Kodachr

ome
I
MPERFECT

FOR CAPTURE ONE PRO

Hi
,thanksf
oryourpur
chas
e.Iputl
otsofwor
kint
ode
vel
opi
ngt
hispac
k;i
tsr
' e
all
y
har
dtog
etag
ooddi
git
ale
mul
ati
onofKodac
hrome
!Thef
acti
t'
snol
ong
erpos
sibl
eto
pr
oce
ssi
tme
ansal
otoft
heus
ualme
thodsf
ormaki
ngf
il
mst
yle
ssi
mpl
ycan'
tbe
done-
it'
smor
eofanar
tthanas
cie
nce
.The
re'
snotr
eal
lybe
enanyac
cur
ate
e
mul
ati
ont
hatI
'
vec
omeac
ros
s(t
houg
hIhopet
hispac
kisas
tepi
nther
ight
di
rec
tion)
,butt
her
ealde
alwasde
vel
ope
dfort
hel
astt
imei
n2013,
andi
t'
shi
ghl
y
l
ike
lyt
hat
'
sal
lwe
'l
leve
rge
t.

I
tus
edave
ryc
ompl
ex,
uni
quepr
oce
sswi
thmul
ti
ples
tag
esofde
vel
ope
rsand
c
oupl
erst
oes
sent
ial
lydyet
hef
il
mse
ver
alt
ime
stoadddi
ff
ere
ntc
olourl
aye
rs-
whi
ch
al
sor
equi
reds
omepr
ett
ynas
tyc
hemi
cal
s-s
oit
'
sunl
ike
lyt
oeve
rber
ecr
eat
ed.
It'
sa
s
hamet
houg
h,asKodac
hromehasat
ime
les
,evoc
ati
vel
ook.
It'
sal
soar
ere
mar
kabl
y
s
tabl
eforar
chi
ving,
mai
ntai
ningvi
vidc
olour
sforc
ent
uri
esi
fst
ore
dpr
ope
rly
.The
maj
ori
tyofc
olourphot
osf
rom t
hef
irs
thal
foft
he20t
hce
ntur
ywe
res
hoton
Kodac
hrome
,it
'
sre
all
yqui
ter
emar
kabl
est
uff
!

Sowhydi
dIc
allt
hispac
k'I
mpe
rfe
ct'
?Be
caus
eIdon'
tthi
nki
t'
spos
sibl
etoac
cur
ate
ly
e
mul
ateaf
il
mst
ockt
hats
panne
dsomanyde
cade
s,us
eds
eve
raldi
ff
ere
nte
mul
sions
andpr
oce
sse
s,andi
snol
ong
era
vai
labl
e.Al
lIc
andoi
smyve
rybe
stt
ocapt
uret
he
l
ookandf
eel
,andI
'
mre
all
ypl
eas
edwi
tht
her
esul
ts.

Kodac
hromec
amei
nse
ver
alvar
iant
sove
rtheye
ars
,andhe
reI
'
vet
rie
dtoc
apt
uret
he
g
ene
rall heKodac
ookoft hromeI
I(25)andKodac
hrome
-X(
64)var
iet
iesf
rom t
he60s
onwar
ds,
aswe
llast
heol
der10ASAor
igi
nalKodac
hromewhi
chhi
tthemar
keti
nthe
mi
d-1930s
.Theol
ders
toc
khasar
eal
lyuni
quec
olourpal
ett
eandIl
oves
eei
ngi
mag
es
f
rom t
hispe
riod;
beaut
if
ulWW2pr
omot
ionals
hot
s,Hol
lywoodpor
trai
tsandbus
tli
ng
40ss
tre
ets
cene
swi
thanamaz
ingc
lar
ityandwar
mtht
hatl
ooksl
ikenot
hinge
lse
.

Idi
sli
kepac
kswi
thl
otsofvague
ly-
name
dvar
iant
s,butIf
oundt
hatha
vings
eve
ral
var
iet
ieswasne
ces
sar
ytoc
apt
uret
her
ang
eofc
olour
sandl
ooksyoug
etwi
thol
d
s
lide
s.Idi
dn'
twantt
oat
tac
hche
esyme
ani
ngl
esse
ral
abe
lsl
ike'
50s
','
60s
',s
oI'
ve
gi
vent
hems
impl
ename
stohe
lpyour
eme
mbe
rwhi
chone
syoul
ikef
ordi
ff
ere
nt
pur
pos
es.

I
'
m de
epl
yinde
bte
dtomyl
ategr
andad,
JohnGe
rar
d,ave
ter
anoft
heD-
Dayl
andi
ngs
andke
enamat
eurphot
ogr
aphe
r,f
orl
eavi
ngbe
hindawonde
rfular
chi
veof
Kodac
hromes
lide
sfr
om t
he50s
,60sand70s
.I'
ves
pentmanyhour
spor
ingove
r
t
hes
e,s
canni
ngt
hem andi
nsomec
ase
svi
sit
ingt
hes
amel
ocat
ionshes
hot
,andi
t'
s
f
orme
dthebas
isofmype
rsonali
deaoft
he'
Kodac
hrome
'look.Thanksal
sot
omy
Re
ddi
tbe
ta-
tes
ter
sinc
l ngRe
udi iep,
ell
iot
ric
har
dsandRobe
rtoVi
vanc
o.

Kyl
e
www.
kyl
ema
y.c
o.uk

@ky
lemay
phot
o www.
kyl
emay
.co.
uk
STYL
ES
Tokeept
hingssimpleI'
veputthemai npreset
sintwof
olders-CleanandGrai
n.Exactl
ythe
samepre
s et
sinbot
h, t
heonlydiff
erenceisthegrai
nve
rsionshavesimulat
edfi
lm gr
ainand
sof
tne
ss,andthecl
eanone s-unsurpr
isi
ng l
y-don't
.

K25- Kodac hromeI I

/25.Releasedin1961asKodac hromeI I,
andinthemi d-70schangedto
Kodachrome25ont hene wK- 14processwithnewdyesandbet ters
harpness,butI've
bundledthet wotogetherheresincetheyshareasi
mi l
arlook.Richt
imeles
sc olours,
inc
redibl
edet ail
,pl
ent yofcontras
t-it'
sanall-
pur
posef i
lm(thoughits
hinesmos tofallf
or
outdoorscenes).

1A)K25- Moder
nAf ai
rl
ysubtl
eshif
tincol
ourandcontr
ast,
remini
scentofasc
annedsl
ide
from t
helastt
wodec
ades.Warm,ri
chredsandasli
ghtshi
fti
nthegree
ns ,
withasubt
lel
if
tin
theblacks
.

1B)K25- Clas
sicMoreofavintag
elook,
likeatypi
cal1970s
/80ssl
ide
.Al i
tt
lel
essc
ont
ras
t
andsat
urati
onwi t
hski
ntonestaki
ngonas li
ght
lyorangehue.Gre
atall
-r
ounder
.

1C)K25-ClearAgoodever
ydayprese
t,wi
thde
eps
hadowsandane
utr
alt
onal
it
y.Fol
iag
eand
ot
hergr
eensshif
tal
itt
let
owardscyan.

1D)K25- CoolI
ns pi
redbys l
ight
lyfade
d60ss l
ide
s, adesat
urate
d,almostmatt
epalet
te.
Greenst
akeonac oolcyanhue,andred-
orang eshi
ftstowardsrust
ytones
. Canc
reat
esome
st
rangeski
ntone
sonc e r
tai
nimag es
,butgreatonothe rs
.

1E)K25-Ric
hBrig
ht,punc
hyands
atur
ate
d.Bas
edonol
dlands
capes
hot
smygr
andadt
ook
onK25int
he1960s.

1F)K25-VintageAgreen-
bluecas
tandli
ft
edbl
ackshe
lpr
ecr
eat
ethel
ookofanol
dsl
ide
,
per
hapsonethat'
snotbe
enstore
dwe l
l.

1G)K25-FadedSli
deNotbase
donanypar
tic
ularsl
ideI
'
ves
een,
jus
tag
ene
ral
lyag
edvar
iant
.
gr
eatf
orf
ashione
tc,oradde
dasal
aye
randblended.

K64- Kodac hrome-X/64.Theyounger ,

fast
erbrother.
Originallyrel
easedasKodachr
ome-X
withafas t
erASA64s peed,andupdat edinthe1970sasKodac hrome64wi ththene
wK- 14
process
. Oft
enunf ai
rl
yr epr
esentedasha vi
ngamagent a/pinkc ast
,perhapsduetoi
ts
unforgi
vingnatur ewit
he xposure.
Us edcommonl ybydoc ument aryandpor t
rai
t
photographers
, andperhapswi hs
t light
lymor ef
latter
ingskint onesthantheASA25
versi
ons .

2A)K64- ModernBr
ight,
satur
ate
dandal
it
tl
ewarmerthantheISO25ve
rsi
on.
Nic
e
ski
ntone
s,gr
eatf
orge
ne r
al-
purpos
edoc
umentar
yandportr
aitwork.

2B)K64-Cl
as s
icAtypi
call
ookfr
om olderKodachrome64s l
ides.Thisvar
ianthasas
lig
ht
gr
een/
bluet
intandapunchycont
ras
t.Anothergoodall
-pur
pos evari
ant.

2C)K64-ClearCont
ras
tywithdeeps
hadows
,li
keapr
ofe
ssi
onals
can.
The
re'
sas
ubt
le
magent
acas
tass e
eninalotofol
ders
hots
.

2D)K64- CoolAs
lig
htl
ymat
telook.Subduedgr
eenswithcoolc
oloursandreduc
ed
sat
urat
ion,
lot
sofs
hadowdet
ail
.Niceforout
doorpor
trai
ts,
addcontrastasne
eded.

2E)K64-Ri
chMode rat
ecolours
hifts
,nic
esaturat
ion,
g oodf
orl
andsc
ape
s.Thi
sexhi
bit
sa
l
it
tlemor
eofthe'
pinksky'
somepe opleas
soci
atewiththeASA64fi
lm.

2F)K64-
Vint
ageAmor
e60s
/70s
,sof
tlookwi
tht
hemag
ent
acas
tsome
time
sse
eni
nK64.

2G)K64-FadedSli
deAwarm,heavil
yfade
dlook,
likeanol
d50ss
lidet
hat
'
sbe
ens
tor
edi
n
thes
un!Anover
allr
edc
ast
,ni
ceforfashi
on.
K10- Ori
ginalKodachr
ome.Thegranddaddyofcolourfi
lms.10ASA,withi
ncr
edibl
yfi
ne
grai
nands har
pness.
Usedfore
verythi
ngfrom warpropagandatoci
tysnaps
hots
,andwit
ha
beauti
ful
,ti
melesst
onal
ity
.

3A)K10- Cl
assi
cAnot i
ceabl
ewar
mt hinorang
e /
redtonesanddeep,
cools
hadows.
Reds
almostpopoutofthef
ramewi t
hast
rong,al
mos tf
latnatur
etothe
m. Gre
ensares
ubduedand
cyan-
tint
ed.

3B)K10-Warm Al
it
tl
emor
econt
ras
ty,
wit
hle
ssofat
eal
-or
ang
elook,
andmor
eofabl
ue/
pink
cas
tove
ral
l.

3C)K10- OldSlideExt
remelyvint
age!Greensareal
mostnon-exi
stent,wi
thgrassf
ading
towar
dsmut edautumntonesandcoloursg
ene ral
lyf
adi
ng.It
'
snotpar t
icul
arl
ytrue-
to-
lif
e,but
i
fyoudialbacktheopac
ityt
hiscanreall
ynailthewarmlookofanold,fadedsl
ide.

EF
FECT
SANDEXT
RAS
Ofc ourse,
note ve r
yKodac hromeslidehasbe ens t
oredinanicecoolenvir
onmentand
scanne dwithtopqual ityequipment!Sohe re'
sthesecti
onwhe r
eweme ssthi
ngsupabit,
with
st
yl i
sed,vi
ntage yfilt
ers.Thesear
ee asytooveruseandabus e,
butifyoudiali
ntheopacit
y
ri
g htyoucanaddac onvinci
ngvintagelooktos hots
.Especi
all
yeffect
iveonsourc
eimages
whi charedark/unde rexposedtobeginwi t
h.The searen'
tj
ustcoloroverl
ays;
ther
eareshif
tsi
n
t
hec ol
oursandc urvestoreal
lygi
vet hefeelofthefil
m agi
ng.

KFX1- Underexpos
edColdMassi
vel
yfadedwi
thas
trongcyancas
t.I
'
veseenple
ntyofold
sl
ide
sliket
his,t
houghnott
ypi
cal
lyKodachr
ome.
Mostnoti
ceabl
ewhentr
yingtoscanan
undere
xposedsli
de.

XFX2-
Under
expos
edGr
eenAs
imi
larl
ookbutwi
thgr
een-
brownt
one
s.

XFX3-
Under
expos
edPi
nkThi
sti
mei
t'
spi
nkandr
edt
one
swhi
chdomi
nat
e.

XFX4-Teal-
GoldToni
ngNotinspir
edbyanypar
tic
ularl
ook,t
hisisj
ustare
allyni
cegr
adi
ng
whi
chworkswellf
oras
tyl
ise
dvintagel
ook.
40or50% opaci
tycanact
uall
ygiveanic
egene
ric
f
il
m/ci
nematicl
ook.

Oneniceeff
ectyous eeshooti
ngfil
mi shalat
ion,
whe r
ebright
erl
ightsre
flec
tof
fthefil
m's
backi
nglayerands c
atteri
ntothefil
me mul s
ion.
Inshort,
itmakeshighl
ight
shaveanicesubtl
e
gl
ow/bloom tothe
m. It'
susuall
yaverymi northi
ng,butwhenyou'r
etryi
ngtore
allynailt
helook
off
ilmit'
sani c
efini
shingtouchformaximum r e
ali
sm.

I
'vecookedupwi t
hawa yt
oemulat
ethiseff
ecti
nCapt
ureOne,
butt
hes
oft
war
edoes
n't
c
ur r
entl
ys uppor
ttur
ningi
tint
oaone-c
lickprof
il
e.

Ifyouwantt oaddt hiseff

ecttoyouri mag e,I'
ve
preparedapr e
s etwhichdoe shal foft
hewor kf oryou.
Simplyright-
clic
kt heKX)Hal ationtoolandhi Appl
t' y
toNe wLaye r
'.Thens el
ectyourne wlayer,r
ightc l
ick
andhi LumaRange
t' .
..
'.
Inthedi alogbox, c
hang eyour
sett
ingstolookliketheimag eont herig
ht(select
ing
onlytheuppermos thighl
ights,highradius,low
sensi
tivi
ty).
I'
ds uggestblendingt helayerto50% t oo.
Playaroundwi ththesesetti
ngs !

L
EGALST
UFF
The s
eas soci
atedpr esets,docume nt
ionands ampl ei
mag esarec opyr
ight©Kyl eMay2019, exc
eptimag e4onpage3
courtesyofKateřinaMe t
e ková
l .
'
Kodac hrome '
,'
Captur eOne '
andanyothe rtr
ade marksareincludedhereforill
ustr
ati
vepur posesonlyandr e
main
propertyoftheirrespe ct
iveowne rs.
The s
epr eset
sarenotaffili
atedwithore ndor
sedbyt hesecompani e
s .
Steal
ingisbaad, m'ka y?Ifyouwantt oinstal
ltheseonyourf r
iend'scomputerforthemtopl aywiththennobi gde
al.
But
pleasedon'tuploadt heset otor
rentorfil
esharingsit
es.Anyf orm ofrese
lli
ngorrepackagingisstri
ctlyforbi
dden
withoutwr i
ttenauthor is
at i
on.