Preludio y Fuga

"al Tango"

para PIANO

op. 21 n° 2

I - Preludio - Andantino
II - Fuga - Andantino molto moderato

Juan Francisco Giacobbe

(1907-1990)
2
Preludio y Fuga "al Tango" - op.21 n°2 (1945)

PRELUDIO
Juan Francisco Giacobbe
(1907-1990)
Andantino q=92

    
íntimamente meditativo
   
       

p
         
    
           
        


5
          
     
con voce
           
 
       


    


9
               
    


                        
               
 

     
13

        

     
                      
  

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

     
3
17
                

           

              
      
   

                     
21
      
  
 
             
  
      
         
 

              
 
25
         


    

         
    
 
  

                  
          
29
  
              


              

 
   
 
       

  
Lento

33

     
         

 
        
             

  
PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE
4
Preludio y Fuga "al Tango" - op.21 n°2 (1945)

Juan Francisco Giacobbe

(1907-1990)

FUGA

Andantino molto moderato q=100


1
     


         
p
 
       
   



5
      
  
                     



9
            


   
   
    
                       
 

    
13
      
 

   


      
          
        
              

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

  
5
    
17
             

      
                    
  
      

  

 
21
    
        
  

               
      
  

      
         
24
 
       
               

               
 
        


27
       
     

            
    
   

 
                    
  

 
      
  
              

31

         
 
    
     

            
         
    
   

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

 
6
        
            
35
      
  
    

          
      
      
            

 
39

         

 
             
  

         
         
 

42
      
                          
 
   

     
       

         
       


45
         
  

           
                   
         


49
     

       

                              
    

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

  

7
 
          
       
53
     
    



f
   
cresc. e marcatiss.
       

           
    
             
      
 
   
        
     
56
    
        

 
ff con fuoco


        
       
            

      
           
   
58
       
martellato il ritmo sff

sf

       
                    

 
       
Lontano e misterioso

61
      
vuota
  
sff soave
fp pp

      
fp
 
    
legatiss.
    
         

     
     
67
    
    

  
dolciss.
            
 

             
       

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

8
 
71
        


          

      
                 
       

 
74
          
             
  
        
                     
  

Cadenza, alla fantasia

secco    

          
77 marcatiss.
 
   
f segue
p

f
p
  
         
         
   

    
80
        
    
     
 
     

    
   
   

  
83
      
      
cresc.
  
   
      
    
       


PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE

 a Tpo. sostenuto
  9
   
         
          
86
          
          
 
f ff 
 e vibrante

           
                           
      

   
      
       
loco

          
   
 
89
    
        
   
sff sff

fff ffff
   
               
                  

1945

PRELUDIO Y FUGA "al tango" - para PIANO - op.21 n°2 - J.F.GIACOBBE