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Types of Aria:
(1) lamento – a type of lamentation, for instance, a woman abandoned by her love
and wants to die. Slow rhythm, in triple meter, in a minor key (transposed dorian
mode) with a descending ostinato bass.
(2) Di bravura – bravery – the military leader wins the battle , normally in d major,
impressive rhythm, and trumpet motifs.
(3) Amorosa – love – sung by a man or a woman, in lyrical scales, like in E major.
Slow tempo.
(4) Furiosa – rage – fast and dual rhythm, minor scale. Jumps in the vocal range.
(5) Divendetta – revenge
(6) Brillante – high tessitura, fast rhythm and orchestral accompaniement, rich.
(7) Aria simile – uses metaphors of some sort, in which the singer compares his
situation to some natural phenomenon or activity in the world at large.
A–
Rit a (rit) a’ rit
I I-V V V-I I
B
b b’ dacapo al fine
VI-III III-VI
( da capo al fine is like A– the same as the first part, but highly ornamented, giving
the singer a chance to show off his virtuosity)
Benedetto Marcello – 1686 – 1739, was a public and political figure from Venice
who also wrote music. In 1720, he published Il teatro alla moda, a sharp satire about
the Opera Seria as an empty and unreasonable genre, that played only to the whims
of the singer, by uneducated composers. Virtually every aspect of opera seria and its
social environment is mercilessly criticized by Marcello. He expresses his opinions
about how the music became the goal and not the tool for expression. It is not only
extremely amusing, but is most valuable as a contribution to the history of opera.