It's

Over, Isn't It?

Rebecca Sugar.
Steven Universe
Arrangement by: Sinéad O'Donnell-Stolz

               
 
 = 125 (free-flowing)


Pearl

   
    
I was fine with the men who would

      
 
Piano

      
          
    
5

Prl.

        
   
come in to her life now and a gain. I was fine, 'cause I knew that they

   
       
Pno.



                   
9

Prl.

   
      
did n't rea lly matt er un til you. I was fine when you came, and we

   

        

Pno.
         
        
  
13
3
Prl.


sill2 y

 
fought like it was all some game. O ver her, who she'd choose. Af ter

    
     
   
3 poco rit.

   
 

Pno.

 


                    

17  = 115  = 130

Prl.


  
all those years I ne ver thought I'd lose. It's o ver, is n't it?

   
  
   
poco accelerando

     
  
Pno.

 

               
          
20


Prl.

        
       
is n't it ? is n't it o ver? It's o ver is n't it

   
           
   
Pno.

   

     = 135
         
         
24


Prl.

          
   
? is n't it ? is n't it o ver? You won and she

    

      
    
Pno.

  
2
          
        
 
28
3
Prl.


    
chose you, and she loved and she's gone. it's o ver is n't it

      
     
    
      
     
Pno.

     
          
poco accelerando,
32 ma non tropo
 = 140
Prl.

  
     
 
why can't I move on? War and Glo ry. Re in ven tion.

   
 
    
      
Pno.

      

      
   


  
37

Prl.

        

Fu sion. Free dom. Her att en tion. Out in day light,

   
            
Pno.

   
 
           
      

40
3
Prl.

            
 
my po ten tial. Bold. Pre cice. Ex per i men tal.

         
        
   
Pno.

     
3
            3  
  
43 3

Prl.
3 3 3

       
  
Who am I now in this world with out her? Pe tty and dull with the

  
  
  

  
  

 
     
  
Pno.

     
           
   

  
46 3 3 3
3
Prl.

         
nerve to doubt her. What does it matt er it's al rea dy done. Now I've

         
     

  
  
Pno.

   
 
 3         
            
 
(Losing composure/control. Grieving)
49

Prl.



  
got to be there for her son. It's o ver is n't it ? is n't it

 
           
   
 
      
Pno.

    
               
           
53


Prl.

          
? is n't it o ver? It's o ver is n't it ? is n't it

      
   

                
Pno.

   
4
          
    
   
57

Prl.

  

     
? is n't it o ver? You won and she chose you, and she


        
  


 

       
        
Pno.

  

            
    

(fade out)
61  = 125

Prl.
4
  


  
    
loved you and she's gone. It's o ver, is n't it? Why can't I move

       
 

  
    
Pno.


rit.

 

     3     
       
66

Prl.

 


   
     
on? It's o ver, is n't it? Why can't I move

 
 

poco rit
Pno.

  

5
 
 
   
70

Prl.

   

   
on?

 
3

 molto rit.
3
Pno.

  