Sa Aking Mga Kababata, 1869
Whoever knows not how to love his native
Kapagka ang baya'y sadyang umiibig
Sa kanyang salitang kaloob ng langit,
Sanglang kalayaan nasa ring masapit
Katulad ng ibong nasa himpapawid.
Pagka't ang salita'y isang kahatulan
Sa bayan, sa nayo't mga kaharian,
At ang isang tao'y katulad, kabagay
Ng alin mang likha noong kalayaan.
Ang hindi magmahal sa kanyang salita
Mahigit sa hayop at malansang isda,
Kaya ang marapat pagyamaning kusa
Na tulad sa inang tunay na nagpala.
Ang wikang Tagalog tulad din sa Latin
Sa Ingles, Kastila at salitang anghel,
Sapagka't ang Poong maalam tumingin
Ang siyang naggawad, nagbigay sa atin.
Ang salita nati'y huwad din sa iba
Na may alfabeto at sariling letra,
Na kaya nawala'y dinatnan ng sigwa
Ang lunday sa lawa noong dakong una.
TO MY FELLOW CHILDREN
José Rizal
Translated by Frank C. Laubach
Whenever people of a country truly love
The language which by heav'n they were
taught to use
That country also surely liberty pursue
As does the bird which soars to freer space
above.
For language is the final judge and referee
Upon the people in the land where it holds
sway;
In truth our human race resembles in this way
The other living beings born in liberty.
tongue
Is worse than any best or evil smelling fish.
To make our language richer ought to be our
wish
The same as any mother loves to feed her
young.
Tagalog and the Latin language are the same
And English and Castilian and the angels'
tongue;
And God, whose watchful care o'er all is
flung,
Has given us His blessing in the speech we
calim,
Our mother tongue, like all the highest tht we
know
Had alphabet and letters of its very own;
But these were lost -- by furious waves were
overthrown
Like bancas in the stormy sea, long years ago.
MY FIRST INSPIRATION (Mi
Primera Inspiracion, 1874)
Why falls so rich a spray
of fragrance from the bowers
of the balmy flowers
upon this festive day?
Why from woods and vales
do we hear sweet measures ringing
that seem to be the singing
of a choir of nightingales?
Why in the grass below
do birds start at the wind's noises,
unleashing their honeyed voices
as they hop from bough to bough?
Why should the spring that glows
its crystalline murmur be tuning
to the zephyr's mellow crooning
as among the flowers it flows?
Why seems to me more endearing,
more fair than on other days,
the dawn's enchanting face
among red clouds appearing?
The reason, dear mother, is
they feast your day of bloom:
the rose with its perfume,
the bird with its harmonies.
And the spring that rings with laughter
upon this joyful day
with its murmur seems to say:
'Live happily ever after!'
And from that spring in the grove
now turn to hear the first note
that from my lute I emote
to the impulse of my love.
FELICITATION (Felicitacion,
1875)
If Philomela with harmonious tongue
To blond Apollo, who manifests his face
Behind high hill or overhanging mountain,
Canticles sends.
So we as well, full of a sweet contentment,
Salute you and your very noble saint
With tender music and fraternal measures,
Dear Antonino.
From all your sisters and your other kin
Receive most lovingly the loving accent
That the suave warmth of love dictates to
them
Placid and tender.
From amorous wife and amiable Emilio
Sweetly receive an unsurpassed affection;
And may its sweetness in disaster soften
The ruder torments.
As the sea pilot, who so bravely fought
Tempestuous waters in the dark of night,
Gazes upon his darling vessel safe
And come to port.
So, setting aside all [worldly] predilections,
Now let your eyes be lifted heavenward
To him who is the solace of all men
And loving Father.
And from ourselves that in such loving
accents
Salute you everywhere you celebrate,
These clamorous vivas that from the heart
resound
Be pleased to accept.
THE EMBARKATION, a hymn to
Ferdinand Magellan’s fleet (El
Embarque: Himno a la Flota de
Magallanes, 1875)
One beautiful day when in East
The sun had gaily brightened,
At Barrameda with rejoicing great
Activities everywhere reigned.
‘Tis cause on the shores the caravels
Would part with their sails a-swelling;
And noble warriors with their swords
To conquer unknown world are going.
And all is glee and all is joy,
All is valor in the city.
Everywhere the husky sounds of drums
Are resounding with majesty.
With big echoes thousands of salvos
Makes at the ships a roaring cannon
And the Spanish people proudly greet
The soldiers with affection.
Farewell! They say to them, loved ones,
Brave soldiers of the homeland;
With glories gird our mother Spain,
In the campaign in the unknown land!
As they move away to the gentle breath
Of the cool wind with emotion,
They all bless with a pious voice
So glorious, heroic action.
And finally, the people salute
The standard of Magellan
That he carries on the way to the seas
Where madly roars the hurricane.
AND HE IS SPANISH: ELCANO,
THE FIRST TO
CIRCUMNAVIGATE THE
WORLD (Y Es Espanol: Elcano, el
Primero en dar la Vuelta al Mundo,
December 1875)
Where does that frail ship go
That proudly cruises on
And ploughs the distant seas
To seek the lands unknown?
Who's the brave and invincible,
That from far down the West
Sails on the expansive world
To yonder roseate East?
Of Spain he's a heroic son,
A Titan new of Pirene,
Who with fury fights against,
If it holds him, the hurricane.
He's Elcano who undertakes
A task that enchants the world ;
To accomplish it he vows
And its vastness him doesn't hold.
And to red-tailed eagle akin
That soars high in the wind
With an unequalled flight
And with a movement swift,
Of the blowing storm that roars,
He scorns the horrible hiss ;
And mocks with kingly air
The lightning's shattering noise.
And like a craggy rock
No impetuous ocean in rage
Or the fury of hurricanes
Him can change or disengage ;
Such is the invincible
Elcano, when cruising through
The waves, with his Spanish ships,
Their rage they might'ly subdue.
Triumphant crosses he
The vast roundness of the globe
With exceptional bravery
He measured the extensive orb.
A thousand laurels crown
Defender of Spain, your brow ;
And a brilliant diadem
Now proudly decorates you.
The Battle: Urbiztondo, Terror of
Jolo (El Combate: Urbiztondo,
Terror de Jolo, December 1875)
A hundred war-tried ships
At the mercy of the gentle wind,
Leave behind Manila bay
-The ruffled sea they plough.
A short while they descry
The Moros of Jolo
Who with pride they raise
A thousand waving flags.
And when the soldiers strong
Had alighted on the shores
And pointed all their guns
Against the enemy's wall,
With manly accent spoke
The general : "Soldiers of mine,
Upon your valor depends
The rich glory of victory.
"I would prefer to die
Rather than desist from attack ;
To thee the country entrusts
Her noble, sacred seals."
Said he ; and like Notus fierce
By horrid lightning hedged in
In furious tempests it sows
Sad weeping and mourning around ;
So Urbiztondo unsubdued
His soldiers following him,
He spreads death everywhere
With cold steel in his hand.
And like a lion in the woods
He roars, engendering fear,
As he looks upon the prey
That with havoc he devours;
So the noted fighting men
With fury and frenzied fright,
Approach the barricades
As they give a headlong assault.
And the Castiles' lion shakes
His forelock wrathfully
And readies his pointed claws
To spread tears everywhere.
Eight bastions, do surrender
Of the Moros of Jolo
To the furious rattle of Mars
And Urbiztondo's assault.
Ah ! They're the ones, noble Spain,
Like Lepanto's heroes they are,
At Pavia they're the ones
Who're the thunderbolt of war.
The fire consumes and devours
The castles and palaces
And all the Joloans own
At our soldiers fierce attack.
Perfidious Mahumat flees,
Tyrannical and godless Sultan,
And the warriors valorous
March into Jolo as they sing.
IN MEMORY OF MY TOWN (Un
Recuerdo A Mi Pueblo, 1876)
When I remember the days
that saw my early childhood
spent on the green shores
of a murmurous lagoon;
when I remember the coolness,
delicious and refreshing,
that on my face I felt
as I heard Favonius croon;
When I behold the white lily
swell to the wind’s impulsion,
and that tempestuous element
meekly asleep on the sand;
when I inhale the dear
intoxicating essence
the flowers exude when dawn
is smiling on the land;
Sadly, sadly I recall
your visage, precious childhood,
which an affectionate mother
made beautiful and bright;
I recall a simple town,
my comfort, joy and cradle,
beside a balmy lake,
the seat of my delight.
Ah, yes, my awkward foot
explored your sombre woodlands,
and on the banks of your rivers
in frolic I took part.
I prayed in your rustic temple,
a child, with a child’s devotion;
and your unsullied breeze
exhilarated my heart.
The Creator I saw in the grandeur
of your age-old forests;
upon your bosom, sorrows
were ever unknown to me;
while at your azure skies
I gazed, neither love nor tenderness
failed me, for in nature
lay my felicity.
Tender childhood, beautiful town,
rich fountain of rejoicing
and of harmonious music
that drove away all pain:
return to this heart of mine,
return my gracious hours,
return as the birds return
when flowers spring again!
But O goodbye! May the Spirit
of Good, a loving gift-giver,
keep watch eternally over
your peace, your joy, your sleep!
For you, my fervent pryers;
for you, my constant desire
to learn; and I pray heaven
your innocence to keep!
INTIMATE ALLIANCE
BETWEEN RELIGION AND
GOOD EDUCATION (Alianza
Intima Entre la Religion y la Buena
Educacion, 1876)
As the climbing ivy over lefty elm
Creeps tortuously, together the adornment
Of the verdant plain, embellishing
Each other and together growing,
But should the kindly elm refuse its aid
The ivy would impotent and friendless
wither
So is Education to Religion
By spiritual alliance bound.
Through Religion, Education gains renown,
and
Woe to the impious mind that blindly
spurning
The sapient teachings of Religion, this
Unpolluted fountain-head forsakes.
As the sprout, growing from the pompous
vine,
Proudly offers us its honeyed clusters
While the generous and loving garment
Feeds its roots; so the fresh’ning waters
Of celestial virtue give new life
To Education true, shedding
On it warmth and light; because of them
The vine smells sweet and gives delicious
fruit.
Without Religion, Human Education
Is like unto a vessel struck by winds
Which, sore beset, is of its helm deprived
By the roaring blows and buffets of the
dread
Tempestuous Boreas, who fiercely wields
His power until he proudly sends her down
Into the deep abysses of the angered sea.
As the heaven’s dew the meadow feeds and
strengthens
So that blooming flowers all the earth
Embroider in the days of spring; so also
If Religion holy nourishes
Education with its doctrines, she
Shall walk in joy and generosity
Toward the Good, and everywhere bestrew
The fragrant and luxuriant fruits of Virtue.

EDUCATION GIVES LUSTER TO
THE MOTHERLAND (Por la
Educacion Recibe Lustre la Patria,
1876)
Wise education, vital breath
Inspires an enchanting virtue;
She puts the Country in the lofty seat
Of endless glory, of dazzling glow,
And just as the gentle aura's puff
Do brighten the perfumed flower's hue:
So education with a wise, guiding hand,
A benefactress, exalts the human band.
Man's placid repose and earthly life
To education he dedicates
Because of her, art and science are born
Man; and as from the high mount above
The pure rivulet flows, undulates,
So education beyond measure
Gives the Country tranquility secure.
Where wise education raises a throne
Sprightly youth are invigorated,
Who with firm stand error they subdue
And with noble ideas are exalted;
It breaks immortality's neck,
Contemptible crime before it is halted:
It humbles barbarous nations
And it makes of savages champions.
And like the spring that nourishes
The plants, the bushes of the meads,
She goes on spilling her placid wealth,
And with kind eagerness she constantly
feeds,
The river banks through which she slips,
And to beautiful nature all she concedes,
So whoever procures education wise
Until the height of honor may rise.
From her lips the waters crystalline
Gush forth without end, of divine virtue,
And prudent doctrines of her faith
The forces weak of evil subdue,
That break apart like the whitish waves
That lash upon the motionless shoreline:
And to climb the heavenly ways the people
Do learn with her noble example.
In the wretched human beings' breast
The living flame of good she lights
The hands of criminal fierce she ties,
And fill the faithful hearts with delights,
Which seeks her secrets beneficent
And in the love for the good her breast she
incites,
And it's th' education noble and pure
Of human life the balsam sure.
And like a rock that rises with pride
In the middle of the turbulent waves
When hurricane and fierce Notus roar
She disregards their fury and raves,
That weary of the horror great
So frightened calmly off they stave;
Such is one by wise education steered
He holds the Country's reins unconquered.
His achievements on sapphires are
engraved;
The Country pays him a thousand honors;
For in the noble breasts of her sons
Virtue transplanted luxuriant flow'rs;
And in the love of good e'er disposed
Will see the lords and governors
The noble people with loyal venture
Christian education always procure.
And like the golden sun of the morn
Whose rays resplendent shedding gold,
And like fair aurora of gold and red
She overspreads her colors bold;
Such true education proudly gives
The pleasure of virtue to young and old
And she enlightens out Motherland dear
As she offers endless glow and luster.
The Captivity and the Triumph:
Battle of Lucena and the
Imprisonment of Boabdil(El
Cautiverio y el Triunfo: Batalla de
Lucena y Prision de Boabdil,
December 1876)
The proud Abencérage provokes
The soldiers brave of Castilla
Ferociously to humble him
After he had destroyed Montilla.
The Count of Cabra soon arrives
In his strong arm he displays his saber,
Like Death that lugubriously unfolds
Her black wings of death and slaughter.
Toward the troops of an impious race
Like a lion he dashes eagerly ;
As the radiant sun to the new-born day
With him goes Don Diego anxiously.
Thus like the fleeing fugitive stag
Evading the fleeting arrow
The haughty heart so filled with fright,
The Prophet's armies away go.
But not so the ferocious cavalry,
As shield its breast it exposes,
With gallantry it awaits the fight
To attack with utter harshness.
Boabdil encourages his hordes
With wrath and savage fury :
His anguish on his face he shows
With grit to the fleeing men speaks he :
"To where art thou led, Oh, Trickless
Moors,
By the fear thee blinds and chases?
From whom do thee flee? With whom,
hapless men,
The stout heart to fight refuses?"
Said he ; and with menace the trumpet
sounds ;
Ours arrive and start the fighting,
And everywhere is heard alone
Of flashing steel the rattling.
Don Alonso Aguilar attacks
Them on one flank furious battle.
He wounds, beheads, devastates, and
assaults
As a wolf does, the timid cattle.
Alas! The Muslim, stubborn and cruel
Implores his Prophet vainly
While against the Christians noble and
strong,
The spear and the rein tightens he.
Amidst the fiery tumult of war
There did the commander brave die :
Into pieces broken: helmets, spears,
And horses on the ground lie.
His soldiers now terrified and tired
Flee before the Christian victors ;
Just as away the timorous dear
Run as the lion brave roars.
When the King, abandoned, finds himself
And seeing escape isn't too soon,
He gets down his horses terrified,
And hides in the woods like a poltroon.
Two unconquered Christians found him ;
And by royal symbols detected,
Instantly to Don Diego him they took
Like a royal captive defeated.
There at Lucena the Christians' God
Humbled down the arrogant's power
Who wanted to tie with a heavy chain
The Spaniard as downcast pris'ner.
TRIUMPHANT ENTRY OF THE
CATHOLIC MONARCHS INTO
GRANADA(Entrada triunfal de los
Reyes Católicos en Granada,
December 1876)
'Twas a quiet and gloomy night
Whose mem'ry hurts the heart,
A night ago in which the Muslim King
Treads the Alhambra's beautiful floor.
The face pale, loose his hair,
Tired eyes of frigid gaze,
Head low, recumbent his face,
The sad Muslim looks at his palaces.
The Muslim looks at them and abundant
tears
Bathe his eyes, a-flowing down his cheeks,
And to the ceiling gilt and arabesque
He turns again his weary gaze.
Sand and tearful he remembers then
The Muslim exploits and the glorious jousts
; "Today I lose everything, everything,
And comparing the present ills
With the combats of past days,
"Goodbye, Alhambra," he says; "Alhambra,
goodbye,
Abode of joy and abundant happiness ;
Goodbye, palace full of pleasures,
Inexhaustible fountain of delight.
Sad I leave you and now I'm going
To cruel exile, of hardships full,
In order not to see your towers high,
Your fountains clear and rich abodes."
He said ; and moaning the costly
habiliments
Of the gilded apartments he removes ;
And of its beautiful decorations stripped
The huge halls, sad he withdraws,
And in the silence of the night
When the luckless Arabs were asleep,
When only the hissing of the winds
Through the peaceful city could be heard
And crossing the streets
Of that now forsaken realm,
Pale and petrified
Bathed in mortal sweat;
Only lamentations deep
Were heard everywhere,
And some doleful voice
Thrown in its wild complaint.
The king stopped; the towers he saw
He contemplated those walls;
The bottles remembered he
That he waged in happy times;
But he could not control himself
And he lowered his gazed to the ground
And mournfully said
As he bends his head:
"Alas! Granada what happened to you?
What became of your nights?
Alas! Where do your warriors sleep
That your anguish they don't see?
Indeed! I your unhappy King,
To the Libyan desert lands
Hurled and with chains
By fate I also go.
Kingdom, palace, treasure
And so alone I sadly weep
What cruel grief prepares for me;
There was a time when your tow'rs
Preponderantly ruled
And they were the havoc and dread
Of squadrons in front."
He said and the squadrons he sees
Commanded by Talavera,
As he waves the flag
Of Christian religion;
That by royal order the forts
They were going to occupy
And to take possession of
The Alhambra and its rooms.
And to Fernando Talavera
Who rules the knights
With respect addresses himself
The unfortunate Boabdil ;
And in manner like this speaks to him
With mournful stress,
Into cruel anguish plunged
In a thousand anxieties submerged:
"Go my lord, go immediately
To take hold of those abodes
By the great Almighty reserved
For your powerful King;
Allah chastises the Moors;
Strip them of their property;
From their country he throws them out
For they did not keep his law."
He said no more ; on his way
The Mohammedan proceeds
And behind goes his faithful band
In silence and with grief.
Aback they didn't turn their gaze
To contemplate their ground,
For affliction perhaps would strike
Them with greater vehemence.
And in the distance they see
The Christians' camp did show
Signs of contentment and joy
Upon seeing the celestial Cross
That on the Alhambra is displayed
When the city was overrun ;
And 'twas the primary sign
Of the race that was subdued.
And th' unhappy Monarch hears
The voice of "Long live Castille !"
And he sees on their knees
The Spanish Combatants;
And from the trumpets he hears
Triumphal harmonies.
And the brilliant helmets he sees
The bright sun shining on them.
His footsteps then he turns
Toward King Fernando
Who advances ordering
His troops with majesty;
And as he nears the King,
The Moor gives to him the keys,
The only treasure and sign
Of the Mohammedan pow'r.
"See there," Boabdil says to him,
What I can offer you,
And the only thing left to me,
Of the Arabic domain
My kingdom, trophies, men,
Fields, houses, victories,
Exalted honors, tow'rs
And gardens all, now are yours."
Boabdil thus did speak
And having paid his respect
From that place he withdraws
A thousand ills he saw
Continuing his slow pace
His warriors sending forth
A thousand doleful groans
As they leave the fair Genil.
Now, the warlike clarion
Of Fernando sounds th' entry
In Granada lovely and fair,
Now Christian with no infidel;
The captives of the defeated Moor,
Who sadly were dragging chains
And suff'ring torments and pains
With joy came to Isabel.
Like long-suff'ring warriors brave
The clement King greets them,
His gladness showing on his face
'Cause from evil he saw them freed;
And the Queen abundant alms
Distributes with benevolent hand
That Queen who's always of God
Ought to wear immortal crown.
And as the Muslims hear
The cries of festivity,
Sonorous beating of drums,
And the singing of delight,
They lamented their fate,
The glory they have lost,
Their race that was subdued,
Their country without peer.
Their mournful groans
They carefully hide,
Their tearful pray'rs,
To be heard they fear
Would augment the pride
Of that victory
That causes their woe.
Now the flag of Spain
Proudly waves o'er the walls
Of noble Granada now secure !
Now the Catholic Kings
From their seat opulent
Will decree wise laws
For the children of Genil.
Now delightful Granada, proud
Is Christians' dwelling place
And Granada belongs
To the faithful populace.
Now from Heaven God looks down
With joy the beautiful tow'rs
And merlons all full
Of Trophies and laurel.
THE HEROISM OF COLUMBUS
(El Heroismo de Colon, 1877)
Oh tell me, celestial Muse, who in the mind
Of Columbus infused a breath sublime,
Invested with noble courage and faith,
To plough the seas of the West?
Who gave him brav’ry whem imposing
The sea was angered. The wind roared,
That in his rage the bad angel called
Against the son of faithful Spain?
In the midst of solemn tranquility
When languid earth was asleep,
And the moon its trembling disc
Through the diaphanous sky did steer,
A man contemplates the wavy sea…
Seen painted on his smiling face
So magnificent clemency’s pow’r
Exuding kindness and intelligence.
The curly whitish waves of the sea
That bathe the spreading shore,
Like silver reflect the white light
To the soft breath of perfumed breeze;
And while from the shadows strange
Around danced winged multitude,
An old man, furious, fierce and grave
Fantastic rose from the sea profound.
He hold firm in his strong right hand
A heavy trident aflame…
“And your audacious heart hopes to subdue
The fierce sea’s terrible rage
That when the fiery tempest roars
In mass it rises gloomy and grave?
Oh! Who could calmly contemplate
The iron cold of bloody fate,
That the roar of the wind which resounds
In the abyss a sad tomb opes?
“What lies beyond? Only death,
The dark sea that dreadfully terrifies
And infuses fear in the stoutest heart,
Where at each instant darkly appears
The tempest, with the mariner in doubt
How to guide his ship in such calamity;
And the waters bury him in the depth
Where a thousand horrible monsters hide.
“But, alas, poor you! Alas, unhappy Spain
If you run in search of land remote!
I will excite the north wind’s rage
And the hatred cruel of all that the ocean
holds. . .
And ere you step on the foreign shores,
War and discord I’ll put within your ship;
And I’ll not rest until I see your ruin,
If divine protection saves you not…
“Hush, deceitful monster, with son’rous
voice
Christopher answers him, ignorance….”
Columbus and John II (Colon y
Juan II)
"Christopher, to you, fame,
And immortal crown and great renown
Homage history pays !
Your august name reaches
Posterity and is amazed.
"Blesses you the world
In canticles of love and contentment
All that Lusitania
Holds proclaim instantly
Your faith's noble valor.
"Who, like you, is gentle,
Constant, resigned, and gen'rous?
Conquered thou the dreadful
Fury of the wavy sea
And the cowardly, treach'rous mariner.
"Hail, illustrious Adm'ral,
Firm of heart, fiery in the fight ;
To your constant valor
Kindly today I offer
Castles and honors together.
"I, your voice I shall be
To proclaim before my standards
Viceroy of good graces
And above the towers
I shall put your name in royal flags."
Thus did speak the sov'reign,
Portugal's Juan the enlightened.
Glory great beforehand
And the highest post in his palace
Offers he the veteran.
But . . . hurriedly he flees
Columbusfrom the treach'rous deceiver
Of the palace ambitious;
Runs he, flies to where dwells
Isabel the Christian, his benefactress.
CHILD JESUS (Al Nino Jesus,
November 1875)
A translation from the Spanish by Nick
Joaquin
Why have you come to earth,
Child-God, in a poor manger?
Does Fortune find you a stranger
from the moment of your birth?
Alas, of heavenly stock
now turned an earthly resident!
Do you not wish to be president
but the shepherd of your flock?
VIRGIN MARY (A La Virgen
Maria, to Our Lady of Peace and
Good Voyage)
Mary, sweet peace and dearest consolation
of suffering mortal: you are the fount
whence springs
the current of solicitude that brings
unto our soil unceasing fecundation.
From your abode, enthroned on heaven's
height,
in mercy deign to hear my cry of woe
and to the radiance of your mantle draw
my voice that rises with so swift a flight.
You are my mother, Mary, and shall be
my life, my stronghold, my defense most
thorough;
and you shall be my guide on this wild sea.
If vice pursues me madly on the morrow, Frees mortality from pain;
if death harasses me with agony:
come to my aid and dissipate my sorrow! Thou, who by sharp strife
Wakest thy mind to life ;
And the memory bright
TO THE PHILIPPINE YOUTH (A Of thy genius' light
la Juventud Filipina, November Makest immortal in its strength ;
1879) And thou, in accents clear
A Translation from the Spanish by Nick
Of Phoebus, to Apelles dear ;
Joaquin
Or by the brush's magic art
Takest from nature's store a part,
To fig it on the simple canvas' length ;
Hold high the brow serene,
O youth, where now you stand;
Go forth, and then the sacred fire
Let the bright sheen
Of thy genius to the laurel may aspire ;
Of your grace be seen,
To spread around the fame,
Fair hope of my fatherland!
And in victory acclaim,
Through wider spheres the human name.
Come now, thou genius grand,
And bring down inspiration;
Day, O happy day,
With thy mighty hand,
Fair Filipinas, for thy land!
Swifter than the wind's violation,
So bless the Power to-day
Raise the eager mind to higher station.
That places in thy way
This favor and this fortune grand !
Come down with pleasing light
Of art and science to the fight,
To the Philippine Youth
O youth, and there untie
Unfold, oh timid flower!
The chains that heavy lie,
Your spirit free to blight.
Lift up your radiant brow,
This day, Youth of my native strand!
See how in flaming zone
Your abounding talents show
Amid the shadows thrown,
Resplendently and grand,
The Spaniard'a holy hand
Fair hope of my Motherland!
A crown's resplendent band
Proffers to this Indian land.
Soar high, oh genius great,
And with noble thoughts fill their mind;
Thou, who now wouldst rise
The honor's glorious seat,
On wings of rich emprise,
May their virgin mind fly and find
Seeking from Olympian skies
More rapidly than the wind.
Songs of sweetest strain,
Softer than ambrosial rain;
Descend with the pleasing light
Of the arts and sciences to the plain,
Thou, whose voice divine
Oh Youth, and break forthright
Rivals Philomel's refrain
The links of the heavy chain
And with varied line
That your poetic genius enchain.
Through the night benign
See that in the ardent zone,
The Spaniard, where shadows stand,
Doth offer a shining crown,
With wise and merciful hand
To the son of this Indian land.
You, who heavenward rise
On wings of your rich fantasy,
Seek in the Olympian skies
The tenderest poesy,
More sweet than divine honey;
You of heavenly harmony,
On a calm unperturbed night,
Philomel's match in melody,
That in varied symphony
Dissipate man's sorrow's blight;
You at th' impulse of your mind
The hard rock animate
And your mind with great pow'r consigned
Transformed into immortal state
The pure mem'ry of genius great;
And you, who with magic brush
On canvas plain capture
The varied charm of Phoebus,
Loved by the divine Apelles,
And the mantle of Nature;
Run ! For genius' sacred flame
Awaits the artist's crowning
Spreading far and wide the fame
Throughout the sphere proclaiming
With trumpet the mortal's name
Oh, joyful, joyful day,
The Almighty blessed be
Who, with loving eagerness
Sends you luck and happiness.
ABD-EL-AZIS AND
MOHAMMED (ABD-EL-AZIS Y
MAHOMA, December 1879)
It was night: the moaning wind
Sighs as it kisses the towers tall
And on its wings carries mournfully
Thousands of confused noises agitating the
space.
Aweful clouds bedim the peace
Of the dark night's beautiful star,
And a soft tint like a mantle of snow
Covers the fields that the Spaniard treads.
There, from the tall Moorish tow'r
Sings the owl on th' imposing peak,
Numberless evils and bloody fights
With fatidical accent foretells.
In the meanwhile on the soft bed
That the luxurious Moor makes of ivory,
Rest doth seek the weary, brave Abd-El-
Azis,
Pleasant relief from the bygone" day.
Th' incense mild in silver tripods
That th' Arabian bark distills,
Burns and spreads intoxicating scent,
Of the sumptuous chamber soft delight.
Everything is silent : everyone sleeps ;
Only the sorrowful Moor keeps guard,
Contemplates the light that sadly
Penetrates through th' elegant arch.
But so sudden he beholds outlined
Dubious shadow that in the gentle light
Agitates him for a time, and his sullen face
Masculine contour acquires.
With a white turban covered in his head,
Animates his countenance a lengthy beard,
From his belt a curved cutlass hangs
Horribly dripping with ardent blood.
Like the mournful sound of hollow bronze
That deplores the agony of man,
Thus the sepulchral silence his voice
Ruffles, and the fatidical vision the Moor.
"Alas ! Alas ! It tells him, and resounded
profound
Th' echo of his voice calm and cold,
Terrible echo that touches the soul,
Like the remembrance of a friendly voice.
"Alas, poor me ! Pity the nation brave
That the sandy Lybia saw on her breast !
Alas, poor Koran, sacred patrimony
That to the Muslim Allah once bequeathed !
Vainly did you conquer the flags
Of the Pow'rful Christian of Guadalete
On the green banks, for again
Raises he rebellious his captive head.
Pelayo, the great Pelayo, the noble Goth,
The illustrious son of fierce Favila,
On the hard rocks of Covadonga
Fights the forces of the Moor.
The Cross, the Cross, insignia idolized,
Follows its army that to conquer aspires:
Mary goes with them with her cloak
Shelters she with love the bodies weak.
But don't fear, for triumphant ever be
Will the Muslim in the combat crude,
And of no avail her protection would be
For only God helps the faithful with his arm.
But alas! If you sleep in the arms of delight
And my heavenly precepts you ignore
The throne that sustained Tarif will fall
To the rough blow of the sword profane
Like the overflowing river your blood
Will inundate the vales and fields
And the flourishing Iberia's ground
Th' Arab's cold tomb will become ;
And in numberless battles in eternal war,
Into your breasts will plunge
The proud Spaniard's knife, and the vile dust
Like the accursed .serpent you'll bite ;
And you'll yield the ground inch by inch
Fertilized by your blessed blood ;
The weak women and children slaves will
be
In their sad affliction ;
Hurled again to the desert cruel,
Bitter tears for peace that was lost
You will shed, and in shameful torment
You will count the days of your return.
And rejoicing proudly at your distress
In their perfidy A thousand ships will arm,
And the beautiful ground where I rest in
peace
They will threaten with fury never seen.
Arm yourself ! Run ! Quickly fly !
Cast your veteran army with the fight
And to the wind let the son'rous trumpet
release
Warlike accent, to glory a toast.
Trembles the ground beneath the saddle
light
Of the fiery steed that Arabia breeds
And like showy murex in burning red
Infidel blood tints your scimitar.
Before the Moon that my insignia displays
Make the Cross its fortress yield,
And forever victorious may they shine
The beneficent doctrines of the Koran."
Said he ; and like a lightly rising smoke
That a strong wind rapidly dissipates,
Thus disappeared the terrible fright
That the vision divine caused the Moor.
To The Philippines, February 1880
A Translation from the Spanish by Nick
Joaquin
Warm and beautiful like a houri of yore,
as gracious and as pure as the break of
dawn
when darling clouds take on a sapphire
tone,
sleeps a goddess on the Indian shore.
The small waves of the sonorous sea assail
her feet with ardent, amorous kisses, while
the intellectual West adores her smile;
and the old hoary Pole, her flower veil.
My Muse, most enthusiastic and elate,
sings to her among naiads and undines;
I offer her my fortune and my fate.
With myrtle, purple roses, and flowering
greens
and lilies, crown her brow immaculate,
O artists, and exalt the Philippines!
Al M.R.P. PABLO RAMON, 1881
Sweet is the breeze that at the break of dawn
The calyx of fragrant flowers shakes,
Alluring odors soft they spread
O'er the countryside ;
The placid murmur is sweet and soft
Of the gentle rivulet that with joy
Throws silv'ry foam on sands of gold
And drops of water white ;
Sweet are the trills of musical birds
Soft is th' aroma of motley flow'rs
And the perfumes of th' aurora white
Mellow and sweet;
But your name, oh, Father idolized,
Instills the purest joy in our breast,
Whence it diffuses most mellow rays
Of eternal glow.
The Almighty's hand affectionate
You show us, Father, whose love sincere
Throughout the bitter road of life
Does guide us with love.
Alas! What will become of youthful toil
That restlessly burns in our breast,
Without the guidance or your kind hand,
Your love, your zeal?
We're, Father, your sons; you do guide us
To the homes of eternal happiness.
The mind will not be disturbed by fright
With a pilot like you.
The great Apostle whose name you bear,
Whose footsteps with enthusiasm you trail,
With heavenly favor shower you,
A sacred treasure.
GOODBYE TO LEONOR, 1882
(A Translation from the Spanish by Nick
Joaquin)
And so it has arrived -- the fatal instant,
the dismal injunction of my cruel fate;
so it has come at last -- the moment, the
date,
when I must separate myself from you.
Goodbye, Leonor, goodbye! I take my leave,
leaving behind with you my lover's heart!
Goodbye, Leonor: from here I now depart.
O Melancholy absence! Ah, what pain!
They Ask Me for Verses (Me Piden
Versos, October 1882)
 A Translation from the Spanish by Nick
Joaquin
I from the earth up to the sky!"
They bid me strike the lyre
so long now mute and broken,
but not a note can I waken
nor will my muse inspire!
She stammers coldly and babbles
when tortured by my mind;
she lies when she laughs and thrills
as she lies in her lamentation,
for in my sad isolation
my soul nor frolics nor feels.
II
There was a time, 'tis true,
but now that time has vanished
when indulgent love or friendship
called me a poet too.
Now of that time there lingers
hardly a memory,
as from a celebration
some mysterious refrain
that haunts the ears will remain
of the orchestra's actuation.
III
A scarce-grown plant I seem,
uprooted from the Orient,
where perfume is the atmosphere
and where life is a dream.
O land that is never forgotten!
And these have taught me to sing:
the birds with their melody,
the cataracts with their force
and, on the swollen shores,
the murmuring of the sea.
IV
While in my childhood days
I could smile upon her sunshine,
I felt in my bosom, seething,
a fierce volcano ablaze.
A poet was I, for I wanted
with my verses, with my breath,
to say to the swift wind: "Fly
and propagate her renown!
Praise her from zone to zone,
V
I left her! My native hearth,
a tree despoiled and shriveled,
no longer repeats the echo
of my old songs of mirth.
I sailed across the vast ocean,
craving to change my fate,
not noting, in my madness,
that, instead of the weal I sought,
the sea around me wrought
the spectre of death and sadness.
VI
The dreams of younger hours,
love, enthusiasm, desire,
have been left there under the skies
of that fair land of flowers.
Oh, do not ask of my heart
that languishes, songs of love!
For, as without peace I tread
this desert of no surprises,
I feel that my soul agonizes
and that my spirit is dead.
To Miss C.O. y R., 1883
A Translation from the Spanish by Nick
Joaquin
Why ask for those unintellectual verses
that once, insane with grief, I sang aghast?
Or are you maybe throwing in my face
my rank ingratitude, my bitter past?
Why resurrect unhappy memories
now when the heart awaits from love a sign,
or call the night when day begins to smile,
not knowing if another day will shine?
You wish to learn the cause of this dejection
delirium of despair that anguish wove?
You wish to know the wherefore of such
sorrows,
and why, a young soul, I sing not of love?
Oh, may you never know why! For the
reason
brings melancholy but may set you
laughing.
Down with my corpse into the grave shall go
another corpse that's buried in my stuffing!
Something impossible, ambition, madness,
dreams of the soul, a passion and its throes
Oh, drink the nectar that life has to offer
and let the bitter dregs in peace repose!
Again I feel the impenetrable shadows
shrouding the soul with the thick veils of
night:
a mere bud only, not a lovely flower,
because it's destitute of air and light
Behold them: my poor verses, my damned
brood
and sorrow suckled each and every brat!
Oh, they know well to what they owe their
being,
and maybe they themselves will tell you
what.
THE FLOWERS OF
HEIDELBERG (A los Flores de
Heidelberg , April 1886)
A Translation from the Spanish by Nick
Joaquin
Go to my country, go, O foreign flowers,
sown by the traveler along the road,
and under that blue heaven
that watches over my loved ones,
recount the devotion
the pilgrim nurses for his native sod!
Go and say say that when dawn
opened your chalices for the first time
beside the icy Neckar,
you saw him silent beside you,
thinking of her constant vernal clime.
Say that when dawn
which steals your aroma
was whispering playful love songs to your
young
sweet petals, he, too, murmured
canticles of love in his native tongue;
that in the morning when the sun first traces
the topmost peak of Koenigssthul in gold
and with a mild warmth raises
to life again the valley, the glade, the forest,
he hails that sun, still in its dawning,
that in his country in full zenith blazes.
And tell of that day
when he collected you along the way
among the ruins of a feudal castle,
on the banks of the Neckar, or in a forest
nook.
Recount the words he said
as, with great care,
between the pages of a worn-out book
he pressed the flexible petals that he took.
Carry, carry, O flowers,
my love to my loved ones,
peace to my country and its fecund loam,
faith to its men and virtue to its women,
health to the gracious beings
that dwell within the sacred paternal home.
When you reach that shore,
deposit the kiss I gave you
on the wings of the wind above
that with the wind it may rove
and I may kiss all that I worship, honor and
love!
But O you will arrive there, flowers,
and you will keep perhaps your vivid hues;
but far from your native heroic earth
to which you owe your life and worth,
your fragrances you will lose!
For fragrance is a spirit that never can
forsake
and never forgets the sky that saw its birth.
THE SONG OF MARIA CLARA,
1887
(A Translation from the Spanish by Nick
Joaquin)
Sweet the hours in the native country,
where friendly shines the sun above!
Life is the breeze that sweeps the meadows;
tranquil is death; most tender, love.
Warm kisses on the lips are playing
as we awake to mother's face:
the arms are seeking to embrace her,
the eyes are smiling as they gaze.
How sweet to die for the native country,
where friendly shines the sun above!
Death is the breeze for him who has
no country, no mother, and no love!
Hymn to Labor, 1888
(A Translation from the Spanish by Nick
Joaquin)
CHORUS:
For the Motherland in war,
For the Motherland in peace,
Will the Filipino keep watch,
He will live until life will cease!
MEN:
Now the East is glowing with light,
Go! To the field to till the land,
For the labour of man sustains
Fam'ly, home and Motherland.
Hard the land may turn to be,
Scorching the rays of the sun above...
For the country, wife and children
All will be easy to our love.
(Chorus)
WIVES:
Go to work with spirits high,
For the wife keeps home faithfully,
Inculcates love in her children
For virtue, knowledge and country.
When the evening brings repose,
On returning joy awaits you,
And if fate is adverse, the wife,
Shall know the task to continue.
(Chorus)
MAIDENS:
Hail! Hail! Praise to labour,
Of the country wealth and vigor!
For it brow serene's exalted,
It's her blood, life, and ardor.
If some youth would show his love
Labor his faith will sustain :
Only a man who struggles and works
Will his offspring know to maintain.
(Chorus)
CHILDREN:
Teach, us ye the laborious work
To pursue your footsteps we wish,
For tomorrow when country calls us
We may be able your task to finish.
And on seeing us the elders will say :
"Look, they're worthy 'f their sires of yore!"
Incense does not honor the dead
As does a son with glory and valor.
TO MY MUSE (A Mi, 1890, incl. in
La Solidaridad)
(A Translation from the Spanish by Nick
Joaquin)
No more is the muse invoked;
the lyre is out of fashion;
no poet cares to use it;
by other things are the dreamy
young inspired to passion.
Now if imagination
demands some poesies,
no Helicon is invoked;
one simply asks the garçon
for a cup of coffee please.
Instead of tender stanzas
that move the heart’s sympathy,
one now writes a poem
with a pen of steel,
a joke and an irony.
Muse that in the past
inspired me to sing of the throes
of love: go and repose.
What I need is a sword,
rivers of gold, and acrid prose.
I have a need to reason,
to meditate, to offer
combat, sometimes to weep;
for he who would love much
has also much to suffer.
Gone are the days of peace,
the days of love’s gay chorus,
when the flowers were enough
to alleviate the soul
of its sufferings and sorrows.
One by one from my side
go those I loved so much:
this one dead, that one married;
for fate seals with disaster
everything that I touch.
Flee also, muse! Go forth
and seek a region more fine,
for my country vows to give you
fetters for your laurels,
a dark jail for your shrine.
If to suppress the truth
be a shame, an impiety,
would it not then be madness
to keep you by my side
deprived of liberty?
Why sing when destiny calls
to serious meditation,
when a hurricane is roaring,
when to her sons complains
the Filipino nation?
And why sing if my song
will merely resound with a moaning
that will arouse no one,
the world being sick and tired
of someone else’s groaning?
For what, when among the people
who criticize and maltreat me,
arid the soul, the lips frigid,
there’s not a heart that beats
with mine, no heart to meet me?
Let sleep in the depths of oblivion
all that I feel, for there
it well should be, where the breath
cannot mix it with a rhyme
that evaporates in the air.
As sleep in the deep abyss
the monsters of the sea,
so let my tribulations,
my fancies and my lyrics
slumber, buried in me.
I know well that your favors
you lavish without measure
only during that time
of flowers and first loves
unclouded by displeasure.
Many years have passed
since with the ardent heat
of a kiss you burned my brow
That kiss has now turned cold,
I have even forgotten it!
But, before departing, say
that to your sublime address
ever responded in me
a song for those who grieve
and a challenge for those who oppress.
But, sacred imagination, once again
to warm my fantasy you will come nigh
when, faith being faded, broken the sword,
I cannot for my country die.
You’ll give me the mourning zither whose
chords vibrate with elegiac strains
to sweeten the sorrows of my nation
and muffle the clanking of her chains.
But if with laurel triumph crowns
our efforts, and my country, united,
like a queen of the East arises,
a white pearl rescued from the sty:
return then and intone with vigor
the sacred hymn of a new existence,
and we shall sing that strain in chorus “
though in the sepulcher we lie.
KUNDIMAN, 1891
Translation from Zaide
Now mute indeed are tongue and heart:
love shies away, joy stands apart.
Neglected by its leaders and defeated,
the country was subdued and it submitted.
But O the sun will shine again!
Itself the land shall disenchain;
and once more round the world with
growing praise
shall sound the name of the Tagalog race.
We shall pour out our blood in a great flood
to liberate the parent sod;
but till that day arrives for which we weep,
love shall be mute, desire shall sleep.
31. WATER AND FIRE (EL AGUA Y
EL FUEGO, 1891)
Water are we, you say, and yourselves fire,
so let us be what we are
and co-exist without ire,
and may no conflagration ever find us at
war.
but, rather, fused together by cunning
science
within the cauldrons of the ardent breast,
without rage, without defiance,
do we form steam, fifth element indeed:
progress, life, enlightenment, and speed!
SONG OF THE
WANDERER/TRAVELER(EL
CANTO DEL VIAJERO, 1895)
Dry leaf that flies at random
till it's seized by a wind from above:
so lives on earth the wanderer,
without north, without soul, without country
or love!
Anxious, he seeks joy everywhere
and joy eludes him and flees,
a vain shadow that mocks his yearning
and for which he sails the seas.
Impelled by a hand invisible,
he shall wander from place to place;
memories shall keep him company
of loved ones, of happy days.
A tomb perhaps in the desert,
a sweet refuge, he shall discover,
by his country and the world forgotten
Rest quiet: the torment is over.
And they envy the hapless wanderer
as across the earth he persists!
Ah, they know not of the emptiness
in his soul, where no love exists.
The pilgrim shall return to his country,
shall return perhaps to his shore;
and shall find only ice and ruin,
perished loves, and gravesnothing more.
Begone, wanderer! In your own country,
a stranger now and alone!
Let the others sing of loving,
who are happybut you, begone!
Begone, wanderer! Look not behind you
nor grieve as you leave again.
Begone, wanderer: stifle your sorrows!
the world laughs at another's pain.
TO JOSEPHINE, 1895
Josephine, Josephine
Who to these shores have come
Looking for a nest, a home,
Like a wandering swallow;
If your fate is taking you
To Japan, China or Shanghai,
Don't forget that on these shores
A heart for you beats high.
HYMN TO TALISAY, October
1895
Hail, Talisay,
firm and faithful,
ever forward
march elate!
You, victorious,
the elements
land, sea and air
shall dominate!
The sandy beach of Dapitan
and the rocks of its lofty mountain
are your throne. O sacred asylum
where I passed my childhood days!
In your valley covered with flowers
and shaded by fruitful orchards,
our minds received their formation,
both body and soul, by your grace.
We are children, children born late,
but our spirits are fresh and healthy;
strong men shall we be tomorrow
that can guard a family right.
We are children that nothing frightens,
not the waves, nor the storm, nor the
thunder;
the arm ready, the young face tranquil,
in a fix we shall know how to fight.
We ransack the sand in our frolic;
through the caves and the thickets we
ramble;
our houses are built upon rocks;
our arms reach far and wide.
No darkness, and no dark night,
that we fear, no savage tempest;
if the devil himself comes forward,
we shall catch him, dead or alive!
Talisayon, the people call us:
a great soul in a little body;
in Dapitan and all its region
Talisay has no match!
Our reservoir is unequalled;
our precipice is a deep chasm;
and when we go rowing, our bancas
no banca in the world can catch!
We study the problems of science
and the history of the nation.
We speak some three or four languages;
faith and reason we span.
Our hands can wield at the same time
the knife, the pen and the spade,
the picket, the rifle, the sword
companions of a brave man.
Long live luxuriant Talisay!
Our voices exalt you in chorus,
clear star, dear treasure of childhood,
a childhood you guide and please.
In the struggles that await the grown man,
subject to pain and sorrow,
your memory shall be his amulet;
MY RETREAT (Mi Retiro, 1895)
(A Translation from the Spanish by Nick
Joaquin)
Beside a spacious beach of fine and delicate
sand
and at the foot of a mountain greener than a
leaf,
I planted my humble hut beneath a pleasant
orchard,
seeking in the still serenity of the woods
repose to my intellect and silence to my
grief.
Its roof is fragile nipa; its floor is brittle
bamboo;
its beams and posts are rough as rough-hewn
wood can be;
of no worth, it is certain, is my rustic cabin;
but on the lap of the eternal mount it
slumbers
and night and day is lulled by the crooning
of the sea.
The overflowing brook, that from the
shadowy jungle
descends between huge bowlders, washes it
with its spray,
donating a current of water through
makeshift bamboo pipes
that in the silent night is melody and music
and crystalline nectar in the noon heat of the
day.
If the sky is serene, meekly flows the spring,
strumming on its invisible zither
unceasingly;
but come the time of the rains, and an
impetuous torrent
spills over rocks and chasms hoarse,
foaming and aboil
to hurl itself with a frenzied roaring toward
the sea.
The barking of the dog, the twittering of the
birds,
the hoarse voice of the kalaw are all that I
hear;
there is no boastful man, no nuisance of a
neighbor
to impose himself on my mind or to disturb
my passage;
only the forests and the sea do I have near.
The sea, the sea is everything! Its sovereign
mass
brings to me atoms of a myriad faraway
lands;
its bright smile animates me in the limpid
mornings;
and when at the end of day my faith has
proven futile,
my heart echoes the sound of its sorrow on
the sands.
At night it is a mystery! Its diaphanous
element
is carpeted with thousands and thousands of
lights that climb;
the wandering breeze is cool, the firmament
is brilliant,
the waves narrate with many a sigh to the
mild wind
histories that were lost in the dark night of
time.
‘Tis said they tell of the first morning on the
earth,
of the first kiss with which the sun inflamed
her breast,
when multitudes of beings materialized from
nothing
to populate the abyss and the overhanging
summits
and all the places where that quickening kiss
was pressed.
But when the winds rage in the darkness of
the night
and the unquiet waves commence their
agony,
across the air move cries that terrify the
spirit,
a chorus of voices praying, a lamentation
that seems
to come from those who, long ago, drowned
in the sea.
Then do the mountain ranges on high
reverberate;
the trees stir far and wide, by a fit of
trembling seized;
the cattle moan; the dark depths of the forest
resound;
their spirits say that they are on their way to
the plain,
summoned by the dead to a mortuary feast.
The wild night hisses, hisses, confused and
terrifying;
one sees the sea afire with flames of green
and blue;
but calm is re-established with the approach
of dawning
and forthwith an intrepid little fishing vessel
begins to navigate the weary waves anew.
So pass the days of my life in my obscure
retreat;
cast out of the world where once I dwelt:
such is my rare
good fortune; and Providence be praised for
my condition:
a disregarded pebble that craves nothing but
moss
to hide from all the treasure that in myself I
bear.
I live with the remembrance of those that I
have loved
and hear their names still spoken, who haunt
my memory;
some already are dead, others have long
forgotten
but what does it matter? I live remembering
the past
and no one can ever take the past away from
me.
It is my faithful friend that never turns
against me,
that cheers my spirit when my spirit’s a
lonesome wraith,
that in my sleepless nights keeps watch with
me and prays
with me, and shares with me my exile and
my cabin,
and, when all doubt, alone infuses me with
faith.
Faith do I have, and I believe the day will
shine
when the Idea shall defeat brute force as
well;
and after the struggle and the lingering
agony
a voice more eloquent and happier than my
own
will then know how to utter victory’s
canticle.
I see the heavens shining, as flawless and
refulgent
as in the days that saw my first illusions
start;
I feel the same breeze kissing my autumnal
brow,
the same that once enkindled my fervent
enthusiasm
and turned the blood ebullient within my
youthful heart.
Across the fields and rivers of my native
town
perhaps has travelled the breeze that now I
breathe by chance;
perhaps it will give back to me what once I
gave it:
the sighs and kisses of a person idolized
and the sweet secrets of a virginal romance.
On seeing the same moon, as silvery as
before,
I feel within me the ancient melancholy
revive;
a thousand memories of love and vows
awaken:
a patio, an azotea, a beach, a leafy bower;
silences and sighs, and blushes of delight
A butterfly athirst for radiances and colors,
dreaming of other skies and of a larger
strife,
I left, scarcely a youth, my land and my
affections,
and vagrant eveywhere, with no qualms,
with no terrors,
squandered in foreign lands the April of my
life.
And afterwards, when I desired, a weary
swallow,
to go back to the nest of those for whom I
care,
suddenly fiercely roared a violent hurricane
and I found my wings broken, my dwelling
place demolished,
faith now sold to others, and ruins
everywhere.
Hurled upon a rock of the country I adore;
the future ruined; no home, no health to
bring me cheer;
you come to me anew, dreams of rose and
gold,
of my entire existence the solitary treasure,
convictions of a youth that was healthy and
sincere.
No more are you, like once, full of fire and
life,
offering a thousand crowns to immortality;
somewhat serious I find you; and yet your
face beloved,
if now no longer as merry, if now no longer
as vivid,
now bear the superscription of fidelity.
You offer me, O illusions, the cup of
consolation;
you come to reawaken the years of youthful
mirth;
hurricane, I thank you; winds of heaven, I
thank you
that in good hour suspended by uncertain
flight
to bring me down to the bosom of my native
earth.
Beside a spacious beach of fine and delicate
sand
and at the foot of a mountain greener than a
leaf,
I found in my land a refuge under a pleasant
orchard,
and in its shadowy forests, serene
tranquility,
repose to my intellect and silence to my
grief.
MY LAST FAREWELL (Mi
Ultimo Adios, December 1896)
Farewell, beloved Country, treasured region
of the sun,
Pearl of the sea of the Orient, our
vanquished Eden!
To you I gladly surrender this melancholy
life;
And were it brighter, fresher, gaudier,
Even then I’d give it to you, to you alone
would then I give.
In fields of battle, deliriously fighting,
Others give you their lives, without doubt,
without regret;
Where there’s cypress, laurel or lily,
On a plank or open field, in combat or cruel
martyrdom,
If the home or country asks, it's all the same-
-it matters not.
I die when I see the sky unfurls its colors
And at last after a cloak of darkness
announces the day;
If you need scarlet to tint your dawn,
Paint with my blood, pour it as the moment
comes,
And may it be gilded by a reflection of the
heaven’s new-born light.
My dreams, even as a child,
My dreams, when a young man in the prime
of life,
Were to see you one day, jewel of the
eastern seas,
Dry those dark eyes, raise that forehead
high,
Without frown, without wrinkle, without
stain of shame.
My lifelong dream, my deep burning desire,
Is for this soul that will soon depart to cry
out: Salud!
To your health! Oh how beautiful to fall to
give you flight,
To die to give you life, to rest under your
sky,
And in your enchanted land forever sleep.
If upon my grave one day you may behold,
Amidst the dense grass, a simple lowly
flower,
Place it upon your lips, and my soul you’ll
kiss,
And on my brow may I feel, under the cold
tomb,
The tenderness of your touch, the warmth of
your breath.
Let the moon see me in soft and tranquil
light,
Let the dawn burst forth its fleeting
radiance,
Let the wind moan with its gentle murmur,
And should a bird descend and rest on my
cross,
Let it sing its canticle of peace.
Let the burning sun evaporate the rain,
And with the struggle behind, towards the
sky may they turn pure;
Let a friend mourn my early demise,
And in the serene afternoon, when someone
prays for me,
O Country, pray that God will also grant me
rest!
Pray for all the unfortunate ones who died, Goodbye, sweet stranger, my friend, my joy;
For all who suffered torment unequaled, Farewell, loved ones. To die is to rest.
For grieving mothers who in bitterness cry,
For orphans and widows, for prisoners in
torture,
And for yourself to see your redemption at UNDATED POEM
last. . A FRAGMENT (A Poem that has
no title)
And when the burial ground is shrouded in
dark night,
And there alone, only the departed remain in
To my Creator I sing,
vigil,
to my All-Merciful Lord, the Omnipotent,
Disturb not their rest, nor their secrets,
who hushed my suffering
And should you hear chords from a zither or
and his sweet solace sent
harp,
to ease me while in tribulation I went.
'Tis I, O land beloved, 'tis I, to you I sing !
You, with authority,
And when my grave, then by all forgotten,
said: Live; and I myself to life came forth;
has not a cross nor stone to mark its place,
free will you gave to me
Let men plow and with a spade disperse it,
and a soul that must find worth
And before my ashes return to nothing,
in goodness, like a compass needle set north.
May they be the dust that carpets your
fields.
You willed my birth to be
of honorable parents, a house of honor;
Then nothing matters, cast me in oblivion.
and a country you granted me:
Your air, your space, your valleys I will
rich, fair to all who won her,
cross.
though fortune and prudence may be scarce
I will be vibrant music to your ears,
upon her.
Aroma, light, colors, murmur, moan, and
song,
Ever echoing the essence of my faith.

Land that I love, sorrow of my sorrows,

Adored Filipinas, hear my last good-bye.
There I leave you all, my parents, my
beloved.
I go where there are no slaves, hangmen nor
oppressors,
Where faith does not kill, where the one
who reigns is God.

Goodbye, dear parents, brother and sisters,

fragments of my soul,
Childhood friends in the home now gone,
Give thanks that I rest from this wearisome
day;