimes the "trick" is
in not using them, especially the pawns, keeping them in reserve for the very
end of the endgame.
When we ask young players, "Can we work on endgames?" the most
common answer we get is a resounding: "NO!" It is very rare for young players
The above are the chess qualities we need to understand in order to play
good endgames. The following are the mental qualities we need to play better
endgames:
Prophylaxis
Here are all the ways a player can create counterplay in the endgame:
slight advantage in the endgame, we need to achieve the above points to create
counterplay. On our turn, we must ask ourselves what our opponent can do next
on every move (with the exception of forced moves, which can be skipped, of
course). This is difficult psychologically, as it is more natural to be concerned
about what we should be doing rather than worrying about our opponent's
plans and ideas. This is a good quality of a strong player - a quality which we
all should learn to cultivate despite our initial apprehensions.
Improving Pieces
1) He may try to stop our pawns from advancing by advancing his own
pawns to block us. It is important to remember that when our pieces are not
actively placed, any pawn move made can lead to new weaknesses or a further
worsening of the position. By virtue of attacking our opponent's weak pawn, we
will usually force his pieces to become passive. So if the opponent tries to stop
our pawn advances by advancing his own pawns (e.g. meeting h2-h4 with h7-
h5), he will create new weaknesses in his position-either a weakened pawn or
a weakened square that we can use to infiltrate with our king.
2) He may let us advance our pawns and just wait and watch. In this
case, we must continue to advance our pawns forward to cramp him completely,
preventing any of his pawns from moving. Since his pieces are already tied
down to their defensive roles, he will soon be left with no useful moves and
will likely fall into some kind of zugzwang. He will be forced to move and make
some kind of concession. This will be the second weakness.
Initiative
Since there are fewer pieces in the endgame, it is not always easy to
get the initiative in this part of the game. Still, there will be a point when
all of our pieces are mobilized, (or in the process of mobilizing) that playing
for initiative, which means giving one threat after another, is the only way to
take the positional advantage to the next level. This could result in material
advantage or in some rare cases, an attack on the opposing king. This method
could be more relevant when there are very few pawns left on the board. With
fewer pawns, drawing chances are higher for the defending side, so initiative
should be used in positions by the side with the advantage.
Zugzwang
Zugzwang positions are those in which one side is forced to make a move
that will worsen his position. If any move we make worsens our position, it
is because in the current position all our pieces and pawns are in their best
possible places, and any move will give a concession to our opponent. It is quite
rare to see Zugzwang positions in the middlegame (though there are exceptions
Tip: When preparing for a tournament match, make sure you have
enough chocolates, cookies, dry fruits, fresh juices, tea, coffee, snacks, or
whatever else suits you, to dig in for long haul.
Alertness
Self-Belief
T any kid who has just started playing chess what his or her ambition is,
he above is an apt piece of advice for every chess player. When we ask
Sometimes we realize, despite switching off all the lights in the room,
that we still cannot get to sleep at night. This is because our mind refuses to
switch itself off. So, for the person to get a good night's sleep, he could take a
sleep-aid medication or better, he can control his mind so he can sleep without
being disturbed by a mind acting on its own. Similarly, we should learn to
control our mind during a chess game, so it does not get lost in the jungle of
thoughts and emotions, which will disturb our concentration.
In an Indian village, it is said, there once was a farmer who had a buffalo.
Every morning, he goes to the farm, ties the buffalo with a rope, gives the
buffalo some grass to eat and goes to work. In the evening, he unties the buffalo
and takes it home. One morning, he found that the rope was missing. He did
not know what to do, so he went to an old man and asked to borrow some rope.
The old man said, "I don't have a rope, but I have a solution for your problem."
He told the farmer to go and tie up the buffalo with all the usual actions with
his bare hands and no rope. The farmer did this; and to his surprise, the buffalo
did not try to run away, though it easily could have. In the evening, the farmer
asked the buffalo to move, but it refused. He again went to the old man with
his new problem. The old man said, "Now do all the usual actions you perform
daily with your hands to untie the buffalo." The farmer did as the old man said.
Again, to his surprise, the buffalo moved this time. The old man and the farmer
knew there was no rope, but the buffalo did not! It had been brain washed
so many times that the mere act of pretending to tie and untie the rope was
enough to fool the buffalo.
rarely available chess material that helped us become better players. The
competition was not so tough, either. In the first four rounds, most good players
had 4/4 points. It was only then that the actual tournament started. But these
days, even in the first round, no one is sure if they'll win their game. Chess has
progressed in certain areas so much over the years, and so have the players.
These days, even an 8-year-old can have good calculation skills and decent
opening knowledge in multiple openings. Intense competition has its own
merits and demerits. It keeps us on our toes all the time, as we are constantly
in the process of upgrading our skills to keep up with the competition. In a way,
this is good. But on the flip side, players these days rarely have the habit of
sitting quietly and contemplating how things are going with their chess career.
teaches us that our chess is 1) good, 2) not good, and 3) not good enough! All at
the same time!
We can find solutions to most of our questions just by thinking about
them deeply. In many cases, we already know what needs to be done but the
"doing" part is where the real problem lies. Many chess players simply don't
put enough time into their chess preparation at home. We need to plan our
work in such a way that our preparation covers all the important themes of
chess over a period of time.
For those questions where we don't have an answer, we should get in
touch with strong players and get their opinions and suggestions to fix our
problems. Alternatively, we can contact an experienced coach and try to solve
our issues with their guidance. We can also read and learn from good books
that cover the topics in which we are interested. For those who don't have
access to good chess players or coaches in their area, explore taking lessons
online. There are many websites offering training material.
The point is, when we identify a problem with our chess, or with our
approach to chess, we should not just drift away and leave things as they are.
We need to take corrective steps as soon as possible. Progress in chess is about
learning, playing, identifying our mistakes, making corrections, playing again,
and so on.
• Play more blitz games to improve reflex and intuition, which will help
during time trouble.
• One top GM suggested advancing pawns when in time trouble.
• Try not to get into time trouble in the first place by playing quickly when
you have to, and by not taking too much time making normal decisions.
• Learn openings thoroughly so the initial 10 or 15 moves can be made
quickly. This will leave more time for the middlegame and endgame later
on.
• Read books on the topic; there have been quite a few fantastic works on
the subject of positional chess.
• Play through games by players like Karpov, Capablanca, Smyslov,
Kramnik and Yusupov, etc. Of course, there are many other strong players
out there just waiting to teach us with their great games. Explore and
enjoy! (Remember, always guess the moves first. )
W to learn. Passion for the game, curiosity and the determination to succeed
hen we want to learn something, we first need to have a strong motivation
are the ideal motivations for a chess player. Without proper concentration,
however, there can be no learning.
One of the areas a normal player and a strong player differ is in the
realm of creativity. As a coach, I have seen that a majority of young players do
not have much of a problem calculating simple variations but they often have
trouble spotting more complex variations requiring intermediate moves or a
profound tactical shot. Talented tactical players rarely miss such moments. To
be more creative, we need to overcome our inhibitions about taking risks and
enter unchartered territories in our thinking process.
When I was young, I remember asking myself what I hate most in
chess. The answer came easily: the Dutch Opening! I could not understand
how a good player would obligingly play a move like 1 . . . f5 on move one and
weaken his own king? So, I decided to study the Dutch with the black pieces
to overcome my hatred for the opening. After all, there has to be some validity
to l . . . f5 , otherwise many strong grandmasters would not play it. It is through
overcoming our fears and inhibitions in certain areas of chess that one's way
to progress lies.
When we are young, we are taught in life that certain things are good and
other things are bad; some behaviors are acceptable and ought to be pursued
while others are not acceptable and should be shunned. In chess too, we learn
• Openings
• Middlegame
• Endgame
• Bases
• My games
• E-books
• DVDs
Players, coaches, and parents can sometimes focus too much on the
results, and in the process the effort on the part of the player (both on and off
the board) is ignored. Being successful should not be measured only in terms of
ratings and titles, but also by how much a player has learned about the game
and about himself. Unless there is progress made in how a player thinks, how
well he calculates/concentrates/fights back in tough situations, how well he
converts the advantage, the results will suffer in the long run. The sacrifice and
effort that goes into becoming a better player should not be underestimated or
compromised.
When a player is not happy with a result, he should first accept and take
responsibility for it. It is because he did certain things wrong that he got that
Carlsen - Aronian 11
Krasenkow - Garcia Ilundain 20
Al Masshani - Sasikiran 21
Andreikin - Topalov 22
Anand - Topalov 24
Korchnoi - Beliavsky 26
Anand - Vallejo Pons 28
Gabdrakhmanov - Yusupov 32
Bacrot - Sargissian 34
Ponomariov - Gashimov 38
Mikhalchishin - Beliavsky 41
Naiditsch - Timman 42
Topalov - Mamedyarov 46
Wojtaszek - Kazhgaleyev 48
Kramnik - Leko 53
Geller - Boleslavsky 56
Keres - Gligoric 57
Topalov - lvanchuk 58
Potkin - Filippov 60
Landa - Khismatullin 61
Yu Yangyi - Bu Xiangzhi 69
Hou Yifan - Shirov 70
Monnisha - Quek 71
Yusupov - Sokolov 73
Van Wely - Lautier 75
Alatortsev - Capablanca 76
Yusupov - Van der Wiel 78
Leko - Gelfand 80
Kramnik - Serper 83
Fischer - Petrosian 84
Meier - Sanikidze 86
Sasikiran - Yu Yangyi 88
Bu Xiangzhi - Movsesian 92
Mamedyarov - Bacrot 93
Panchanathan - Ramesh 94
Gavrilov - Amonatov 95
Rivas Pastor - Adams 96
Movsesian - lvanchuk 98
Karpov - Sveshnikov 99
Caruana - Baramidze 100
Chess Informant
Online Resources:
The Week In Chess
ChessCafe
Software:
ChessBase
Mega Database 2015
Engines:
Stockfish 6
Komodo 9
Bibliography 287