l

~:
14 WHAT'S THE BUZZ
~
III (1) f:
\J=1121 b
IAPOSTLESI
E:

B
What's Ihe buzz~ lell_ me what's hap- pen. ing What's the buzz~ lell_ me what's hap - pen. mg.
Opt. 8va.

~
I
~
\ "SOUL" accompt. ad lib. with discretion >- >-
>-
I
I 8
e

RHYTHM E

)1 E

A7 07 E

-
3

II
" ..

-
What's the buzz
-

tell_ me what's hap - pen - ing. What's the buzz

-
tell_ me what's hap - pen - ing?
i
I
1\ 11
!
- !
>- >-
I
1\ 11 >- >-

\ I
:. I
I I
i -
,
I: I
... ... ... '--

A7 07

.. -+- - J-:' ,.
I ====:.!------

1st Why should you wanl 10 know Don't you mmd a hout the
nd Why should you want to know Wh arc you oh - 5csscd with
Jr Ma ry that IS good while you pral tie through your

"1-

...,.
.rv.B. Tho' section is played three times
---
:t -.---. _ _ .c_
 -,.
e
16
~

o
13 "
IAPOSTLESI
..
~

.J - 1===1
- - -,
.::! ~

(
What's
th buzzry III- me what's hap - pen - ing What's the buzzry tell_ me what's hap - pen - ing
~

" 11
t
.J ----- 5
E

IJESUSI N. B. first tjm£ only E

1\ JI
-
E
.iJ \....-.--' r

stead. Oh yeah! I could E

I
now. E

" JI >- >- >- >-

(
-tJ t'"

:
I
, ... .... ..... --' ...-

A7 D7
1

15 i
I
Wha(s the buzz? What's the buzzry
tell_ me what's hap-pen-ing. tell_ me what's hap - pen- ingry I
I
1

you facts and fig - ures could gIve

 N.B. During MARY MAGDALENE's solo, i.e. 2nd time, the APOSTLES 17
keep up a background of noise such as "oo's" and "ah's", etc.

J7
-- -
When do
151
Iooiiiiioooo-oI

we
--
ride_ in - to Jer -u - sa. lem?
-
When do we
-
ride_ in . to Jer - u - sa. lem:
3rd What's the buzz? tell_ me what's_ hap - pen - ing What's the buzz? tell_ me what's_ hap - pen - ing
" 11

.>
-- -- --

JMARY MAGDALENEI
" 11 2nd time only

.>
Let me try to cool down your face a bit. Let me try to cool down your face a bit.

lA iI .-
- I..:.
you plans and fore - casts_
" " 11 :> :> :> >-

-
.&
,. ,.- q,
-
-.I. ) : -1 -1 I. .. .. ... -1 ...J

-.I a A7 D7
-
-. I
-. ,
- I

. . ...
- I 19 , -
.- . .
I
'0

When do we ride_ in - to Jer - u - sa- lem?

---
When do we in - to Jer. u - sa - lem?
- . '..-
I
What's the buzz? tell_ me what's_ hap-pen- ing What's the buzz?
ride_
tell_ me what's_ hap - pen - ing

-.
.. .
I
--
-.. . .
.... .
.- . .- Let me try to cool down your face a bit. Let me try to cool down your face a bit.

- .I -.
... ! . Ev
i,;
I en tell you where I'm go - mg._
I
F. -
. -
I .- )1 - -'
----
1
 1
IX

21

When do we nde- In - to Jer - u - sa - lem" When do we In . to Jer. u - sa - lem'

What's thc buzz? lell_ me whars_ hap - pen - Ing \\/hat'5 the buzz?
me what's_ hap - pen - mg

--

I
I
I" ~ -
"SOUL" ad lib. free style
- ~
tT.
#
---- #'

Let me try

l
- "-- I

A7 07
12

tJ - - - --
we ride_ in - to Jer - u - sa - lem? When do we ridc_ in - 10 Jer - u - sa - lern?
Whars the buzz? tell_ me what's_ hap - pen - Ing
I A 11 When do

tJ
, --
----
A 11
- -
iJ ;;.....J.
Let me try to cool dovm your face a bit
>- >- >-
A 11 >;

R- *' q' .".

) : --:---
I

-.J ,
, --4 -
.
:\7 D7

25

\"Ihat's the buzz" lell__ hap - pen - Ing

JI( JI( :::- ~.~ j-- -_ J

----
.__ - ,I
~
SEGUE
._ il
T~ -- --==tl
 "3

STRANGE THING, MYSTIFYING 19

-
.
L'istesso Tempo
...
.. IJUDASI
...
..
It seems to me a strange thing, my sti
...
... Yes I can un der stand that she a
RHYTHM
-
....
..
-
..-

'3 MELODY
G G7 C
-
......

4
3
;
- ....

; fy - ing that a man like you can waste his time on worn-en of her kind.
... mus - es but to let her stroke you, kiss your hair, is hard ly - in your

...,
...
....

. ....

"3
Cm G D~ D~ G
-
.oi

E 9

E .- I
line. It's not that I ob - ject to her pro - fes - sion but she -
does n't fit in well with
t= -. help us -
if you're in con sis - tent. - they on - Iy need a small ex cuse - to_

t .

t:t : )
t .-
G F C G F C
t 1
,0
.
.-
f :; It does - n't put us all a - way. Who are_you_ to cri-ti-cise her?
W.W.ISTRlNGS

f .
F. HORNrrROMBONE
 !
20

17

Who are_ you- to des - pise her? Leave her, leave her,_ let her be now. Leave her. leave her._ she's with me now

Bb Fm Bb Fm Bb Fm Bb Fm Bb Fm Bb Fm

\Cl L'istesso Tempo

20 L..=.J r-- 3---,

your slate is clean then you can throw stones. If your slate is not then leave her a - lone.

L-- 3 J L-- 3--.1 '--- 3 J L-- 3 J

Abmaj7 Bb Fm7 Gm Fm Abmaj7 Bb Fm7 Gm Fm Abmaj7Bb Fm7 Gm Fm Abmaj7Bb Fm7 Gm Fm

24

ISOLOI
ADD GUITAR/BASS

('m a - mazed_ that men like you_ can be so shal-Iow thick and slow_

mp
." l'-.

..
o" I
- - ..
-
...

'"
,." t!
thl:re: is nol a man_ a - mong_ you who knows or care:s if 1_ come:or go._
...
" I - :
."

..
11'-' -
f
-
" : - #

B~m Cm

32
o ICHOIR/ALL
SAVEJUDASI -
-..:
you'rc:_ wrong,_ you're:ve:- ry wrong,_ No you'rc:_ wrong,_ you're:ve:- ry wrong,_
I TUTII
..... - - ..... -
... -
.- ..
-.. .. f
-
-" -
A B Fm B Fm A B Fm Bb Fm
-
..
..
. 34
-" I
-
--
"- You, you're:_ wrong,_ you're:ve: - ry wrong._ No you're:_ wrong._ you're:ve:- ry wrong,_
-- I
"
::::::1 I-I I I I 1 I f I: ul;::

BbFm Fm Bb Fm B~ Fm

3 1 3 I
0..l1. I ..J J I I 1 J J I

-.I I I
L I
: I l I
How can you say that? How can you say that?

--"'- I
r
:
3
#
.,
.. :
,
.3
.
1
..
-.I I I I I l I

.
) ..
22

, -'
3 , , 3 ,
" j I j r j j I ..J i J
.:J. I I I
How can you say that? How can you say that?

" I
I
.
3
".. .
I
R . ,
I 3
".. ,I
11. :
I

"
I , I i \:
:
I

3
. I

3
.
BI, BI, A!,maj7 BI, A!,maj7

o IJESUS DECLAMATORY
GUITAR MELODY
I

.,
LW--p
Not one._ not one of you!!_

Cm Fm

42 r":'I
. '----J -

.1 I I I I . I I I I , 11- .. b.. q,. ,

>-
r":'I

--
>-
L. . h_ ..

. fI" . ..- ..-" ----.r

ebm Cmaj