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Octave glissando
From Wikipedia, the free encyclopedia
Due to the positions of the thumbs on the player's hands, octave glissandos are almost always
executed upwards with the left hand and downwards with the right. However, exceptions include
Balakirev's Islamey, where players are instructed to execute the glissando upwards across three
octaves with their right hands in the Tempo di Trepak section.
Due to the slight damage (and resultant pain) which octave glissandi may cause to the flesh of the
fifth finger, they are infrequently used in the piano repertoire. However, their inclusion offers a rare
and unique musical effect.
Contents
1 Examples
2 Injuries
3 Variations
4 References
Examples
Pieces which utilise the effect include:
Injuries
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Octave glissando - Wikipedia https://en.wikipedia.org/wiki/Octave_glissando
Due to the nature of this technique, over-practicing without awareness can lead to injury, which
includes superficial wounds, bruises and tendinitis.
Variations
One-handed double glissandi are sometimes executed at intervals other than an octave, the most
common being sixths. Franz Liszt's piano transcription of Hector Berlioz's Symphonie fantastique
contains, in an ossia (optional replacement measure) in the finale, a glissando in sixths played
upward with the right hand. The Alborada del gracioso from Maurice Ravel's Miroirs contains
glissandi in thirds and fourths in one hand.
References
Categories: Musical performance techniques Musical instrument stubs Music theory stubs
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