Professional Documents
Culture Documents
Kim Kozak
11 January 2019
1. Description
In the painting Artist in Greenland the composition is split between the ground
and the horizon with boulders and icebergs jutting out from the ground. The
foreground is a cool pastel blue/white sheet of ice and snow with tones of light
grey/blue and vanilla added to the left side of the composition to create the
appearance of snow drifts. Two small snow-covered ice chunks sit on the larger
expanse of snow in the foreground and one sits in the middle ground. Based on
the positioning of the light and shadows in the painting I would say that the sun
(the light source) is positioned probably mid-level in the sky out of frame on the
right-hand side of the painting. In the center of the foreground are eight sledding
dogs and a man standing with his back facing the painter’s perspective. The man
is wearing black snow gear and is holding something in each hand (perhaps a
paintbrush) he is using his sledge as an easel and you can see the little painting
he’s working on which is of the icebergs in front of him. In the middle ground
there is one large iceberg which culminates at two large peaks. The iceberg drops
off sharply on the right side but slopes down into smaller ice “hills” on the left.
Again, Kent uses a cool palette of blue, stark white, and pale yellow. Stark white
in the areas with direct exposure to the sun, a light to mid-tone grey/blue for the
face of the iceberg directly in front of the painter’s view, pale yellow/vanilla to
accentuate areas the light might bounce off of, and turquoise to medium blue at
the bottom of the iceberg to accentuate the shadow it casts. In the background,
there are two rounded bare rock boulders with no snow on them and even further
in the background on the left side of the composition is another iceberg in the
distance. The main iceberg in the middle ground is also accentuated by the sky in
the background which has a lemon-yellow glow over the horizon line and fades
b. Think about: How much does this work imitate real life – is it realistic? Is the
I think that this work imitates real life because the artist painted a landscape
proportionately to what was in front of him (it wasn’t a scene he made up in his
mind). I think Kent utilizes clean lines more than would actually be in the natural
scene and he doesn’t focus on conveying all the details of the ice/rock/snow’s
texture but rather on accurately portraying the color palette and dreaminess of the
scene.
Analysis/Design – How well the work is organized. Which Elements and
1. Line is used to create movement: In Artist in Greenland the tops of the icebergs
which make up the horizon line create a sharp distinction between two pieces of
the composition. This flowing line moves the viewers eye across the painting and
the horizon: allowing them to take in other aspects of the painting along the way.
2. Space is used to create proportion: The illusion of height, width, and depth of
the objects in the landscape create a realistic and natural proportion in the
composition. The dimension is shown through the use of light and shadow which
Kent accentuates through the hue and value of the paint used.
3. Value is used to create gradation: Value which is the gradual change between
light and darkness is used to create gradation in the sky in the painting’s
background. The hue shifts from lemon to pale yellow and into light blue where
the value of the color changes from a tint blue to a pure blue to a shade blue. This
gradation acts as a halo for the horizon highlighting and accentuating the horizon
line.
2. Interpretation/ Expression –
The mood communicated to be is one of peace, calmness, and tranquility but also
of wonder and amazement at the earth’s landscapes and the great expanses of
I think that the mood that Kent was trying to express is what was communicated
to me. As an explorer, Kent had a passion for earth’s most amazing landscapes
YOUR REASONING
imitationalism, its use of color hue and value to realistically portray the
dimensional values of shadow and highlight create realistic proportion and texture
listed earlier under the “Analysis and Design” portion of the worksheet also
principle of design.
DETAILS/DESCRIPTION –
Artist in Greenland (1935-1960) was painted with oil on canvas by Rockwell Kent. The
dimensions of the painting are 35 1/8 x 44 3/8 in. (90.2 x 112.8 cm.) and it is currently on
artist’s style. STATE 3 UNIQUE FEATURES OF THIS ARTIST’S STYLE AND HOW
1. Kent is known for his signature, smooth style of landscape painting. His
paintings are heavily stylized, with organic forms taking on geometric qualities
that functioned to divide his compositions into individual elements. This can be
seen in the clean flowing lines of the iceberg and boulders in Artist in Greenland
2. Another stylistic choice common in Rockwell Kent’s paintings is the cool color
palette. Most of his famous landscapes were done of Greenland, Alaska, and
Tierra Del Fuego and were fairly constant in their color palette of pale blues,
greens, stark whites, stormy greys, and yellows. During his travels to these arctic
and Antarctic regions Kent attuned his palette to the muted, icy scenes and
Tierra del Fuego, and Greenland there is also a continuation of common scenes.
mountain lakes, and rough waters became the central focus of his compositions.
While Artist in Greenland features the Artist’s figure he is relatively small and
undetailed in comparison to the rest of the scene. He, like Kent is merely a
1. Kent found the beauty of the earth in Greenland which as a lifelong socialist he
Greenland, he built himself a hut in a village north of the Arctic Circle and asked
an Eskimo friend to teach him how to drive a dog sled over treacherous ice fields.
Soon after, he bought his own dog team and sledge so that he could camp out in
some of the starkly beautiful places far from the village. He found himself greatly
language with, he got to know extensively through his time there. At one point
even living with a Native Greenlander, named Salamina (his housekeeper and
mysticism of writers such as Henry David Thoreau and Ralph Waldo Emerson,
whose works he read early in his career. Kent found inspiration in the austerity
and stark beauty of wilderness. His series of land and seascapes from these often-
forbidding locales convey the Symbolist spirit evoking the mysteries and cosmic
wonders of the natural world. "I don't want petty self-expression", Kent wrote, "I
want the elemental, infinite thing; I want to paint the rhythm of eternity."
3. JUDGMENT – making a decision about the artworks importance in the history of
1. Although his life was marked with political controversy – exacerbated by his
1960 gift of several hundred of his paintings, drawings, and prints to the Soviet
Union – which diminished his reputation, with time he has been recognized as an
2. Kent's adventurous spirit has also served to inspire stirred countless other artists
and authors. Many fellow artists have credited Kent’s illustrations and paintings
including: George Bellows, Fairfield Porter, Harry Cimino, and Edward Shenton.
While authors including Author Gretel Ehrlich and Barry Lopez have also quoted
from him in their own arctic adventure novels and have credited him for his
influence.
Proof of Attendance: This picture was taken at my visit to the BMA and as provided by google photos
includes the date and time taken, location, as well as the device it was taken on. A museum map can
also be provided if necessary.
Works Cited
Frederick Lewis. “The Stormy Petrel of American Art.” The Scandinavian Review, The
Summer12_RockwellKent.pdf.
Rockwell Kent. Detail, Artist in Greenland. 1935/60. The Baltimore Museum of Art: Purchase
with ex- change funds from the Edward Joseph Gallagher III Memorial Collection, BMA
1991.10. Courtesy of the Plattsburgh State Art Museum, Rockwell Kent Collection.
Scott F. Ferris. In the Presence of Light. Foreword to the reprint of Rockwell Kent's 1935
/Rockwell-Kent.
/4494.