A RTT ST

n l cGoy Tyrter
ÏRANCRIPTIOI{S'
PIAN('
Transcribedbv Bob Leso

Front Cover Photo by Gene Martin

tsBN0-7935-0747-2

-z
nHAL.LEoNARD'
l--coIRPoRA-rIoN
7777 W. BLveMovND RD. P.o.Box t38Í9 MtLwauKEE. wl 53213

Copyright@ 1992 by HAL LEONARDCORPORATION

lnternational
CopyrlghtSecured All RighlsReserved
For all workscontainedherein:
Unaurhoiized
copyins,
arransins, isaninÍrinsement
otcopyrishl
"?,iljil;l? #',lLiJ [x::: fn"J,:|.#""ce
McGoy TyneÍ. GoNTENTS

Biography

TITLE RECORDING

22 FlyWithThe!íind FIy!íith The!íind (Milestone

M-9067)

7 Folk Echoes
Of A Friend(Milestone
M-9055)

3 2 ForTomorrow (Milestone
lnnerVoices M-9079)

4 7 HighPriest TenderMoments(BlueNote85T84275)

4 6 l s l a n dB i r d i e Out(Columbia
Looking BL38053)

56 JustIn Time Dimensions - 60350-1-E)

(Elektra

7 1 LaHabanaSol LaLeyenda DeLaHora(Columbia

AL37375)
-ffhe LegendOf TheHour)
fhe Havana
Sun)

78 Man FromTanganyika TenderMoments(BlueNote8ST84275)

8 5 ThemeForNana FocafPoint(Milestone
M-9072)

9 2 Prelude
ToA Kiss - 60350-1-E)
(Elektra
Dimensions

1 1 2 SefrorCarlos Looking
Out(Columbia
BL38053)

1 0 0 YouStepped
OutOf A Dream Fly!íith TheV/ind(Milestone
M-9067)
BIOGRAPHY

'6Osquartet,
McCoyTynerÍirstexplodedon the sceneasa partof JohnColtrane's
early

certainlyone of the mostinnovative groupsin jazzhistory.Overthe pastdecade

and influential

he'scarveda mostimpressive
nichefor himselfasa composer, band leaderand most
arranger,

a pianistwhoseuniqueand forcefulstylehasinspiredand influenced

significantly a wholenew
g e n e r a t i oonf m u s i c i a nH
s .i si m p a c o
t n t h e m u s i co f t h e ' 7 0 sa n d ' B O sa n d c o n t i n u i ntgh r o u g ht h e
'90s to Coltrane's '60s.
is comparable on the musicof the
M c C o yw a sb o r ni n P h i l a d e l p hor n
a D e c e m b e1r1 , 1 9 3 8 ,t h e o l d e s ot f t h r e ec h i l d r e nH. e w a s

to studypianoby his mother.He Íinallybeganstudyingthe pianoat age 13 and

encouraged
withintwo years,musichad becomethe focalpointin his life.
In the beginningMcCoypracticed piano.Whenhisfamilyboughtone,he
on a neighbor's

beganhostingjam sessions. werea numberof youngmusicians

Amonghisfriendsand neighbors

who wouldgo on to maketheirmarksin jazz,suchastrumpeterLeeMorgan,saxophonist

Archie
ReggieWorkman."Budand RichiePowellmovedinto
Shepp,pianistBobbyTimmons,and bassist
Budwasa majorinfluence
my neighborhood. on me duringmy earlyteens.He wasvery
Mond and Art TatumwereyoungMcCoy'smajorinfluences.
dynamic."In addition,Thelonious
McCoy,obviouslya veryfast learner,at age 15 led hisfirst band, a 7 pieceband that played

the rhythmand blueshits.He studiedat the WestPhiiadelphia

MusicSchooland laterat Granoff

wherehe learnedtheoryand harmony.At age 17, while

MusicSchool,alsoin Philadelphia
playingat a localclubcalledthe RedRooster,
with a bandled by trumpeterCalMassey,
also

knownto few closefriendsas "Folks",he first met.JohnColtrane.

Coltrane betweengigswith MilesDavis.The saxophonist,
wasin Philadelphia whose

stylewasstillin itsformativestagesand whosereputation

distinctive wason the rise,had no
a few engagements
workinggroupof hisown, but secured in and aroundPhiladelphia,
with

McCoyoften in his rhythmsection.

the wayhe wouldlateron, but "aÍterI
thatColtranehadn'tdeveloped
McCoylaterrecalled
heardhim play,I knewhe wassomeoneexceptional."
The rapportbetweenthe two wasso

apparent, madeit clearthat he hopedto eventually

that Coltrane havea regularbandwith McCoy
Tynerin it.
I n 1 9 5 9M c C o yw, h o h a db e e nw o r k i n gm a i n l yi n a n d a r o u n dP h i l a d e l p h iwaa, s o f f e r e hd i s
Íirstfull-timejob in musicwith the Jazztet,
a groupco-ledby Art Farmerand BennyGolson.
McCoystayedwith the group6 months,long enoughto makehisrecordingdebuton the album
Meet TheJazztet,but left when Coltraneíinallyleft MilesDavisto form his own group.
 *É
:,8;

Thechemistry Tynerand drummerElvinJoneswasimmediately

betweenColtrane, apparent.
Coltrane beíoresettlingon JimmyGarrison.
wentthrougha numberof bassists Thatchemistry
can
be heardon the group'sfirstrecordings
for AtlanticRecords "My
in 1960,whichincludethe classic,
Favorite
Things."Coltrane of jazz,includinga
Íor waysto extendthe boundaries
wassearching
denserharmonicstructure, to rhythm,and a greaterreliance
approach
a multi-layered on scales
and modesas a basisfor improvisation,
and McCoywasrighttherewith him.
 The pianistparticipated
in numeroushistorical
recording
sessions
with Coltrane,
including
Africa Brass,
A LoveSupreme,and Áscension,
to namea few, during hissix yeartenurewith the
quartet.He alsobeganrecording
on hisown,occasionally
in a trio context(hisÍirstalbumwas
lnceptÍon,
recordedin 1962for lmpulse,whichhad becomeColtrane's
label),and tendedroward
a somewhatmoremelodicand conservative
approach
than he displayed
in the contextof
group.
Coltrane's
As closeas hismusicalrelationship
with Coltranewas,it wasinevitable
that Mccoywould
eventually
wantto form hisown group.Hissplitfrom hismentor,whichwasan amicableone, was
hastened
by the factthat Coltrane,
whosemusicwasmovingin an increasingly
free-formdirection,
had addeda secondsaxophonist
(Pharoah
Sanders)
and a seconddrummer(Rashid
Ali). McCoywas
simplyhavingdifÍicultyhearinghimselfplay.

Unfortunately,
for the nextfew years,he encountered
difficultymakinga livingplayinghis
music.He continued
to recordasa leader,makinga seriesof impressive
albumsfor the BlueNote
label,and he workedas a sidemanwith the greatArt Blakeyand hisJazzMessengers.
lt took
McCoyseveralyearsto establishhimselÍas a leader.

In 1971 McCoysigneda recordingcontractwith MilestoneRecords,

at whichtime thingsbegan
to improve.Hisfirstalbumfor the label.Sahara,
released
the followingyear,received
two Grammy
wasnamed"AlbumOf TheYear"
nominationsand inthe DownBeatCritics
Poll.Subsequent
Lp'sÍor
the labelfound him strelching
out in a wide varietyoÍ musicalcontexts.
He recordedwith strings,
with largehornsections,
with voices;with all-starensembles,
with tightly-knittrios,and solo;in
clubs,in concert,and in the studio.In '78 he teamedwith SonnyRollins,RonCarterand Al Fosterro
tour the U.S.asthe Milestone Thetour,documented
Jazzstars. on a livedoubleLp set,wasone of the
mostextensively-promoted jazzensemble.
eyerbyan acoustic
Throughout
the'70s, hisart and influence
ccntinuedto grow.Hisreadilyidentifiable
piano
style- forceful,percussive,
dense,but alsocapableoí tenderlyricism- camemoreclearlyinto
focus.5o did hisinfluence;
thereare few jazzpianists
on the scenetoday,includingthe veterans,
whosestyleshavenot in someway beentouchedby his.Thisinfluencehasbeenfelt alsoin the

contributions
of the manyoutstanding
musicians
who havegainedvaluableschooling
as members
of his band,suchasthe late!íoody Shaw,SonnyFortune,AlphonseMouzon,AzarLawrence,
Gary
Bartz,GeorgeAdams,JoeFord,JohnBlake,BennyMaupin,and Guillherme
Francoto namea Íew.
McCoy'sdedicationto the acousticpiano and reÍusalto convertto electricityhasbeenan
inspirationto many.

The worldwideawardsand accolades

aretoo numerousto list.SuÍficeto saythat he rs
recognized
by musicians, alikeasa majorforceof the'60s, '70s,'BOsand now
crjticsand listeners
the'90s.
 Freely
FOLKS
By McCOY TYNER
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 Fm7 Bh
trem. trem. trem
':'a trem
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E0m7 AbTsus Dhn

treu. ,lrà-.,i;;^. ;;;^.. lièm.-
Ê\r - \E: ^b?l-bi-, r,-* LÍ:!

nb-s cbnfirtbslcbrnajzilrt nbmzflsnbe Ebm

obms cbr:frrdsl cbmaitltt w6

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 FLY WITH THE WIND
By McCOY TYNER

BDm9 nbr:bs Ebe

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Bright Rock/Fusion tempo

Cm DhnajT Cm DhmajT Cm DhmajT Cm DhnajT
trem. trem.

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lbmalz czfs Fm7 shus shilr Ebmajzcb1*

ct3b

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 Fm9 tbr: nbep Bbms lbts
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28
f Rock/Fusion feel
 G Db Eb

a _t. e_e a' '-e ' b._ë

bo. ..

c7ils

30
 Dhmajg c7fls Cm obep

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r€c r*e'. a
t^t
2 l-,_-- -- -

D.S. al Coda
(take both endings)
obsts

Cm DD
trem.

31
 FOR TOMORROW
Moderate Jazz Waltz
rJ f, By McCOY TYNER
(D played as J ) )
N.C.

ll,l luaoay sungby ensemble)

' f"'-'f í' (c

omzbs G7 Cm7 nbmtt Eh

o ' Í-r tí' br hr I ,'Ta è

ri L ^--

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 lbts chnajT/Ab -3-
EDm9
)

a) , ,v:7 v a'
/:r'-
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dtr | .\J/ , r,-G'
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uh- -+

34
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Dn7b5 G7 Cm7 W BDmll rch

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r'l
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35
 Dm9lC tem. Cmll

To Coda S
Dm9/C

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In I soto' Am9 D7
Fl3(sus)
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 omZbS Cm7

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38
 DDmajTlBb -S lhns -J

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mf
.1

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-3-

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 r

D/E F[/E E D/E Esus

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vl
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40
 sh"s -J-
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Dm9/C Cm9 (take both endings)

Coda
Cml1 -3-

ffi
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C/lsr

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a
pw rit.

a 2 2

3
r 3
í
41

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HIGH PRIEST
Moderate Swing
(D playedas J ) )
ffl 2nd and 3rd times)
lurnay phyed by ensemble
EW

chilrr lbrr#rt Dhilr

f-,r- ,lr+
?
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t>
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ata

C o p y r i g h t@ 1 9 7 4 A i s h a M u s i c C o m p a n y
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42 InternationalCoPYrightSecured All Rights Reserved
 [C soto' lst Chorus

I
nbsfirr C7
Fine

-cVIilg lbrr
|I),l -s - J

a t_,J_J 3iT-
33 33
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ee ')e^r4 A

chfsdr:l
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tcl 3rd chorus

D7b ED13-

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33

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22
^-- ,e e te-

f +trr chorus
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-3- -3- -J-

>>>>>

-3- -3- -3-

:>

-3- -3-
:>:>>

D.C. al Fine
(take both endings)
trem.

45
 ISLAND BIRDIE
Bright Calypso Tempo By McCOY TYNER
(Intro played once on D.C.)
Eb Fm7

Fm7 nhsus

Eb Fm7 BbTsus

a) I a

fS lanUay phyed by steeldrum and alto sax)

Eb Fm7 BFTsos

C o p y r i g h t@ 1 9 8 2 A i s h a M u s i c C o m p a n y
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 Ecblrb chnz

a t?, ? J ,bbT
T, V

cbrnz cbg
 E"b

lE I Solo: lst Chorus

nrl
l"' Fm7 Btr7sus ED

--.--\
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48
 ED
-J-

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ftem. I
)41

fcl lbssuslbtl

roll -

49
 b*v*, *-

Abgsus,,
-".". - - - - - - - - - ch"z
.i

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TT"f
a)

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Abgsus Fm7 sbr: chmz

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Eb

Fm9 nbr:
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^=-

tr ED
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Fm9 BD9sus Eb

51
 -Ahs.s . ---------------------l cDmT cbe
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 GD

bv&

M"b BDTsus m
a t-J t-J t-J t-J r-J t-J t-J t-J

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Fm7 - BD9sus
^ - v - - v -

3- -3-

=
=
I
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53
 Cm9 F13
tren't

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:rem.

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+
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h

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55
 JUST IN TIME
Moderately Fast Swing
rJ t
Words by BETTY COMDEN and ADOLPH GREEN
(t playedA S J ) ) Music by JULE STYNE
BblF pF
sbe EbmajTlF CmTlF

trE'
chhr Fr3firb) BD D7alt.

C o p y r i g h t@ 1 9 5 6 b y B e t t y C o m d e n ,A d o l p h G r e e na n d J u l e S t y n e
Copyright Renewed
lnternationalCopyright Secured All Rights Reserved
U n a u t h o r i z e cdo p y i n g ,a r r a n g i n ga. d a p t i n g ,r e c o r d i n g
56 o r p u b l i c p e r f o r m a n c ies a n i n Í r i n g e m e not f c o p y r i g h t .
I n Í r i n g e r sa r e l i a b l e u n d e r t h e l a w
 F9sus F6le Fm7

I tl-Jl
r
mf
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57
 nbrrfit at:ftt ot9-- Gl3 To Coda$
8 ! o" - - - -
tE flrE' h qb*t t7 0 c

lc'l Soto'lst Chorus

r;h|is nzbts($s) G9sus

-3
h
-1

-J-

I ,tí;
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59

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Gr.r C '=É-É í. tre c^'
t ll lt' Fl3

ru e-e_Jr

f
^t,Ê: t trie2 .r, !r'
-Átt-
,
-
.
- I l'! -. e^

^tlth t---\
"->.' ,'L LI DE::;
 @ z"aChorus
BW

nbrs -^r, ehils ozbrlpy rhlg

/a/la@
ozbrs(f,s) Dm6/9

lÊ: b

C9 C9sus

-
l-l e

t2 qÊ-,4 4._ a
 .^\
|'
ll
.2',

Ehils
roll#
.---\ bG
a:-....-.---t:

'le--e
-. ': 1
o-'

@ :.4 chorus
rzfis
czilstfisl nbgsus BD9 Ehng
2

63
G9sus G13
-3- -3-

Y r r

\a C lr fA* hC Cn
E.-

h7_

lbt:

G13
- 3-

65
 Cm9
tem.

G13 BblF EbmajTlF nzbs@ry BD

I
at -
^tl decresc.
---,- 2 i-t i-.
,-7-'= í l

lihïrt c7f,soe) Cm7 F7alt. E Solo

u ;-- -: i-. Y /
mp
r I l;-- a-,
tsl_LF
)'

a13Abr3

66
 Drum Break

GmTlE C7 F7ils sbt:

v-
a 1 =-

| 6;)
qLE
C C 1 ,b4

i
L
 G13 C
> >
2-á Drum Break
7\e

+ coda
F
D.S. al Coda

F13 BD9sus 413 lbr:

roll-

I Y

_2C:ec.? ,e IV: ,td:.

t l'*

68
 Cm9

.tbgsus
-3-

GTsus G13
-3- 3

69
 ebr: lrs nbr:

cb9 rzbs nbr{hl) Drum Break

I

Cm Dm EDmajT

------------z\r
h

70
 HABANA
LA (The Havana Sun)
soL
Moderately, Lafin Feel By McCOY TYNER
(Played by ensemble)
N.C. Db

fd (uaoay phyed by ensemble) CmTPb

>
tt
aDlADCm/BD
I
- .r.b-7cbYfrr:1$

C o p y r i g h@ t 1981 AishaMusicCompany
Administered bv Music Of The World
I n t e r n a t i o n aCl o p y r i g h tS e c u r e d A l l R i g h t s R e s e r v e d 71
 cbsb.z/Á,b

E ., Fm9 BD7 cmzhscsils Ff,m7BTsus

"'n,
2,ellrï c ' r'vT c v7'114-a c c1' |
-
lv I a+l-
_ l-= | t- | tltt't 't

lrá-a Itta tO L ^

7
 a["lcb r;bffiltbc^tBb

-6b1fi cm/Bb
 @ soto,lst Chorus
Ahsus nbr:

C9sus c13 Abgsus abt: cbr:

,bt 2
It:&: t t u* nr1
t-t:aC
2 - -

roll -

74
tr Gm7 Fm9 BD13 C9sus
 l>
2Ct hr A

f--h-b,.ebe'-

@ zna chorus

76
BbTsus sht: Gm9

AbTsus

D.C. al Fine

77
 MAN FROM TANGANYIKA
By McCOY TYNER

African feel (12/8 feel)

-J-

mf
3
-3 -'t r{- , T3 -r -3- -3 1 T3: -3-

E.
@ {urUay phyett by Jtute and piano)
G -J-
-3-

C o p y r i g h tO 1 9 7 3 A i s h a M u s i c C o m p a n y
Administered by Music Of The World
I n t e r n a t i o n aCl o p y r i g h tS e c u r e d A l l R i g h t s R e s e r v e d
tr -J -- G7sus
"nhilr
"Dm - J -

-3- -3-
>:>

FmajT C13
>>

o -u-
-J-

79
 % -J-
- Bhfil

To Coda S
FmajT C13
>

@ soto: lst Chorus

Gm
- d -
3-

.---=3 ----- -3 -----=3 ---'- -J

80
@ s*ing feel (ll ptayed* j"j I
EDmajT

81
 -Gm Afri"un
fE-l feel 2nd Chorus
--JJ ------=

- .?-
-?- -34
- C "--Z
,-Fc * Éry,

82
 El s,oing
EDmajT

f :.0 chorus

-3- -3-

a Eti\t, lrrr 3
-3- -3-^ ---
, Gfr ,€cÊ-

83
a)
3n'-
^fi"Ft
^-3-

Ê Ê r fr C íT

ll Swing feel
EWnzjT Ebsus nbt: cgsus
-3-

Fl3 Gm6

=-

I
a 2
Q: a C r02 t
l
?

'0 coda
D.S. al Coda ti'n C13
-3-

84
 THEME FOR NANA
f stowty
(Melody played by flute)
cf;-z cFflrrtbslDf'/ cfl*e clt chz

(
mf

Df/sus Dfr',/

Double-time swing feel

cfm Ghus

C o p y r i g h t@ 1 9 7 6 A i s h a M u s i c C o m p a n y
A d m i n i s t e r e db y M u s i c O f T h e W o r l d
I n t e r n a t i o n aCl o p y r i g h tS e c u r e d A l l R i g h t s R e s e r v e d
 a
l,- ^^1

-ï
_T
-^, t
E_l Ë Tempo1
nf-riltttfsl cf,m7

Bmaj9
cfirnzcFfitttbsl
ffi

-6--F{PfixJ-l'I tz l14 l

7 r^V'l Hg
xa
qt

,,1/)
|_
}ffié

86
 cfr"z cfTflrrtf,sl cillril B9

a) rl
3 3

Double-time swing feel

Gflsus

t7--t

!-Solo'
Dl(,
To Coda O

cils cfmT
7-17--

í-t - J. rJ
rc-E:

-4
,, ,,_.
I )a
:t''F#5-
Gf,m7
 E6le Dfi7fie

\--z

,crenf=
)-r

chnT cf"ot cfilcf cfm tr3

BTsus trem.

90
 D.S. al Coda

- J - - d -

S coda

Emajel3 nFflstflql Ghus

,. Gliss on black keys .-

Gliss on
black keys
 PRELUDE TO A KISS
By DUKE ELLINGTON
Freely I R V I N GG O R D O N a n d I R V I N G M I L L S
I
ED6 DhnajT EhnajT DbmajT rcbe AhtajTGbmajTFm7 nsbs

::--f
3

Quickly
C 813f,11 nbr3 A13f,11

f'l

abr:#n cr3flu cbr:#rr nbnfirr

kr mf
, l\ .t
t
l' 'l
óJt h)

C o p y r i g h t @ 1 9 3 8 ( R e n e w e d ) b y M i l l s M u s i c ,I n c .
l n t e r n a t i o n a lC o p y r i g h t S e c u r e d All RightsReserved
 c13fl11 obr:fir nr:frr
roll *

lTl not"to
Am7

--/
3

nbmZ Libs Dm nb c13 cfi6 Am7 Dl3hr(b)

-3-
-3 I
I

Steady Stride ( rf
Dm9 GjW
I
cl3f,u Bl3fil sbrfrr Aalt.
trAm7 D7 Gm7
ba, - ^-

r:r-

93
 cf,sf,tt FmajTflrl st:fitt nbt:firtar:fiu sbffi Nb Dm A78
-3- ,I.-: ,
-3-
b\!* bbl*\ 5--:3 -----

Straight 8th's
Ggsus cil6 Am7 > D13h1(Pe)
D/Ffl
,-3 h

nhnZ lbmZ FfmT

-J- --1
73

94
 r3 r
Steady Stride(I playedas J))
6-1
- F'6lg Cf;dim7 A7 nf*z 87b13(ile) ch:f,rr
r3-

Bm7 87b13(f;9) cfaimz

-3- ,-3=1-- -3-

rf-z stblnide) Em7 Al3hl

_2
-3- tà u-

-3-
--o
-=.ilt tQ Ft Flt
3-
cr/
-3-
tt:> -3- -

-f

Eo-s Gm9 -
-J-
C+ FmajTf,ll

l+
lí

Br3hl rbr:flrr Ar3hl nbmZ L7E Dm L1W Dm9 G13 Gf,6

2-à
:>
.:--J -

95
 Am7 D13fi1 D Dm9 G alt. obr:ilrr
roll -
-'-j-: -3- roll * ba.
-3 - roll *

tEl
--Á:m7
DG9 C Cf,9 Fmajg{l1 Bm9 ^ Bhmg^ A7 -
- J - - J - - t -

-3- -3- -3-

-3- -3- -J

mf

Glb Gf,oim

nbrsilrr Ar3*11

333
-.ï- -3- -3-----

tr
Am cTbs
Br3$ll Bbl3h1 Al3hr shrz GTsus Gfm6 ,tsus
-3n -3
r-3' l't) >>>

Dr3hr(b)

AD6
.:-3- -/-\-3-

24

l'-í-)- 2 - - 2 53-- bjl

-=--f
'1 -3-
 Steady Stride ( ,[] played as J ) )
E6ls cilsÍjrr FC*e
rhne B7b13(f,e) nbr:f,rt

3 --- -3

rf-z ----
nzbr:(fis)
--3 .-3

Ar3f,l1

^ t)-
F7 Ff,'/ rJ/ (rll/ A7 Bh B7-C7
-3- -3- -3- -J-

-3- -3-

f decresc.

l-Am7
Hl | |
D7DI3(D9)Cm7 C7
 nbr:azbr1br; ^7b Dm Gsus Am7 3b D7
Dl3D9
-J - .. -3 ---l

-t-- #fuo-
\- í- e 1--

tll
ov-
-^f
j
- mp "
rubato !1_ p
la
t-- L-
Pbms
l>
Deb,
0

Abmal7finlr,ful(bl

-::-?
- -bt b{P. + 8)'o---

'Faster , ?u
:ii;T nbe$enbelt rbeltobm"jz
A16teDbmaj,
Ètflï,td
8va (both hands)-__
ba,b --t
bir: v9't

'r
v

t
, r^',
b5í
t )
w
bÍ b-
' oí-.-
e^-e
rnll
= w-- mpp
--Da r-r- tÈrl
"04 l<-:-^'

--+

99
YOU STEPPED OUT OF A DREAM
Words by GUS KAHN
Music by NACIO HERB BROWN
Moderately

CTsus

trE' C

C o p y r i g h tO 1 9 4 0 ( R e n e w e d1 9 6 8 ) b y L E O F E I S T ,l N C .
A l l R i g h t s C o n t r o l l e da n d A d m i n i s t e r e db y E M I F E I S ï C A T A L O G l N C .
100 InternationalCopyright Secured AII Rights Reserved
 trem. cósr
O t'--- a ??, 7ra2-
/_

I
I
l-------ít_ lL

f-f-

-3- -3- Dm9D5 G7alt.

ffi zJ--_-_t-
-r# --.< r--1rt
w r a"b7 J t
v- \1C- J

l--.
fa e *l*: Lh --- )Ltr - P2-3
)-

101
gc

To Coila S
cbsilrr

trDmsbs

102
 CTsus
-rà17k
, rí\ bjí)
-,
b-J. 'rEl , - 1-
htr

tr
C
Solo: lst Chorus
CTsus
 sbr: I-13
h
!

4
a .t

lt -
Ee .' bn 2
-=Í:'-i:-

E c*zbs -3-
ctb ^
c
-.3 -J,n
-J-
b
,-{- Tb'.- tb
-- ----------ï_---------------a
d
_J_ -J:--^-J_^_ -3
*=

ADI3
tr
CIG

CTsus/G
roll-
ctbsl
.1 ft--l

Àz-,,b. ,.lal

105
 abr: czfis(f,tt)

:c frbbrÊb!fr \# 3 €*) { ,

f z"a chorus

106
 cósl

o | -

b*=*ff* fr b*: 6* ft

c6le
=>

roll-
 D.S. al Coda

al
r >7

-)r-- [= trr tft-fz,

e
+ Coda

M omgbs

Cmaj9 Ar13 roll -

ta

-- 2'-
?'--- ? Q2- 2-
i-
rttê ên1
t2 t).

-:--r-l^:-r=-

109
 SENOR GARLOS
Freelv
' By McCOY TYNER
Fml1 nbspp Ebsus/Bb

A e
€tr

mf
2,-
t

s s
Íà. 8vb--- --

F9sus Fm7
A

X (Uaoay phyed by guitar and piano)

Fm7
l|2. Db Eb Fm7

a) 4 -. =_='
7-
a
e

C o p y r i g h@ t 1982 Aisha Music Company

A d m i n i s t e r e db y M u s i c OÍ The World
112 l n t e r n a t i o n aCl o p y r i g h tS e c u r e d All Rights Reserved
ett
? 2 ) a ?
E = Z E E o
T
? .á
= {e eo
,urd urd Lw) ll".Ía
---
l, n J-
l
? 22 ? d-t .i-
'7
E b-,,!C o
E =E
À
 obp

nbrnajzftt

114
 DDmaj9

DbmajT Cm7 Fm Fm7

rD-h
Jr, j -
d - 7- J_A a
e

I
 L- I V U À ' a

" P '
)) I €
a) n
I
Ie a
a
4
e

lt

E N.c.

@ Soto, lst Chorus

Fm9 DD9 Dbgrut
T
t;

O
a
f
F14- tt f*:*, \F
)ïffi

116
 nb*s lbr:

c7w Fm7
t-
DD
tlrl#

",^fr \* b* e,-
?-

Fm619 Dhgsus Db
> >/-\

nbTc cTbs Fm9 rbtns lbt: DD619

- H_____+___+_

- 4q* b\"1k bt; f

2-
q t I -

Cm7 Fm Db Eb
7d '7 - a a' | /:
--va--Zr-
lJ.- el r "-

:Ê_Ê G:*, r ia ta j-t - ,4Q- e

t-ur ,ffi

117
 [rem.

o_e Y
A
2. 12 '--
D,' 2 a2 ? i-e I
,'

118
 @ z"a chorus
Fm7 Dbgsus Db9 Bblc
F_?

>

\t baáz

Db9sus Db9

nblc cTbs nbms AD13 Dv619

r r

\t *blaa 4 { '* * *s-s a

--^ tí-
GI#J

119
 h It
trem. í

a)
'22
Í-tt { l^lc é-
!ft b^, t2 .bD D^D' u
?' ho

8va
D.S. al Fine
>,-r

120