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  • Shufa Warm-Up

    Uploaded by

    Gabrielle Eley
    8 views2 pages
    This is a warm-up that is best used for female voices. It helps with quick notes in the upper range, as well as tuning up pitches as they come down the scale (pitches tend to flat when singers descend).

    Original Title

    Shufa Warm-up

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    This is a warm-up that is best used for female voices. It helps with quick notes in the upper range, as well as tuning up pitches as they come down the scale (pitches tend to flat when singers descend).

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views2 pages

    Shufa Warm-Up

    Uploaded by

    Gabrielle Eley
    This is a warm-up that is best used for female voices. It helps with quick notes in the upper range, as well as tuning up pitches as they come down the scale (pitches tend to flat when singers descend).

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Shu-fa Warmup

    Composer

    44             
    Voice          
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa
      
      44 
             
         
    Piano 
         
     4           
    4  

    4
        
    Vc.                  
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa
        
            
       
    Pno. 
               
     

    7
          
    Vc.              
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa
           
        
     
    Pno.  
         
             
     
    10
                       
    Vc.   
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa

               
             
    Pno.

            
           

      
     

    13
                   
    Vc.     
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa
              
      
    Pno.  
           
     
      

    16
         
              
    Vc.   
    Shu fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa fa

         


    

       
    Pno.     
      

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