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A complex much less known and much less extravagant than Samye is the Yerpa
Hermitage. It was founded around the time of King Songtsen Gamo’s reign, 650 CE, by his
Tibetan Queen Monza Triucha, who founded the first chapel (the largest one in the left picture).
Many important figures in Tibetan Buddhism meditated at the caves in the mountain, including
Songtsen Gampo, Monza Triucha, and Padmasambhava. The caves that Padmasambhava and
Songtsen Gampo meditated all contain a gold-plated statue recently built representing each of
these significant figures. A monastery near the Yerpa caves, known as Yerpa Drubde, was
founded in the 11th Century (Tibetan Drak Yerpa Monastery Close to Lhasa - Tibet as Seen by a
Monk”). Unfortunately, similar to many Buddhist monasteries, it was destroyed during China’s
cultural revolution and is only partially restored. As a result, today no one lives in the
monastery. However, the monastery and caves used to house about 300 monks. The Yerpa
Hermitage contained a sky burial site for the deceased on the opposite side of the main caves.
Typically in sky burial sites, human corpses were placed on the mountain top in order to
decompose while they are exposed to the Buddhist elements and eaten by the scavenger animals
("Drak Yerpa"). Although lesser known, the Yerpa Hermitage represents the Buddhist ideals to
a greater extent than the Samye monastery. The hermitage seems to exemplify the
individualistic and simplistic qualities of which the Buddha stressed whereas, while it did contain
much symbolism, the Samye monastery had lots of expensive and extravagant items that seemed
to “show off” rather than represent the true ideals of Tibetan Buddhism.
Sutras are a very important aspect of Buddhism in general, and especially in Tibetan
Buddhism. A sutra is a religious literature in many Asian religions, including Hinduism,
Jainism, and Buddhism. In Sanskrit, the original language of Buddhism, sutra means
“discourse.” Per Buddhist tradition, the main disciple of Buddha orally repeated the
“discourses” of Buddha before the 1st century (O'Brien). After the 1st century, the sutras began
to be recorded in Pali, an Indo-European language very related to Sanskrit. Soon, after new
Buddhist schools opened, including the Mahayana Buddhist school, the form of Buddhism that
Tibetan Buddhism is based on, also began to create texts on complicated topics including
emptiness and fear. One sutra that is very prevalent and well known in Tibetan Buddhism is the
Diamond-Cutter Sutra. This Sutra is based on emptiness or “Wisdom Gone Beyond” ("Vajra
Cutter Sutra"). The oldest Diamond Cutter Sutra was found was one made around 800. The two
pictures above are two examples of Diamond Cutter Sutras, each individually distinguished in
some ways. While the Sutra on the left was made with gold on burnished and indigo dyed
papers, the one on the right was made with gold, silver, and mineral pigments on just burnished
paper. The pigments on the sutra to the right is made of yak brain with burnt pinewood mixed
into a pigment, with a specific coloring powder for each individual color. The gold pigments on
the sutra to the left is made of ground flax seed and gold mixed together. It was common for the
burnished paper to made from the inner trunk of trees in the upper Himalayas. The reason why
the Sutras’ papers are so long and narrow is because palm leaf, which had a similar shape, was
used in India before. The habit of dying the burnished paper in indigo is a technique which
distinguishes Tibetan manuscript culture (Helman-WazÌny). Gold on blue is in general a very
attractive combination of colors, which is why this practice is so common in Tibetan Buddhism.
Although the two sutras above are hand-written, after xylography was invented, many
Buddhist manuscripts started to become block printed, as this procedure is much faster and
efficient. The handwritten, ornate, and unique books were not intended for mass distribution but
rather as offerings, or as means of accumulating spiritual merit (Helman-WazÌny). Most
monasteries have printing houses and use these to print most of the Buddhist scriptures from
woodblocks. No complicated pigments are used when woodblock printing – black ink is rubbed
on the woodblock and stamped onto the paper. Xylographic printing tend to have a box-like
outline around the text. An example of this is the page from a Diamond Cutter Sutra on the
picture above to the right.
Tibetan Buddhism is a very unique and intriguing culture. Despite the presence of
deities, it is very difficult to call it a religion or a philosophy due to its characteristics that are
only present in philosophies or religions. Despite this, even among Buddhism, it is a very unique
ideology due to the presence of Bon influence. Its monasteries are both beautiful and unique,
both extravagant and secluded. Its texts are full of complex philosophical ideas very difficult to
comprehend but enlightening when understood. Its history is vast and full of diverse cultural
influences. There are many philosophies in the world, many religions, and many ideologies, but
Tibetan Buddhism is very fascinating in its own distinguishable way.
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