Ganito kami noon, paano kayo ngayon?

Kulas is a slow-witted young man. People take advantage of his naivety. He lost his house,
wealth, and ladylove. But, one thing they cannot take away from him is his Filipino identity.

Who/what is a Filipino? The film’s greatness lies in its exploration of the Filipino question.

Kulas gets confounded with the different definitions of ‘Filipino.’ It originally referred to a
person of pure Spanish descent born in the country. However, the term evolved. A travelling
Chinese merchant born in the country is also called a Filipino. Being born in the country seems
to be the main criteria.

Kind-hearted and gullible Kulas searches out for a boy named Bindoy and reunites the kid with
his grateful father, a friar named Padre Gil Corcuera. The latter endows Kulas with a house and a
huge sum of money. He gets transformed from a lowly indio into a rich senyorito. He asks a
Visayan lawyer named Tibor if he can rightly be called Filipino. Tibor says that in order to be
called a Filipino, one must be a worthy and valuable person.

The young man finds a worthy cause to live for. He is disgusted at so-called Filipinos
collaborating with the enemies, the Spaniards and the Americans. Just like Jose Rizal, who was
heartbroken, he abandons his love for Diding and shifts his love to his country.

Kulas, in the end, realizes that a Filipino is someone who loves or will love the then newly
created Filipino nation. It is not enough to be born in the country in order to be called a Filipino.
One should also love his country through actions. Kulas approaches a group of orphans and
reminds them to call themselves Filipinos. He then hikes off to join the insurrectos.

This great film started strong, puttered somewhat in the middle, and then bounced back in the
last act. The script by Romero and Roy Iglesias oozed with spot-on humor as seen in Kulas’
transaction with a potential property buyer and his second encounter with a notorious jailbird.

A raw and fresh Christopher de Leon is a joy to watch. He is still decades away from becoming
the hammy actor that he is today. His Kulas Ocampo is no different from Forrest Gump. Both
characters find themselves caught up in their respective countries’ upheavals. De Leon manages
to show his character’s naivety without resorting to stuttering and doing acts of stupidity.