The Instituto de Arte Contempranea was Brazil's first design school, founded in 1951 in Sao Paulo by Pietro Maria Bardi, the director of the Museu de Arte de Sao Paulo. Bardi was an advocate of modernism and wanted to start a school to modernize design and promote industrial design. The school was influenced by programs from the Chicago Institute of Design and Bardi emphasized the influence of the Bauhaus. While students received generous support, lack of funding from the government and businesses led to the school closing in 1953 after only two years. The school's closure was partly due to Brazilian industrialists preferring to use foreign designers rather than local talent. Graduates excelled
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Sobre las escuelas de diseño en Brasil, restrospectiva
The Instituto de Arte Contempranea was Brazil's first design school, founded in 1951 in Sao Paulo by Pietro Maria Bardi, the director of the Museu de Arte de Sao Paulo. Bardi was an advocate of modernism and wanted to start a school to modernize design and promote industrial design. The school was influenced by programs from the Chicago Institute of Design and Bardi emphasized the influence of the Bauhaus. While students received generous support, lack of funding from the government and businesses led to the school closing in 1953 after only two years. The school's closure was partly due to Brazilian industrialists preferring to use foreign designers rather than local talent. Graduates excelled
The Instituto de Arte Contempranea was Brazil's first design school, founded in 1951 in Sao Paulo by Pietro Maria Bardi, the director of the Museu de Arte de Sao Paulo. Bardi was an advocate of modernism and wanted to start a school to modernize design and promote industrial design. The school was influenced by programs from the Chicago Institute of Design and Bardi emphasized the influence of the Bauhaus. While students received generous support, lack of funding from the government and businesses led to the school closing in 1953 after only two years. The school's closure was partly due to Brazilian industrialists preferring to use foreign designers rather than local talent. Graduates excelled
The Instituto de Arte Contempranea: The First Brazilian Design School, 1951–53
Autor: Leon, Ethel
Temas: Applied sciences -- Engineering -- Industrial engineering ; Arts -- Art history -- Art genres and movements ; Arts -- Applied arts -- Design ; Arts -- Applied arts -- Design ; Behavioral sciences -- Anthropology -- Ethnology ; Behavioral sciences -- Anthropology -- Applied anthropology ; Arts -- Arts participation -- Art education ; Arts -- Art history -- Art genres and movements ; Arts -- Art history -- Art genres and movements ; Biological sciences -- Ecology -- Population ecology En: Design Issues, 1 April 2011, Vol.27(2), pp.111-124 Descripción: Traces the brief history of the Instituto de Arte Contempranea (IAC) in Sao Paulo. The Museu de Arte de Sao Paulo (MASP) had been founded in 1947 with Italian architect Pietro Maria Bardi as director; Bardi was an advocate of modernism, and after arranging exhibitions to modernise public taste in Brazil, he decided to start an industrial design school. At the same time, he and his wife, architect Lina Bo Bardi, founded the magazine Habitat to promote industrial design for the machine age. Bardi contacted art and design institutions in the USA asking for their prospectuses, using ideas from the Chicago Institute of Design among others; he also consistently emphasised the influence of the Bauhaus on the school. Students were generously supported with scholarship programs and free educational materials, but lack of financial support from the municipal government and business firms in Brazil led to the school's closure in 1953. Reasons for the closure include the lack of interest by Brazilian industrialists in using the talents of local designers, preferring to pay royalties for external designs. Graduates of the IAC went on to excel in graphic design, interior design and landscaping, but none went into product design. Idioma: Inglés Identificador: ISSN: 07479360 ; E-ISSN: 15314790
The Cooperation of Well-Known Architects, Architecture Students and Local Communities in The Process of Architectural Creation in Different Cultural Environments. Examples From Asia
Graphic Design: Fine Art or Social Science? Author(s) : Jorge Frascara Source: Design Issues, Vol. 5, No. 1 (Autumn, 1988), Pp. 18-29 Published By: Stable URL: Accessed: 26/06/2014 02:44