Today’s programme The wonders of the cosmos have always been a We’ll hear music from 200 years ago alongside much source of fascination for humankind. 35,000 years more recent pieces, some of which you’ll know and ago, even early African and European stargazers some you likely won’t. From Beethoven’s best- tracked the phases of the moon as it turned about known symphonic opening to Holst’s famous piece a planet that they had no idea they were on. Their ‘Jupiter’ and the music which accompanied Elliott as curiosity for the celestial marks the beginning of a he soared over the forest in E.T. the Extra-Terrestrial, millennia-long journey from the first agricultural it promises to be a fantastic programme. We hope societies to the ancient Greeks, through Copernicus, you enjoy the show. Galileo, Sputnik, Apollo and finally to Voyager, one of the most ambitious space projects ever undertaken. ‘This is a present from a small, In 1977 the United States launched two Voyager probes into the heavens. Their mission over the next distant world, a token of our sounds, 30 years was to examine and measure the planets our science, our images, our music, of our solar system and then venture out beyond it, our thoughts and our feelings ... into the unknown, carrying forth a message that will travel through space for the next 10,000 years. This record represents our hope and our determination, and our good will Welcome to this afternoon’s LSO Discovery Family Concert at the Barbican. We are delighted that you in a vast and awesome universe.’ are able to join us as we present Voyager, the story of a distant traveller, Kepler, who having discovered US President Jimmy Carter’s a Voyager probe, beams herself down to the Barbican Hall to learn about humankind. What will she learn message on Voyager 1 about us, and with your help, will she get home to her distant galaxy? Richard Strauss Dmitri Shostakovich Prelude from ‘Also sprach Zarathustra’ Allegro from ‘Symphony No 10’ This music from 2001: A Space Odyssey’s iconic Loud and boisterous, this short movement from one opening was originally taken from a piece by Richard of Shostakovich’s symphonies is quite the gallop! Strauss from 1896. Hair-raisingly dramatic, the initial It features chugging low strings and lots of notes for fanfare was titled ‘Sunrise’ by the composer. the trumpet.
John Adams Charles Ives
Short Ride in a Fast Machine The Unanswered Question According to the composer, this piece from 1986 was Against the backdrop of shimmering strings, a solo inspired by the feeling of agreeing to ride in a terrific trumpet repeatedly asks ‘The Perennial Question sports car and then wishing you hadn’t! of Existence’. A woodwind quartet tries in vain to answer, growing continually more urgent and Ludwig van Beethoven confused. ‘Allegro con brio’ from Symphony No 5 This is one of the best-known pieces of classical music. Gustav Holst arr Gareth Davies You’ll probably recognise its dramatic ‘dun-dun-dun- Voyager dah’ opening phrase, thought by some to represent to the tune of ‘I Vow to Thee, My Country’ fate knocking on the door, although Kepler has her (audience participation piece) own ideas! This hymn uses the same tune as Gustav Holst’s ‘Jupiter’, which we heard earlier on, and has been set Gustav Holst to new words by Gareth Davies. We hope you’re in Jupiter from ‘The Planets’ good voice as you’ll need to help get kepler home! Racing strings are followed by bold trumpets and horns in Holst’s fantastic vision of the solar system’s fifth John Williams planet. Make sure to watch the kettle drum player in Flying theme from ‘E.T. the Extra-Terrestrial’ the beginning – they have a lot of notes to play! Conjuring images of flying bikes and extra-terrestrial spaceships, John Williams’ magical score to the Olivier Messiaen 1982 film E.T. the Extra-Terrestrial remains a favourite Opening from ‘Les offrandes oubliées’ for audiences. It’s one of our favourites to play too. Mysterious and alien, the dark strings and woodwind from the opening of Messiaen’s 1930 piece transports the listener on a journey to another world. Elim Chan conductor Born in Hong Kong, Elim Chan won the Donatella Flick Conducting Competition in December 2014, and as a result served as the LSO’s Assistant Conductor for the 2015/16 season. She was then appointed to the Dudamel Fellowship programme with the Los Angeles Philharmonic and in 2017/18 she served as Principal Conductor of the Orchestra of NorrlandsOperan. She begins her role as Principal Guest Conductor of the Royal Scottish National Orchestra in September this year. From September 2019, she will be Chief Conductor of Antwerp Symphony Orchestra.
Elim Chan’s appearance with the LSO is generously
supported by Reignwood.
Victor Craven creator & director
Victor Craven is a animator and director with a passion for classical music, theatre and film. He has many years experience of producing work for the creative arts and specialises in working with world- class orchestras and ensembles, stage directing and producing animations for live concert performance.
NEXT TIME Gareth Davies writer
Saturday 27 October 2018 2.30–3.30pm Gareth Davies joined the London Symphony Barbican Hall Orchestra as Flute in 2000. Alongside his busy playing schedule, he has also written for BBC Music LSO FAMILY CONCERT Magazine, Gramophone and Primephonic. His first book The Show Must Go On was a 2013 book of lso.co.uk/families the year in the Financial Times and Classical Music Magazine. This is his second collaboration with Under 18s can attend any LSO concert for just £5 Victor Craven for an LSO Family Concert following Browse all our events at lso.co.uk 2016’s ‘Game Over’.