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Graffiti e Dipinti The Athenian Agora PDF
Graffiti e Dipinti The Athenian Agora PDF
ATHENIAN
RESULTS OF EXCAVATIONS
CONDUCTED BY
THE AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS
© American School of Classical Studies at Athens
VOLUME XXI
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BY
MABEL LANG
V
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PREFACE ........................................................................
.........
INTRODUCTION ................ . ..................................... 1
A. ABECEDARIA ........................... . ................. ..... 6
AND LISTS ......................................................
B. MESSAGES 8
C. LOVENAMESAND HATENAMES........... ................................ 11
D. NAMESON SHERDS................... ........... ................... 16
NOTATIONS
E. NUMERICAL ON SHERDS .......................... ................... 21
F. OWNERS' MARKS ....................... ............................ 23
F. PRIVATEOWNERSHIP ...................................................... 30
FA. PUBLIC OWNERSHIP: DELTA-EPSILONLIGATURES .................................... 51
FB. PUBLICOWNERSHIP:
DELTA-ETA
LIGATURES ........ ........ ......... 52
G. DEDICATIONSAND CONVIVIAL
INSCRIPTIONS
.............................. ............ 52
H. COMMERCIAL
NOTATIONS.......................................................... 55
HA. CAPACITY....................... ............... ..................... 55
HB. TARE .6............................................................. 64
HC. DATE ................................................................ 69
HD. CONTENTS ....................................................... 72
HE. COMBINATIONS ....................................................... 75
I. TAX NOTATIONS ....... ......... ................................... 82
J. CHRISTIAN
INSCRIPTIONS............................................ 87
K. MISCELLANEOUS
NOTATIONS
......... ................................... 88
L. UNCLASSIFIEDNOTATIONS
................. ............... ................... 90
M. PICTURES ............ ..... .......................... .............. 94
DEPOSITS ................................................9...................96
CONCORDANCEOF INVENTORYAND CATALOGUENUMBERS ................................... 101
INDICES............................................ 105
INDEX NOMINUM........... .. ............................. . ..... . .......105
INDEX VERBORUM ................................................................... 110
1 Abecedaria (A 1-11)
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Sparkes-Talcott Black and Plain Pottery of the 6th, 5th and 4th CenturiesB.C. Agora, XII
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clay) cataloguedin the Agora excavations.At least one-thirdof these consist of one or two letters
only, incisedon the bottom of smallvessels,perhapsas marksof ownership,or paintedon the necks
of unglazedamphoras,perhapsas somekindof commercialnotation.Thebrevityof thesetextsallowsso
greata varietyof interpretations that publicationwouldserveno usefulpurpose;it is sufficientto note
the largenumberof suchcurtailedabbreviations.In additionto the completeinscriptionsof one or two
letterstherearemanybrokeninscriptionsconsistingof onlya fewletterswhichadmitof so manypossible
restorationsthat nothingcertaincan be learnedfrom them.This publicationthereforeis limitedto the
859 graffitiand dipintiwhichhave sufficientcontentto be meaningful,whetherthe meaningis clearor
not. The selectedpiecesrangein timefromthe late 8th centuryB.C.,whenlettersfirstappearon pottery,
to the 6th centuryof our era. Sincethe varietyof the materialis so great,otherspecificcriteriaemployed
in the selectioncan best be listedin connectionwiththe variouscategoriesof texts.
Certaintypes of inscriptionson potterydo not belongin this studyand will be more appropriately
dealtwith elsewhere:
1) Ostraka;
2) Artists' signatures,love names and other paintedinscriptionson black-figuredand red-figured
pottery;
3) Convivialinscriptionspaintedon Hellenisticpotteryand Late Romanmotto mugs, and all other
paintedinscriptionswhichare part of the decorationof the pot;
4) Stampedor moldedinscriptionssuchas amphorahandles,lampsignatures,Arretinestamps,etc.
Classification
Variousas the selectedmaterialis, themajorityof itemsfallsreadilyinto a comparatively
smallnumber
of categories:
A. Abecedaria
B. Messagesand Lists
C. Love Namesand Hate Names
D. Names on Sherds
E. NumericalNotationson Sherds
F. Owners'Marks
F. PrivateOwnership
Fa. Public Ownership,Delta-epsilonLigatures
Fb. Public Ownership,Delta-etaLigatures
G. Dedicationsand ConvivialInscriptions
H. CommercialNotations
Ha. Capacity
Hb. Tare
Hc. Date
2 INTRODUCTION
Hd. Contents
He. Combinations
I. Tax Notations
J. ChristianInscriptions
K. Miscellaneous
L. Unclassified
M. Pictures
An introductionto eachcategorydefinesthe type,indicatesspecialcharacteristics
and suggestsparallels,
purpose,etc.
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Letter-shapesand Spelling
The varietyof shapeswhicheachlettermay takeis dependenton severalfactorsof whichchronology
is only one; othersarethe natureof the writingsurface,the natureof the writingimplement,the writing
INTRODUCTION 3
skill of the inscriber,and the amount of care which he has taken. Thus anything but the most painstaking
incision on (or through) good black glaze results in angular letters and straight lines where curves might
be expected. A very fine metal point is easier to control but seems not to have been used so often as some
blunter instrument.The older, softer fabrics lend themselvesmore to curved lines so that even the straight
uprightsof alphaanddeltaareoftencurved.A writerwhoknowshis letterswellproducesmorerecogniz-
able shapes than one who drawseach line without much feeling for the appearanceof the letter as a whole.
Becauseof thesefactorsit is not practicableto see all differencesin letter-shapesas relevantto thedate
and development of the alphabet. For example, even though epsilons are known to develop from tailed
to untailed, a good black-glazed sherd of the 5th century B.C. may show a long-tailed epsilon while those
on a coarse pot of the 6th century B.C.are without a tail. One or more of a number of reasons may be
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of line may be lost; the 5th-centurywriter may be an old man using the letter-shapesof his early youth;
the 6th-centurywriter may have been a careful person who had established a base line below which he
did not go, etc.
Spelling, and the use of Attic or Ionic alphabet, are also subjectto other influencesthan that of chronol-
ogy. Although in formalpublicinscriptionsthe Ionic alphabetwas not ordinarilyused until 403 B.C.,
individualsin Athenswere open to influencesof many sorts: citizensmay have been quickto pick up
the morepreciseIonic vowelsfor greaterclarity;meticsand slavesmay havebroughttheirown writing
habitswith them. In a time beforedictionaries,therecan have been no standardof spellingor even of
pronunciation,so that even with the best will in the worldspellingwill havebeenidiosyncratic.A good
example of the range and variety of both letter-shapesand spelling possible to individuals all writing at
the sametime may be the ostrakacast againstThemistoklesin the 480's:
Theta-square or round;crossbarredor dotted
Epsilon-bars horizontalor slanted;omittedat least once
Mu-last leg of equalor unequallength
Iota-sometimes omitted
Sigma-most often three-barred,occasionallyfour or more; sometimesdoubled, or reversed,or omitted
Tau-most often writtentheta,occasionallytau
Omicron-squareor round
Kappa-no variety
Lambda-alwaysAttic
Epsilon-see above; eithersingleor doubled;omittedat least once
Sigma-see above
The letters of Neokleous not already dealt with are only nu (last leg may be equal or unequal) and the
diphthong (most often omicron, occasionally omega). In Phrearriosthe phi may be square or round, the
rho'smaybe tailedor not, and the rho in the middlemay be singleor double,both withand withouteta
as the aspirate.
A close studyof letter-shapeshas beenincludedin the introductionto Owners'Marks(F), sincethis
category alone not only covers our whole time span from early 7th century B.C.to the 6th century of our
era but also provides a sufficientnumber of similar texts for statistical purposes. The conclusions arrived
at for that one group can here be tested on all categories; they appear generallyto hold true.
"A more or less standard old Attic alphabet(A or ABAAEIIH?IKLNMNOPP$TVOX or +)lis used with
only a few exceptions and variant forms through the second quarter of the 5th century B.C."(p.23
below). Obviously these standard shapes will often only be approximatedby writerswho may be unskilled
or using intractable materials,but in addition there are real exceptions which may be tabulatedas follows:
Digamma is not used alphabeticallybut only numerically;koppa is used more exceptionallythan regularly;xi and psi are
regularlyindicatedby the combinationof chi and phi, respectively,with sigma.
4 INTRODUCTION
Norm Exceptions
A r (B5; C24; F48)
A A (A3,A4) A (E8) D (F50)
g (B1; F14)
H B (B1; C1,C8; D6; F53; L3)
? 0 (A3; C3,C17, C 21; F12,F13, F 26) ffi (F31)
K 9 (D4,D5,D12,D18; K2,K3)
!. A (B2; C 7, C 13, C 15, C 20, C 24; D27, D 39; F56,F59, F 74)
XI 5 (D35,D39; F53)
O O (B7; D35; F64; G4)
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Norm Exceptions
A A (F94,F 169) A (F 157, F 183) A (G 16)
E E (F 198,F 210; G 13)
I Z (F178; G19)
= +( (F85) I (Ha 17) i (K 13)
P P (F81, F84, F105)
, (F 84, F 118, F 119, F 125; Ha 8) C (F 165, F 182, F 196, F 202-204)
C (Ha 17)
(D + (F 126, F 152) c (F 151,F211)
X + (F 85; Ha2, Ha10; K7)
Q 0 (B9; D41; G7) co (F 138, F 199, F 212; K 12)
2 Xi
with or without the center uprightoccurs indifferently;the tailed upsilon is not immediatelygeneraland can not always be
certainlydistinguishedin carelesswriting.
INTRODUCTION 5
For the use of the long vowelsalso the middleof the 5th centuryB.C.is a time of transition.In the
earlierperiodeta is used for the aspirate,and epsilonis used for both short and long vowel and for
epsilon-iota,with the followingexceptions:epsilon-iotafor epsilon-iota(B 2, B 6; C 7, C 10, C 19;
D 8, D 25, D 36; F 3, F 12, F 13; G 1, G 4); eta for the long vowel (B 7, B 8; C 18, C 23; D 35; F 15,
F 53); eta for the diphthongor shortvowel (C 8; F 55); no aspirate(B 7, B 8; C 8; D 13, D 16; F 54).
After the mid-5thcenturyB.C.thereis a change,and eta is used for the long vowel, exceptperhapsin
F 84, F 116,F 123 and G 6. In the earlierperiodomicronis used for both shortand long vowel and for
omicron-upsilon,with only two exceptions:the diphthongis writtenout in F 23; omegais writtenin
F 56, F 72, F 75, F 78. After the mid-5thcenturyB.C. omegais used for the long vowel exceptin F 85,
F 132,F 145, G 6 andG 7. Omicroncontinuesin use for omicron-upsilon well into the 4th centuryB.C.
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with only one exception(F 144); omicron-upsilon becomesgeneralin the late 4th centuryB.C.
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CONVENTIONS
All dates before Christare so indicated.Dates not thus markedbelong to our era.
Inscriptionsin the Attic alphabetare transcribedas they are written. For the sake of clarityor
to indicateour interpretation,we sometimesgive a paralleltext in the Ionic alphabet.Otherwisea
name or word will appearin Ionic letters only in the appropriateindex.
Exceptwhere otherwisenoted, all drawingsare actual size. Since in the interestsof accuracythe
drawingswere made as faithfulrepresentationsof the inscriptionsratherthan as illustrationsof the
readings given here, they often include marks and lines which have seemed to us irrelevantand
immaterial.
6 A. ABECEDARIA
A. ABECEDARIA
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The elevenabecedariafoundin the Agoraare all now incomplete;only fivemay havebeen originally
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complete(A 2, A 3 almost certainly;A 1, A 4, A 5 probably),but all the rest were fragmentaryin in-
tention.The differenceis clearlya chronologicalone: throughthe early5thcenturyB.C. completealpha-
bets werewrittenout, perhapsas modelsin the spreadof literacy,perhapsfrom the sheerpleasureof
exercisinga new skill; from the 4th centuryB.C. on only the beginningof the alphabetwas written,
perhapsfor magicalpurposes,perhapsas a proof of literacyor as a countingdevice.The chronological
range,as for all classesof informalepigraphyin the Agora,is wide,fromthe 8th centuryB.C. to the 4th
centuryof ourera,withmorethanhalfthe examplesin the 5thand4th centuriesB.C.
Letter-shapesare for the most part canonical.In the early examples(A 1-5) the forms of the old
Attic alphabetare constantwith only slight variations:the rectangulardigammaratherthan the F-
shapeappearsin A 2, A 3; deltawith a dot substitutedfor its bottomstrokeis seenin A 3, A 4; the dot-
ted thetaof A 3 combineswithits inclusionof omegato suggestforeigninfluence.In the laterexamples
(A 6-11) the only notablepointsare:an old Attic gammain A 6 whichis out of placein the 4th century
B.C.; more chronologically to be expected,a broken-barred alphain A 10 and a lunateepsilonand Z-
shapedzeta in A 11. The numberof lettersincludedin these fragmentaryabecedariais howeververy
limited,so thatwe mayexpectmuchmoreevidencefor letter-shapes fromothercategoriesof inscriptions.
The scantinessand incompletenessof the abecedariaare most disappointingfor the studyof alpha-
beticorder,sinceno othertextsprovideevidencefor this. Of the two pointswhichshouldbe noted,one
is familiarandthe otheris withoutparallel:it was to be expectedthat the sixthplacewouldbe takenby
digammaonly in the earlyalphabets(A 1-3) and that the digammawoulddisappearlater,but the final
letter-orderof A 3 (chi, phi, omega)must be eithera mistakeor a reflectionof the orderin whichthe
non-Phoenicianletterswereaddedin some omega-usingenvironment.
Again,in the directionof writingmost of the abecedariaare seen to be typicalof theirtimes:A 1 as
the earliestpiece is not only retrogradein both lines with the two upsidedown to each otherbut also
showsat least two lettersreversed(epsilonand digamma);with one exceptionthe laterpiecesall read
from left to right(withonly one letterreversedin A 2). The peculiarityof A 5, whichreadsfirstfrom
bottomto top and then reverses,is more likelyto resultfrom lack of skill than to be an indicationof
date.
PreviouslyknownAtticabecedariaareneithernumerousnor particularlysignificant.Theyincludeone
piecepublishedin Bull.dell'Inst.di Corrisp.archeol.,1867,p. 75 whichseemsto be a numericalalphabet,
includingdigamma,koppa and sampi,and at least two examplesamongthe Hymettossherds(C. W.
Blegen,A.J.A., XXXVIII, 1934,pp. 10-28, no. 10: alpha, beta, gamma; R. S. Young, A.J.A., XLIV,
1940, pp. 1-9, no. 9: alpha, beta, gamma, delta), which belong to the 7th century B.C.As far as abece-
dariafromthe restof Greeceareconcernedthe latestgeneraltreatmentis thatin Jeffery,L.S.A.G.
A. ABECEDARIA 7
A 1 (MC 907). P1. 1. Pyramidal loomweight, A 4 (P 13282). P1. 1. Fragment from the wall of a
much worn at the edges, inscribed with an small closed vase. Graffito scratched through
abecedariumon one of the broadfaces and with black glaze on outside. Context: early 5th
a horse and rideron thebottom(M 1). Context: century B.C. (H 12).
late 8th-early 7th centuries B.C. (N 11:6). Early V cent. B.c. a [ y [
Hesperia,XXX, 1961,p. 146, R 22, pl. 23. The delta appears to have been dotted, as in
VIII-VII cent. B.C. a py ? r . . KX
v. A3.
(retrograde)
A 5 (P2707). P1.1. Fragment of black-glazed
All trace of theta, iota and the upperhalf of
cup-kotyle of early 5th-century B.C. type, like
kappaare lost as a resultof wear on the lower Hesperia, XV, 1946, p. 293, no. 78, pl. 45.
edges. Surfacewear has obliteratedsome other
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Messagesand lists were for the most part writtenon potsherds,which were used as we use scrap
paperfor casualnotes and notations.OnlyB 17 and B 18 werecertainlywrittenon the completevessel,
whichwas, in thesecases,the subjector objectof the message.
Themessages,whichrangein datefrommid-6thcenturyB.C. (B 1) to the 2nd-3rdcenturiesof our era
(B 18), includeboth notes urgingsome action (B 1, B 2, B 7) and whatmay best be thoughtof as tags
accompanyingand explainingvariousthingsdelivered(B 6, B 9, B 17, B 18). The lists, rangingin date
fromthe 4th-3rdcenturiesB.C. to the 5th centuryof our era, aremostlykitcheninventoriesor shopping
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B 1 (P 17824). P1.2. Base of a skyphos of Co- F 13). The word ouB6s,whichis from the same
rinthianshape, with rays above the foot, of a root as 660s, still retainsits roughbreathingin
type which may be dated to the firsthalf of the this earlyinscription.
6th century B.C. Graffito on the underside,
B 2 (P 1265).PI.2. Fragmentfrom the rim of a
obviously written on the sherd; the base has
beenmendedfromfourfragments,but partof it red-figuredkylix of late 6th-centuryB.C. type.
is missing. Context: 6th centuryB.C. (J 18:4). Graffito on inside, obviously written on the
See Hesperia,XVII, 1948,p. 160, pl. 41, 2 for a sherd. Context:beginningof 5th centuryB.C.
brief account of the circumstancesof finding (G 6:3). Hesperia,XV, 1946,p. 279, no. 32.
and of some of the objectsfound in the same Ca. 500 B.C. TrCa-, -rTl(aAa[vSoi]
deposit. &Aos Ka<C>v65 YA[tvTp]
as 96pEt
Mid-VIcent.B.C. [Oa;ve]ui:KxSE'S:hvnorTO hoBo
Tas $ipaS TOKTro : Trpfov(a) "Boy,bringothernewcouchesfor Phalanthos."
The namePhalanthosand the wordfor couches
"Thamneus,put the saw underthe threshold are restoredexempligratia.The use of the Ionic
of the gardengate." A fragmentis missingfrom lambdaand four-barredsigmaat this earlydate
the beginning of the inscription;we restore is exceptional;the omega is not used. For the
here the name Thamneus(of which a possible omittediota see Meisterhans2, pp. 24-25.
trace of the final upsilonis preserved)because
two vases belongingto Thamneus(F 12, F 13) B 3 (P 12225).P1.2. Fragmentfrom the wall of a
were found in the same pit. The letter forms black-glazedkrater.Graffitoon outside,written
correspondwith those used in Megarain the verticallyto the pot; obviouslywrittenon the
Archaic period: b-shaped epsilon, closed eta sherd, which was subsequently broken all
as aspirate, triangularrho, and four-barred around. Context:early 5th centuryB.C.
sigma(cf. Jeffery,L.S.A.G.,pp. 132-138). Prob- Early cent. B.C. ]E . [
V
ably, therefore, the writer was a Megarian. ]!PE:A[
Thamneushimselfwritesin Attic letters(F 12, ].OM[
B. MESSAGES AND LISTS 9
IV cent. B.C. ort 'Acias XEyo[ Late IV-early III cent. B.C.
{TA} {AMAX} XowTra8r i.e., dish
TAZATTETEMAI IEydArl I large 1
OTI 'Aaias ffioTr(a) II half-size2
The use of OTt is like that in excerpts from 6]p3rcai : 11 long loaves2
literarytexts, but both sense and syntax are X]ICpTrr[s papyrus roll?
obscure. Line 1: presumablyan alternateform for
Line 3: cf. Aesch., fr. 91 for /l[iorros: of
AoTrraS.
The next three items (B 12-14) are lists of vases something small; Galen 13, 558 fio0Trov=fiotCu.
and culinary equipmentand may be thought of Line4: cf. B 12, line 2.
as rough kitchen inventories or shopping lists. B 15
(P 23309).P1.3. Fragmentof small shallow
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All come from the immediate vicinity of the saucer with dull red glaze. Graffitoon floor.
Tholos and are undoubtedlylists of the kitchen
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This categoryis rathera mixedbag. Besidesa few love namesand vilificationsof a standardsexual
type we have includedseveralotherpieceswith inscriptionsof a highlypersonalor emotionalnature.
Love namespaintedon figuredvasesare not includedheresincethey are moreproperlystudiedin con-
nectionwith the vases on whichthey appear.
The 14 kalos-name inscriptionscataloguedbelowlrangein time from the mid-6thcenturyto the end
of the 5th centuryB.C.and in contentfromthe simpleand anonymouso6rrcasKcaos (C 4) to the full and
o Kia6oSOKEI'Iav.98[ (C 10). The admirersare not namedin ten cases (seven mas-
explicitAUKo6IaXO
culine objects, two feminine, one both), but it is apparently not possible to assume that the writer (or
admirer) was always masculine, since the dative MECAiT(to whom Alkaios seems beautiful) in C 19 is
most probably feminine. Of the named admirers (C 3, C 7, C 10, C 19) two lack endings and so might
conceivablybe eithergender,althoughit is likelythat the admirerof Antheme(C 3) is Aischinesor Ais-
cheas2and that Lykomachos'admirer(C 10) is lanthis ratherthan Ianthides.These probablehetero-
sexualpairsarematchedby a clearlyhomosexualone in C 7, whereMenekratesis beautifuland dearto
Lysikles.
Parallelsfor these kalos-namesare most convenientlygatheredtogetherin Robinson and Fluck,
Greek Love Names, and in Beazley, A.R. V. and A.B. V.
Sexualinsultplaysa partin 15 of the textsbelow.3Themost commonterm(eighttimes)is KalTctruycov
(or Truyacos),ordinarilyappearingwith masculinenames but occurringonce in abbreviatedform-
KaTaTruy(aiva)-witha feminine name (C 27). Certainlycomparableare the epithetsXaKKo6TpcoKToS
(C 23)
the aspirate;exceptionalare Ionic lambda and/or gammain C 7 (part),C 13, C 15, C 24, C 27-29,
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Priene,Berlin,1906,no. 317.
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D. NAMES ON SHERDS
The criterionfor admissionto this categoryis that the nameor namesshallhave been writtenon the
sherd,not on the completevase.Althoughobviouslyit is not alwayspossibleto be absolutelycertainon
this point,it maybe saidthatthe writingwasdefinitelydone on the sherdwhenit eitherturnsto follow
the edge of the sherd or continues in the next line on reaching the edge, or when it was done on the
insideof a fragmentfroma closedpot. It maybe saidprobablyif not certainlyto havebeendoneon the
sherdwhenit is alignedwith one edge of the sherdor neatlycenteredon it.
Sherdswith a nameincisedon themhavebeenfoundin considerablenumbersat the Agoraand else-
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wherein Athens.The greatmajorityof them can be datedin the 5th centuryB.C., and the namesthey
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all that can be detectedin the fragmentarystateand natureof the materialare threeomissionsof single
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This reading of the mother's name seems The interpretationis uncertain. Read as a
preferableto the reading flp3aKiogiven in the single word, it would be nTvpoSovptiSris, a
originalpublication. name otherwiseunattested.Sir John Beazley
D7 (P 27741). P1.7. Base fragmentfrom large suggested rTOppou i.e., patronymic
Oovupia&qs,
and name. Anotherpossibilitymightbe Huppcb
amphoraof early6th-centuryB.C. type. Graffito OoupiaBrlS,i.e., two names, a woman's and a
on inside of base ring, upside down. Context: man's.Thouriadesis not attested,but Thourios
first half 6th century B.C. (I 10:1). is knownoutsideof Attica.
Early VI cent. B.C. ETrrpaXais
D 12 (P 14693). P1.7. Fragment from wall of
D 8 (P 4794). P1.7. Fragmentfrom wall of large large unglazedpot. Graffitiinside and outside,
coarse pithos. Graffito on outside, obviously obviouslywrittenon the sherd. Context: first
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B.C.
FirstquarterVI cent. B.C. (outside).E.vSuivss
Early VI cent. B.C. AEtvLceia (inside) 9uv68paX[os
ATlileveiawould be the Attic feminine form of On the outside severalheavy strokesin the
of uncertainprovenience(Diod., XIV,
Aai'invrls, upper left corner have partiallyobscuredthe
53,5). first two letters, but the reading seems fairly
D9 (P 13333). P1.7. Fragment from neck of sure. On the inside much of the surfacebelow
coarse unglazedwaterjar. Graffitoon outside, the namehas flakedaway,and the endingof the
verticalwith respectto the pot; certainlywritten name is not preserved.It might equally well
on the sherd. Context: early 6th centuryB.C. have been genitive,as a patronymic,or dative,
as an addressee.
Early VI cent. B.C. TTEpalab[
This sherdmay have been a tag accompany- D 13 (P 18271).P1.7. Part of flat handleof large
Protoatticpot, with wavy lines downthe outer
ing a parcelbeing sent to Peiraieus:TTFipaiaBE.face. Incised on the inner face, verticallywith
It is also possible that the name T1EipaiaSrln
(unattested)was written. respect to the handle,and almost certainlyon
the sherd.Context:secondquarter6th century
D 10 (P 18342). P1.7. Fragment from wall of B.C.(A 17:1). Cf. Hesperia, XXX, 1961, p. 323,
large amphorawith streakyglaze on outside, F2.
of 7th- to 6th-centuryB.C. type. Graffito on First half VI cent. B.C. 'E6opT[1o (retrograde)
outside,verticalwith respectto the pot, almost
certainlywritten on the sherd. Context: first Note the absenceof the aspirate,as in the
quarter 6th century B.C.(B 18:10). same name in .G., I2, 579. The surfaceafter
the tau is almostcompletelydestroyed.
First quarter VI cent. B.C. (a) Eu.pUTr
(b) TTpaXcr<i>v D 14 (P 6067).P1.7. Fragmentfrom wall of large
The first graffito,which was writtenalong one pot with dull brown glaze outside. Graffitoon
edge of the sherd, seems to have been delib- inside,obviouslywrittenon the sherd.Context:
mid-6th century B.C. (19:1). Hesperia, Suppl.
erately trimmed off, so that only the lower
parts of the lettersremain.The sherdwas then VIII, p. 406.
turned around, and the second graffito was First half VI cent. B.C.AEPt6pi?XOS
(boustrophedon)
written.Euryteis a mythologicalname;Praxine
would be the Attic feminineform of Prexinos, D 15 (P 12212). P1.7. Fragment from wall of
knownoutsideAttica. large amphora,with dull streakyglaze outside,
of 7th-or early 6th-centuryB.C.fabric.Graffito
D 11 (P 14687).P1.7. Fragmentfrom wall of a on inside, written vertically to the pot and
Protogeometricpot. Graffito on inside, ob- skipping over a wheelmade groove. Context:
viously written on the sherd. Context: first down to mid-6th century B.C.
quarter 6th century B.C. (S 21:2). First half VI cent. B.C. E(<9>po[ (retrograde)
FirstquarterVI cent. B.C. The originalsherdis brokenat the left and
THYPOGOPIAAEE(boustrophedon)
chippedat upperright. The third letter, which
Since the potteryfrom this well is consistently is perfectly clearly preserved, consists of an
early 6th centuryB.C. in date, we assumethat oval with a horizontalline across it. This is
the writingon the sherd dates from the same perhapsan incompletetheta, whichwould give
period,and is not contemporary with the sherd. a namelike Euthronor Euthronios.Sinceboth
D. NAMES ON SHERDS 19
of these are rare (for the latter cf. F 43), it D 20 (P 24745).PI. 8. Fragmentof verylargevase
seems preferableto read the third letter as phi with thin black glaze on outside, of 7th- or
and restore some more common name like early6th-centuryB.C.fabric.Graffitoon outside,
Euphron or Euphronios. Phi's of this form are certainly written on the sherd. Context: third
to be found on certain early 5th-centuryB.C. quarter 6th century B.C.(with D 21).
ostraka, e.g., one of ThemistoklesPhrearrios Mid-VI cent. B.C. Aucias I Mup-r6
(Agora inv. no. P 17682 - unpublished);see Thefinalsigmaof Lysiaswassqueezedaround
also below,F 50. It occursoccasionallyeven on
the corneronto the secondline.
stone, e.g., the Kallimachosepigram(I.G., I2,
609); see also I.G., I2, 487. D21 (P 24746). P1.8. Fragment from wall of
unglazed pot. Graffito on outside, probably
D 16 (P 13). P1.7. Fragmentfrom wall of large
© American School of Classical Studies at Athens
Each name is writtenalong one edge of the D 32 (P 4627). P1.9. Fragmentof pan tile, glazed
sherd; also various scratchings. Three are on uppersurface.Graffitoon the undersurface,
repetitions of the same name, Argeides, which obviouslywrittenon the sherd.Context: 6th-
seems not to have been reportedhithertobut early 5th centuries B.C. Hesperia, Suppl. II,
may derive from Argeios, which is known in pp. 121-122,226, no. B 47; Suppl.VIII, p. 400,
Attica.Thefourthnamewill havebeenMneson, note 20.
Tlesonor the like. Late VI-early V cent. B.C.
D 26 (P 13248). P1.8. Fragment from wall of NEoK<A>Eo(S) (boustrophedon)
largepot with tracesof dull black glaze on the MEAaviSs
outside, probablyGeometric.Graffition both Althoughit is possible that the sherd is an
sides, obviouslywrittenon the sherd.Context: abortiveostrakon,as suggestedin Supplement
© American School of Classical Studies at Athens
The criterionfor admissionto this categoryis that the notationshallhave beenwrittenon the sherd,
not on the complete vase. Although obviously it is not always possible to be absolutely certain on this
point, in the case of numberswhichcould have borneno relation(of price,capacityor weight)to the
pot of which the sherdwas originallya part, it may be said probablyif not certainlythat they were
writtenon the sherd.
The sherds here presented are only representativepieces, several of which were published in "Numeri-
cal Notations on GreekVases," Hesperia,XXV, 1956,pp. 19-24. For other examplessee that publi-
cation.
22 E. NUMERICAL NOTATIONS ON SHERDS
The numbersused on these sherds,which except for one later and uncertainexample(E 16) date
from the 5th and 4th centuriesB.C., are acrophonicwith one exception(mu as the numberof weight
drachmason E 15).Theyincludemu for myriad,pi-chifor 5000,chi for 1000,pi-etafor 500,eta for 100,
pi-deltafor 50, deltafor 10, pi for 5 (alsopi-sigmafor 5 staters),andeitherthe drachmasignor a simple
uprightstrokefor the unit. For fractionsof the drachmaa simplestrokeservesfor the obol (ordinarily
uprightbut once apparentlyhorizontalon E 4), a C-formfor the half-oboland a tau for the quarter-
obol. The only oddityin letter-shapesis the dotteddeltaof E 8.
The namesor words,mostlyabbreviated,whichon some sherdsaccompanythe numbers,presentno
unusualfeaturesin letter-shapesor spelling.Sincetheir significanceand interpretationare so various,
they can best be treatedindividuallyin the cataloguedescriptions.
© American School of Classical Studies at Athens
E 1 (P 12214). P1.10. Fragment fron1 wall of Probably a tag indicating the number of
For personal use only. License: CC-BY-NC-ND.
large krater,glazed inside. Graffito on inside, pots or tiles ratherthan the price; the handle
obviously written on the sherd. Con [text: 6th- makesit particularlyconvenientto attach.
- KAp. ')
5th centuries B.C. Hesperia, XXV, 1' JVu, 'V, E 6 (P 12317). P1. 10. Fragment of roofing tile
no. 86. with glaze on concave surface. Graffito, on
Early V cent. B.C. !PXXXX i.e., 9975 glazed surface,probablywrittenon the sherd,
PHHHH which was brokenat the left. Context:fourth
r^AAP quarter 5th century B.C. (O 19:4). Hesperia,
E 2 (P 5133). P1.10. Foot of black-glazed kylix. XXV, 1956,p. 19, no. 79.
Graffitoon underside,probablywrittten on the Late V cent. B.C. P FIC T
sherd.Context:secondquarter5th centuryB.C. Partof an informalabacus,with the symbols
p. 88, noite2.
(H 6:5). Cf. Sparkes-Talcott, servingas headingsfor theplacementof pebbles:
Second quarter V cent. B.C. 5 (drachmas),1 (drachma),1 (obol), ? (obol),
MXH (retrograde) 4 (obol).
I.e., (uiplioi)X(ito1) h(EKacTrv) E 7 (P 4909). P1.10. Fragment from foot of
E 3 (P 226). PI. 10. Foot of a Corinthian-type black-glazedbowl of late 5th-centuryB.C.type.
skyphosof the secondquarter5th centuryB.C. Graffito on underside,inside foot, probably
Graffitoon bottom,probablywrittenon sherd. writtenon the sherd.
Second quarter V cent. B.C. mr Late V cent. B.C. AAHtF[
AiaXea
~p ~
NiKavof Perhaps a price tag, since the units are
Perhapsa tag accompanyinga colnsignment drachmas.
(weighingfive staters), belonging to Aischeas E 8 (P 9177). P1.10. Fragmentfrom lower part
and perhaps certifiedby Nikanor. It is also of black-glazedskyphos of Attic type of late
possible that only one person is involved, 5th centuryB.C. Graffitoon underside,within
namelyNikanor,son of Aischeas. the foot. Hesperia,XXV, 1956, p. 16, no. 69.
E 4 (P 27694).P1.10. Wall fragmentfroim lekane. Late V cent. B.C. AA111[
Graffito on inside, obviously written on the Since the units are simple strokes, the re-
sherd,whichwas later brokenat the left. Con- ferenceis to somethingotherthandrachmas.
text: second quarter 5th century B.C. (P 14:3).
E 9 (P 25886). PI. 10. Fragment from wall of
Second quarter V cent. B.C.
]a FFF-IC <T> i.e., 4 dr., 1 3/4 ob. plain storagejar. Graffitoon outside,obviously
1 3 ob. ~(?) writtenon the sherd.Context:5th centuryB.C.
] F i.e., dr.,
(Mll 18:).
The writing of obol strokes hcrizonta
V cent. B.C. ]io0v ---FFFF
insteadof verticallyis not usual.
] P-H
E 5 (P 16981).P1.10. FragmentfromrimI of black- ]AAAPF
glazedskyphos,preservingone handle Graffito Perhapsthe sherd representsthe tallying of
on inside,obviouslywrittenon the sherd. Con- drachmas (6paXi&ov)from different sources.
text: late 5th century B.C. (A-B 21-22:1). The fact that the six drachmasof the first line
Hesperia,XXV, 1956,p. 19, no. 82. have not been resolvedinto PF suggestssome
Late V cent. B.C. KEpa&pOS AAAAInf[ kind of tallying.
F. OWNERS' MARKS 23
E 10 (P 23873).PI. 10. Baseof lekane(= Sparkes- Thejug seemsto havebeen usedas a tag on a
Talcott,no. 1810).Graffitoin centeron under- shipmentof 60 pieces;the singledrachmaseems
side, probablywritten on the sherd. Context: to be price, whetherof the whole shipmentor
ca. 420-390B.C. (Q 15:2). some part. Perhapsthe shipmentwas pots of
which the tag was the visiblesample.
EarlyIV cent. B.C..P
The graffitois repeatedin smallerformat one E 14 (P 6876). PI. 10. Fragmentfrom floor of
edge. black-glazed bowl or plate, with stamped
palmettes on the floor, of the 4th centuryB.C.
E 11 (P 14622).PI. 10. Fragmentfrom lower part Graffitoon floor, almost certainlywritten on
of black-glazedskyphos of early 4th-century the sherd.
B.C. type. Graffito on underside,within ring Hesperia,XXV, 1956,p. 19, no. 81.
© American School of Classical Studies at Athens
EarlyIV cent. B.C. Niy( ) HHA[ E15 (P25983). P1.10. Lower part of black-
Perhapsa tag?or an I O U? glazed kantharosof late 4th-centuryB.C. type.
Graffito on underside,within foot, probably
E 12 (P 18610).P1.10. Fragmentfrom lower part writtenon the sherd.Context:3rd centuryB.C.
of small black-glazedolpe. Graffitoon under- (Q 19:2).
side, probablywritten on the sherd. Context: Late IV cent. B.C.
first half 4th century B.C. (C 19:5).
Aio ( ) 6xK(at) i' i.e., 40 dr. (weight)
Firsthalf IV cent. B.C. Mi ( ) AA
It is likely that the first three letters are an
E 13 (P 3512). P1.10. Small black-glazedring- abbreviatedname ratherthan a commodity.
handledjug. Graffito on underside.Context:
secondhalf 4th centuryB.C.(F 11:2). Hesperia, E 16 (P 6349). P1.10. Lower part of Pergamene
XXV, 1956, p. 16, no. 68, pl. 3. Cf. Sparkes- bowl of the late 1st centuryB.C. Graffitoon
Talcott,no. 1192. underside,perhapswrittenon the sherd. Con-
Third quarter IV cent. B.C. FPA text: 1st century B.C. (E 14:1).
k Late I cent. B.C. 6p (aXlpat) AAAAA
F. OWNERS' MARKS
The large numberof what seem almost certainlyto be marksof ownershipinscribedon complete
vessels makes possible some useful statistics1of various sorts: changesin letter-shapesand spelling
throughoutthe rangefromearly7th centuryB.C. to the 6th centuryof our era; natureof identification,
rangingfrom simpleinitialof the nameto a completesentenceassertingownership(withconsideration
of the numberand kinds of abbreviations);locationof the markson varioustypes of vessels;andthe
natureof the writing,whethergraffitoor dipinto.
A more or less standardold Attic alphabet2(A or ABAASlIH?IK.MNOPPJTVO+or X) is used with
only a few exceptionsandvariantformsthroughthe secondquarterof the 5thcenturyB.C.: Ioniclambda
or gammaappearsonly in F 56, F 59 andF 74; variantsfor thetaincludethreedotted(F 12, F 13, F 26)
and one square(F 31); variantsfor rho includefive apparentlystemless(F 20, F 23, F 24, F 39, F 41) and
four with tails (F43, F 61-63). "Foreign-educated" writerswere probably responsiblefor the one
example of a B-shapedepsilon(F 14), the two examplesof psi-shapedchi (F 25, F 65), one combination
of closed eta as a vowel with Ionic xi (F 53), and four cases (F 56, F 72 cursive,F 75, F 78) in which
omegais used. Othervariantsare most likelyto be due to the difficultyof incisingand lack of skill of
the writer: misformed phi's (F 43, F 50 with almost horizontal crossbar,F 66 square), square omicron
1 Although the numbermay be sufficientfor statistical purposes, it is still true that the extremebrevity of the texts and relative
(F 64), and curveddelta (F 50). Most interestingis the variationin sigmas;althoughthe four-barred
form is mostly the resultof sporadicforeigninfluence(F 16, F 44 with stemmedupsilon,F 56 with
omega and Ionic lambda,F 75 with omega,F 77 in a Cretanname),the role of the earliestexample
(F 1) is perhapsbest explainedas an alternateto the reversedsigmawhich seemsmost often to have
been used as a specialform markingthe end of the word (see above in introductionto Names on
Sherds,pp. 16-17).So herethe four-barredsigmaat theends of F 1 and thefive-barredsigmaat the end
of F 2 combinewith the reversedthree-barred sigmasat the endsof F 12, F 13,F 18 andF 23 to suggesta
gropingfor a significantvariantfor this specialpurpose;the only otherreversedsigmadoes occurin
the middle of a name (F 6) and may indicateeitherindividualidiosyncracyor the still fluid state of
experimentation.
© American School of Classical Studies at Athens
With the middleof the centurythe balanceshifts so that the rule is a more or less standardIonic
For personal use only. License: CC-BY-NC-ND.
8 Xi with or without the centeruprightoccurs indifferently;the tailed upsilon is not immediatelygeneraland can not always be
certainlydistinguishedin carelesswriting;
4 The hourglasssigma, if such it is, of F 183 must be foreign or idiosyncratic?
F. OWNERS' MARKS 25
6 Not includedhere are the cursivejoints, as for example betweenthe letters of the diphthongsepsilon-iota(F 276) and omicron-
upsilon (F 330).
26 F. OWNERS' MARKS
Numberof
letters Number7 Dates
8 1 Late4th-early3rdcenturiesB.C.
6 4 From mid-5th into 4th century B.C.
5 13 From secondquarter5th centuryB.C.into Late Romanperiod
4 47 From 6th century B.C. into Late Roman period
3 70 Fromfourthquarter6th centuryB.C. to 5th-6thcenturies
2 13 Fromfourthquarter6th centuryB.C. to mid-3rdcentury
1 4 From early 5th century B.C.to 1st century B.C.
152
The comparative scarcity of one and-two-letter abbreviations results from our criteria of selection (see
Introduction, p. 1) and is not at all a reflection of the actual state of affairs.There are vast numbers of
pots or fragmentswith only one or two letters,but becausethe scopefor interpretation is so wide they
can give us little or no information.Of the four one-letterabbreviationswhichare includedthreehave
not only the initialbut also the full name(F 163,F 185,F 245) and the other(F 40), althoughit has only
the initial,is one of a groupof pots all apparentlymarkedby the sameownerin variousways. Of the
13two-letterabbreviations, one (F 39) belongsto this samegroup,another(F 213) was also foundin the
samecontextwith a completename,six occurtogetherin pairson threepots (F 89, F 112,F 228), one
(F 28) representsfive differentjars all markedin the sameway, one (F 73) is a uniquemonogram,one
(F 127) shows the full name as well as the abbreviation,and the last two (F 242,F 296) seemedsuf-
ficientlyunlikeany otherinscribedpots of the periodto be interesting.8
6 This total exceeds the number of catalogueditems by eight because so many both have abbreviationsand belong to another
category:F 91, F 127, F 152, F 163, F 180, F 185, F 245, F 323.
7 Eight letters: F 181
Six letters:F 80, F 145, F 167, F 308
Five letters:F 59, F 79, F 97, F 108, F 119, F 147, F 153, F 193, F 237, F 241, F 320, F 326, F 331
Four letters: F 20, F 49, F 51, F 54, F 66, F 68, F 71, F 81, F 88, F 90, F 91, F 95, F98, F 110, F 114, F 121, F 129, F 137, F 148,
F 151, F 152, F 162, F 163, F 166,F 180, F 186,F 189, F 195, F 200, F 206, F 211, F 217, F 222, F 227, F 229, F 236, F 240, F 244, F 254,
F 255, F 261, F 271, F 278, F 299, F 317, F 327, F 334
Three letters: F 14, F 15, F 17, F 19, F 21, F 22, F 25, F 27, F 2931, F 33-37, F 41, F 42, F 45, F 47, F 48, F , F 53, F 57, F 60,
F 61, F 69, F 70, F 74, F 87, F 102, F 105, F 106, F 109, F 111, F 120, F 133, F 155,F 156, F 159, F 173-175, F 178, F 190,
F 194, F 196, F 197, F 207, F 208, F 210, F 219, F 221, F 235, F 239, F 247, F 248, F 260 F 265,
, F2 F277,F F
281, F 283,
F 293, F 294, F 303, F 314, F 323
Two letters:F 28, F 39, F 73, F 89 (2), F 112 (2), F 127, F 213, F 228 (2), F 242, F 296
One letter: F 40, F 163, F 185, F 245.
8 Actually this two-letter abbreviation could as well refer to contents or give a date or other number and so serves as an example of
these abbreviations'elusiveness.
F. OWNERS' MARKS 27
9 Nominative:F 1, F 6-8, F 11, F 16, F 24, F 44, F 46, F 62, F 72, F 76, F 78, F 83, F 85, F 93, F 117,F 135,F 138,F 150, F 164,F 168,
F 170, F 176, F 183-185, F 187, F 188, F 204, F 214, F 224, F 225, F 231, F 238, F 250, F 252, F 257, F 274, F 282, F 285, F 287, F 290,
F 291, F 309-311, F 316, F 318, F 322, F 323, F 329.
Genitive: F 2, F 4, F 9, F 23, F 64, F 67, F 77, F 84, F 86, F 92, F 104, F 113, F 118, F 125, F 127, F 136, F 140-143, F 146, F 152,
F 157, F 158, F 163, F 165, F 179, F 180, F 182, F 198, F 201-203, F 212, F 216, F 223, F 230, F 233, F 234, F 243, F 245, F 246, F 251,
F 256, F 258, F 259, F 262-264, F 267-270, F 273, F 275, F 276, F 279, F 286, F 292, F 295, F 297, F 301, F 304, F 306-308, F 312,
F 321, F 325, F 330, F 332.
Dative: F 50, F 284, F 288, F 298.
28 F. OWNERS' MARKS
als: alpha(1) in F 87, F 170; gamma(3) in F 317; delta (4) in F 162,F 282; epsilon(5) in F 98; stigma-
zeta (6-7) i 04; kappa(2 in F 73; kappa-alpha(21) in F 297; nu (50) or pi-delta(50) or both in
F 130,F 206,F 252; andepsilon-iota-rho (115)in F 315 andkappa-theta-tau(329)in F 250. The numbers
need not all be used similarlyand could not be expectedto be so over so greata lapse of time and on
such differenttypes of vessels.It is possiblethat the smallernumbersmight referto qualityor age of
contents,that any of the numbersmightindicatethe particularvessel'splacein a series,or giveeithera
date or taahecapacityon he basis of some era or unit taken for granted.Finally,one vessel(F 198) on
whichthe capacityis spelledout is cataloguedhere ratherthan underHa (Capacity)becausethe first
item in the inscriptionis the owner'sname.
In additionto a few unexplainedmarksthat are not evencertainlylettersor numberson severalpots,
© American School of Classical Studies at Athens
cross:F 322, F 323 (on whichthe additionaliota-epsilonmightbe eithera numberor the abbreviation
for "priest"or "sacred"),F 324.
The most frequentformulaamong the more elaboratestatementsof ownershipmakes the vessel
assert,"I am (the property)of ." This simpleform occurs 13 times (althoughsome
texts are incomplete and so may have included more): F 5, F 12, F 13, F 18, F 32, F 56, F58, F 63, F 65,
F 107, F 115, F 144, F 177. One variant adds a predicate (F 3); another uses the adverb dikaios (F 94,
F 131, F 132, F 139, F 154). F 103 may name itself as the property of Philippe; F 199 appears to record a
conversation:"(Thisis the property)of Agathonthe thief." "Cheapat a chalkous!"Two of these
inscriptionsalso haveadditionalinformation:F 65 maygivethe owner'sethnic;F 131 may add a prohi-
bition to the assertionof ownership- "I am really(the property)of Andriskos;[let not] anyoneelse
[touch]."F 63 may indicatejoint ownership.
The 46 incompleteor obscuretexts can not profitablybe treatedas a group,since the uncertainties
involvedare so various.Most are nameslackingcase-endings(or more);10thereare a few wherethe
names themselves are uncertain, if indeed they are names;u and two texts are literally illegible because
they employnon-Greekletters(F 99, F 100).
Sincethe kind of vesselsand the locationof the inscriptionsthereonaremost often related,it will be
convenient to consider these two matters together. For our purposes the vessels do not need to (and
often can not because of theirfragmentarystate) be separatedinto many individual categories of shape. It
is sufficient (and often only possible) to distinguish open vessels (like cups, bowls, basins, plates) from
closed (like amphoras, pitchers,jugs). In addition there are lamps and lids and one disc-stand, as well as
three unexplained objects of clay.
The vast majority (73 %) of open vessels12are inscribed underneath,on the base; on 19% the inscrip-
tion appears on the side wall; the locations of the other 8% are various, with only a few examples of
each: inside (often on floor), top of rim (of basins), top of foot or stem (kylix), handle. Two of the side-
wall inscriptions are upside down to the vessel (F 6, F 25), and one runs vertically (F 203). For the great
number of inscriptions underneaththe orientation is obviously a matter of indifference.
Inscriptionson closed vessels13occur most often on the shoulderor side (67%) or neck to mouth
(17%), less often underneath,on the base (9+ %), and on the handle (6+ %). Only one inscription
(F 97) is upsidedown to the vessel,but three(F 9, F 65, F 298) run vertically.Handleinscriptionsseem
to readindifferentlyup or down.
If thereis anychronologicalconclusionto be drawnfromthesefigures,it is onlythe sameone thatmay
be derivedfrom a generalsurveyof the potteryof the Agora: that there are more examplesof open
shapesin the Greekperiodthan in the Romanperiod.
The inscribedlamps number15; four are inscribedon the nozzle (F 113, F 152, F 178, F 185); four
underneath,on the base(F 42, F 93, F 197,F 214);threeon top or aroundthe rim(F 103,F 183,F 212);
threeon the side-wall(F 129,F 177,F 211); oneis inscribedon top, on the nozzleandon one side(F 163).
© American School of Classical Studies at Athens
All lids (F 49, F 58, F 121,F 157,F 216) and one disc-stand(F 8) are inscribedon the top surface.The
For personal use only. License: CC-BY-NC-ND.
for a differentperiodfromthe one hererepresented(F 10,F 49, F 87,F 235,F 262).Therearealso several
ethnics(F 44,F 62,F 63,F 77,F 170,F 203,F 257),someof whichhavenot previouslyappearedin Attica;
some of thesemay be slavenames.17
As far as sex is concerned,the predominanceof the male, whetherin termsof possessionor in the
expressionthereof(literacy),is clear:127namesareprettyclearlymasculine;only 19 arefairlycertainly
feminine,withan additionalsix thatcouldbe eithersex;18mostabbreviations areobviouslyuncertain.
(= Brann, no. 194). Dull streakyblack glaze (M 11:3). Hesperia,XXX, 1961, p. 366, H25,
inside and out; bottom reserved.Graffitoon pls. 78, 89.
the side. Context: first half 7th century B.C.
(T 19:3). Second half VII cent. B.C. O6oov
First quarter VII cent. B.C. F 7 (P 14691).PI. 11. Upper part of amphoraof
]X.
&nXOS (retrograde) 7th-centuryB.C. type. Graffito on shoulder.
Context:firstquarter6th centuryB.C.(S 21:2).
PerhapsElatichos(not known),but possibly Cf. Brann,p. 33.
third declension genitive rather than second
declensionnominative.If the chi is writtenfor Late VII cent. B.C. ATrp]616Tr[o]
the
kappa, possibilities becomemore numerous.
F 8 (P989). PI. 11. Black-glazed disc stand.
F2 (P26420). PI. 11. One-handled cup with Graffitoon upper surface. Context: first half
flaringlip and flat bottom. Graffitoon upper 6th centuryB.C. (116:4). Cf. Sparkes-Talcott,
wall. Context:second quarter7th centuryB.C. no. 1323.
(R 17:5). Hesperia,XXX, 1961, p. 377, S 17, Firsthalf VI cent. B.C. (Oav*Ae
pl. 87.
F 9 (P 195).P1.11. Fragmentfrom upperbody of
Second quarter VII cent. B.C. Ot(Iovos
black-figuredolpe or small amphora, of the
F 3 (P 4663). P1.11. Skyphoswith offset lip and first half 6th century B.C. On reservedpanel
low ring foot. Graffitoon the side, just below outlinedby a single glazed line, the tail of an
level of handle. Context: 7th-6th centuries animal. Graffito beside panel vertical with
B.C.(F-G 12:1). Hesperia,Suppl. II, pp. 124- respectto the pot.
p. 7.
125,figs. 89, 90. Cf. Sparkes-Talcott, First half VI cent. B.C. Av]cainlo
Mid-VII cent. B.C. Eapio sljil -roTfplov
The restorationis one of severalpossibilities,
F 4 (P 22709).P1.11. One-handledcup with offset probablythe most likely for 6th-centuryB.C.
lip (= Brann,no. 184).Graffitoon upperwall. Athens.
Context:thirdquarter7thcenturyB.C.(0 12:1). F 10 (P 2029). P1.11. Fragmentfrom base of
Third quarter VII cent. B.C. open bowl, glazedinsideand out, exceptunder
'ATxoraTas (retrograde) foot. Graffitoon bottom. Context:6th century
B.C.
The name is not known;compareTataieon
a lekythosfrom Cumaein the BritishMuseum First half VI cent. B.C. EOTr[
(Jeffery,L.S.A.G.,p. 240, no. 3, pl. 47). No such name is attested till the Roman
F 5 (P 23452).Pl. 11. Fragmentfromwall of cup. period.
Graffito on outside. Context: third quarter F 11 (P 24727). P1.11. Fragmentfrom base of
7th centuryB.C. (R 8:2). Hesperia,XXX, 1961, skyphos,of a type commonin second quarter
p. 353, G 33, pls. 81, 89. 6th century B.C., with red band above foot.
Third quarter VII cent. B.C. Graffito on bottom. Context: fourth quarter
]MAoE[IPt (retrograde) 6th century B.C.(R 12:3).
17Strabo VII, 304 I
v y&p Ko4?iLro, tl 'oTs BVEatv KEivois6pOvitovs &Aov TOS-rotK'ra, cs AvS6v Katl2Opov, q TOTS
tj ous
bmrroA&Louvav thi 6v61saoi rpocry6pvov, &S M6vnv A^Ti6av T6v Oprya, Tiplov 8 Trv naorXay6va.
Crtainy fem ne: F 4, F 8, F 11, F 24, F 79, F 84, F 103, F 117, F 158, F 165, F 176, F 184, 230, F 257, F 255, F 306, F 311,
F 322, F329. Eithersex: F46, F 113, F 182, F 183, F 188, F224.
F. OWNERS' MARKS 31
Second quarter VI cent. B.C. Oa0{ i.e. TaTf? F 19 (P 24882). P1.11. Glaze-bandedamphora
Perhapsthe "mistress'cup", inscribedby a of 6th-centuryB.C. type. Graffitoon shoulder.
servant of the house. An abbreviationis less Context: ca. 520-490 B.C. (Q 12:3). Cf. Sparkes-
likely, since names beginningthus are much Talcott,no. 1502.
later. VI cent. B.C. ZUI ( ) (monogram)
F 12 (P 17825). P1.11. Small black-glazedolpe ThemostlikelyAtheniannameis Symmachos.
with high-swunghandle and large spreading F20 (P 25922). P1.11. Handle from unglazed
foot (=Sparkes-Talcott,no. 251). Graffitoon amphora.Graffitoon outsideof handle,written
side. Context: mid-6th century B.C. (J 18:4). from bottom up. Context:6th centuryB.C.
Mid-VI cent. B.C. Oaluv?o5?ei.i VI cent. B.C. 'Aypu( )
© American School of Classical Studies at Athens
F 45 (P 5012). PI. 12. Wall fragmentfrom black- Early V cent. B.C. 'EQ1( )
glazed cup. Graffito on outside. Context: Note combinationof Ionic xi and closed eta
early 5th century B.C. used as a vowel. Presumablythe writer was
Early V cent. B.C. KeS ( ) (monogram) not an Athenian.
Perhaps KArl(covos); names beginning AEK- F 54 (P 24274). PI. 12. Black-glazedkylix base.
do not seemto be so early. Graffitoon underside.
F 46 (P 5009). PI. 12. Fragmentfrom lower part Early V cent. B.C. 'Epa ( )
and bottomof red-figured mug. Graffitoon the All names derived from Hephaistos have
side, partly on the glaze, partly on the figured rough breathing;no other names begin thus.
scene. Context: early 5th centuryB.C.Beazley, Thewriterwasthereforepsilotic,but not Ionian.
© American School of Classical Studies at Athens
A.R.V.,p. 152.
F 55 (P 24735).P1.12. Shoulderfragmentof red-
For personal use only. License: CC-BY-NC-ND.
omicron and sigma on the other) divides the Second quarter V cent. B.C. (a) HE
base in half. (b) ZT
F 63 (P 7140). P1.13. Fragmentof skyphosfoot The two graffitiare apparentlyto be taken
of secondquarter5th-century B.C. type,approx- togetherand read as h-cr( ). Cf. F 57 from
imately like Agora inv. no. P 5145 (Hesperia, the same well. The man's name will have been
V, 1936,pp. 340f., fig.8). Graffitoon underside. Hestiaiosor the like.
SecondquarterV cent. B.C. [A]rrmpo ix[i{] F 69 (P 16024). P1.13. Small black-glazedbowl.
]Ias E[pt] Graffito on underside.Context: ca. 490-450
Onlyone Athenianso namedis knownto us: B.C. (F 19:4). Cf. Sparkes-Talcott,no. 855.
the fatherof a man who died beforethe middle Second quarter V cent B.C.
of the 4th century B.C. (I.G., IP, 12136/7). Do Inap( ) (monogram)
the two names(?)indicatejoint ownership?
F 70 (P 27690).P1.13.Miniatureone-handled bowl.
F64 (P 10805). P1.13. Kylix foot of second Graffito on inside. Context: second quarter
quarter 5th-centuryB.C. type, approximately 5th century B.C. (P 14:3).
like Agora inv. no. P 5116 (Hesperia,V, 1936,
pp. 336f., fig. 4). Graffitoon underside.Con- Second quarter V cent. B.C. ZKI( )
text: late 6th-early5th centuryB.C. Names beginningwith these three lettersare
Second quarterV cent. B.C. Fopyio rare enough for us to imaginethat this might
The rho was apparently omitted at first have been a childhoodpossessionof Skironides,
the general of 412 B.C.
writingand insertedafterwards.
F 65 (P 15347, P 15348). P1.13. Unglazed am- F 71 (P 27692). P1.13. Base fragmentof banded
oinochoe. Graffito on underside. Context:
phoraof non-Atticfabric.Graffition body: (a) secondquarter5th centuryB.C.(P 14:3).
underone handle,verticallywith respectto the
pot; (b) and (c) on shoulder. Context: ca. Second quarterV cent. B.C. Tllo ( )
490-450 B.C. (F 19:4).
F72 (P 15867). P1.13. Lekythos base in two
Second quarter V cent. B.C. (a) Aitosio Eii degrees, as in Haspels, Athenian Black-Figured
(b) BOI nE Lekythoi,Paris, 1936, p. 48, 3-5. Graffitoon
(c) B underside.Context:mid-5thcenturyB.C.(C 9:6).
Note the non-Atticchi; if it is Boiotian, we Hesperia, Suppl.V, p. 142, fig.70, a; 71, 38.
should perhaps read Boi (cbTov) as a reference Second quarterV cent. B.C. MiKIov
to the vessel or its contents and take HEas a
numberindicatingcapacity,e.g., Tr(vTrE)E(taiO). Note the use of omega, which makes it
temptingto suppose that the writer was the
F 66 (P 15218).P1.13. Kylix foot similarto F 64. Mikion who was praisedby Lysitheos(I.G., I2,
Graffito on underside.Context: ca. 490-450 924) and that he learnedhis letters from his
B.C. (F 19:4). admirer.Thatis, Lysitheosspellswithan omega
Second quarter V cent. B.C. KEqt( ) but retainsepsilonfor long e.
Presumably Kriclnos (e.g., Prosop. Att., F 73 (P 15868).P1.13. Bottom of small olpe with
no. 8286)or some one of the severalcompound disc foot of second quarter 5th-centuryB.C.
namesbeginningKephiso-. type. Graffitoon underside.Context:mid-5th
F. OWNERS'MARKS 35
century B.C.(C 9:6). Hesperia, Suppl. V, p. 143, B.C. (N 7:3). Hesperia, XXII, 1953, pl. 38, no.
fig. 71, 37. 135.
Second quarter V cent. B.C. Mid-Vcent. B.C.
iKuva( )
Ke( ) (monogram) an ethnic known from
Probably imKca(tva),
Ke
Sincethe namemaybe either ( ) or Kl ( ), elsewhere (Pape, s.v.); mOerhs exists in 5th-
the possibilitiesare too numerousto be use- century B.C. Athens.
fully suggested. F 80 (P 21374).P1.13. Base of black-glazedbowl.
F 74 (P 15707). P1.13. Black-glazed skyphos. Graffitoon underside.Context:ca. 460-440B.C.
Graffitounder foot. Context: 5th centuryB.C. (N 7:3). Hesperia,XXII, 1953, pl. 38, no. 132.
(G 18:1). Cf. Sparkes-Talcott,
no. 359. Mid-Vcent. B.C. 'Apori( )
© American School of Classical Studies at Athens
Second quarter V cent. B.C. KAe( ) After the iota a sort of dot has been incised,
For personal use only. License: CC-BY-NC-ND.
F 86 (P 22998). P1.14. Foot of black-glazed XVIII, 1949, p. 330, fig. 6, pl. 93. Cf. Sparkes-
kylix of second quarter5th-centuryB.C.type. Talcott,no. 935.
Graffition top and bottom. Context: 5th-4th Fourth quarter V cent. B.C.
centuries B.C. Hesperia, XXIII, 1954, p. 54. (a) Ztuv ( )
Cf. Sparkes-Talcott,
no. 438. (b) nAPAMYNQTO0
Mid-V cent. B.C. CompareF 180 for directionsof writing.
(top) ipcovos
(bottom) MQNO F 92 (P 10803).PI. 14. Small black-glazedbowl.
A quantity of hobnails found in the same Graffitoon underside.Context:fourth quarter
area with this sherd suggeststhat this Simon 5th century B.C.(H 12:6).
may be the cobblerwho was friendto Perikles FourthquarterV cent. B.C. MvrlalCoiXo
and Sokrates(Diog. Laert.,II, 122).The letters
© American School of Classical Studies at Athens
on the undersideare almost certainlyanother The writingexactlyfills the circleof the base,
For personal use only. License: CC-BY-NC-ND.
versionof the name whichappearson the top. and an incised line separatesthe end of the
name from the beginning.At least two men of
Why the first two letterswere omittedis puzz- this name lived in Athens at this time (Prosop.
ling. Perhapsthe writerstartedby using paint, nos.
then thought it might rub off and continued Att., 10333-4).
with a sharpinstrument,forgettingto go over
F 93 (L 3088).P1.14. Black-glazedlamp(= How-
the first two letters. Perhapsthe letters now
visible were all that were ever written and land, no. 175, Type 21C). Graffitoon under-
side. Context:fourth quarter5th centuryB.C.
representthe last part of the name used as a (H 12:6).
nickname.
Fourth
quarter V cent. B.C. Apa-CTrrI
F 87 (P24698). P1.14. Base of black-glazed
stemlessbowl. Graffitoon underside.Context: The name of a slave (?), perhapsone who
thirdquarter5th centuryB.C. came to Athens as a deserteror refugee?
ThirdquarterV cent. B.C. A Map( ) F 94 (P 12030). PI. 14. Fragmentfrom base of
The first alpha may or may not belong to black-glazed stemless cup. Graffito on inner
the name. Athenian names beginning Mar- face of foot. Context:fourth quarter5th cen-
seem to be Hellenisticand later (e.g., Marsyas, tury B.C.(N-P 20:1).
Maron,Markos). Fourth quarterV cent. B.C. ]aro SIK[aicosEli
F 88 (P 21694).P1.14. Largeunglazedbasin with F 95
(P 13099).P1.14. Base of black-glazedbowl.
projectingflat-toppedrim, steep sides and ring Graffitoon underside.Context:fourth quarter
foot (= Sparkes-Talcott, no. 1840).Graffitoon 5th century B.C.(O 19:4).
top of rim. Context: third quarter5th century
B.C.(07:10). Fourth quarterV cent. B.C. Aiin ( )
Third quarterV cent. B.C. KXta(pTros)
F 96 (P 15217).P1.14. Black-glazedone-handler.
No other restorationsuggestsitself. A Klia- Graffitounderfoot. Context: 5th centuryB.C.
retos is known from Orchomenos(Pape, s.v.). (G 18:1).
F 89 (P 23283). P1.14. Fragmentaryblack-glazed Fourth quarterV cent. B.C. . .PKE
skyphos. Graffition underside.Context:third F 97 (P 18620). P1.15. Part of shoulder of un-
quarter 5th century B.C.(O 16:1-2). glazed amphora.Graffitoon top of shoulder,
ThirdquarterV cent.B.C. E0( ) (monogram) upside down to pot. Context: fourth quarter
Au( ) (monogram) 5th century B.C.(C 19:9).
Both monogramsare partially erased with Fourth quarterV cent. B.C. 'AvSpi(rKou)
thin fine scratches.
F 98 (P 12510).P1.15. Fragmentfrom bottom of
F 90 (P 17961). P1.14. Black-glazedbolsal (= black-glazedone-handlerof late 5th-century
Sparkes-Talcott,no. 540). Graffito on under- B.C. type. Graffito on underside. Context:
side. Context: 430-410 B.C. (B 19:7). late 5th-4th centuries B.C.
Fourth quarterV cent. B.C. thXo( ) Late V cent. B.C. E MEI( )
F91 (P 10537). P1.14. Black-glazedsaltcellar. PerhapsMeli(io),Meia(ia8o)or the like. Vari-
Graffition inside (a) and outside(b). Context: ous such names are known in Athens from
fourth quarter5th centuryB.C.(B 15:1). Hesperia, early in the 4th century B.C.
F. OWNERS' MARKS 37
Two crossing lines divide the circle inside F 122 (P 20019). P1.16. Base fragmentof black-
foot into four sections;the ligatureoccupiesone glazedskyphos.Graffitoon underside.
of these, and two of the thrice repeated two V cent. B.C. ]ayu( )
lettersoccupytwo others.
F113 (L 3269). P1.15. Nozzle of black-glazed F 123 (P 21220).PI. 16. Base and part of wall of
small stemless black-glazedcup. Graffito on
lamp(= Howland,no. 220, Type23A). Graffito underside. Context: late 5th century B.C.
on top of nozzle.
Second half V cent. B.C. 2aT |Ipas (Q 10:4).
V cent. B.C. KOE
Probablyfemininegenitive.The Satyrawho
was hetaira to Themistokles (Ath., XIII, See drawing.PerhapsKcbq(s) ?
was no but the
© American School of Classical Studies at Athens
F 132 (P 23835). P1. 17. Fragmentary lekane with Second quarter IV cent. B.C. ]filovoS
For personal use only. License: CC-BY-NC-ND.
flat-toppedrim. Graffitoon top of rim. Context: F 141 (P 12396). P1.17. Small roughly made
ca. 400-390 B.C. (Q 15:2). saucerwith thin glaze. Graffitoon floor. Con-
Ca. 400-390 B.C. i]Kla(io'A[vS]pfioo [ei[] text: secondquarter4th centuryB.C. (G 12:23).
Note use of omicronin the adverb,as com- Second quarterIV cent. B.C. Ev6opa
paredwith omegain F 131. (Partof the lekane vTOS
couldnot be foundwhenthe finaldrawingswere
F 142 (P 14636).P1.17. Fragmentaryblack-glazed
made,so that it was necessaryto copy the -Katos oinochoe. Graffito on neck. Context: second
from the drawingon the cataloguecard; the
letterswhichwere neverfound are dottedin to quarter 4th century B.C.(E 2:3).
show the spacingand hence presumedorder.) Second quarter IV cent. B.C. Fripvos
F 133 (P 23872).PI. 16. Fragmentarybolsal, glaze F 143 (P 14644). P1.17. One-handledbowl of a
fired red all over. Graffitoon underside.Con- type commonin the first half 4th centuryB.C.;
text: ca. 400-390 B.C.(Q 15:2). cf. D. M. Robinson, Olynthus,V, Mosaics,
Ca. 400-390 B.C. TlT ( )
Vases and Lamps, Baltimore, 1933, pl. 180,
no. 923. Graffitoon underside.Context:second
F 134 (P 23874).P1.16. Basefragmentof unglazed quarter4th century B.C.(E 2:3).
pot with ring foot. Graffito on underside. Second quarterIV cent. B.C. XCOTrpaTO
Context:ca. 400-390 B.C.(Q 15:2).
Ca. 400-390 B.C. F 144 (P 14658).P1.17. Base fragmentof black-
2cool[
glazedskyphosof Attictype. Graffitoon under-
F 135 (P 7977). P1.16. Part of base of black- side. Context:second quarter4th centuryB.C.
glazed skyphos of early 4th-centuryB.C.type. (E 2:3).
Graffito on underside. Context: 4th century Second
B.C.(E 6:3). quarter IV cent. B.C. ]6aiou il[pi
F 145 (P 11798).PI. 17. Fragmentaryblack-glazed
Early IV cent. B.C. AEiviaS
one-handler(= Sparkes-Talcott, no. 759). Graf-
F 136 (P 8621). P1.16. Part of base of oinochoe fito on underside.Context:firsthalf4th century
like F 127. Graffito on underside. Context: B.C. (BB 17:1).
4th century B.C.(E 6:3). First half IV cent. B.C. -EvoTO(vTos)
Early IV cent. B.C. AEsio[ F 146 (P 18003). P1.17. Base of black-glazed
CompareF 127. skyphos of a type common in first half 4th
F 137 (P 23272).P1.16. Part of bottom of black- centuryB.C.;cf. D. M. Robinson,Olynthus,V,
glazed one-handler(?). Graffitoon underside. pl. 85. Graffito on underside. Context: first
half 4th century B.C.(C 19:5).
Context:latest5th to 4th centuriesB.C.
First half IV cent. B.C. 'AXKih
Early IV cent. B.C. Aaca ( ) rTO
F 138 (P 27566).P1.16. Base of black-glazedbowl F 147 (P 1444). P1.17. Base of black-glazed
of early 4th-centuryB.C.type. Graffitoon in- kantharos with rouletting on floor; mid-4th
side. Context:late 5th-early4th centuriesB.C. century B.C. type, approximately like Hesperia,
(I 16:7). VI, 1937,pp. 88-89, fig. 46,c. Graffitoon under-
Early IV cent. B.C. rlupcov side, insidefoot.
Note angular form of omega. Mid-IV cent. B.C. Tfav6l( )
40 F. OWNERS' MARKS
with stampedpalmetteson floor, of mid-4th barred alpha; cf. so-called Darius vase, A.
centuryB.C. type. Graffitoon underside.Con- Furtwangler and K. Reichhold, Gr. Vasen-
text: 4th century B.C.(F 20:1). malerei,II, Miinchen,1909,p. 146.
Mid-IV cent. B.C. wcoqpovasAlovi0aio F 158 (P 22116). P1.18. Black-glazedstem of
Do the two names perhaps representjoint multiplekernos.Graffitoaroundstem.Context:
owners?The first is not attested either as a to third quarter 4th century B.C. (J 11:1). Cf.
masculinenominativeor femininegenitive. no. 1364.
Sparkes-Talcott,
F 151 (P 19956). P1.17. Foot of black-glazed Third quarter IV cent. B.C. AvauiTp[6]Ths
kantharosof mid-4thcenturyB.C.type. Graffito F159 (P 26945). P1.18. Ring foot of black-
on underside,withinfoot. glazed bowl of Hellenistictype. Graffito on
Mid-IV cent. B.C. 'ATpo( ) underside.Context: third quarter4th century
B.C. (I15:2).
It seemsmore likely that the secondletteris
an incompletetriangularphi than eithertau or Third quarterIV cent. B.C. 'Apr ( )
chi. The third letter is smallerand more bluntly
incised; perhapsit is an addition by another
F 152 (L 535). P1.17. Black-glazedlamp (= hand.
Howland,no. 283, Type 25A). Graffition left
side of nozzle, unfinishedbecause of lack of F 160 (P 266). PI. 18. Base fragment of black-
space (a), and on right side, upside down to glazed plate with roulettingand stampedpal-
lamp(b). Context: mid-4th B.C.
century (G 14:2). mettes. Graffito on underside, within foot.
Context:fourthquarter4th centuryB.C. (H 6:9).
Mid-IV cent. B.C. (a) Aipit(Aou)
(b) AiplXou Fourth quarterIV cent. B.C. T]iicoiv[ou
Note use of omega.
F 153 (P22914). P1.17. Black-glazedsaltcellar
with incurving rim and small ring foot (= F 161 (P 6889). P1.18. Base fragmentof black-
Sparkes-Talcott,no. 947). Graffito on under- glazed plate with roulettingon floor, of late
side. 4th-centuryB.C. fabric. Graffitoon underside.
Mid-IV cent. B.C. 'Apo-r ( ) Late IV cent. B.C. KEpa[
F 154 (P 18619).P1.17. Walland basefragmentof F 162 (P 15446).PI.18.Black-glazedsmallstamped
smallblack-glazedpyxis with moldedringfoot. plate of late 4th-centuryB.C.type. Graffitoon
Graffitooutsideon wall. Context:thirdquarter underside.
4th century B.C. (B 18:7). Late IV cent. B.C. Kapa( ) A
Third quarter IV cent. B.C. Readingvery uncertain;first alpha and rho
8aev
[TroU EIltU1
i]Kaico[s] in ligature.The two attestedAtheniannames
(Karaichosand Karaios) belong to the 2nd
F 155 (P 20283). P1.17. Base fragmentof black- centuryB.C. More temptingis the 4th-century
glazed closed pot. Graffito on underside. B.C. orator Kallimedonwhose nicknamewas
Context:third quarter4th centuryB.C. Karabos(Plut.,Dem.,27).
Third quarter IV cent. B.C. 'Ecov( ) F 163 (L 3042).PI. 18. Red-glazedlamp (= How-
No name beginningthus is attested. land, no. 372, Type 26B). Graffition right side
F. OWNERS' MARKS 41
of body (a), on top of nozzle(b), and on rim(c). No such nameis known.Perhapsa label for
Context: late 4th centuryB.C.(B 13:8). Hesperia, something"rotten"?
A LL * T JU-*A 19609
XXXVIIIT f 390
*^ % /Y'? n.
A
F 170 (P7670). P1.18. Bottom of black-glazed
Late IV cent. B.C. (a) Mivcovos skyphos of same type as F 168. Graffito on
(b) Mvco(vos) underside.Context:2nd-4thcenturies(C 13:2).
(c) M(ivcovos)
IV cent. B.C. 7i:pos A
F 164 (P 897). PI. 18. Base of black-glazed kantha-
ros. Graffitoon underside,insidefoot. Context: Probablya slave'sname?or a metic's?
secondhalf 4th centuryB.C. (F 16:1). F 171 (P9645). P1.18. Shoulderfragmentfrom
Second half IV cent. B.C. Mkvcov coarse amphora. Graffito outside. Context:
© American School of Classical Studies at Athens
Second half IV cent. B.C. (a) Arlqrlrpias F 173 (P 17902).P1.18. Base fragmentof black-
(b) Eurruv[as glazedbowl of 4th-centuryB.C.fabric.Graffito
on underside.
(b) is perhapsmorelikelyas a wordthanas a
name. IV cent. B.C. TXa( ) K
F166 (MC224). P1.18. Red-glazed terracotta F 174 (P 20846). P1.19. Base fragmentof black-
object with rounded bottom, concave top, glazed plate with roulettingon floor, of 4th-
centralcollar aroundverticalhole. Graffitoon centuryB.C.fabric.Graffitoon underside.
top. Context: 4th to early 3rd centuriesB.C. IV cent. B.C. Xat( )
(D-E 8-9:1).
Second half IV cent. B.C. Kapm( )
F175 (P 22104). P1.19. Base of black-glazed
Names beginningthus are both late and too olpe of 4th-centuryB.C.type. Graffitoon under-
side.
foreignto be likely. Possibilitiesare: Kamireus
(man of Kamiros);kamineus(kilnmaster).But IV cent. B.C. M.( )
perhapstwo lambdashave run togetherand it F 176 (P 24859). P1.19. Base of black-glazed
shouldbe read KaAli(as). bowl. Graffito on underside.Context: 5th-
F 167 (P 133). P1.18. Base fragment of black- 4th centuries B.C.
glazedplate with rouletting,of 4th-centuryB.C. IV cent. B.C. KaXOKr
type. Graffitoon underside,within ring foot. The name is borne by various mythical
IV cent. B.C. TT]oXu6u(KTou) persons (Pape, s.v.) including the heroine of
F 168 (P 199).P1.18. Baseof black-glazedskyphos Stesichoros'poem of that name (from which
of 4th-centuryB.C. type, as in D. M. Robinson, was derivedthe name of a song, Aristox., Fr.
Hist., 72); also a memberof Lysistrata'scon-
Olynthus,V, p. 185. Graffito on underside.
spiracyin Aristophanes'play (Lys., 322).
IV cent. B.C. 'Hyfictr(oS)
Scratcheson the rim suggest an attemptat F 177(L 4212).P1.19.Black-glazed lamp(= How-
land, no. 267, Type 25A). Graffition side (a),
a final sigma. on otherside, upsidedown to lamp (b), and on
F 169 (P 6903). P1.18. Rim fragment of semi- top of nozzle(c).
glazed saucer with plain rim. Graffitooutside
IV-early III cent. B.C. (a) AItoKAouV
just below rim. Context:5th-4th centuriesB.C. (b) Eili
IV cent. B.C. Ecarrpa[ (c) EM
42 F. OWNERS' MARKS
The drawingof a boukranionon this same of Euboulosin the first half of the 4th century
piece is catalogued below as M 14. On the B.C.(Ath., XIII, 567d).
bottomis an unidentifiedmark.
F 185 (L2019). P1.19. Nozzle of black-glazed
F 178(L 3653).P1.19.Black-glazed lamp(= How- lamp(= Howland,no. 315, Type25B). Graffiti
land, no. 276, Type 25A). Graffition top (a) on side (a) and top (b). Context:3rd-2ndcen-
and on eitherside of nozzle(b,c). turiesB.C. (D 10:2).
IV-earlyIII cent. B.C. (a) Eac( ) Late IV-early III cent. B.C.
(b) Eax( ) (a) O&ov
(c) CEa( ) (b) 0 (andligature)
A foreign name? None such is attested, to See drawingfor ligature.Theta used as an
© American School of Classical Studies at Athens
text: Hellenistic.
F 208 (P 26262).P1.20. Fragmentaryblack-glazed
III-II cent. B.C. 'lTrra ( )
fish-plate.Graffitoon underside.Context: ca.
200 B.C.(M 18:10). F 218 (P 3446). P1.20. Neck fragmentof coarse
Ca. 200 B.C. 'AoK( ) amphora.Dipinto in red. Context:Hellenistic.
III-II cent. B.C. 'IpoK[
F 209 (P 6128). P1.20. Fragment from rim of
Megarianbowl of 3rd-to early 2nd-centuries F 219 (P 3788). P1.20. Small black-glazedhandle
B.C. type. Graffitooutside.Context:Hellenistic. from cup. Graffitoon outside, runningdown
fromabove. Context:Hellenistic.
III-early II cent. B.C. ]s Alowviou .[
III-II cent. B.C. 'Apt( )
Not certainly an owner's name. Perhaps
genitiveis father'sname. F 220 (P 12200). P1.20. Base fragmentof small
bowl of Hellenisticfabric.Graffitoon floor.
F 210 (P 10729).P1.20. Fragmentaryblack-glazed III-II cent. B.C. OeoyeT-co[v
bowl. Graffitoon underside.Context:3rd-2nd
centuries B.C. (F 5:1). F 221 (P 14566). P1.20. Base fragmentof large
Late III-early II cent. B.C. rEv( ) black-glazedplate of Hellenisticfabric.Graffito
on underside.
F 211 (L 2122). P1.20. Unglazedlamp (= How- III-II cent. B.C. ipe ( ) (monogram)
land, no. 464, Type 34 Var.). Dipinto in black F 222
on side. (P 17425).P1.20. Base of largeblack-glazed
bowl or plate of Hellenisticfabric.Graffitoon
Late III-early II cent. B.C. O?ix ( ) underside.
F 212 (L 4194).P1.20. Black-glazedlamp(= How- III-II cent. B.C. Trpa( )
land, no. 430, Type 32). Graffito on rim. F 223 (P 18264).PI.20. Rim fragmentof bowl of
Context: late 3rd-early 2nd centuries B.C. 3rd-to 2nd-centuryB.C.type, with West Slope
(M21:1). decorationinside; for the shape, cf. Hesperia,
Late III-early II cent. B.C. Kcblov III, 1934, pp. 348ff., C7, D 14, D 15, D28.
Graffitooutsidejust belowlip.
CompareF 213 from samecistern.
III-II cent. B.C. 'ETrmyvous
F 213 (P 18756). P1.20. Base of black-glazed
F 224 (P 22836). PI.20. Shoulderfragmentfrom
mug or bowl of Hellenisticfabric.Graffitoon
underside.Context:late 3rd-early2nd centuries coarse amphora.Graffitoon outside. Context:
B.C. Hellenistic.
(M 21:l).
Late III-early II cent. B.C. III-II cent. B.C. ]v rlhav'r!Tio
Kcb(uou)
SeeF 212 for the restoredname. The next to last lettermay be eithera ligature
of iota-omicronor eta. If this is a name it is
F 214 (L 3077).P1.20. Black-glazed
lamp(= How- not attested,but Planetiadesexistsas an epithet
no.
land, 445, Type34A). Graffitoon underside. of the CynicDidymos(Plut.,def. or., 7).
Late III-II cent. B.C. F 225 (P 23523). PI.20. Wall fragmentof West
See drawingfor monogram,probablyto be Slopeware.Graffitoon outside.
resolved thus: Kafcasr III-II cent. B.C. OXtinrroSH[
F. OWNERS' MARKS 45
F 226 (P 5828). P1.20. Base fragmentof black- on shoulder. Context: late 2nd to early 1st
glazedplateor bowl. Graffitoon underside. centuries B.C.(B 11:1).
Hellenistic 'Epupo[ Late II-earlyI cent. B.C. Alovuriov B
F 227 (P 17043).P1.20. Basefragmentof lekaneof F 234 (P 6864).P1.21. Fragmentpreservingabout
Hellenisticfabric. Graffitoon underside.Con- a quarter of a very large gray-wareplate.
text: first half of 2nd century B.C. (B20:2). Graffitoon underside.Context:mixedHellenis-
tic to earlyRoman(D 12:2).
First half II cent B.C. 'Appco( )
Late
II-early I cent. B.C. ]1iv&8o
This may be not an abbreviationof a longer
masculinenamebut a completefemininename: F 235 (P 6717). P1.21. Neck and shoulderfrag-
'Appcb. ment of unglazed amphora. Dipinto in red.
© American School of Classical Studies at Athens
Context:Hellenistic.
F 228 (P 6867). P1.21. Neck fragment of large
For personal use only. License: CC-BY-NC-ND.
F 243 (P 5726). PI.21. Small, partly glazed jug F 252 (P 20719). P1.22. Upper part of amphora.
with angular shoulder. Graffito on top of Dipinto in black on shoulder and graffito
shoulder.Context:mid-istcenturyB.C.(E 14:3). above. Context:early 1st century(R 10:1).
Mid-I cent. B.C. Xprlovo EarlyI cent. (dipinto) NEiKCov
(graffito) Fr N
F244 (P4723). P1.21. One-handledjar similar The spellingof this very commonnamewith
to Robinson, Chronology,F 65. Graffito on the diphthonginsteadof simpleiota is frequent
shoulderbelowhandle. from the 1st centuryB.C. on. Since both signs
I cent. B.C. Xprlcr( ) in the graffitostand for 50, this seemsto be a
"bilingual",but it is uncertainwhether the
F 245 (P 4915). P1.21. Base of small Pergamene number refers to price, capacity, or the fact
© American School of Classical Studies at Athens
bowl. Graffition underside(a) and on floor (b). that the jar is fiftiethin some series.
For personal use only. License: CC-BY-NC-ND.
I cent.
'AKU() F269 (P 11142). P1.23. High-neckedjug with
PerhapsAquila; in Roman Athens various globularbody and twistedhandle. Graffitoon
relatednamesexist: Akulanos,Akulas,etc. shoulder.Context:late 1st to late 2nd centuries
(B 14:2).
F261 (P 10032). P1.22. Small amphora with LateI-mid-IIcent. 'OvrltpOpoU
body taperingto small flat base. Incised on
shoulder in soft clay. Context: 1st century F 270 (P 15296).PI.23. Unglazedjug with round
(K 18:1). mouth, profiledlip, cylindricalneck, somewhat
I cent. Aqro( ) like Robinson, Chronology,M 43, but with
twisted handle, round body and ring foot.
F 262 (P 10035).P1.22. Shoulderfragmentfrom Graffito on shoulder. Context: mid-Ist to
© American School of Classical Studies at Athens
Dipinto in red in large letters on shoulder. F286 (P964). P1.24. Small wheel-ridgedam-
Context: lst-2nd centuries(M 18:1). phora with ring foot. Dipinto in red on neck.
I-II cent. FEL( ) 1[TlA
( ) Context:late 2nd-early 3rd centuries(I 16:1).
Late II cent. KapTrou
Bilingual,perhapsfor Felix?
But compareHe 17 wherethis wordrefersto
F 278 (P 13602).P1.24. Shoulderof round-bodied contents.The nameis veryfrequentat this time.
pot. Graffito on outside. Context: latter 1st F287
and earlier2nd centuries(N 19:2). (P 16704). P1.24. Amphora like F267.
Dipinto in red on shoulder. Context: 2nd
I-II cent. Mala(eos) century(N 21:1).
Cf. F 271,F 274. II cent. 'Eriyovos
© American School of Classical Studies at Athens
F279 (P 22234). P1.24. Shoulder fragment of F 288 (P 770). P1.25. Shoulderfragmentof large
For personal use only. License: CC-BY-NC-ND.
F 296 (P 19203). P1.25. Neck and shoulder of F 306 (P 25475). P1.26. Shoulder fragment of
amphorawith flaringrim. Dipinto in black on largeamphora.Lettersincisedbeforefiring.
shoulder.Context:mid-3rdcentury(B 17:1). EarlyRoman Kapyivfas[
Mid-IIIcent. Av ( ) Comparea Roman lady in Spain (C.I.G.,
F 297 (P 26410). P1.25. Amphoraneck and part III, 6644); also Karphinas(Prosop.Att., no.
8261-4th century B.C.).
of shoulder.Dipinto in red on neck. Context:
potteryof mid-3rdcentury. F 307 (P 10613).P1.26. Flat-bottomedjug similar
Mid-IIIcent. EivrvXiov KA to Robinson, Chronology,L46. Graffito on
The name is not attestedin Athens. Kappa- shoulder. Context: third quarter 3rd century
(G 11:2).
© American School of Classical Studies at Athens
alphamay be a number:21.
ThirdquarterIII cent. Zcooitou
For personal use only. License: CC-BY-NC-ND.
pp. 131-136; Ch. Dugas, Delos, X, Les Vases de l'Heraion, Paris, 1928; R. M. Dawkins, The Sanctuary
of Artemis Orthia, London, 1929, pp. 371-382.
Drinking cups of the Hellenistic period are not infrequently inscribed with the name of some deity
or some abstract idea, illustrating the banqueting practice attested by Athenaios (XV, 692e) of naming
successive mixings of wine after various gods (presumably in the genitive case; see G 9-11). For some
examples, see Hesperia, III, 1934, p. 339 and the bibliography cited there; also Hesperia, XVI, 1947,
p. 240. The greatmajorityof ypaan-iKa KTrcbLaCrTa probablycamefromthe potter'sshopwith theirin-
scriptions already painted; these belong to the study of Hellenistic pottery. Only the graffiti, or home-
made versions, are included here.
The four pieces (G 1-4) which are dated before the middle of the 5th century B. C. show letters typical
© American School of Classical Studies at Athens
of a standard old Attic alphabet (see above, p. 16) with eta as the aspirate, epsilon used for eta and
For personal use only. License: CC-BY-NC-ND.
omicron for omega. In the later pieces the regular Ionic alphabet is used, but in G 6 and G 7 omicron
is still usedfor omegawhilein G 6 (but not in G 7) epsilonis still usedfor eta. A lunateepsilonappears
alreadyin G 13 (late 4th-early3rd centuriesB. C.); lunatesigmaas well as epsilonand cursiveomega
appearon G 21 (2nd-lst centuriesB. c.). An attemptat serifs is made on G 16, and broken-barred
alphasappearon G 22 and G 23.
Odditiesin spellinginclude:one of the manyvarietiesof Eileithuia in G 8; an absenceof iota sub-
scriptin G 15 and G 21. Punctuation(threedots arrangedvertically)appearsonly on G 17, but thereis a
word-dividerin G 7.
G 1 (P 12629). P1.30. Fragment from edge of G 3 (P 13754).P1.30. Partof clay ring. Letterson
heavy flat unglazedtile. Graffitoon top, ob- top in blackglaze(a); graffitoon underside(b).
viously written on the sherd. Context: third Context: late 6th century B.C.(U 23:2).
quarter 6th century B.C. (Q 18:1). Hesperia, Late VI cent. B.C. (a) ]KOV
VIII, 1939,p. 259, fig. 15 (no. 9). (b) EiXE[
Third quarter VI cent. B.C. hEpiEi Compare G 2. The motto could be: qpECry
'CayaXpa KcaK6v 'T.The graffitois perhapsthe owner's name.
An informal label on a dedication: "To (The drawingis upsidedown.)
Hermes (someone dedicated) me, a pleasing G 4
(P 24062).P1.30. Small black-glazedkantha-
gift." The inscriptionis complete, so that it ros (= Sparkes-Talcott,no. 627). Graffitoon
looks as if the writer,findingno room for his outerface of one handle.Context:ca. 520-490
name, abandonedthis attemptand looked for B.C.(Q 12:3).
a largerpiece of tile; thus the sherdwas found
"out of context,as far as Hermesis concerned." LateVI-earlyV cent. B.C. 'E'roCvaoos hEpETi
This interpretationis closest to that of Jeffery The nameis not known.
(L.S.A.G.,p.78,no. 33);forothersseetheHesperia G5
referenceabove and H. R. Immerwahr,"Some (P 14676). P1.30. Fragmentaryred-figured
Inscriptions on Attic Pottery," The James pyxis lid. Graffitoon top, aroundglazed band
between central tongue and dot pattern and
SpruntStudiesin Historyand PoliticalScience, outeregg pattern.
XLVI, 1964,pp. 16-19.
Second half V cent. B.C. 'A]V[C]K.oiv
K[cAias
G 2 (P 9634). P1.30. Part of flat clay ring. Letters
in black glaze on top. The name of the dedicator is suppliedexempli
LateVI cent. B.C. ri8sev] gratia.
Oyav
G 6 (P 12336). P1.30. Base fragment of black-
CompareG 3. Thesetwo piecesare included,
even thoughas paintedinscriptionsthey do not glazedpyxis of a type found in the secondhalf
reallybelong, becausethey seem to be unique, 5th century B.C. Graffiti on underside: on
do not fit with any other studyand shouldnot projecting flange (a); within ring foot (b).
go unnoticed. It is assumed here that they Graffitoon floor (c).
servedsome purpose at the festal board (pot Second half V cent. B.C.
stands?)and were inscribedwith appropriate (a) v]eTOvAfa Kai TV 'bVA[rr6AMova
maxims. ]Eoi'TEaalTO
54 G. DEDICATIONS AND CONVIVIAL INSCRIPTIONS
includeone more nameddeity and the rest of verb "to eat," it seems likelythat it is convivial
in nature, or a
perhaps maxim suitableto the
For personal use only. License: CC-BY-NC-ND.
G 7 (P 12011). P1.30. Rim fragmentfrom large G 13 (P 20424). PI.31. Lower wall fragmentof
open black-glazedbowl of 5th-centuryB.C. largeWestSlopekantharos.Graffitoon outside,
fabric.Graffitoon outside,just belowrim. going around body. Context: late 4th-early
3rd centuries B.C.
Late V cent. B.C. 6 8EivarTo'Hqaicr]
rol &vaOKEv
Late IV-early III cent. B.C. rT]av 8Ea[tv
The proposed restorationis not the only
possibleone, but comparethe roof tile (Agora G 14 (P 16236). P1.31. Rim fragment of West
inv. no. A 891) with a painted dedicationto Slopekantharos.Graffitoon outsidebelowrim.
Hephaistos which was found about 20 meters Context: 3rd century B.C.(N 21:4).
away (Hesperia,VIII, 1939,pp. 214-215). III cent. B.C. piMAi
G 8 (P 19694).PI. 30. Rim and wall fragmentof G 15
lebesgamikosstandwithred-figured decoration. (P 18340).PI.31. Fragmentfrom rim and
Graffitoon outsidebelow rim. upperbody of West Slope kantharos.Graffito
below Context: 3rd B.C.
ivy garland. century
Early IV cent. B.C. 'iXuv i[ III cent. B.C. TrTi KaOKo8Otaiov
Dependingon the case restoredthis may be Perhapshortatorysubjunctive:"let the evil-
eithera dedicationor a "toast." spiritedone drink."This requiresthat the iota
have been omitted, but it is easier than as-
G9 (P 7360). PI.30. Fragmentaryblack-glazed suming a second person singular imperative
kantharosof a type found in the latterpart of (ris) with the adjectivein the vocativecase. An
the 4th century B.C., approximately like Hes-
attempthas been made to erase some of the
peria, III, 1934, p. 320, fig. 5, A 27, A 28. letters.
Graffitoon upper part of body; apparentlyit
ran all aroundthe vase, passingunderexisting G 16 (L 3918). P1.31. Black-glazedlamp
handleand probablystartingand endingat the Howland, no. 626, Type 48A). Graffito on
handle not preserved.Context: late 4th-early eitherside of nozzleand body.
3rd centuries B.C.(E 3:1).
Late III-II cent. B.C. ispos 'ApTErli8os
Late IV cent. B.C.
AtovWiaou
Ati6SXcoT[fpos
It is not possibleto say in whichof the many
pin]Xas sanctuariesof Artemisthis lamp was dedicated.
'AyaeoOA]afliov[os]
'A[y]aefisT<X[ril Its findingplace (some 75 meterssouth of the
G 10 (P 22483). P1.30. Rim fragmentof black- Tholos) might indicate Artemis Boulaia (in
glazed kantharos,similarto G 9. Graffitoon the Tholos precinct:Hesperia,Suppl.IV, pp.
upperpart of body, startingto right of handle 139ff.), but the sanctuaryof Eukleia(thought
and ending behind handle. Context: late 4th by someto be ArtemisEukleia)was also in this
century B.C. generalpart of town (Judeich,Topographie von
Athen,2nd ed., Munich, 1931, p. 399). It is to
Late IV cent. B.C. be noted that G 21, dedicatedto Dionysos and
Ai[ovwo'ou Kal 'AqpoSirqs i]spas Artemis,was found only a few metersto the
CompareG 11. west of the spot wherethe lampwas discovered.
H. COMMERCIAL NOTATIONS 55
G 17 (P 12664). P1.31. Base fragmentof black- G21 (P 6878). P1.31. Large West Slope krater
glazed bowl of 3rd- to 2nd-centuryB.C. fabric. with figured scene: hunting near sanctuary.
Graffitoon underside. Graffito below painted scene. Context: late
III-II cent. B.C. 'Ayop]a(ouv'Epioui 2nd-early 1st centuries B.C. (D 12:2). Hesperia,
The use of punctuation at this period is VI, 1937, p. 374, fig. 39. Cf. Sparkes-Talcott,
unusual.The findingplace is just south of the p. 24, note 51.
Altar of the Twelve Gods. See Wycherley, Late II-early I cent. B.C.
pp. 102-103 for the ancient testimoniaabout MEvoiAyfs AtovOacoKoa'ApT-p8I
the shrineof HermesAgoraios. CompareG 16.
G18 (P 23205). P1.31. Wall fragmentof West
G22 (P 19179). P1.31. Shoulder fragment of
© American School of Classical Studies at Athens
H. COMMERCIAL NOTATIONS
This groupis dividedinto five sub-groups,of which the first four includevesselswith only one nota-
tion of this sort:capacity(Ha), tare(Hb),date(Hc) andcontents(Hd).Thefifthsub-group(He) includes
vesselswhichcombinetwo or more of thesenotations.In orderto facilitatecomparisonamonginscrip-
tions of one kind,referencesaregivenin the firstfour sub-groups'introductionsto relatednotationsnot
only in He but also in any othercategorylike that of Tax Notations(I).
Dimensionsare includedonly when the vessel preserveseither diameteror height, since no other
measurementsare meaningful.Weightand capacityare noted whererelevantand available.In giving
modern equivalents of ancient weights and measures it has seemed right to use the time-honored and
generally accepted figures like 0.546 1. for the xestes (sextarius) and 327 gm. for the litra (libra), since
variations from these, although developed with much subtlety,are far smaller than the variations imma-
nent in the ancient standardsof capacity and weight as exemplifiedin these common vessels of clay.
jars (preferablymore) seem to requirea certainsize xestes, for example,will it be right to assumea
differentstandard;otherwise,it is morelikelythatthe notationrefersto somethingless thanfull capacity.
Not includedhere are the followingcategories:(1) many vessels, mostly from the Greek period,
alreadypublishedin Hesperia,XXV, 1956,pp. 1-24; (2) manyvesselswhich show inscriptionssimilar
to the ones presentedhere but which are not measurableand so can add nothing; (3) many vessels which
are include in otherclassesbecauseof othernotations(F 198; Hd 6, Hd 10; He 1-11, He 13, He 14,
He 16, He,17 HeHe, He2, 26, He 29, He 30, He 32-37, He39-44; 5, 10, 12, 18, I 21, 23,
22,
I 24, I 26, I 32). These last are included in the present discussion. For other possible notations of capa-
city, see Hd 1, Hd 5, Hd 15 andHd 16 for singleletterswhichmayindicateeitherquantityor quality.
Except where noted, the capacity was measured to the rim and so is excessive, at least in pots where
© American School of Classical Studies at Athens
restoration with modern plaster has not thickened the walls. The rim provides the only consistent upper
For personal use only. License: CC-BY-NC-ND.
or twice the old standard kotyle of 0.273 1.: Ha 21, Ha 22. In the third and following centuriesthe most
frequent xestes is one which is larger by one-third, i. e., 0.728 1.: Ha 23, Ha 24, Ha 27, Ha 30, Ha 32,
Ha 34, Ha 45, Ha 50; He 30; I 18. Thisis presumablythe xestesknownas the Hellenicoil xestes(Metro-
log. Script.,I, 208, 213; calledAlexandrine,I, 264) whichhad 24 ouncesor two litrai(654gm.).As long
as wineis beingmeasured,two litrairequirea capacityof 0.654 1., whichis largerthanthe old xestesby
only one-fifth.But sincethe weightof oil is only 9/10 that of wine or water,the new 6/5 wine xestesof
0.654 1. had to be multipliedby 1019to get an oil xestesweighingtwo litrai,whichin capacityhad to be
4/3 theoriginal0.546 1., thatis, 0.7281. Wemayimaginethatthe old winexestesmayhavebeenincreased
by one-fifthfor the sakeof easyconversionto litrai(1 xestes=2 litrai),butit is interestingthatthe number
of our vessels which seem to employ a xestes of 0.654 1. (Ha 47, Ha 52)4 are far fewer than the vessels
© American School of Classical Studies at Athens
basedon its companionoil xestes whichweighedthe samebut was 1/9largerin capacity(Ha 23, Ha 24,
For personal use only. License: CC-BY-NC-ND.
foot) and arecloselysimilarin size and shape;the one measurableone (He 10) is 27.3201. or just about
4% over the calculated3 x 8.736 1. = 26.208 1.
The secondmodiusis the Cypriotemodius,whichis said (Metrolog.Script.,I, 261, 272)to contain17
and a fractionxestai.Thatthe fractionmaybe morecloselydefinedas two-thirdsis shownby one of our
vessels(Ha 44)whichis labeledboth io6(5tos) andiL'p";its measuredcapacityis 9.8001. or less than1%
over the calculated 172/3x 0.546 1. = 9.646 1. Ha 16 has only the modius label, but its capacity of
10.2001. suggeststhat it too is Cypriote.Two otherfragmentsof jars similarin fabricto Ha 44 are also
markedas containing17213 xestai(Ha 36, Ha 42). He 39, also similarin fabric, is marked171/2 and has
a capacityof 9.800 1. Thatthesejars weremadein Cypruson a local standardseemslikely; sincethey
wereto be exported,for example,to Athens,theyweremarkedwiththeirequivalenton a moregenerally
© American School of Classical Studies at Athens
modius(9.646 1.) or 0.603 1., that is, about 1/10greaterthan the normalxestes.
It will be noted that both the regularmodiusand the Cypriotemodiuswere based on the 0.546 1.
xestes. It is likely thereforethat Ha 50 with its inscriptionof 171/2(xestai)and capacityof 12.930 1.
(17/2 x 0.728 1. = 12.740 1.) is not a Cypriote modius, especially since the fabric is differentfrom that
of Ha 36, Ha 42, Ha 44 and He 39.
Otherpossiblemeasuresalso are noted on our vessels.Stamnos,variouslyabbreviated,appearson
threejars (Ha54; He 14, He 39), only the last of whichhas a measurablecapacity(9.800 1.); but since
this same vesselis marked171/2and is like the Cypriotemodii noted above in fabricit only confuses
themetrologicalvalueof the stamnos,whichis elsewheredefinedbothas ten andas fourxestai(Metrolog.
Script.,I, 277; II, 102).A possibleknidionis exemplifiedby Ha 15 witha measuredcapacityof 8.400 1.,
but for the other threemeasure-names which appearon these vesselsthere is no evidenceas to the
vessels'capacity:keramion(Ha 18, Ha 56); hydria(Ha 18); medimnos(Ha 55).
The capacity of a vessel was often defined not by the number of standard units it could hold but by
the net weightof the particularcontents.Thatthis practicewas fairlygeneralmay be assumedfromthe
careful way in which the metrological writers (passim) defined the comparative weights of wine (or
water),oil and honey:i.e., the 0.546 1. xestesof wine weighs20 Romanounceswhilethe sameamount
of oil weighs 18 Roman ounces, and the same amount of honey weighs 27 Roman ounces. Thus the
weight of oil is to that of wine as 9:10, and the weight of honey is to that of wine as 13'/2:10. Net weight
is noted on ten of our vessels,twice(He 22; I 32) with an abbreviationof KacSapos,6 presumablyin the
sense of net weight, just as ocrrpaKouindicates the weight of the vessel or tare. Of the other eight, four
indicate the nature of the contents: oil in He 7; honey in He 29, He 33 and He 34. Two of the remaining
four (He 26, He 40) give tare weightin additionto net weight,but in the case of the last two (Ha 26;
He 32) thereis no indicationof whatthe weightrefersto, althoughit is fairlyeasy to guessby hefting
the jar or measuringits capacity.For example,Ha 26 is markedsimply"eightlitrai";6 8 x 327 gm. =
2.616kg. or 2.6161. of wineor water,whichis the measuredcapacityof thejug if the remnantof modern
plasterleft from restorationis discounted.He 32 is marked"ninelitrai"; 9 x 327 gm. = 2.943 kg. or
2.943 1. of wine or water; but because the jar's capacity is ca. 3.300 1. it seems clear that the contents
is oil: 10/9 x 2.943 1. = 3.270 1.7 Thus, in He 7 where the contents is specifiedas 20 litraiand 5 ounces of
oil, the calculatedweightis 20 5/12 x 327gm. = 6.676kg.; to get oil capacitytheformulais 10/9x 6.676 =
7.420 1., which compares neatly with the measured capacity of the vessel (7.400 1.). For further dis-
cussion of net weight, particularlyin connection with honey pots, see the introduction to Tare Notations
below.
6 KOSXapo is writtenin full on Hd 10, which was includedin the Notations of Contentscategoryas a descriptionof the contents,
althoughit is obvious that the litrai which follow give the weight of those contents or net weight.
6 Litrais the Greek form of libra or
pound; the weight is 327 gm. or twelve Roman ounces.
7
CompareHd 6, whichis includedin the Contentscategorybecauseits net weightindicatesthe natureof the contents.
H. COMMERCIAL NOTATIONS 59
inscription suggests, this is not a measure were counted. In the dipinto a fragment of
For personal use only. License: CC-BY-NC-ND.
firsthalf 4th centuryB.C. (C 19:5). H. 0.222m.; be used to catch all the water. Comparethe
D. 0.16 m. Hesperia,XXV, 1956, p. 11, no. 47, klepsydrawhich is markedX X for two choes
pls. 2, 6. (Hesperia,VIII, 1939,pp. 274ff.).
Firsthalf IV cent. B.C. F KKH Ha 14 (P 25474).PI. 33. Fragmentfrom neck and
The presentcapacityto the rim is 2.150 1. shoulder of amphora. Graffito on shoulder.
Seven and one-half kotyles, 1rr(?VT)K(o-raai) Hellenistic x6(s) P'
K( ) K( ) tl(plaov),of 0.273 1. wouldbe 2.047 1.
or about 95% of the capacityto the rim. We Ha 15 (P 16723). PI. 33. Amphorawith profiled
may wish to use this percentageelsewhereto mouth and deep ovoid body. Dipinto in black
give us the proportionof our up-to-rimcap- on shoulder.Context:early1stcentury(N 21:1).
acitythat was used by the originalmeasurers. H. 0.465 m.; D. 0.24 m.
© American School of Classical Studies at Athens
Mendean type. Graffiti on neck (a) and on The readingis doubtful.The capacityof the
opposite shoulder (b). Context: third quarter jar is 8.400 1., which is very nearlya modius
4th century B.C.(O 16:4). (8.7361.). The knidionwas knownas a measure
but the only indicationof its size (P. Oxy., XV,
Third quarterIV cent. B.C. (a) TI0
1896, 22; 1951) suggests that it held eight
(b) XXHK[ xestai (4.368 1.) or half a modius. Perhapsa
(a) may be a number:89; (b) may be read: betafor "two"has disappeared.
x(o0s)x(o0s) (viov)K(OT0*X). Ha 16 (P 14117). P1.33. Wide-neckedamphora
Ha 11 (P 25742). P1.32. Neck of large amphora of Ist-centurytype. Dipinto, in red, on neck.
of Naxian type (?). Graffitoon neck. Context: Context: second half 1st century (0 17:1).
third quarter4th century B.C.(A 16:1). PH. 0.62 m.; D. 0.27m.
Third quarter IV cent. B.C. M 11= Secondhalf I cent. o ( ) / ]lriil
Since vertical and horizontal strokes may The capacityof the jar is 10.2001., presum-
represent different units of capacity (cf. Hes- ably a Cypriotemodius;see above, p. 58. The
or
peria,XXV, 1956,pp. 4-6) differentiate as in second line may give the producer'sname or
Mycenaeancounting between tens and units, the contentsin abbreviatedform; easiestwould
severalinterpretations arepossible,e.g.: be f]mrip(viov), i.e., monthly (ration or offering).
p(rTpa):2 large,2 small; See three other jars of this same shape with
1 I(ETrpirls),2 (x6&),2(KorTAa); chi-rhoand phi dipinti(L 28).
ji(vaT)22 (as eithernet weightor tare).
Ha 17 (P 11258). PI.33. Fragmentaryround-
Ha 12 (P 27367). PI.32. Upper part of black- bodied jug, similar to Robinson, Chronology,
glazed oinochoe handle of 4th-centuryB.C. G 182. Graffitoon lower body, upside down
fabric.Graffitoon outerpart of top. to pot. Context: second half 1st century
IV cent. B.C. irTpi(ov) (B 14:3).
CompareHa 1. Secondhalf I cent. <(>tor[rls
8fK[maos
Ha 13 (P 20903). PI. 32. Fragmentfrom profiled Note zeta-formof xi. For restorationcom-
foot of a large open bowl. Dipinto underfoot.
Context:down to 200 B.C. (Q 8-9). pare Ha 28. The jug is too fragmentaryto be
measured.
III cent. B.C. TrTp]oX)(OVV
Ha 18 (P 19491).P1.33. Fragmentfrom shoulder
There is no way of judging the capacityof of large amphorawith inset neck. Dipinti in
the bowl from the foot, but the restoration red on shoulder.
above seems most likely. Since the fragment
was found in a layer over the floor of the I cent. a) ]~
SquarePeristyle,which presumablycontinued b) vSpiati p' f4(itav) i.e., 45? hydrias
the law-courtfunction of its predecessor,it is [
KEp&Wia ? keramia
likely that the bowl was used to receive the It is likely that the inscriptionrecordsthe
waterfroma klepsydra.So thattherewouldnot amountof a whole shipment,of whichthis jar
be wastage or mess, bowls whose capacity was one, sincethe hydriais reported(Metrolog.
could not alwaysbe known at a glancewould Script.,I, 323) to be half an Attic metretesor
be markedso that a large enough one would six choes (i.e., 19.6561.). The keramion,which
H. COMMERCIAL NOTATIONS 61
is the Romanamphoraof eightchoes(26.6161.), xestes of this size, we must presumea change
must here be used as an alternate(or trans- in standard;see above,p. 57.
lated) summation. The number of keramia Ha 24
should then have been somethingover 34. (P 9919).PI. 33. Smallamphora,Robinson,
Chronology,M 123. Faint dipinto,in black, on
Ha 19 (P 12458).P1.33. Amphorawith cylindrical neck. Context: early 3rd century (M 17:1).
neck and cone-shapedbody. Dipinto, in red, H. 0.336 m.; D. 0.187 m.
on shoulder.Context: late lst-early 2nd cen- EarlyIII cent. s'
turies(N 20:5). PH. 0.48 m.; D. 0.253m.
The capacityof the amphorais 4.350 1. Six
Late I-early II cent. Aa'
(-r(Tpa) xestaiof 0.728 1. (see Ha 23) make4.368 1.
The capacity of the jar, which lacks upper
neck and mouth, is 8.000 1. Thirty-onekotyles Ha 25 (P 14917).P1.33. High-neckedjug, similar
© American School of Classical Studies at Athens
use of metronas kotyle is not known to me. neck. Context: mid-3rd century (N 17:1). H.
This jar may have been intendedas a modius 0.336m.; D. 0.24 m.
(32 kotyles)and was markedto show its vari- Mid-IIIcent. @'xoO8h<si.e., Xo5(S)8(K<ai>(os)
ation fromthe standard. The capacity of the jug is 6.400 1., almost
Ha 20 (P 17130). P1.33. Fragment from the twice the old standardchous of 3.276 1.
shoulderof an amphora.Dipinto, in black, on Ha 26 (P 9902).P1.33. Round-mouthed jug, Rob-
shoulder.Context:early 2nd century(B 20:1). inson, Chronology,M 169. Dipinti, in black,
EarlyII cent. eo-ras[ on neck (a) and underfoot (b). Context:mid-
The numberof xestai is not preserved,nor is 3rd century (M 17:1). H. 0.256 m.; D. 0.171 m.
it clearwhy the formis accusative. Mid-III cent. (a) Ai(rpat) rl'
Ha 21 (P 19400).P1.33. Amphorawith cylindrical (b) A(Trpai) n'
body, similarto Robinson, Chronology,G 197. The capacityof the jug is 2.500 1. (i.e., 2.500
Dipinto, in black, on neck. Context: early kg. of wine or water). Eight Roman pounds
2nd century (E 17:1). H. 0.445m.; D. 0.26 m. (litrai)of 327 gm. would be 2.616 kg. Some of
the plaster with which the jug was restored
EarlyII cent. K'< was not smoothedaway on the inside and so
The capacityof the jar is 11.070 1. Twenty accountsfor the discrepancyof 116 gm. (From
andone-halfxestaiof 0.546 1. wouldbe 11.1931. the same context there is another similarjug
Some plaster remaining inside from recon- [Robinson,Chronology,M 170] with the same
structionexplainsthe scantnessof the present dipintounderthe foot.)
capacity.
Ha 27 (P 928). P1.33. Small wheel-ridgedjug of
Ha 22 (P 15682).P1.33. Wide-neckedsmall am- mid-3rdcenturytype, like Robinson,Chronol-
phora,similarto Robinson,Chronology, M 77. ogy, M 151. Graffito on shoulder. Context:
Dipinti, in black, on either side of neck. Con- mid-3rdcentury(I 16:1). H. 0.15 m.; D. 0.12 m.
text:secondhalf2ndcentury(S 21:3). H. 0.23m.;
D. 0.17 m. Mid-IIIcent. o[l]vrlp6s 5iKaio[s] i.e., honest
wine-measure
Secondhalf II cent.
(a) 8'< The capacityof the jug is 0.760 1. Oivrpos6,
(b) (illegible) as an adjective,requiresthat a masculinenoun
The capacityof the jar is 2.500 1. Four and be understood.The inscriptionand compar-
one-halfxestaiof 0.546 1. amountto 2.457 1. able shapeand capacityof Ha 23 make it clear
Ha 23 (P 7860).P1.33. High-necked,round-bodied that the wordto be suppliedhereis xestes. For
jug on small ring foot. Graffitoon shoulder. a xestes of this size see p. 57. Note also that
Context:late 2nd-early3rd centuries(D 12:1). the labeling of this vessel as a wine-measure
H. 0.155 m.; D. 0.125 m. might suggest that it would otherwise be
Late II-earlyIII cent. E<Wa>xs thought of as somethingelse; see above,p. 57.
The capacity of the jug is 0.760 1. This is Ha 28 (P 17499).P1.34. Round-bodied jug, similar
largerby some0.200 1. thanthe regular0.546 1. to Robinson, Chronology, M 150. Graffito on
xestes, perhaps representingan increase by shoulder. Context: mid-3rd century (J 18:1).
one-third(from 0.546 1. to 0.728 1., which is H. 0.145 m.; D. 0.132 m. Illustratedin Hesperia,
approximately95 % of the up-to-rimcapacity). XVII, 1948,p. 191,pl. LXIX, 2.
Since severallater inscribedjars also requirea Mid-IIIcent. {orrnsBSKOaOS
62 H. COMMERCIAL NOTATIONS
The capacityof thejug is 0.890 1. to the rim. text: 4th century (C 13:2). H.0.54m.; D.
To explain a xestes so large both absolutely 0.357 m.
and relativelyto the old standardof 0.546 1. IV cent. As' i.e., 35 (xestai)
and to the preservedcontemporaryexamples
holding 0.760 1. (Ha 23, Ha 27) requires The capacityof the jar is 27.040 1. The most
invoking the so-called "georgic" standardof likely xestes will be that of 0.728 1., giving a
Metrolog. Script., I, 236 to authorize a xestes total of 25.480 1., but it is also possiblethat the
of
that is twicethe kotyle that is three-quarters dipinto does not recordthe total capacitybut
the regular xestes: 2x3/4 (0.546) is 0.818 1. merely the amount that was currentlyinside.
See above,p. 57. In this lattercasethe xestescouldbe smaller.
Ha 29 (P 4914). P1.34. Fragmentfrom rim and Ha 35 (P638). P1.34. Small gouged jug like
© American School of Classical Studies at Athens
neck of a closed pot. Graffitoon neck. Found Robinson, Chronology, M 293. Graffito on
For personal use only. License: CC-BY-NC-ND.
Late V-VI cent. (a) tL' 3" i.e., 17% (xestai) 12.2621.). But see above,p. 57.
(b) it' ("
Ha 48 (P 9784). PI.35. Small storage amphora,
Cf. Ha 36, Ha 41. Robinson,Chronology, M 324.Dipinti,in black,
Ha 43 (P 13164). PI. 35. Wheel-ridgedamphora, on shoulder, upside down to the pot. Context:
similar to Robinson, Chronology,M 333. Di- early 6th century (M 17:1). H. 0.38 m.; D.
pinto, in red, on shoulder. Context: late 5th 0.215 m.
to 6thcenturies(O18:1).H. 0.49m.; D. 0.253m. EarlyVI cent. ~(oarat)e'< i.e., 9? xestai
LateV-VI cent. (Eorrat) KL'< i.e., 27/2 xestai The capacityof the jar is 5.150 1. Nine and
The capacityof the jar is 11.500 1. Twenty- one-half xestai of 0.546 1. are 5.187 1. The
seven and one-halfxestai of 0.409 1. would be drawing appears in its orientationto the pot,
11.247 1. Cf. Ha 35, and see above, p. 57. hence upside down.
A graffitoalpha may be interpretedvariously. Ha 49 (P 3044). PI. 36. Fragmentfrom shoulder
of early6th-century jar, like Robinson,Chronol-
Ha 44 (P 13463). P1.35. Wheel-ridgedamphora, ogy, M 328. Dipinto, in red.
similarto Ha 43. Dipinti, in red, on shoulder.
Context: late 5th to 6th centuries (P 19:1). Early VI cent. K8' < 8" i.e., 243/4
H. 0.463 m.; D. 0.235 m. The capacityof similarcompletejars of this
Late V-VI cent. (a) ..] typemakesit clearthatthe numberhererecords
a-rt] the jar's capacityin xestai.
at'p'
(b) IJ6(5ios) Ha 50 (P 12695). P1.36. Wheel-ridgedamphora
The capacity of the jar is 9.800 1., a good similar to Robinson, Chronology,M 328. Di-
Cypriote modius of 17% xestai (172/3x0.546 1.= pinto, in red, on shoulder.Context:early 6th
9.646 1.). Cf. Ha 36, Ha 42. century (O 19:1). H. 0.545m.; D. 0.258m.
Ha 45 (P 26598). PI. 35. Amphora, similar to Early VI cent. (Eo-rai)t' < i.e., 17? xestai
Robinson, Chronology,M 327. Dipinti, in red, The capacityof the jar is 12.9301. Seventeen
on neck (a) and in black, on shoulder (b). and one-halfxestaiof 0.728 1. are 12.7401.
Context: early 6th century (Q 17:7). H. 0.55 m.; Ha 51 (P 12157).P1.36. Fragmentfrom shoulder
D. 0.282m. of a closed pot. Dipinto, in black. Context:
Early VI cent.(a) ~(4orrct)K8'<i.e., 2412 xestai O-Q 18-19.
(b) iO' (faded before drawing) VI cent. ~(korai)K.U i.e., 27 xestai
The capacityis ca. 14 1. The two inscriptions Ha 52
(P 14055). P1.36. Wheel-ridgedamphora,
suggestthat this vessel was used in a time of similar to Ha 43. Dipinto, in red, on shoulder.
double standards:241/2x0.5461. = 13.377 1.; Context: 6th century (Q 18:2). H. 0.51m.;
19x0.728 1. = 13.832 1. D. 0.31 m.
Ha 46 (P 26693). P1.35. Amphora, similar to VI cent. o(-rai) KE' i.e., 25 xestai
Robinson, Chronology,M 327. Dipinto, in The capacityof the jar is 17.580 1. Twenty-
red, on shoulder. Context: early 6th century five xestai of 0.728 1. are 18.2001.; twenty-five
(Q 17:7). H. 0.54 m.; D. 0.282 m. xestaiof 0.654 1. are 16.3501. See above,p. 57.
EarlyVI cent. (chi-rho) (The drawing shows only the faded remnant
(crTrat) Ka' 8" i.e., 21 ? xestai of the original letters.)
64 H. COMMERCIAL NOTATIONS
Ha 53 (P 22512). PI. 36. Fragmentaryamphora, Late Roman orr& (vot) s-' ft(ivat) y'
lackingneck. Dipinto,in black,at base of neck i.e., 6 stamnoi,3 heminai
(a) and below one handle(b). Context:6th-7th The stamnos is variously defined as equal
centuries(Q 17:1). PH. 0.40 m.; D. 0.22 m. to fouror tenxestai(heminai)(Metrolog.Script.,
VI-VII cent. (a) illegible I, 277; II, 102).
(b) v6(b6os)
The capacityof the jar (up to the neck) is Ha 55 (P 9318). P1.36. Fragmentfrom rim of a
9.250 1., so that it mightbe eitherthe ordinary verylargepithos.Graffitoon top of rim.
modius (16 xestai = 8.736 1.) or the Cypriote Late Roman .iE(S6wvot) ta'
modius (172/3 xestai = 9.646 1.). It is not the The abbreviationmightalso be completedas
same clay as the Cypriotemodii above (Ha 36,
© American School of Classical Studies at Athens
E(TpTrrai).
Ha 39, Ha 42, Ha 44).
For personal use only. License: CC-BY-NC-ND.
Ha 54 (P 5663). PI. 36. Fragmentfrom neck and Ha 56 (P 9322).PI. 36. Fragmentfromthe shoulder
shoulderof largeclosedpot. Graffitoat junction of a very largeamphora.Graffitoon shoulder.
of neckand shoulder. LateRoman K(s)p(&(ata) pY' (orai) 8' <
8 But see pots from the Hellenisticperiod found in Corinthwhich have dipintirecordingsakomafollowed by a ligatureof mu and
nu (certainlythe abbreviationof mna) and so giving tare weight (Hesperia,XVIII, 1949,p. 152, pl. 16).
H. COMMERCIAL NOTATIONS 65
of weight-unitsagreeing;of the ten vesselswith tallies that are completeenough to weigh (Hb8-10,
Hb16,Hb19,Hb24, Hb25, Hb31; He 17, He 33) only three(Hb16,Hb24, Hb31)haveweightswhichdo
not substantiallyagreewiththetallystrokes,9twoperhapsbecauseof incrustationinside,theotherbecause
the last strokewas inadvertently
finaally, omitted;and sevenof thse jarswithtallies(Hb9, Hb 15, Hb 16,
Hb 24, Hb 25, Hb 31; He 33) areof the samegeneralshape,whichtheysharewithfive of the vesselswith
"emptyjar" weight(Hb14, Hb 21, Hb 22; He 34, He 37), and wereprobablyusedin a similarway over
manygenerations.The thirdkind includesa varietyof texts so that the reasonsfor interpretingthemas
tarediffer:someare obviouslytareweightbecausethey arecoupledwithnotationsof net weight(He 26,
He 29); othersarecompletelyunaccompanied butmustbe tarebecausetheyareconfirmedby the present
of the vessel Hb Hb He 39); othersare uncertainbut seemmorelikelyto be tare
© American School of Classical Studies at Athens
Tarenotationsof the firstkind use five differentwordsfor the emptyjar: 1) twelve vessels have 6a-
Tp&Kou (includingone oarparis and one 6aoc-rpaKou) eitherwrittenin full(Hb12, Hb 14, Hb15, Hb21,
Hb 23, Hb 26; He 31, He 34) or abbreviatedto five or six letters(Hb7, Hb 30; He 33; He 37 is incom-
plete); 2) on five vessels the adjectiveKoipiou or its abbreviationKouv( ) appears (Hib22; Hb 11, Hb 28;
He 25, He 28); 3) two show abbreviationsof mKTcbuaaTos of eithertwo or five letters(He 5, He 22); 4)
anothertwo may perhapsbe read as
40read
as,crit(b2
(He He
40,He 43); and 5) one jar is almostcertainlyto be
readas wpinou(Hb6). Althoughthis last occursin the 2nd centuryand the Hellenisticsekomawe have
alreadynoted has its parallelsin the 1st and 3rd centuries,there is no real chronologicaldistinction
among the termsused; for example,ostrakouappearsin the 2nd, 4th, 5th and 6th centuries;kouphou
occursin the 3rdto 6th centuries.The numbersusedin theseinscriptionsare all of the Greekalphabetic
sort; occasionallythe symbolfor theweight-unitis omitted(Hb 15, Hb 30; He 40). The greatmajority
of theseinscriptionsare dipinti;only threeare graffiti(Hb23; He 31, He 43).
Tare notations that are made up of tally strokes,alwaysscratchedand neverpainted,appearon
fifteenvessels(Hb8-10, I-lb13, Hb 15-17, Hb 19, Hb 20, Hb 24, Hb 25, Hb 27, Hb 31; He 17, He 33),of
whichtwo (Hb15; He 33) also have "emptyjar" notations.Twelveof these have only simpleupright
strokes,with occasionallya half strokeor a horizontalstrokefor a fractionalunit, but the othlerthree
(Hb 10, Hb 17, Hb 19) used the Roman sign for "ten." Since these threeare the only ones wherethe
weightis over ten litrai,we shouldperhapsthink that all the tallyingwas done on the Romansystem.
This would be reasonablesince the Greek alphabeticsymbolfor "ten" was a simpleuprightstroke
indistinguishable fromthe "ones."'10
The Roman"ten" also suggeststhat a ten-litraweightwas firstput
on the balanceand notedas such beforethe single-litraweightswereadded.This kind of notationcon-
tinuesfromthe 2nd centuryforward.
Tarenotationswithsimplenumbersappearon the following:Hb 5, Hb 18, Hb 29; He 6, He 12, He 13,
He 25, He 26, He 29, He 38, He 39; 17. The chronologicalrangeis from the firstto the sixthcentury,
and the numbersare all on the Greekalphabeticsystem.
In all the taretextswhereit appearsthe litra is abbreviatedeitherto a simplelambdaor to a lambda
witha diagonalstroke(variouslyplaced)whichmaysometimesbe thoughtof as the followingiota. Ounce
(ouiyKia)appearsas eithergammaenclosingomicron(e. g. Hb 3; He 22, He 39) or omicronsurmounted
by upsilon(Hb22).
9It is understood that the weight-unitis the Roman litra since the only two mna-weightsbelong to the early part of the first
century (Hb 5; He 5).
10In the capacitynotations of the Greek
period the acrophonicnumbersystem allowed tallyingof this sort (with delta for "ten")
for a differentpurpose. The whole shift in the use of tallyingfrom measuresto weights is interestingand suggeststhat commodities
began to be sold more and more by weight.
66 H. COMMERCIAL NOTATIONS
Hb 1 (P 9753). PI. 37. Neck of coarse amphora. pinto, in red, on neck. Context:early 1st cen-
Graffitoon neck. Context: late 4th-early 3rd tury(G 8:1).
centuriesB.C. (B 13:8). Hesperia, XXV, 1956, EarlyI cent. pv(ac)ia' i.e., 11 mnas
p. 17, no. 73.
The jar at present weighs 8.150 kg. and must
IV-III cent. B.C. AA111III i.e., 26 (mnas)
originally have weighed somewhat more. The
For the interpretationsee He 5; 26 mnas mna used heremust be that of 150 coin drach-
are less than 11 kg. and a reasonableweight mas, that is, the commercial mna of 654 gm.;
for such an amphora.Tare seems to be the cf. Hb 2 above. Eleven such mnas are 8.194 kg.
right interpretationon two grounds:weightof
contents is comparativelyuseless except in Hb 6 (P 17129). P1.37. Upper part of unglazed
conjunctionwith tare; a capacityof 26 choes is amphoraof 2nd-centurytype, like Robinson,
© American School of Classical Studies at Athens
The present weight of the jar, without the EarlyIV cent. (dipinto) oo-rpaKou s'
lip and part of the neck, is 5.030 kg. The re- i.e., (weight)of jar: 6 (litrai)
cordedweightis 5.287kg. (graffito) '11111
Five strokes tallying for the first five litrai,
Hb 11 (P 10267).PI. 37. Unglazedamphora,mis- with a sixthstrokeslantwise.
sing handlesand lip, of early 4th-centurytype,
like Robinson, Chronology,L 31. Dipinto, in Hb 16 (P 12825). PI. 37. Wheel-ridgedamphora
black, on shoulder.Context:early 4th century of late 4th-centurytype, between Robinson,
(M 18:4). PH. 0.46 m.; D. 0.257 m. Chronology,M 238 and M 305. Graffito on
Early IV cent. K.[oU]qp(ou)
shoulder.Context: late 4th century (O 19:1).
W(i-rpat)
ty' H. 0.308 m.; D. 0.214 m.
i.e., (weight)of empty:13litrai
© American School of Classical Studies at Athens
and lip, is 3.935 kg. The recordedweight is The jar, which lacks only a part of the lip,
4.251 kg. now weighs 2.180 kg. or 10% more than six
litrai(1.962kg.). It is possiblethatit wasmarked
Hb 12 (P 25170). PI. 37. Amphora with narrow underweightby a merchant who wished to
neck,verticalhandlesand a bodylike Robinson, give shortweighton the contents.Or theremay
Chronology,M 236. Dipinto, in black, on be a considerabledepositinside.
shoulder. Context: Q 17:4. H. 0.54 m.; D.
0.195m. Hb 17 (P 7884). PI. 37. Fragmentfrom neck of
amphora.Graffitoon neck. Found in a layer
EarlyIV cent. 6ocrpaK'ns XA(Tpac)<0'> withpotteryand coins of the 4th century.
i.e., (weight)of jar: 9 litrai <
IV cent. X!I!i111 i.e., 17/2 (litrai)
The present weight of the completejar is
2.870 kg.; the recorded weight is 2.943 kg. Hb 18 (P 14110).P1.38. Smallamphoraof earlier
The number,which must be taken as theta, date but same type as Robinson, Chronology,
looks like a rectangularepsilon, which is most M 324, M 325. Graffitoon shoulder.Context:
unlikelyto occurat thisperiod.Theform6o'rp&Ki 4th century (O 19:1). PH. 0.40 m.; D. 0.22 m.
is not attested. IV cent. Xr(Tpat) U' i.e., 7 litrai
Hb 13 (P 11193).P1.37. Upper part of amphora, The presentweightof the jar, which lacks a
of a type related to Robinson, Chronology, mouth and is partly restored in plaster, is
L 31. Graffito on shoulder. Context: early 2.075 kg.; sevenlitraiare 2.289kg.
4th century(C 14:4). Hb 19 (P 14113).P1.38. Amphoraof 4th-century
EarlyIV cent. 111111 i.e., 6 (litrai) type,like Robinson,Chronology, M 230. Graffito
The jar is too fragmentaryfor its present on shoulder. Context: 4th century (O 19:1).
PH. 0.46 m.; D. 0.28 m.
weight to be significant.Others of this type
weighabout six litrai. IV cent. ]XI1111< i.e., 15/2 (litrai)
The presentweight of the jar, which lacks a
Hb 14 (P 11194). P1.37. Upper part of wheel- mouth and has been partlyrestoredin plaster,
ridged amphora of 4th-century type, like is 4.750 kg.; 15/2 litrai are 5.068 kg.
Robinson, Chronology,L 55 and M 238. Di-
pinto, in black, on shoulder,very faint. Con- Hb 20 (P 26114). P1.38. Amphora top, com-
text: early 4th century(C 14:4). PH. 0.299m.; parableto Robinson,Chronology, L 54. Graffito
D. 0.224m. on shoulder.Context:Q 19:1.
EarlyIV cent. OtaKKOU X(iTpai) U IV cent. 11111111 i.e., 8 (litrai)
i.e., (weight)of jar: 7 litrai The fragmentarystate of the jar makes its
The preservedupper two thirds of the jar presentweightirrelevant.
weigh 1.710 kg.; seven litrai are 2.289 kg. Hb 21
(Some letters had faded completelybefore the (P 10710). P1.38. Wheel-ridgedamphora,
finaldrawing.) missing neck and handles,of 4th-centurytype,
like Robinson,Chronology, L 55, M 238. Dipin-
Hb 15 (P 11197). PI. 37. Shoulder fragment of to in black on shoulder. Context: 4th-5th
small wheel-ridgedamphora like Hb 14. Di- centuries (E 15:5). PH. 0.34 m.; D. 0.20 m.
in
pinto, black, and on
graffito shoulder.Con- IV cent. 6O]rTpaKouX(irpai) U'
text: early4th century(C 14:4). i.e., (weight)of jar: 7 litrai
68 H. COMMERCIAL NOTATIONS
11All textsidentifiable(even
tentatively)as datesare included,even whenthe magistrateor era on whichthey are basedis not clear.
12Or the fourteenth year from the visit of Hadrian to Athens. Cf. P. Graindor,Athines soIus Hadrien,Cairo, 1934, pp. 15ff.;
Kubitschek,Real-Encyclopadie, Suppl. III.
70 H. COMMERCIAL NOTATIONS
Late IV-early III cent.B.C. irr 'A.woroo5cbp(ou) I cent. B.C. Avyoicr(Tou) S'
The writingis crampedand changesorienta- [.(rjv6s)'ApT(Eepuoou)
tion. An archonof this name servedin Athens The sixth year of Augustuswould be 21 B.C.
in the year 319/18B.C.,but eitheranotherpro- The readingof the secondline is uncertain.
venienceor anothermagistracyis a possibility. Hc 6
The fact that the inscriptionwas made before (P 16206). P1.39. Micaceous one-handled
firingsuggeststhat this date servedone of the jar, similar to Robinson, Chronology,F65.
Graffitounderhandle.Context:firsthalf of 1st
purposesof the stampusuallyfoundon handles. century(N 20:1). PH. 0.47 m.; D. 0.265m.
He 2 (P 9754, P 9755). P1.39. Chian amphora. Firsthalf I cent. DRUSO ET CRISPINO
Dipinti in black on shoulder (a) and inside That is, 9 B.C.
handle(b). Context:late 4th-early3rdcenturies
B.C. (B 13:8). PH. 0.79 m.; D. 0.355 m. Hc 7 (P21791). PI.39. Ovoid amphora with
shortwide neck, hornedhandlesand shorttoe.
Late IV-early III cent. B.C. Dipinti in black on shoulder. Context: early
(a) nIrlNIK'rTOV / [&]pXovros 1st century (R 10:1). H. 0.533m.; D. 0.28 m.
(b) ToAXuvoio N
EarlyI cent.
If the archon is Athenian, there are two e1Tous[ ]BA ( ) COSS
possible years: 332/1 or 225/4 B.C.The name
underthe handlemaybe thatof potter,producer Perhaps6 B.C.:D. LaeliusBalbus,C. Antistius
of contents,middlemanor even owner. Vetus. Or A.D. 22: D. Haterius Agrippa, C.
SulpiciusGalba.
He 3 (P 8108). P1.39. Amphoraof Roman type.
39. Micaceous one-handled
Dipinto in red on neck. Context: late 2nd He 8 (P 16199). PI.
centuryB.C. (C9:7). H. 1.017m.; D. 0.291m. jar, similar to Robinson, Chronology,F 66.
Dipinto in black below handle. Context:
Late II cent. B.C. COS [ first half of 1st century(N 20:1). H. 0.46 m.;
D. 0.245m.
Obviously a date by consulship, but the EarlyI cent. NERONEBO..
dipintois now too fadedto be drawn.Another (traces)
jar of this type (Agora inv. no. P 8105) found
in the same context has an inscriptionwhich If this is datingby consul, the possibledates
has surviveda little better but gives less imme- are: 13 B.C. (Ti. ClaudiusNero, P. Quinctilius
diate sense: ] B-C [ (presumably an abbreviated Varus); 9 B.C. (Nero Claudius Drusus, T.
name endingin "b" followedby the abbrevia- Quinctinus Crispinus); 7 B.C. (Ti. Claudius
tion for consul). Nero II, Cn. CalpurniusPiso). The word
begining "bo. ." is uncertain both in reading
Hc 4 (P 3215).P1.39. Shoulderfragmentof small and interpretation.
jar. Dipinto in brown. Found with much He 9
Hellenisticmaterialand a littleLate Roman. (P 15559). P1.39. Upper part of amphora
with collaredrim.Dipintoin blackon shoulder.
I cent. B.C. 'T0oS F(aciou)Kacaa(ou) Context:1stcentury(R 21:2).
(illegible)
I cent. 'IovuMov
1i.(rlv6,)
A Gaius Cassiuswas consul in 124, 96 and
73 B.C. Sincethe colleagueis not herepreserved, He 10 (P 24853). P. 39. Shoulder fragment of
it is impossible to determinewhich is meant. brown micaceous jar, similar to Robinson,
H. COMMERCIAL NOTATIONS 71
SE]XWK( ) pB'
Year 502 of Seleucidera (from 312/1 B.C.)
For personal use only. License: CC-BY-NC-ND.
(b) o'oS would be ca. A.D. 190, perhapstoo late for this
Year 139 of Actian era = A.D. 109, whichis context.
perfectlysuitableto the jar itself, which finds Hc 18
its nearestparallelsin late 1st and early 2nd (P 21631).P1.40. Fragmentfrom shoulder
centuries(Robinson,Chronology,G 197, H 20). of micaceous one-handledjar similarto Rob-
Its later context date is unexpectedbut not inson, Chronology, M 125.Graffitoon outside.
Context: 2nd to early 3rd centuries(U 22:1).
impossible.The firstpart of (a) might be inter-
pretedin two ways: as a monthdate (Hermaios II-earlyIII cent. ce'
15)or as tare(ipilou 15). (b) The jar is sound? Year 229 of the Actian era = A.D. 199.
He 12 (P 5774). P1.39. Neck and shoulder of He 19 (P 22211). P1.40. Fragment from the
small amphora. Dipinto in red on shoulder. shoulder of a micaceous one-handled jar,
Context: second half of 1st century to 2nd similarto Robinson,Chronology,M 125. Graf-
century(F 13:2). fito on outside.
II cent. pv III cent. TrosN] i(Krls)apIa'
ATO2[ Year 241 of the Actian era = A.D. 211.
The number is likely to be a date in the
Actianera, i.e., A.D. 120. He 20 (P 7785). P1.40. Shoulderfragmentfrom
largeplainamphora.Dipintoin black.
He 13 (P 11545).P1.39. Wall fragmentof closed
vessel.Graffitoon outside. Roman rTriZauX[
AIATTA[
Roman pV?'
What magistrateof what city is here used
Year 155 of Actian era would be A.D. 125. for datingis obscure,as is the word or phrase
The nu is writtenin reverse. in the secondline.
He 14 (P 2518). P1.39. Shoulderfragmentfrom He 21 (P 11752). P1.40. Top of amphora. Di-
a large unglazedvessel. Graffitoon outside. pinto in black on shoulder.Context:3rd cen-
EarlyRoman pv[ tury(K 18:3).
Presumablyan Actian date, ca. A.D. 120-130. III cent. a[
He 15 (P 7583). P1.39. Amphora(= Robinson, The incompletenessof the inscriptionmakes
Chronology, J 5). Dipinto in black on shoulder. any conjectureof emperoror era difficult.
Context: mid-2nd century (C 12:1). PH.
0.549 m.; D. 0.295 m. He 22 (P 3140). P1.40. Shoulder fragment of
Mid-II cent. ETousSt' 'ASpiavoO largeamphora.Dipintoin red.
Eviaucrtiaov Late Roman
Whetherthe date was based on Hadrian's ET(Os)
pv'
TA I, p. 263.) The context date need not militate
For personal use only. License: CC-BY-NC-ND.
13Since the tax-notationpots all seem to serve the same purpose, the conclusion that some held a specifickind of wine makes it
likely that all held wine but that only specialkinds werenoted "on the label." See Introductionto Tax Notations below.
H. COMMERCIAL NOTATIONS 73
He 26 (first three letters). Honeyed wine is noted twice: olvovupenT-iVOv (He 21); (IiArIT( ) (He 30).
Falernianappearsonce (He 27). Threeother kinds of wine may be indicatedby three abbreviations:
(Hd 7); &pco(iaaT-Tis)(Hd 15); Spiv(Si-ms)(Hd 23).
Kav(-SapiThs)
Wine is described in somewhat differentterms on four other vessels: Kasapou as an indication of net
weightratherthan of purity(Hd 10); Fviaucaaiov (Hc 15), and iTep(uariv6s)
(Hd 20) seemto indicatethe
age of the wine; vin(um)saec( ) car ( ) vil(la?)Terg(estina?)
seemsto indicateuse (?) and provenience
(He 18). See also belowfor miscellaneousand uncertain
contents whichmightbe wines.
Four of the above wine notationsare accompaniedby single letterswhich may perhapsbe most
readilyexplainedas indicationsof quality:alphaon Hd 1 and Hd 20; gammaon Hd 15; deltaon Hd 5.
Perhapssimilarin significanceis the &*r-tposwhichappearsalongwitha pricemarkon He 15.
© American School of Classical Studies at Athens
that the contentswas oil: Hd 2 fromthe 4th centuryB.C. seemsto say that the oil is for externalrather
thaninternaluse; Hd 4 and Hd 18, of the 1stand 3rdcenturiesrespectively,havethe sameabbreviation,
inai(ov). The three dipinti, on the other hand, indicate the kind or quality of the oil: on He 7 pamrpl(avE-
Aaiov)or radishoil, weighing20 5/12 litrai(6.676kg.), is equatedwith27 kotyles(7.3711., of whichthe
oil weightis 9/10 or 6.655 kg.); on He 15 the priceis givenfor what may be secondqualitywhiteoil;
on He 32 oil-leesor Tpu(yla),weighingnine litrai(2.943kg.), occupiesa vessel of ca. 3.300 1. capacity
(oil weightof a 3.276 1. chousis 9/10 or 2.943kg.).
Fivejarsaremarkedas honeypots, eitherimplicitlyor explicitly.Implicitin the combinationof Hd 6's
weightnotationwith its capacityis the fact that its contentswas honey:that is, the 14 litrai(4.578kg.)
indicatedon the shouldercouldbe containedin the ca. 3.200 1. capacityonly if the contents'weightwas
4/3 that of wine(4/3 x 3.052 = 4.578).Honey is explicitlynotedas contentsof threeotherjars: sufficient
tracesof the word Hymettosappeartwice on He 29 and combinewith the noted net weightto confirm
the natureof the contents.On He 33 and He 34 the genitiveof honey(iX1iTos) is followedby the weight
in litrai.Somewhatdifferentis He 36, whichnotesthenumberof xestaiof "tawnyhoney"(tavS9oupLArtos).
Thevarietyof miscellaneouscontentsis great,rangingfromfish-sauce(garumn) to milk(yaXa).Perhaps
most certainare the threejarsmarkedas containingItalianmillet:He 23, He 24 (iEEI6'v(oS) --= AivoS =
p0ivr%, LSJ); He 41 e?Aivns. Two vesselsprobablycontainedgarum:Hd 3 reads coc(tum)ab Auso( ),
employinga formulaelsewhereusedfor fish-sauce(C. L.L., IV,2576,2643, 5671ff., 9418f.);the ligature
of Hd 8 may be reasonablyresolvedas yap(ou).Preparationsof a medicalnaturemay perhapsbe seen
in Hd 11 ("20partsdarnelto four partsasparagus")and Hd 21 ("diuretic").MorepuzzlingareHd 14,
a cookie-jarshapewiththe inscription-rafyvia,presumablyin the senseof "goodies,"andHd 19 which
readsSEarac(thingsput up? that is, preserves?).The Sacrra of Hd 16 are most likely liquids,and the
inscriptionis to alertthe readereitherto the fact that dry materialsare elsewhereor that the measure
(30 units)is wet ratherthan dry. Hd 22 readsy6Aa, a clearand unambiguouslabel in contrastto the
generalizedKaprrou of He 17.
Four other vessels show notationswhich may well be of contents,but certainidentificationis not
possiblesincethe abbreviationsare difficultto resolve.TheKopl( ) of He 44 maybe somethingflavored
with coriander.The ycovo( ) and C&Ti() of I 11 and I 12 seemto parallelthe &dilvv() whichappears
in nine otherTax Notation texts and so mightbe wine. No expansionof 'covo( ) suggestsitself, but
either i&-aTov or arT-nris is possible for I 12. On 142 pev[ ]/vEXi[ (either or both) could also be wine:
honeyed Mendaean.
It is possiblethat in Miscellaneous(K) and Unclassified(L) Notationslurk otherindicationsof con-
tentswhichhavenot beenrecognized.For otherpossibilitiessee Ha 1, Ha 16 andHa 40.
74 H. COMMERCIAL NOTATIONS
Hd 1 (P 11021).PI.41. Upperpart of 5th-century Sincethe jar holds 3.200 1., the contentscan
B.C.type wine amphora.Dipinto in black on weigh 14 litrai (4.578 kg.) only if it is honey,
shoulder. Context: last quarter 5th century whichis four-thirdsthe weightof wine or water.
B.C. (B 15:1). Hesperia,XVIII, 1949, p. 336, Four-thirdsof 3.200 gives only 4.264 kg., but
no. 102,pls. 97, 98. it seems likely that althoughthis was only a
Last quarterV cent. B.C. 06rXosA i.e., 6Oos scant chous (properly3.276 1.) it was thought
of as six xestai,whichmay have been indicated
Sigma-chifor xi is found also on ostrakaof in the largelyfaded second line. Six xestai of
Kallixenos; see Hesperia,XIX, 1950, p. 387, wine were ten litrai; six xestai of honey would
no. 22. Alphamayperhapsbe takenas a number be 13% litrai, which might in turn have been
indicatingcapacity(one amphoraor metretes) called 14 litrai. Thereis no questionof the 14
or quality. litraibeing the weightof the jar, whichis only
© American School of Classical Studies at Athens
1.100kg.
For personal use only. License: CC-BY-NC-ND.
INTRODUCTIONTO COMBINEDNOTATIONS(He)
For the most partthese44 texts are madeup of notationsof capacity,date and contentsand so have
alreadybeen discussedalong with those categories.Thereare two chief exceptions:notationsof price;
and propernames,perhapsproducers,sellersor owners.
The threepricesfromthe Greekperiodarefairlyconsistentand are expressedin knownterms:about
two drachmsor one didrachm(stater)for eachchousof wine(Ha 5; He 1, He 2). The six possibleprices
fromthe Romanperiodare moreuncertainboth as readingsand with regardto unitsand values.Three
seemto employthe asterisk-shaped symbolfor denarius(He 16, He 17, He 38), but the threepricesfor
76 H. COMMERCIAL NOTATIONS
He 1 (P 11382).P1.42. Mouth and neck of Men- 400-390 B.C. (Q 15:2). Hesperia, XXV, 1956,
daean-typeamphora. Graffito on either side p. 17, no. 71, pl. 4.
of neck. Context:thirdquarter5th centuryB.C. Early IV cent. B.C.
(R 13:4). Hesperia,XXV, 1956, p. 10, no. 44. (a) a&(cpopcos)(vaot)8(iKa) A(v&)(v&)
Third quarter V cent. B.C. (b) I(vaT)8(ka) (vaT)8(WKa)
X(6ES) 6(6Ka) K(o *Xn) K(OT,XTi) The two weightsshouldbe tare and net. On
58(Ka) r(T'rcrfipEs) a goods-mna of 457 gm.15 the jar will have
A combination of capacity and price: 10 weighed5.484kg. and the contents9.140 kg. If
choes, 2 kotyles; 10 staters. the contentswas wine, the capacitymust have
been less than three choes (9.828 1.); if oil,
He 2 (P 2366). P1.42. Chian amphora. Graffito rather more (three choes of oil would weigh
on neck, running downward.Context: third only 8.845 kg.); the breadthof the shoulders
quarter5th century B.C. (R 13:4). H. 0.79 m.; makesa dry materialless likely.
D. 0.31m. Hesperia,IV, 1935, p. 496, fig. 17,
no. 86; p. 516, fig. 28; XXV, 1956, p. 12, no. 58. He 4 (P 21792). P1.43. Body of large cylindrical
amphora,missing bottom, handles and neck.
ThirdquarterV cent B.C. Dipinto in black on shoulder.Context: early
TrVTr)?(s) E(Ys)X(s) 1st century(R 10:1). PH. 0.652m.; D. 0.305m.
8EKarrTrapEs
Late I cent. B.C. MO(DII) 8'
Both the capacity(sevenchoes) and the price C. FURNIO COS.
(14 drachms)appearon this jar. In the Chian ANTEA
dialectthe aspiratewouldbe omitted. A combination of capacity and date. For
He 3 (P 23948). PI.42. Upper part of amphora the oppositecombinationof Greekletterswith
with spreadinglip and broad shoulder.Graffiti RomannumeralsseeHe 19,He 20. Themeaning
near base of neck on both sides. Context: of anteain this contextis not readilyapparent.
Cf. H. Mat-
14 The Attic drachmsmay still at this time have been equatedwith the denarius,or at least valued at three-quarters.
He 5 (P 21788). P1.42. Upper part of large Thejar is too weakto be measuredfor capacity,
amphorawith angularhandlesand profiledlip. but cf. He 10. The numberon the other side
Dipinti between handles on both shoulders. might possibly be a date on the Actian era
Context:early 1st century(R 10:1). (i.e. A.D. 116), but the doubtfulfirst letter and
Early I cent. (a) o'i(KCOiaa)u(vcT)i?'<
the comparablenotations on He 9-11 suggest
that it mightbetterbe takenas a serialnumber.
Xcop..
(b) af(Kco0a) I?'< (val) 1E' He 9 (P 12468). P1.44. Amphora of late Koan
Tare is written on both sides; what must type similar to Robinson, Chronology,F 93.
be capacity(xcdbpima ?) appears on only one side, Dipinti in red on shoulder(a) and on body
and the amount(?) is largelyillegible. below handles (b). Context: second half 1st
century(N20:2). H. 0.893m.; D. 0.28 m.
© American School of Classical Studies at Athens
He 13 (P 3297). P1.44. Upper part of large early The next sign is certainlythat for denarius,
Roman amphora with neck tapering toward with two strokes following presumablyindi-
top and handles ribbed. in
Dipinti green on catingthe price.
neck (a) and shoulder (b). Context: lst-2nd He 17
centuries(F 11:1). (P 10067). P1.44. Amphora similar to
Robinson, Chronology,L 31 but fuller and
I cent. (a) T'(oc(aov) earlier.Dipinto in black on shoulder;graffito
(b) ]>' o(U)y(Kiat) i' on neck above. Context: lst-2nd centuries
The first notation is here taken as contents, (M 18:1). H. 0.346 m.; D. 0.225 m.
i.e., raisin wine; there are obviously other II cent. (dipinto) Kp.a ouv*lE'
possibilities(e.g., TaAcai6s, for which compare i.' Ko(riXat)K6(a6os)
in
vet(us) C.LL., IV, 5526, 5536-8, etc.). The (graffito) 'Ill!i
© American School of Classical Studies at Athens
weight (40 litrai, 10 ounces) in the second The price of the contents is 15 denarii;the
For personal use only. License: CC-BY-NC-ND.
notationmay be either tare or net weight; no capacity,now measuredas 5.500 1. to the lip,
similarjar survives completeto be measured. is just over 191/6kotyles of 0.273 1. (5.233 1.).
He 14 (P 12460).PI.44. Ovoidjar preservedonly The weightof the vessel is 2.185 kg., or some-
over six litrai (1.962kg.), as the six and
up to shoulder.Dipinto in black on shoulder. thing one-half (?) tally strokesindicate.(If it is 151/6
Context: early 2nd century (N 20:5). PH. must be half of 0.728 1. xestes
0.28 m.; D. 0.25 m. kotyles they
[l51/, x 0.364 1.- 5.520 1.].)
Early II cent. orra(pvoi)KOX?ou 'Epeveas
He 18 (P 7925). P1.44. Shoulderfragmentfrom
hold six and seven
between
'lar
jars an amphora.Dipinto in black. Context: late
Similar jars hold between six and seven 2nd-early3rdcenturies(D 12:1).
liters so that these three stamnoi of Kyllos of
Ereneiamight be like those reportedby Epi- Late II-earlyIII cent. Aug(usti)N(onae)
vas stig(matum)
phanius (Metrolog. Script., II, 102) to hold vin(um) saec( ) car( )
four xestai each. Twelve xestai are 6.552 1.
Whether Kyllos made jars or wine is un- vil(la) Terg(estina)
certain.The name,not attestedat Athens,may The expansionsof the abbreviationsare not
be a meaningful nickname. certain but seem to give date, contents and
provenience.
He 15 (P 17128). PI.44. Rim and neck of an He 19
(P 11992).PI.44. Large Roman amphora
amphora. Dipinti in black on shoulder (a) with pear-shapedbody like Robinson,Chronol-
and base of neck on other side (b). Context:
early2nd century(B 20:1). ogy, 14 but longerbodyand almostno neck.
M
Dipinti in red on neck (a) and below (b).
Early II cent. (a) &/pyi/e?( ) Context:earlyRoman(R 19:2).
IS' &pyuvpicov II-III cent. (a) X X V (see drawing)
(b) BaerEpos (b) 01 (writtendown
The first letters may be &pyti&(atov) or the side)
white oil, a word not attested but analogous For Romannumeralswrittenin this fashion
in form with &yptiAaosand in meaningwith see J. Egbert,Introduction to the Studyof Latin
apyf-rosXAaiou.The price is apparently 16 Inscriptions,New York, 1923, p. 75. It is
drachms;for &pyupisas drachm, see Hera- unlikely that the number indicates capacity,
clidesLembicus,frag.6. The secondinscription which can not be measuredbecausethe jar is
may describethe qualityof the contentsor the both weakand very large,since25 choes is too
positionof the jar in some series. muchand 25 xestaitoo little. It is most likelya
He 16 (P 11634). P1.44. Amphora (=Robin- serialnumber.The secondinscriptionmay be a
son, Chronology,M 90). Graffitoon shoulder. trade mark, kind of wine, or even a number.
Context: second half 2nd century (M 17:1). Cf. He 20.
H. 0.36 m.; D. 0.254 m. He 20 (P 12991).P1.44. Large Roman amphora
Secondhalf II cent. (see drawing) like He 19. Dipintiin red on neck(a) and body,
runningdown the side (b). H. 0.95 m.; D. 0.40 m.
Since the capacityof the jar is 7.000 1., it is
possible that the first two strokes stand for II-III cent. (a) X X I I I
two choes (6.552 1.) and the two crossed (b) AO
strokes for two additionalkotyles (0.546 1.). Cf. He 19.
H. COMMERCIAL NOTATIONS 79
He 21 (P 10247). PI.44. Ovoid jar with one The name in the genitive may be the pro-
handle, short neck and projectinglip ridged ducer; the tare of 15 litrai is possiblebut can
on top. Dipinto in red on shoulder.Context: not be demonstratedbecause of the jar's
3rd century(B 14:1). H. 0.362m.; D. 0.255m. presentstate. It may be that the thirdline gives
the price:500keratia(see above,p. 76).
Mid-III cent. Trav(Tracva) Ky'olvou
pjeAtrirvov He 26 (P 9675). PI.45. Amphora with ovoid
(two lines illegible) body taperingto ring foot. Dipintiin black on
The inscriptioncombinescapacity(33 ravwra- shoulder(a) and body (b). Context: 3rd cen-
vai = TprpAilaor kotyles)and contents(honeyed tury (N 18:5). PH. 0.425m.; D. 0.26 m.
wine).The capacityof the jar is 8.250 1. to the III cent. (a) A / Mf(Tpai),u'
base of the neck, which is broken above; 33
© American School of Classical Studies at Athens
X(Trpat)Iy'
kotylesof 0.273 1. are 9.009 1. (b) Up&(vvEos)
For personal use only. License: CC-BY-NC-ND.
plaster(whichis lighterthan clay) and still has He 33 (P 11301).PI.46. Upper part of small
no mouth. The jar weighs 1.935 kg. (instead amphora, similar to Robinson, Chronology,
of 2.943kg.) andholdsca. 5.5001. Evenwithout M 238.Dipintoin blackandgraffition shoulders.
the two words which may be most convinc- Context:4th century(G 11:2).
ingly restored as 'YI-rITTO,we should have IV cent. (graffitoon one shoulder) 1illl
known that the contentswas honey, since the (graffitoon othershoulder) illIllI
metrologicalwriters emphasizethe fact that (dipinto, now largely illegible) OM
honey weighsheavierby a thirdthan an equal 6oarp(xKou)Ai(rpal)s.'<
quantityof wine or water. Twenty-threelitrai IAlITOSAi(Trpa)K5'<
of honey (7.521kg.) will fit into a jar which
holds three-fourthsof 7.521 1. or 5.640 1. Both tallies and the dipintoindicatethat the
weighedsix and one-halflitrai.The contents
© American School of Classical Studies at Athens
I. TAX NOTATIONS
use the Latinwordspelledwith Greekletters,i. e.,l TvSu bvwith alphabeticnumerals(I 12, 44). The
For personal use only. License: CC-BY-NC-ND.
1 For a general discussion of indictionesor annual levies in kind see A. H. M. Jones, The Later RomanEmpire,Oxford, 1964,
pp. 61ff., 448ff.
2 1 is included in this
group because it employs the estate abbreviation,but the differentform of the vessel and its late 3rd-
centurydate set it apart from the rest of the series.
80 18: I 17-19, 123,124,128-34 P 18: I 35-37, 141
019:15,16,115 P 19:19,120-22,125,126
I. TAX NOTATIONS 83
I 1 (P 9681). P1.48. Rim and wall fragmentof 1 3 (P 9808). P1.48. Amphorawith ovoid body
pithos. Dipinto in black on upper wall. Con- on false ring foot (= Robinson, Chronology,
text: N 18:5. M 233).TypeIII. Context:M 17:1. H. 0.466m.;
Late III cent. Xco(piou)
P9[ D. 0.271m.
1 2 (P 12261).P1.48. Amphorawith ovoid body, EarlyIV cent. frrl(VEPoC?os)1'
similarto Robinson,Chronology,pl. 40, P 16704. I4 (P10265). P. 48. Narrow-neckedovoid jar
Early variant of Type II. Context: N 20:5. with one handle and small flat bottom, pre-
H. 0.515 m.; D. 0.254m.
decessor of Robinson, Chronology, M 315.
Early IV cent. E'
wnMv(Elacrscos) Type I. Context: M 18:4. PH. 0.54 m.; D.
(traces) 0.26 m.
y' Xco(piou)
E(aoTai)1S' 0'
For personal use only. License: CC-BY-NC-ND.
IKE'E t13'
Gamma is probably right for the date, lv(E?4o'6COs)
althoughit is obscuredby a diagonal stroke, The beginning of the estate name, which
which may indicatethat the previousword is seemsto be genitiveplural,is lost. The contents
abbreviatedor that the gamma itself is a follow on the same line. In the secondline the
number.For the estatename,cf. BouvvsEvBapOp number27 seems to be too large for capacity
from Tralles(B.C.H.,IV, 1880,pp. 336ff.) and (27 xestai are 14.742 1.) or tare (27 litrai are
Bouviov(Kern, Inschriftenvon Magnesia am 8.829kg.); it couldbe the weightof the contents
Maeander,no. 122); the referenceis obviously (i.e., 8.829 kg. would be about 16 xestai of
topographical.The jar now holds 7.800 1.; wine). The theta betweenthe lines is probably
14 xestaiof 0.546 1. are 7.644 1. the numbernine, but its applicationis obscure.
I 6 (P 12827).PI.48. Amphorawith ovoid body I 11 (P 15784).PI.49. Tall amphorawith wheel-
and smallringfoot, similarto 1 3 but plumper. ridged body taperingto pointed bottom, like
Type III. Context: 0 19:1. H. 0.47m.; D. Robinson, Chronology,M 334. Type IV. Con-
0.308m. text: N21:1. H. 0.59 m.; D. 0.20m.
LateIV cent. Xco(piov)Trr() Ka( ) EarlyV cent. i]-rrv(e6icr?cos) ca'ycovo( )
Note that the dots above upsilonand kappa arr6 OUIK ( ) AA
mayindicateabbreviations. It is unclearwhether The word after the indiction year might be
the estatenameis made up of two words,e.g., expectedto give the kind of wine but seemsnot
uvnr6Ka(XXipp6Ov) or whetherthe secondelement to be otherwiseknown. For the abbreviated
might be a number, e.g., Xco(piou)Cr(&rou), estate name cf. BtKtavos at Magnesia on the
21, perhapsindicatingcapacity. Maeander(Kern, loc. cit. [I 5]). The reading
and interpretationof the followingtwo letters
1 7 (P 12262). P1.48. Narrow-neckedovoid jar are uncertain.
similarto I 4. Type I. Context: N 20:5. PH.
0.465m.; D. 0.238m. I 12 (P 16679). PI.49. Upper part of amphora
IV cent. bivs(lio'aEcos)E''Apuv(valos) like I 11. TypeIV. Context:N 21: 1.
XE(iTpat)1p' EarlyV cent.
The jar, which lacks mouth and bottom, Xf(Tpai) K' aTr( ) 18'
v58(1<KTicvos)
&rr6NoT( )
weighs2.950kg. The 12 litraiof the secondline,
if this readingis correct,are 3.924kg. (graffito) OY
Line 1: the numberafter the abbreviationis
1 8 (P 3002). P1.48. Shoulderfragmentof jar of uncertain; a similarjar (I 11) holds about 20
coarse grayish clay. Found with pottery and litrai. The contents may be &rdiTnrs (pear-wine)
coins of 4th century(Q 15). or nrrta-rov (wine flavoredwith celery).(From
IV cent. (traces) this same well came shoulderfragmentsof two
]TroT( ) 'Tv(e?VCoos) 8' other amphorasof this shape and fabric with
The word abbreviatedbefore the indiction inscriptions in black paint, now illegible:
yearmay be the estatename. P 16677,P 16678.)
1 9 (P 13590).P1.49. Amphorawithtaperingbody 1 13 (P 3754). P1.49. Upper part of amphora,
and pointed toe, like Robinson, Chronology, similar to Robinson, Chronology,M 302, but
M 236. Early variant of Type II. Context: with narrow mouth. Type III. Context: late
P 19:1. Roman(I 15:1).
I. TAX NOTATIONS 85
Late V-VI cent. Xco(piou)-rrniyis The traces in the second and fourth lines
For personal use only. License: CC-BY-NC-ND.
VI cent.
maybevariouslycompleted,e.g.6o&crpos,acxaivn. (black) rTiv?(E(7?ecos) ty' x(co)p(ou) 'Axpa( )
For personal use only. License: CC-BY-NC-ND.
J. CHRISTIAN INSCRIPTIONS
K. MISCELLANEOUS NOTATIONS
L. UNCLASSIFIED NOTATIONS
L 1 (P 14670). P1.56. Wall fragmentsof pithos Context: fourth quarter5th centuryB.C.(B 13:5).
with incised decoration,similarto Brann,no. Fourth quarter 5th cent. B.C. ]EIE
609. Graffito on outside. Context: early 5th
© American School of Classical Studies at Athens
]H2HZ;
century B.C. (G 3:1). The letters are very uncertain.Perhaps a
For personal use only. License: CC-BY-NC-ND.
An abbreviatedname seems most likely for TrcalXi6 but the only similarlytemporalparallel
the second line, e.g., Tolmides or Tollios for Irllwould be irvilaios.(Drawing includes
(Tullius). only samples.)
L39 (P 17883). P1.58. Amphora similar to L44 (P 11119). P1.59. Shoulder fragment of
Robinson, Chronology,K 114. Dipinti in black small wheel-ridgedjug similar to Robinson,
(charcoal)on shoulders. Chronology,M 266. Graffitoon shoulder.Con-
Early Roman (see drawing) text: 4th century(B 14:2).
XIL IV cent. TIPB
Uncertainletters might be Greek or Latin.
If the second line is supposedto be a Roman L45 (P12837). P1.59. Amphora similar to
© American School of Classical Studies at Athens
M. PICTURES
The drawingseems to have been done with III cent. B.C. (head)
a fine point before the glaze was applied, so
that the head and upper body of the crane, PerhapsKairos, with hair in front and bald
behind.
which were too lightly drawn, are no longer
visible.The tendrilpatternwas done in the same M 17 (P 14323).P1.60. Rim fragmentof Megarian
way. bowl. Graffitoon outside.Context:Hellenistic.
M 11 (P 19312).PI. 60. Wall fragmentof black- III cent. B.C. (head)
glazed skyphos (?). Graffitoon outside. Con-
text: late 5th century B.C. M 18 (P 3817). P1.61. Fragment from large
Late V cent. B.C. Pergameneplate.Graffitoon inside.
(head)
I cent. B.C.-I cent. (costume-design?)
© American School of Classical Studies at Athens
C 13:2 Well (Agora, XII) Late 2nd to 4th cent. (POU) F 170; Ha 34
C 14:1 Cistern Hellenistic F 193
C 14:2 Cistern(Agora,VII) Thirdquarter3rdcent. F 298
C 14:4 Well (Agora,IV, VII) First half 2nd to second quarter 4th cent.
(POU) F 310; Hb 13-15; Hd 19; He29
C18:2 Well (Agora, V) Second half 1st to early 3rd cent. (POU)
F 257; L29
C 18:4 Constructionfilling(Agora,IV, XII) First half 5th cent. B.C. F 76
C 18:7 Constructionfilling(Agora,XII) Second quarter 5th cent. B.C. C 23
C18:11 Drain (Agora, XII) Ca. 490-480 B.C. F 51
C 19:5 Housefillings(Agora,XII) a) Secondhalf 5th cent. B.C. B 8; F 110
© American School of Classical Studies at Athens
He 17
For personal use only. License: CC-BY-NC-ND.
F 111
Q 10:4 Well Late 5th cent. B.C. F 123
Q 12:3 Well (Agora,X, XII) Ca. 520-490 B.C. F 19, F 52; G 4
Q 13:2 Cistern Dumped filling of 6th cent. B.C. D 19; F 32
Q 13:3 Footing-trench(Agora,VII) 5th cent. B 21
Q 13:5 Well (Agora,VIII, XII) Ca. 575-540 B.c. L2; M3
Q 15:2 Well (Agora, XII) Ca. 420-390 B.C. C31; E 10; F 131-134;
He 3
Q 17:1 Well 6th and 7th cent. Ha 53
Q 17:4 Well (Agora,V, VI, VII) Early 1st to 6th cent. (POU) F 266, F290
Hb 12; He 25; Hd 17; He 36; I 27, 1 39;
J4; L31
Q 17:7 Well (Agora, VI) 3rdto 6th cent. (POU) F 327; Ha 45, Ha 46;
Hb9, Hb 23; He23, He24; 140, 144, 45
Q 18:1 Well (Agora, IV, XII) Ca. 550-525 B.C.(POU) G 1
Q 18:2 Well 5th and 6th cent. (POU) Ha 52; Hb 31
Q 19:1 Well 3rdto 6th cent. (POU) F 299, F 325; Hb 20;
He30,He40; 143; L42
Q 19:2 Pit 3rd cent. B.C. E 15
R8:2 Well (Agora, IV, VIII, XII) Third into fourth quarter7th cent. B.C. F 5
R 10:1 Well (Agora,IV, V, VII) Early 1st cent. F 252, F 253; Hc 7; He 4-7
K15; L24
R 12:1 Well (Agora, IV, VIII) Ca. 520-480 B.C. C 7; F 33-41
R 12:3 Well (Agora, XII) Ca. 525-500 B.C.(POU) F 11
R 12:4 Well (Agora, XII) Ca. 520-480B.c. C 5; F28,F29
R13:1 Well (Agora, IV, V, VII, XII) Late 1st cent. B.C. to mid-lst cent. F 254
R 13:2 Well (Agora, IV, VII) Late 1st cent. B.C. to early 1st cent. L 23
R 13:4 Well (Agora,IV, XII) Ca. 440-425 B.c. He 1, He 2
R 17:5 Well (Agora, VIII) Second quarter 7th cent. B.C. C 1; F 2
R 19:2 Drain EarlyRoman He 19
R21:2 Cistern (Agora, IV) 1st cent. Hc9;Hd4
S16:1 Well (Agora, XII) Fourth quarter 5th cent. B.C. F 104, F 105;
Ha 3-6
S 19:6 Well Secondhalf 6th cent. F 326
S21:2 Well (Agora,IV, VIII,XII) Ca. 600-570B.C. D 11, D 12; F7
S21:3 Well (Agora, IV, V, VI, VII) Firsthalf 1stto firsthalf3rdcent. Ha 22
T 18:2 Well (Agora, XII) Ca. 575-550 B.C. D 17
T18:3 Filling (Agora, XII) Ca. 600-550 B.C. D 23
T 19:3 Pit or well (Agora, IV, VIII, XII) Later 8th to mid-7th cent. B.C. D 3; F 1
T27:1 Filling Second quarter 1st cent. B.C. F 241
U22:1 Well a) 2nd to early3rdcent. Hc 18
b) 4th cent. F 316
U 23:2 Well(Agora,IV, XII) Ca. 525-500 B.C. (POU) G 3
CONCORDANCE
Inv. No. Cat. No. Inv. No. Cat. No. Inv. No. Cat. No. Inv. No. Cat. No.
P8 F43 P 2022 B9 P4233 K2 P 5458 Fa 23
P13 D 16 P 2029 F 10 P4480 L 26 P5506 K 13
P83 F126 P2030 D6 P4498 F268 P 5595 Fa26
P103 F 107 P 2041 D 24 P 4618 He 43 P5623 I 14
© American School of Classical Studies at Athens
Inv.No. Cat. No. Inv.No. Cat. No. Inv.No. Cat. No. Inv.No. Cat. No.
P7507 L52 P9753 Hb 1P 10775 D44 P 12212 D 15
P 7525 L 36 P 9754 He 2 P 10778 F 291 P 12214 E1
P 7529 Hd 3 P 9755 Hc 2 P 10779 C 25 P 12225 B3
P 7544 J1 P 9756 J5 P 10803 F 92 P 12257 F 308
P 7575 Fa 8 P 9766 J2 P 10805 F 64 P 12261 12
P 7583 He 15 P 9784 Ha 48 P 10809 D 37 P 12262 17
P 7607 F 193 P 9794 F 312 P 10810 B 12 P 12306 F315, M20
P7628 K 9 P9800 L43 P 10813 Fa 16 P 12314 L34
P 7638 L 53 P 9806 He 31 P 10814 Fa 17 P 12317 E6
P 7670 F 170 P 9808 13 P 10815 Fa 18 P 12336 G6
P 9835 P 10816 Fa 19 P 12351 F 321
© American School of Classical Studies at Athens
P 7690 C6 F280
P 7699 Hc 1 P 9873 M 22 P 10838 Fa 20 P 12352 F 292
For personal use only. License: CC-BY-NC-ND.
Inv.No. Cat. No. Inv.No. Cat. No. Inv. No. Cat. No. Inv.No. Cat.No.
P 20361 F 239 P 22293 L 41 P 24935 F 198 P 26693 Ha 46
P 20373 K9 P 22483 G10 P 24998 L2 P 26694 I44
P20374 M 15 P22484 G1 P24999 M3 P26699 Hb23
P 20422 F 51 P 22512 Ha 53 P 25048 139 P 26866 F 114
P 20424 G 13 P 22709 F4 P 25054 Hc 25 P 26945 F 159
P 20657 L 23 P 22833 He 44 P 25064 127 P 27040 G 12
P 20719 F252 P 22836 F224 P 25133 J4 P 27050 L48
P 20757 F 33 P 22914 F 153 P 25170 Hb12 P 27211 F319
P 20761 F 36 P 22976 K 12 P 25175 He 36 P 27220 He 34
P 20768 F37 P 22998 F86 P 25195 Hd 17 P 27314 F 104
P 20785 F38 P 23045 F 232 P 25218 L 31 P 27353 F 105
© American School of Classical Studies at Athens
Includedin the Index Nominumare only those items that are certainlynames of men, women or
For personal use only. License: CC-BY-NC-ND.
INDEX NOMINUM
Greek
'Appco( ) or 'Appcb
F 227 'AuaKtioevS:F 26 'A]XKtouoi[vos
'AyoftasF 271 'A?dcovF 310
'Ayaeovfis: F 179 'Ayaeo9og[u]s 'Aua( ) F 60
'Ay5ccov:F 199'AycOcovos 'A"ppovuXos: D 39 'Al4pipoXos
'Aya( )F 21 F48 'AvaKss:G 5 'A]v[a]K.ov
'Ayep[ F 302 'AvsoKISTis:B 5 'AvBoKt[o
'Aypu( ) F 20 F 321 'AvSpFo
'AvSp&as:
'ASpaar( ) F 241 (monogram) F 131 'AvSpioKo;
'AvSSptlros: F 132 'A[v6]polco
'ASpiav6s:Hc 15 'ASplavoi 'AvSpi( ) F 97 F 237
'AeQva:G 23 'A]eOva5 D 3 'AvplTros
'Avirpltos:
AXItav6sF 316 'AvOv,.:C 3 'AvOeE
D 33 A]loaXav;E 3 Aloyxia;F 65
AlarXkas: 'AvrTiPos:B 5 'Avnrp[fo]
Altoeio C 32
'Av-riTKEi5is
Alaxt( ) F 119 'Avrfi.aXos:F 290 'AvwrfiaXos
Alox[ C 3 C 32
'AvTritUSlir
F 250 A]lacIoTro
Alrcowrros: 'Avrip[ F 324
'AKiV( )F 254 'AiroM6Scopos:F 58 'A-TroXo6po;
He 1
'AKIV.()F 320 'ArroMoScbp(ou)
'AKU( )F260 'Ar6TAcov:G 6 'A[rr6Sova
'AAKaios:C 19 'A?AKaios;C 20 'AAKai(ou); 'Apyefrins: 25 'ApyE[LSs
D
C 22 'A7]Kdaos 'Apiis: K 12 "ApEos
'AXK?( ) F 299 'Apio-rcSris:D 23 'ApiorefS(es)
'AhKiasC 32 'Apaoricov:D 22 'Apia-crov;F 16 'Apicrriov
F 146 'A]?KinTro
"AAKtrrros: 'Apiori( ) F 80
106 INDEX NOMINUM
D 7 Ernrpaxcris
Eirnrpaots: I: see Et
EOpuvp[F 284 'lavOiSTis(or 'laveIs):C 10 'lavei6[
EpOTnr:D 10 EpiOre 'IEpoK[F 218
EOp( ) 314
F 'IEpoSi6rs:He 10 'I(Epo),So(u); He 11 'IEpo86ou
EOicrrtos:F 332 .E.o-raofov 'Ieprbvuios:B 18 ['I]epoov[]pico
EUrEK[F 10 'IEpcy[ F 315
EOTruXia:F 165 EOrvuxf[as 'I|<oo0S:J 1 'Ilq]-C0U
ECrruxiav6s:F 295 EOruxtavou He 9 'louAiou
'loAilos:F 308 'louXAo(u);
E*cpp6vios(EOvpcov?): D 15 Et<(>po[ 'Irrra( ) F 217
E1p( ) F 303 ('IrroXOyr .?): D 16 'lqIoAOyE
'I<pooX*yq
E?xa( ) F334
© American School of Classical Studies at Athens
Latin
AusQ[Hd 3 Furmius:He 4 Furnio
Ba( ) He 7 Gemmnianus: F 298 Gemmiano
C( ) He4 L( ) F328
Cn( ) F 288 Marinus:F 251 Marini
Co( ) F 228 Nero: He 8 Nerone
© American School of Classical Studies at Athens
Non-Greek(possiblyCarian?)
AITZKPI
F 99 APXAH?O: F 100
INDEX VERBORUM
Greek
&yaO6s:G 9 [&yaouo],&[y]aOfis An L34
G1
cycAula &pyliA(aov)He 15
OyavG2 dpyupis:He 15 &pyvpi6cov
ayopcaos:G 17 [3yop].dou; I 18 &yopl(ou) a&peva:L 19 d&ppivy[v
&ypos: 1 32 &ypou &pva[L 25
dycoIK,6S: K 3 cyoviQ96v &pXcov:He 2 I[]pxovrTo
B B 18
&8EXp6s: 17 &Sr^&:C; &5sp[Co],[t&]8&)p[Cv] &pco(l.rrTirs)
Hd 15
AA L 55 'Acra:B 11 'Aaias
Ad [B8 itpayo: Hd 11 ao ,iap6you
&du
AOL2 &otrB9
alpa: Hd 11 atpcov ATOZHe 12
Al F 163 AO He 20
&KEv( )I43 'AXPO()I45
B 19 KU( )
&KuXos: 'AXc( )I32
aXXos: 2 &hos;G 6 [IAos]
B &nlv(e{Tts)Hd 23
AAEONL 49 'A[...][vios I 45
AAI 11 A( )F87 F170 Hdl Hd20 He26
AMINL 26 A[ Hc 21
'Amgv( ) 17 110 116 I19 I20 I25 129 I40
I41 I 34 Batcov
B&aai:
K 10 K 11; He 3 &4(qpop&os)
&3(q9opaVs): L 47 P&p(os)
P&pos:
avOT-rfeil:G 7 &vfKEiv P3rT&Vov: B 12 Paiv(a)
&v8( )He 31 pev&~ppiov:B 21 [.. .]a ppi( )
ANKZB[L51 L
PiLpAivos: 45 Plu1pAvou
dvope6co:L 14 &vo<p>eoils pIVt3: C 2 VE[EqC; C 14 4[v,Tro], er*[o]
d&vrypa&co:K 6 &wvrTypcx[e Borip6lllov L 40
AN F 103 oqe6s J 6
&rrm() I12 Boi( )F65
rr6He23He 24 He 41 I4 I11 I112 pouvcaosI 45
rrroSifcoUt:B 17 drr66os PovvUs:I 5 .ouvoi
&frroq[I 14 Po[ I1
INDEX VERBORUM 111
Bartos:L 40 Bvoio(v) Tro'WrrXo: B 9 I-ctu ve
B( )F65 F233 128 129 brnirpacrItov: B 13 r1TrpaCrrfi[a
it[ B 10
y&ia Hd 22 'Epevefa:He 14 'Eppvdis
FraI(iXtov)L 29 EprTlos:Hb 6 :pfllou
y&pov:Hd 8 yap( ); L 47 ydpgy? ppI[B 10
y(ev...)J2 J3 J5 J7 J8 J10-12 EP( )Hc11
yiyvoiati: B 10 .yEv1irn ros[Hc 19] Hc 21; He 4 He 7 Hc 15 hrous;
yp&qco:C 18 yp&coaas;K 4 gypa[9oe; K 5 L 31 T-rOv;He 22-24 He 23 He 24 fr( )
ypa(p[ EOC 33
r( )F317 Hd15 fcosHe 41
© American School of Classical Studies at Athens
E( ) F98; He 2 (s)
86: B 10 6' E[B 10
For personal use only. License: CC-BY-NC-ND.
(av6os: He 36 aav0oui
AcKa.lco:C 33 XaiK&8e[t
(in various spellings or abbreviations):
cTrrlTs
AalKao-rpia C 34;
C 33 X(atcic-rpta)
Ha 17 Ha 20 Ha 23 Ha 28 Ha 30 Ha 32 Ha 37
C 23 AcxKK6OTp[o]TroS
AaKK6rOTrpcOKOS: Ha 38 Ha Ha4Ha46 Ha:Ha50-52
4
B 11 Xeyo[
WAyco: Ha56 Hd6 He 36 He4 e44 15 118 121
XixKuosB 12 123 126 145 K 13; see also Index Sigillorum
Afpepa L 46 EHETYAPL 5
L 3 Atlpucr[IK6s]
Apvuo-r.K6s:
Mieos:B 16 Aieo<u> 6,, ,6: C C1 4 C 18 C 23 D 6 L 3 ho; L 126;
AiTpa:(variously abbreviated) Ha 26 Hb 6 Hb 7 Hd 2 T6; B 1 B 2 F 304G 6 G 13 He 41 J 4
Hbll Hb12 Hb l4 Hb 18 Hb21-23 Hb26 K 5 L 14 (various oblique cases)
Hb28 Hb29 Hd6 Hd10 He6 He7 Hel2
He22 He25 He26 He28 He29 He31-34 6opeAas:B 12 [6]peial; B 14 [6]p-hima
6poA6sL 7
He43 17 112 6e: Hd 2 [Tr]68;L 3 ho5i
AoTra6rrB 14
olKosB 10
Aoxr&atov:B 12 XoTr&dia
A7fco:B 10 aOIcaTo oivrpos Ha 27
olvos: Hd 13 He21 otvou; B20 olvov; (understood
onHdl5 Hd17 Hd23)
Jiyca: B 14 iey&Xrn 6OAK:E 15 6AK(ai);Hb 2 6A(Kai)
MOievn:I 23 MeOfvnrs C 5 'OhAu<i>i)
'OAuITri6vtKoS: t6v[t]K.os
I 9 Hex2c[VjO]V
AESCvosVOS: OM He 33
vehMiv(os)He 23 He 24 6v&piov:B 106vO'pia
INDEX VERBORUM 113
OH .....AA L 48 ]ENHGHTOL54
qlfa G 14; G 9 [pl]Aas ]soi G6
qpAosC 7 ]eo 1 38
qniAoTioov:C 6 [pli]oTroaov ]EP-T[B4
pi( )He19 L 28 ]es C12
B 19 cpovoU
qpotv6s: ]ETA.[ L4
9opCo: B 2 4p6pE? ]? Ha 18
K 1 'TpaXT(oS)
pp&ap: ]HA(SBE[L 54
I 19 Ou(vovos
Ou$cbv: ]HXHI L6
00 He 35 ]f5es B 15
0( )He32 ]ITorcov B 10
© American School of Classical Studies at Athens
]IVlKt L 11
For personal use only. License: CC-BY-NC-ND.
ab Hd 3 N(onae) He 18
antea He 4 saec( ) He 18
Aug( ) He 18 s(itus) L 41
a[ L50 stig(matum)He 18
bol Hc 8 Terg( ) He 18
car( ) He 18 tuus: L 50 tuis
coc(tum) Hd 3 vas He 18 (see L 31 OYAX)
co(n)s(ul)Hc 3 He 4 vil(la) He 18
co(n)s(ule)sHc 7 vin(um)He 18
© American School of Classical Studies at Athens
d(e)f(un)c(tus)L 41
[e(st)] L 41 Iciri L 50
For personal use only. License: CC-BY-NC-ND.
e, Hc 6 ]orum L 50
mo(dius): He 4 mo(dii)
INDEX NUMERORUM
one-half:Ha 21 ( thirteenplus: He 43 ty'<
one:B141; E13 F-;F87 F170 117 126a' fourteen: He 2 &xa CrLapEs;Hc26 Hd6 15 112
one plus: E4 4- 1 37 iS'; Hb 9 Hcl15 Si'
two:B 12 B 14 1
He16 1l; L151I; Ha7 He KK; fourteen plus: Ha 41 tS'P"
F198 Hal4 Ha25 HaS6 He40' fifteen: F323 Hcll He5 Hel17 He25 He31
two plus: Hal1OXXHK[;Ha 1l II= He38 116 121-23 ie'; Hb6 1 17 139 El'
three: F 317 Ha 54 Hb 22 He 8-11 He 14 He 22 fifteen plus: Hb 19 XIIIII<;He 5 IE'<
IS 123 127 144 L20 L31 L33y' sixteen: Ha 5 ].APF; He 15 is'
four: B12 Ha31111; B21 F162 F282 Ha35 sixteen plus: Hbl1O XIIIIII=
Hdll1 He 4 He 10 He 39 I 8 19 1385S' seventeen: He 41 iL'
four plus: E 4 F+FFICKT>; Ha 22 Ha 56 S'< seventeen plus: Ha 50 He 39 i<'(; Hb 17 XIIIIIII<;
five:Ha 5 Hb25 He 31 11111; B 12 He 2 P; E 3 IF; Ha36 Ha42 Ha44 He42 iL'13
B21 He7-9 12 17 K18 L23 L40e' eighteen: E 14 APF-l-; He 6 He 30 irl'
five plus: Hb 8 11111-; F 65 PE; He 38 e'< eighteen plus: Ha 47 tri'KSB
six: Hbl3 HblS Hbl6 Hb24 Hb27 111111; nineteen: Ha 40 Ha 45 He 17 tO'
E 9 F1-F-F-; F 104 Ha 24 Ha 31 Ha 54 Hbl5 twenty: B 12 E 12 AA; He 3 AA; Hb3 Hd ll
Hb 22 Hb 30 Hc 5 He 35 He 37 115 I 23 141 He7 I12 L24K'
K13 L 47 s" twenty plus: Ha 21 K'<
six plus: He 17 He33 iIIIII; He 33 s`<; E 6 PHFCTtwenty-one: F 285 (?) F 297 Hc 22 (?) 16 (?) Kc'
seven: Ha 4 1111111; He 2 PEE; B 19 F104 Hb 14 twenty-one plus: Ha 46 Ka'S"
Hbl 8 Hb21 He8 L' twenty-two:Ha 11 II=; He 43 i'zB
sevenplus: Ha 7 1111111 IEKK; Ha 9 PIKKH twenty-three: E 8 AAIII[;E 7 AAFL-F[;He 29 Ky';
eight: Ha6 Hb2O Hb3l B13
11111111; Pill; Ha26 He 20 XXIII
Ha30 He22 13 120 if twenty-four: Ha 38 KS'
eightplus: Ha 6 [mXXXH twenty-four plus: Ha 45 He 33 YB'<;Ha 49 KS'<5'
nine: Hb9 111111111; E9 PH-H-; Hb7 Hb12 twenty-five: Ha 52 iE'; He 19 He 41 XXV
Hb23 Hb29 He6 He28 He29 He32 He44 twenty-six: Hb 1 AAIlIlll; He 12 ics"
I 10133 135 0' twenty-seven: Ha 51 He 7 10 KUK
nine plus:K8 IIIIIIIIIPl-I-H-;
Ha 48 O'< twenty-sevenplus: Ha 43 KL'<
ten: B 12 A; He 1 AA$; Hb28 He 13 He22 twenty-nine: F 250 Ke'
He39 1 18 123 i' twenty-nine plus: Ha 39 Ke'<S"
eleven: F198 Ha55 Hb5 Ill I25 131 132 thirty:Hdl16 He 40 A'
ta'; 1 26 at' thirty-one:Ha 19 Ha 37 ?a'; Ill rL'
twelve: He 3 AMM; Hb 26 17 I 10 121 L23 tn'; thirty-two:He 29 Ap'
143 Pt'; K19 XII thirty-three:He 21 Ay'
twelveplus: K 19 tp'< thirty-five:Ha34; K 15 XXXV
thirteen: B 21 Hb 11 He 26 He 36 1 40 1 45 L 29 thirty-six:E9 AAAPI-
ty'; 1 24 yt' thirty-sevenplus: Ha 33 VL'<
116 INDEX SIGILLORUM
INDEX SIGILLORUM
Plates
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
A4
A7
A1
A3
A 10
A5
L
-...
A2
tcRt
A6
PLATE1
© American School of Classical Studies at Athens
/-
For personal use only. License: CC-BY-NC-ND.
PLATE2
W
oi\ AT
A:
ON/<'
T/4\lI
i
r AF
FXpo<3
AX
AC\VF nl
N
b
rR D I
B2
n nD
B3
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
1l
/
-T."-
!A
B15
AIn
B17
I
I 7A1
s
IttVI
HC
A NrrOOC
B 16
B14
B 19
PLATE 3
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
PLATE 4
C1
C5
1:4
>
:2
<)k
Jc. 8g
0 C 15 1:2
F\\
C 15 1:2
(
:3
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
C
T
C19
C 14
1:10
L A Kk
1"Tf
C
C 2:3
kO
C19
1:10
C17
C 21 1:2
PLATE5
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
PLATE 6
C25
1:4
C30
C33
C29
1:2
C26
C32
C31
1/-
1:2
A~7
C 31 1:2
C27
/A- \>~
-,,
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
D1
D 11
D8
D12
D6
D14
I
9
D3
FrP
AIvy piro0
D16
AVJ 1Q
PLATE 7
© American School of Classical Studies at Athens
For personal use only. License: CC-BY-NC-ND.
PLATE 8
D27
D 29
D18
D30
D28
I"
Li la4I
ol
© American School of Classical Studies at Athens
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