Professional Documents
Culture Documents
As You Like It
Under the Greenwood Tree by Thomas Hardy (II.v)
And All the Stars a Stage by James Blish (from "All the world's a stage", II.vii)
The Lie Direct by Sara Woods (V.iv)
Coriolanus
The Exile Kiss by George Alec Effinger (from "O! a kiss / Long as my exile", V:iii)
Hamlet
Too, Too Solid Flesh by Nick O'Donohoe (I.ii)
This Above All by Eric Knight (I.iii)
Something Rotten by Jasper Fforde (I.iv)
The Glimpses of the Moon by Edith Wharton; Edmund Crispin (I.iv)
There are More Things by Jorge Luis Borges (I.v)
More Things in Heaven by John Brunner (I.v)
And Be a Villain by Rex Stout (I.v)
The Celestial Bed by Irving Wallace (I.v)
Time Out of Joint by Philip K. Dick (I.v)
Murder Most Foul used by several different mystery writers (I.v)
Leave Her to Heaven by Ben Ames Williams (I.v)
Method — Or Madness? by Robert Lewis (II.ii)
How Like an Angel by Margaret Millar (II.ii)
How Like a God by Brenda Clough (II.ii)
Her Privates We by Frederic Manning (II.ii); also published as The Middle Parts of
Fortune: Somme and Ancre, 1916, referring to the same section of II.ii: 'On
fortune's cap we are not the very button ...Then you live about her waist, or in the
middle of her favours?' [1]
"2BR02B" by Kurt Vonnegut (III.i)
What Dreams May Come by Richard Matheson (III.i)
This Mortal Coil by Cynthia Asquith (III.i)
Mortal Coils by Aldous Huxley and Immortal Coil by Jeffrey Lang (III.i)
Perchance to Dream by Robert B. Parker, Howard Weinstein (Star Trek: The Next
Generation novel) and Perforce to Dream by John Wyndham [2] (III.i)
With a bare bodkin by Cyril Hare (III.i)
The Name of Action by Graham Greene (III.i)
All My Sins Remembered by Joe Haldeman (III.i)
Single Spies by Alan Bennett (IV.v)
Infinite Jest by David Foster Wallace (V.i)
Put on by Cunning by Ruth Rendell (V.ii)
Henry V
So Vile a Sin by Ben Aaronovitch & Kate Orman (II.iv)
Band of Brothers by Stephen Ambrose (IV.iii)
Henry VIII
The Long Divorce by Edmund Crispin (II.i)
A Killing Frost by R. D. Wingfield (III.ii)
The Third Day, The Frost by John Marsden (III.ii)
Julius Caesar
The Fault in Our Stars by John Green (from "The fault, dear Brutus is not in our
stars", I.ii)
This Little Measure by Sara Woods (III.i)
The Dogs of War by Frederick Forsyth (III.i)
The Evil that Men Do by Nancy Holder++ (III.ii)
There is a Tide by Agatha Christie (also known as Taken at the Flood) (IV.iii)
On Such a Full Sea by Chang-Rae Lee (IV.iii)
King John
Twice-Told Tales by Nathaniel Hawthorne (III.iv)
England Have My Bones by T.H. White (from "Heaven take my soul, and England
keep my bones", IV.iii)
King Lear
"Childe Roland to the Dark Tower Came" by Robert Browning (III.iv)
The Lake of Darkness by Ruth Rendell (III.v)
Every Inch a King by Harry Turtledove (IV.vi)
If We Were Villains by M.L. Rio (I.ii)
Speak What We Feel (Not What We Ought To Say) by Frederick Buechner (V.iii)
Macbeth
Wyrd Sisters by Terry Pratchett (I.iii, etc.)
The Seeds of Time by John Wyndham (I.iii)
Fatal Vision by Joe McGinniss (II.i)
The Moon is Down by John Steinbeck (II.i)
Wash This Blood Clean from My Hand by Fred Vargas (II:ii)
A Heart So White by Javier Marías (II.ii)
Light Thickens by Ngaio Marsh (III.ii)
Let It Come Down by Paul Bowles (III.iii)
Fire, Burn! by John Dickson Carr (IV.i)
Fire Burn and Cauldron Bubble by H. P. Mallory (IV.i)
A Charm of Powerful Trouble by Joanne Horniman (IV.i)
By the Pricking of My Thumbs by Agatha Christie (IV.i)
Something Wicked this Way Comes by Ray Bradbury (IV.i)
Tomorrow and Tomorrow by Charles Sheffield (V.v)
"Tomorrow and Tomorrow and Tomorrow" by Kurt Vonnegut (V.v)
All My Yesterdays by Cecil Lewis++ (from "all our yesterdays", V.v)
Brief Candles by Aldous Huxley (from "Out, out, brief candle!", V.v)
The Sound and the Fury by William Faulkner (from "it is a tale / Told by an idiot, full
of sound and fury, / Signifying nothing.", V.v)
Taste of Fears by Margaret Millar (V.v)
The Way to Dusty Death by Alistair MacLean (V.v)
Tutti i nostri ieri (All Our Yesterdays) or A Light for Fools (American title) by Natalia
Ginzburg (V.v)
Othello
Passing Strange by Catherine Aird (I.iii)
Nothing if Not Critical by Robert Hughes (II.i)
Mortal Engines by Philip Reeve (III.iii)
Mortal Engines by Stanisław Lem (III.iii)
Pomp and Circumstance by Noël Coward++ (III.iii)
Richer Than All His Tribe by Nicholas Monsarrat (V.ii)
Richard II
Bid Time Return by Richard Matheson (III.ii)
This Blessed Plot by Hugo Young
Richard III
The Winter of Our Discontent by John Steinbeck (I.i)
Tomorrow in the Battle Think on Me by Javier Marías (V:iii)
The Sonnets
The Darling Buds of May by H. E. Bates++ (XVIII)
Chronicles of Wasted Time by Malcolm Muggeridge (CVI)
The Pebbled Shore by Elizabeth Longford (LX)
Summer's Lease by John Mortimer (XVIII)
Remembrance of Things Past by Marcel Proust (only in English translation) (XXX)
Where Late the Sweet Birds Sang by Kate Wilhelm (LXXIII)
Absent in the Spring by Agatha Christie (XCVIII)
Nothing Like the Sun by Anthony Burgess (CXXX)
No More Dying Then by Ruth Rendell (CXXXXVI)
The Tempest
Sea Change by Richard Armstrong (I.ii)
Sea Change by Robert B. Parker
Sea Change by James Powlik
Something Rich and Strange by Patricia A. McKillip (I.ii)
Into Thin Air by Jon Krakauer (IV.i)
Brave New World by Aldous Huxley (V.i)
This Rough Magic by Mary Stewart (V.i)
Every Third Thought by John Barth (V.i)
Timon of Athens
Pale Fire by Vladimir Nabokov (IV.iii)
Twelfth Night
Cakes and Ale by William Somerset Maugham (II.iii)
Sad Cypress by Agatha Christie (II.iii)
To Play the Fool by Laurie R. King (III.i)
PoetryEdit
Hamlet
"Very Like A Whale" by Ogden Nash (III.ii)
Julius Caesar
"The Hollow Men" by T. S. Eliot (IV.ii)
King Lear
"Childe Roland to the Dark Tower Came" by Robert Browning (III.iv)
Macbeth
"Out, Out–" by Robert Frost (V.i)
The Tempest
"Full Fathom Five" by Sylvia Plath (I.ii)
"Full Fathom Five" by Samuel Menashe (I.ii)
"Pearls That Were" by J. H. Prynne (I.ii)