Meditatio

super Kyrie
"Cum Jubilo"
In Festis B.Mariae Virginis (I)

para Piano

op.21 n° 1b - (1945)

1) Sereno e con amore

2) Andantino cantabile (alla fuga)

Juan Francisco Giacobbe

(1907-1990)
2 Meditatio super Kyrie "Cum Jubilo" In Festis B.Mariae Virginis (I)

para Piano - op. 21 n° 1b - (1945)

Juan Francisco Giacobbe
(1907-1990)

Sereno e con amore

q=60 con espressione cantabile gregoriana
 
 
    4       78      
3
8       4   
8 3
         
p


pp

    3    7    8    3  
 4 8   8    
4

5
 
          88              28   8 
4 6
pp  
          8

   
2  4 
dolciss.
    
  8        8
8 6
8 8

  
con più voce
10
 6     15
 
    8  
           

 
    
8
 
mp

    6   
 8  
15
 8

  15
6
sentito
           5   
14
 
    15
8       8      8    8
  
 
        5   
mf
   
    15    
6 
8
  15
   8 
              

 
  8 
 8
soave ma sonoro
  sereno 3
   15      
17

   8              8 
 6 7
8 
4

8
 

    
    15        4  6  
  8      8 
7
 
  
8 8

dolciss. e ben ritmato

   
  
  7  6 
20

   8       98        48     15
       
8 8
  

         15
   7       
 6   
 8   8   8   
9 4
 
8 8

 
                  
   
        
    15
25
 
    8  
15 5 6
8 8 8
 
  15 
    8 
     
      8   68 
   
5 15
 
8

        
28
  
    
 
 
 
 4 5      7
    15
8  8 8 8

    
   
   15
8 

  
  4
8  8 
5



7
8

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe

    2   3    4
4 31
  7       2 5  

 8     8  8      8  4   4


 7     
   2   
    8     28
 5 3 4
8 8 4 4

tranquillo e sentito
  
  
36
 4      
    4        
  
     
    


   
           
    4         
 4 

Alla fuga
Andantino cantabile


41

        
3 4 3
4 4 4
pp

ppp
ma ben articolato

    
    
 4     43
   4     
3
 

4


 
46
 3        
    4     4    3

4 4
 mp sonoro
    3          
 4          4 
4 3
   
4
profondo
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
 
     5
  
    3               4         3
50

 4        
    
4 4

    3        
 4             4 
4 3
 
       
4

       

54
    
    4               

  4
3 2
      

    3          
   4           
      4
2
     



  3        
58

   42   4   
    
      
4 4

     
 
    2    4        
  4     4 4            
3
  

     

  
62
      

          4        4 
4 3       
  

   
  4     3   
        
  4       4          


 
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
  con anima  
  
6
      
            
66
    
              


f

   marcato

             
  

  
 

               
f

    
marcato
 
   

marcato molto


71

                4
 
4
  
                 
          
4
4

    4
       
                4
        
marcato marcato
  

sonoro, solenne e posato

 4
75

    4  4           
3 4
         
4


    4     
 4 4       
       4
3 4
            
    4  43   
  4 
4

4

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
 più sensibile
 7
  4   3
79

  4    4         44   
       4
3
  
            3
    4   4 
 4   4     4   4

3
  
p
subito e cantabile con garbo
    
 
     
 
83
              
                
  4  
3

           

   3     
     



 4     
  






  
molto espress. e quasi scherzoso
  
  
 
  



       

   


             

 
87

                
     
    
armonioso

   
    


       


  


      






 



     
          

         
 
        

  
91 


        

    
 
              
         
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
  
 

8 95
  
               

sonoro

    


          
f
   
               

 
f    

molto sostenuto

   
e sonoro
ritmato

99

        4     4    4         4
4 3 2 3
             
 
  
      4    3   2     3
       4     
4      4
   4
     


 
a Tempo con fuoco
  
 
   3        3    
103

  4    4
4
4    
   

           


    3    4 
 4  4  
3
 
4


 
  
107

          4          43  

4
    

ff
      
     4   
    4 
4 3
  marcato

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe

 cresc. sempre
    
9
 
111
       
                   
   

               
 
         

  

 

decresc. moltiss.............................

          
115

       
        
   
   
     
        
         



sotto voce

119
  4   
     4  

quasi recit.
  
misterioso
      
        4            
4
  


legatiss. e lontano

       3       
 
123

       4 

3 4
4
  
4
ppp

pp

        3        4
     4   4
3

4
sensibile

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
 
10 128
              
    4         
3
p   

   3           
 4    
 
    

decresc. molto
 

133

     
4      
4  4   
3
     

    
                 
     
          4   4
4 3


137
            
                           4
   
 4
   
    
                    

4
4

con energia lírica

       
 4    3          
  
140

    4           

4
     
   
ff
   
    4      
 4  43    


ff    
    4    
 4 
 
 4  3 
  
  
 
        
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
        11

144              
    
        
  
       
          
    
 

 
  
 
    
 

      
 




 

     
       

 
      
   
147
 
     4    3
  
4 4

      
 
  

  4   

3
4 4

 
    4  

4 
3
  
4


Tutta forza, sostenuto assai, ma entusiastico

  
     
      7      8     3   
 
149

    4     8   8    4 
3

        
 3 7 
 
 8    3 
    4      

    8

8 4
        
    3      

7      8    
  4    8  8        4  
 3
              

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
      

    
12 loco

         8            28   43

153

      8        

  
            

fff
         3
sempre
    28

8
    
8 4
          8    
      8      
 
8
2  3
      
4

  
Glorioso
    
                
   4             
157

   43  
     
4
sfff 
 
 4           


   3    
 4 4 
 
    3  
   4    







 

 4  
  
 

4 
       
   
     
  


sfff 
  

vibrante
   

    
  
161

        

   
sffff
 
sff sff
   
  
             
   
 sffff

     
      
 
 
    

24 Giugno 1945
J.F.G. fecit
Τω Θεω Χαριζ

Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe