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VOY

FAMILY CONCERT

AGER Sunday 8 July 2.30–3.30pm, Barbican Hall


Today’s programme
The wonders of the cosmos have always been a We’ll hear music from 200 years ago alongside much
source of fascination for humankind. 35,000 years more recent pieces, some of which you’ll know and
ago, even early African and European stargazers some you likely won’t. From Beethoven’s best-
tracked the phases of the moon as it turned about known symphonic opening to Holst’s famous piece
a planet that they had no idea they were on. Their ‘Jupiter’ and the music which accompanied Elliott as
curiosity for the celestial marks the beginning of a he soared over the forest in E.T. the Extra-Terrestrial,
millennia-long journey from the first agricultural it promises to be a fantastic programme. We hope
societies to the ancient Greeks, through Copernicus, you enjoy the show.
Galileo, Sputnik, Apollo and finally to Voyager, one
of the most ambitious space projects ever undertaken.
‘This is a present from a small,
In 1977 the United States launched two Voyager
probes into the heavens. Their mission over the next
distant world, a token of our sounds,
30 years was to examine and measure the planets our science, our images, our music,
of our solar system and then venture out beyond it, our thoughts and our feelings ...
into the unknown, carrying forth a message that will
travel through space for the next 10,000 years. This record represents our hope and
our determination, and our good will
Welcome to this afternoon’s LSO Discovery Family
Concert at the Barbican. We are delighted that you in a vast and awesome universe.’
are able to join us as we present Voyager, the story
of a distant traveller, Kepler, who having discovered US President Jimmy Carter’s
a Voyager probe, beams herself down to the Barbican
Hall to learn about humankind. What will she learn
message on Voyager 1
about us, and with your help, will she get home to
her distant galaxy?
Richard Strauss Dmitri Shostakovich
Prelude from ‘Also sprach Zarathustra’ Allegro from ‘Symphony No 10’
This music from 2001: A Space Odyssey’s iconic Loud and boisterous, this short movement from one
opening was originally taken from a piece by Richard of Shostakovich’s symphonies is quite the gallop!
Strauss from 1896. Hair-raisingly dramatic, the initial It features chugging low strings and lots of notes for
fanfare was titled ‘Sunrise’ by the composer. the trumpet.

John Adams Charles Ives


Short Ride in a Fast Machine The Unanswered Question
According to the composer, this piece from 1986 was Against the backdrop of shimmering strings, a solo
inspired by the feeling of agreeing to ride in a terrific trumpet repeatedly asks ‘The Perennial Question
sports car and then wishing you hadn’t! of Existence’. A woodwind quartet tries in vain
to answer, growing continually more urgent and
Ludwig van Beethoven confused.
‘Allegro con brio’ from Symphony No 5
This is one of the best-known pieces of classical music. Gustav Holst arr Gareth Davies
You’ll probably recognise its dramatic ‘dun-dun-dun- Voyager
dah’ opening phrase, thought by some to represent to the tune of ‘I Vow to Thee, My Country’
fate knocking on the door, although Kepler has her (audience participation piece)
own ideas! This hymn uses the same tune as Gustav Holst’s
‘Jupiter’, which we heard earlier on, and has been set
Gustav Holst to new words by Gareth Davies. We hope you’re in
Jupiter from ‘The Planets’ good voice as you’ll need to help get kepler home!
Racing strings are followed by bold trumpets and horns
in Holst’s fantastic vision of the solar system’s fifth John Williams
planet. Make sure to watch the kettle drum player in Flying theme from ‘E.T. the Extra-Terrestrial’
the beginning – they have a lot of notes to play! Conjuring images of flying bikes and extra-terrestrial
spaceships, John Williams’ magical score to the
Olivier Messiaen 1982 film E.T. the Extra-Terrestrial remains a favourite
Opening from ‘Les offrandes oubliées’ for audiences. It’s one of our favourites to play too.
Mysterious and alien, the dark strings and woodwind
from the opening of Messiaen’s 1930 piece transports
the listener on a journey to another world.
Elim Chan conductor
Born in Hong Kong, Elim Chan won the Donatella
Flick Conducting Competition in December 2014,
and as a result served as the LSO’s Assistant
Conductor for the 2015/16 season. She was then
appointed to the Dudamel Fellowship programme
with the Los Angeles Philharmonic and in 2017/18
she served as Principal Conductor of the Orchestra
of NorrlandsOperan. She begins her role as Principal
Guest Conductor of the Royal Scottish National
Orchestra in September this year. From September
2019, she will be Chief Conductor of Antwerp
Symphony Orchestra.

Elim Chan’s appearance with the LSO is generously


supported by Reignwood.

Victor Craven creator & director


Victor Craven is a animator and director with a
passion for classical music, theatre and film. He has
many years experience of producing work for the
creative arts and specialises in working with world-
class orchestras and ensembles, stage directing and
producing animations for live concert performance.

NEXT TIME Gareth Davies writer


Saturday 27 October 2018 2.30–3.30pm Gareth Davies joined the London Symphony
Barbican Hall Orchestra as Flute in 2000. Alongside his busy
playing schedule, he has also written for BBC Music
LSO FAMILY CONCERT Magazine, Gramophone and Primephonic. His first
book The Show Must Go On was a 2013 book of
lso.co.uk/families the year in the Financial Times and Classical Music
Magazine. This is his second collaboration with
Under 18s can attend any LSO concert for just £5 Victor Craven for an LSO Family Concert following
Browse all our events at lso.co.uk 2016’s ‘Game Over’.

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