Critical Reception: A Sampling of Tomasula Criticism (Excludes Book Reviews)Critical Reception: A Sampling of Tomasula Criticism (Excludes Book Reviews) N. Kathyen Hayles, ftom How WWe Think: Digital Media and Contemporary Teenogenesis. University of Chicago Press: Chicago, 2012, Flore Chevaillier, from The Body of Writing: Am Eroties of Contemporary American Fiction. Columbus: Ohio State UP (Forthcoming June 38, 2013). Anne-Laure Tissut, “Signs ofthe Times: VAS, a Sory of Language” in Science ‘and American Literature in the 20" and 21" Centuries. From Henry ‘Adams fo John Adams. Claire Maniez, Ronan Ludot-Viasak and Féderic Dumas eds. Neweastle upon Tyne (England): Cambridge Scholars Publishing. 2012. Greegorz Mariarezyk, “Print Strikes Back: Typographic experimentation in ‘Contemporary Fietion as a Contributn to the Metareferential Turn” in The Metareferential Turn in Contemporary Arts and Media: Forms, Functions ‘Auempts at Explanation, Wernet Wolf ed, New York, Amsterdam: i, 2011, 169-193. David Banash, “The Persistence of Reading” from his Steve Tomasula: The ‘Science and Art of New-Media Fietion (under review). Pawel Frelik, “Reading the background—the textual and the visual in Steve ‘Tomasula’s The Book of Portraiture” in Exposure/ Overexposure. Monica Michlin andFrangoise Sammareelli eds, Pars: Sillages ertiques (forthcoming) Alison Gibbon, “Embodiment and the Book that Bleeds” in hee Multimodal, Cognition, and Experimenta Literature. Routledge: New York, 2012 Special Issue on Steve Tomasula in Electronic Book Review, Kiki Benson ed. July 2012: “An Interview with Steve Tomasula" by J, Have, fou've Never Experienced a Novel lke This: Time and Interaction ‘When Reading TOC” by Alison Gibbons, Jatland in VAS" by Lila Mare Harper. fech-TOC: Complex Temporalites in Living and Technical Beings" by ‘Katherine Fayles, “Languages of Fear in Steve Tomasula's VAS: An Opera in Flatland” by ‘Anne-Laure Tissue Pierre Menard with a Pipette: AS und the Body of Text” by Alex Link, David Ciccoricco, “The Materalities of Close Reading: 1942, 1959, 2009” in ‘DHO: Digital Humanities Quarterly. Vol. 6 No. 1. 2012. ‘Susan Vanderborg, “Of *Men and Mutations’: The Art of Reproduction in Flatland” in Journal of Artist Books. Issue 24, Fall 2008. p 4-11(Cristina Ili, “Playing with Codes: Steve Tomasula’s Vas, an Opera in Flatland” in Writing Technologies: Representational and Literary Futures: American Writing inthe New Millennium. Tatiani G, Rapatzikou and ‘Antur Reding eds. Vol. 3 (2010), 64-85. Jean-Yves Pellegrin, “Tactics Against Tie-Toc: Browsing Steve Tomasula's New Media Novel” in Bnudes anglaises: revue du monde Anglophone (Paris) Vol. 62 No. 2. aviljuin 2010. pp. 174-190, ‘Adam Kullberg, “IN & OZ" in Diagram Magazine. Vol. 13. No.2. March 2013, Alex Flesher, “Steve Tomasula's IN & O2" in The lowa Review. Vol. 43, No. Spring, 2013.