Professional Documents
Culture Documents
Carl Hansent 2016
Carl Hansent 2016
CHAIRS 12
TABLES 36
LOUNGE
CHAIRS 54
SOFAS 82
COFFEE TABLES 100
RUGS 112
CREDENZA 118
WORKSPACE 120
CHILDREN 122
4 5
SHAPING MODERN
WHAT IS ICONIC DESIGN? craftsmanship and thoughtful production. Today as in Wegner’s
At Carl Hansen & Søn, we believe it is a day, we are focused on using a combination of traditional
Our company’s story has to a great In the 1950s, it was still common to produce complete furniture
extent been shaped by our long-term sets for living spaces. But a new wave of designers sought to
collaboration with one of the greatest free consumers from this way of thinking, focusing instead on
designers of all time: Hans J. Wegner. creating varied pieces that could be mixed to create a unified
It was a relationship that demonstrated look. They emphasized functionality and, as many of them had
what can happen when unprecedented studied cabinetmaking, had intimate knowledge of working with
design and high-quality craftsmanship wood. None more so than Wegner, who had a habit of going into
collide – and it remains an essential the workshop to make pieces himself if he was unsure of the
part of Carl Hansen & Søn’s DNA. details of his design.
After Wegner designed the larger Wegner’s knowledge of wood joinery was unsurpassed among
part of our first successful collection, furniture designers. While appearing simple on the surface,
Holger Hansen, our founder’s son his work is in fact characterized by complex constructions and
and the company’s then-CEO, details. Some of his earlier designs pushed Carl Hansen & Søn’s
brought Wegner’s designs to America. production methods to the limits of what was possible. But
It was at this time, in the 1950s, that our highly skilled craftsmen always saw it as a challenge and a
Wegner and his contemporaries put privilege to bring the designs to life and to manufacture large
Danish design on the world map quantities without compromising on quality.
and became associated with the
minimalist furniture style known as The creative partnership between Wegner and Carl Hansen & Søn
‘Danish Modern’. produced a series of furniture items that have become widely
recognized as modern classics and treasured collector’s items
As the world has changed, so has our around the world. When it came to designing chairs in particular,
company. Since Knud Erik Hansen Wegner was the unsurpassed master, serving as a tremendous
became CEO, representing the third source of inspiration for his contemporaries and modern-day
generation of the family-owned designers alike.
business, Carl Hansen & Søn
has significantly expanded its Wegner’s furniture is meant for daily use – not to be set upon a
international outreach. Today, pedestal. To live up to this goal, every piece must be made with
the furniture we produce can be intelligence and care. Today, our craftsmen continue to live up
found around the world, and our to his ideals with the very highest production standards at every
list of designers has expanded to level. Many of the processes are still completed by hand at our
include international innovators production facilities in Denmark.
who, like us, believe in
7
The Wishbone Chair that Wegner designed for Carl Hansen & Søn craftsmanship and design and whose diverse works never lose managed European forests or, in the case of walnut and cherry,
in 1950 is a perfect example: it takes more than 100 steps – many their ability to complement one another and breathe new life into from North American forests.
of them carried out by hand – to manufacture each chair, and modern spaces.
each seat takes a skilled craftsman about one hour to weave. Many of the chairs designed by Hans J. Wegner are made with
Through the years, we have continued to expand our collection to paper cord, which we produce using paper from sustainable
Today, many of Wegner’s pieces occupy the upper echelons of represent influential new designers such as Strand + Hvass and Swedish forests. All paper cord is biodegradable and can be
Danish furniture design. Although conceived decades ago, they Thomas Bo Kastholm – modern visionaries who have embraced incinerated after use.
continue to remain highly contemporary. the legacy of the great designers before them to create
tomorrow’s classics. For our soap-treated wood furniture, we use 100% natural, soap-
TOMORROW’S MODERN CLASSICS based or pure vegetable oils. Our oil-treated wood furniture is
The strength of the union of design and quality that became When we seek out new collaborations, we look for a shared treated with plant-based oils. These materials do not emit gases
Danish Modern has proven itself over time. Many of respect for craftsmanship, quality and design and a perspective of any kind after they are applied.
Carl Hansen & Søn’s pieces have been in production for over that brings a new dimension to our portfolio. Our recent partnerships
50 years and still appeal to minimalists and traditionalists young with Japanese architect Tadao Ando, Austrian design trio EOOS, There is nothing disposable about any of our furniture. We use
and old. 1960s designs that have been passed down through and Danish multidisciplinary artist Naja Utzon Popov have enriched every last bit of hardwood in our production in Denmark, and left-
generations still look modern even though they have been used our collection with pieces that vary greatly in their expressions over bits of wood are used to produce other products or recycled
every day. Wegner’s Wishbone Chair is still being commissioned yet create a unified modern universe when combined. in district heating plants. We regularly invest in the most modern
in large quantities for completely new buildings. and energy-efficient equipment and set annual targets for
In 2011, Carl Hansen & Søn renewed its vows to fine reducing the amount of energy we use in production. Our
In the 1990s, there was a surge of Danish Modern in auction craftsmanship with the acquisition of the renowned furniture shipping cartons are also made using as few materials as
houses around the world and the demand for the classic, maker Rud. Rasmussen – Denmark’s oldest cabinetmaking possible and airfreight is kept to a minimum.
timeless look quickly grew. At Carl Hansen & Søn, we saw this workshop, founded in 1869. Rud. Rasmussen’s collection of
as our cue to reintroduce some of the Wegner designs that had world-renowned classics includes works by Kaare Klint, who is EVERY PIECE COMES WITH A STORY
gone out of production. Some, like the CH07 Shell Chair and heralded as the father of modern Danish design, as well as by When you choose a Carl Hansen & Søn product, you get more
CH29 Sawbuck Chair, became instant successes, winning Mogens Koch and Poul Kjærholm. Joining hands with than just a piece of furniture.
international accolades. Rud. Rasmussen has allowed us to gather many furniture icons
under one roof – and preserve classic Danish designs. You become part of a proud tradition of distinctive and beautiful
While Carl Hansen & Søn remains the world’s largest manufacturer craftsmanship, where nothing has been left to chance. Where
of Wegner’s furniture, our portfolio also includes many design RESPECT FOR NATURAL RESOURCES all furniture is manufactured with great love for design and the
classics by Danish masters, such as Ole Wanscher and Staying true to designers’ original ideas has been a core history of the crafting process. Where each piece passes through
Frits Henningsen, who shared Carl Hansen & Søn’s dedication to Carl Hansen & Søn value since our company was founded in numerous expert hands before taking pride of place in your
1908. Another integral part of our story is our focus on chosen space, recounting a story of masterful design in quality
sustainability of design and manufacturing. wood from sustainable forests.
To do our part in protecting the world’s natural resources, we We hope you enjoy these stories and find iconic design favorites
continually improve our production techniques, logistics and to bring into your living spaces.
sales methods to work in ways that are as gentle as possible on
the environment.
8 9
BEHIND EVERY PIECE OF FURNITURE
LIES VISION, CAREFUL THOUGHT AND
SKILLED CRAFTSMANSHIP
10
56 11
DINING
CHAIRS
DINING CHAIRS CH88
CH88
14 15
DINING CHAIRS CH88
CH88
Hans J. Wegner’s versatile CH88 chair epitomizes the designer’s characteristically playful
approach to diverse materials and presents a surprising fusion of wood and steel.
76,5
Wegner’s CH88 chair was originally developed for the 1955 international H55 exhibition
44,5
in Helsingborg, Sweden as a prototype with colored legs.
The elegant combination of organic wood and industrial steel produces a versatile chair suited 57
to a range of styles and settings. Wegner’s desire to lend softness to minimalist form is evident
in the CH88’s blend of materials and simple construction, which forges a light, organic,
44,5
industrial expression.
The chair’s characteristic upper structure features a steam-bent wooden backrest for back
support, with slight curvatures at the ends providing a natural resting place for the arms.
The linear steel frame supports a lightly curved, oval-shaped wooden seat. A special feature
1:10
of the chair is that it is stackable.
Carl Hansen & Søn reintroduced the design in 2014 in celebration of Wegner’s centennial,
and in 2015 unveiled the new CH88 colors, selected from Wegner’s original palette. The colors
comprise two distinct visual schemes: one bold and rich, the other more classic and timeless.
The many variants make it easy to express your personal style, from a natural look in wood and
steel to a statement choice with color on one or more of the chair’s components.
Simple, functional and versatile, the CH88 is a modern classic with global appeal.
16 17
DINING CHAIRS E005 EMBRACE CHAIR
E005
EMBRACE CHAIR
The result of Carl Hansen & Søn’s 2015 dining chair collaboration
with renowned Austrian design trio EOOS is a form so expressive,
it functions just as comfortably as a stand-alone, sculptural piece.
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67
46
A recent addition to Carl Hansen & Søn’s portfolio, the Embrace Chair unites EOOS’s strong
sense of modern aesthetics with our century-old tradition of quality craftsmanship and
59 55
outstanding comfort. Pairing a light, wood frame in Carl Hansen & Søn’s characteristic style
with soft upholstery, the design creates a simultaneously precise and relaxed expression.
52
The chair’s wooden structure is continuous, with the legs serving as an essential element of
the overall silhouette rather than appendages to the upholstered upper section. The back of the
frame, composed of three pieces assembled in classic finger joints, is especially striking. A soft,
three-dimensional cushion functions as seat, back and armrests, the upholstery embracing the
wooden structure and appearing to float within the frame.
Originally conceived for dining, the Embrace Chair’s multifunctional design makes it a welcoming
addition to any living space, hotel lobby, waiting area or conference room.
CH24
WISHBONE CHAIR
The Wishbone Chair was one of the
very first models Hans J. Wegner
designed especially for
Carl Hansen & Søn and has been in
continuous production since 1950.
20 21
DINING CHAIRS CH24 WISHBONE CHAIR
CH24
WISHBONE CHAIR
With a design that is uniquely its own, the Wishbone Chair holds a special
position in the world of modern design.
This iconic design was the last part of a Wegner series inspired by portraits
of Danish merchants sitting in Chinese Ming Dynasty chairs. Wegner took
a giant leap in furniture design with the series, combining the top rails and
arms into a single piece. The characteristic Y-shaped back provides comfort-
able support while giving stability to the steam-bent top.
Many view the CH24 as an ideal chair as it fulfills the functional demands for
comfort and stability while having a distinct look. In other words: it captures
the essence of modern Danish design.
More than 100 operation steps are required to manufacture each chair, with
most carried out by hand. The seat alone takes a skilled craftsman about
one hour to weave using approximately 120 meters of paper cord, whose
impressive durability makes the chair strong and long lasting.
22 23
DINING CHAIRS CH20 ELBOW CHAIR
CH20
ELBOW CHAIR
24 25
DINING CHAIRS CH33
CH33
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44
and modern as ever.
55 48
Designed for Carl Hansen & Søn in
1957, Hans J. Wegner’s CH33 chair was
subsequently in production for ten
consecutive years. Carl Hansen & Søn
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reintroduced the design in 2012, adding
colors from Wegner’s palette to the
original 1950s design in pure wood.
26 27
DINING CHAIRS CH29 SAWBUCK CHAIR
CH29
SAWBUCK CHAIR
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44
Hans J. Wegner originally designed the Sawbuck Chair
for Carl Hansen & Søn in 1952. Its unique construction 53 49
resulted in a very sturdy chair that required fewer parts
than its traditional counterparts – yet enhanced user
comfort with a wider seat front and lightly
49
reclined back.
28 29
DINING CHAIRS CH36, CH37
CH36, CH37
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81
68
Simple, functional, and thoughtfully made, these 1962 Wegner designs demonstrate the
45
45
influence of Shaker furniture principles and craftsmanship on Wegner’s aesthetic.
52 4858 50
Of course, the master of chair design infused the CH36 (without armrests) and CH37 (with
armrests) with his own subtle touches. The legs taper off slightly toward the floor, creating a
light, elegant appearance. The top of the curved back is more rounded than the bottom, enhancing
50
48
back support. And the frame and beautifully hand-woven paper cord seat, while appearing
delicate, are sturdily constructed to comfortably seat generations.
The CH36 and CH37 are frequently used for public meeting areas, restaurants, and
private homes.
30 31
DINING CHAIRS CH46, CH47
CH46, CH47
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79
69
combine organic materials
44
44
and shapes into versatile,
55 55
minimalist forms.
From entryways to dining rooms,
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51
waiting rooms to conference rooms,
these elegant 1965 chair designs
showcase Wegner’s affinity for
functional, elegant simplicity.
32 33
DINING CHAIRS CH56, CH58
CH56, CH58
36
46
and stainless steel to beautiful effect.
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Hans J. Wegner designed this barstool in 1985. Decades
later, it is still an ideal fit for modern kitchens, creating an 39
inviting gathering spot with its soft, organic silhouette and
comfortable leather-upholstered seat.
CH327
Elegant dining spaces designed for
contemporary living.
Hans J. Wegner’s 1962 table exemplifies
how dedication to craftsmanship can
fulfill the inherent promise of a great
designer’s work.
38 39
DINING TABLES CH327
CH327
The tabletop seems to float above the frame thanks to the 190 / 248
tapered edges of the legs, making the design appear very
lightweight. An inviting dining table, the CH327 can also
serve as a beautiful desk or conference table. It is available
in two sizes and with extension leaves.
CH322
CH002, CH006
44 45
DINING TABLES CH337, CH338, CH339
46 47
DINING TABLES CH334, CH335, CH336
48 49
DINING TABLES SH700, SH705 STRAIGHT TABLE
SH700, SH705
STRAIGHT TABLE
SH700 DINING TABLE KK8783 PROPELLER STOOL FROM RUD. RASMUSSEN OW2000 EGYPTIAN STOOL SH700 DINING TABLE
TABLE Oak, white oil FRAME Ash, oil FRAME Oak, white oil TABLE Oak, white oil
BEAM Aluminium SEAT Black leather SEAT Saddle leather black BEAM Aluminium
50 51
DINING TABLES SH900 EXTEND TABLE
SH900
EXTEND TABLE
Built-in extension leaves in a bold and modern black finish are accessed 190
through a hidden foldout system: just pull on the table end to reveal seating
for extra guests.
FH429
SIGNATURE
CHAIR
As the last piece of furniture
Frits Henningsen designed and
produced, the Signature Chair
crowned his life’s work and
consummated his legacy as
one of Denmark’s greatest
furniture designers.
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LOUNGE CHAIRS FH429 SIGNATURE CHAIR
FH429
SIGNATURE
CHAIR
Through its elegant simplicity, the
Signature Chair tells the story of
a cabinetmaker who sought to
achieve perfection in his designs,
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from the choice of materials to the
execution.
40
An undisputed classic, this final
66 89
exploration of simple, functional
forms cements Frits Henningsen’s
key place in the history of Danish
furniture design.
89
A cabinetmaker who held his
profession to very high standards,
Henningsen always manufactured
his own designs. He often began the
1:10
process by creating a small model
– in this case, using modeling clay
and toothpicks. The frame was then
manufactured in his Copenhagen
workshop, undergoing months of
testing and adjustments before
Henningsen was content with the
result. After the chair was completed
in 1954, fewer than 20 pieces were
produced.
58 59
LOUNGE CHAIRS CH07 SHELL CHAIR
CH07
SHELL CHAIR
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the avant-garde design;
35
92 83
but the general public
was reluctant to accept
the chair’s bold and
different look.
83
The mixed reviews of the 1960s
48
meant that only a limited quantity
of CH07s was produced.
60 61
LOUNGE CHAIRS CH25
CH25
73
55
especially for
35
71 Carl Hansen & Søn in his
first three weeks with the
company.
73
The 1950 design was somewhat of
a revolution.
62 63
LOUNGE CHAIRS CH28
CH28
77
61
embodies many classic
37
73 67
Wegner elements.
Though angular and precise in its
expression, the CH28 – closely
related to Wegner’s famous
67
Sawbuck dining chair – is a very
comfortable chair that showcases
Wegner’s dedication to finding the
optimal balance of function and
visually pleasing form.
64 65
LOUNGE CHAIRS CH44
CH44
80
62
Hans J. Wegner constantly
39
worked to simplify form
64 66
and perfect functionality.
He found a kindred design approach
in American Shaker furniture,
66
which inspired his 1965 CH44 design,
as well as the closely related CH46
and CH47 chairs.
66 67
LOUNGE CHAIRS CH445 WING CHAIR
CH445
WING CHAIR
103
and design aesthetics.
62
39
This fully upholstered easy chair is
built upon a solid beech frame that
90
rests on hand-finished stainless
steel legs. A sculptural and
alluring piece of furniture, its true
beauty lies beneath the surface.
90
Hidden out of view is a seat and
backrest design that enables a
variety of positions, always providing
excellent support for the back,
shoulders, neck and head. The thin
legs, slightly higher in front than in
back, give the chair an ideal pitch.
68 69
LOUNGE CHAIRS CH468 OCULUS CHAIR
CH468
OCULUS CHAIR
105
into production until 2010,
when Carl Hansen & Søn
65
40
launched it based on
94 Wegner’s
94 original design.
‘Oculus,’ Latin for eye, refers to the
eye-like shape in the upholstery of
the chair’s back.
94
The curved, oversized backrest
and large, sloping armrests create
a comfortable nook for relaxation
and provide a visual and sensory
contrast to the lightweight stainless
steel legs. The bold design can
serve as the centerpiece of any
living room on its own, but also
functions well in groups.
70 71
LOUNGE CHAIRS FH419 HERITAGE CHAIR
FH419
HERITAGE CHAIR
102
Frits Henningsen´s
60
constant pursuit of
41
perfection.
76 95
94
1:10 elegant lines and high quality down
to the smallest detail – and the
Heritage Chair is no exception.
FH420 HERITAGE FOOTSTOOL FH419 HERITAGE CHAIR NUP003 RUG OW449 COLONIAL COFFEE TABLE
SEAT Byron 14101 CHAIR Byron 14101 RUG Black with black lines TABLE Walnut
LEGS Walnut, oil BUTTONS Byron 14101
LEGS Walnut, oil
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LOUNGE CHAIRS LM92 METROPOLITAN CHAIR
LM92
METROPOLITAN CHAIR
MK98860 FOLDING TABLE FROM RUD. RASMUSSEN LM92 METROPOLITAN CHAIR LM92 METROPOLITAN CHAIR
TABLE Walnut, oil FRAME Walnut, oil FRAME Oak, oil
SEAT + BACK Saddle leather, black SEAT + BACK Saddle leather, cognac
74 75
LOUNGE CHAIRS MG501 CUBA CHAIR
MG501
CUBA CHAIR
76
flexible folding design that
can easily be hung on the
39
61 79
wall or placed in a stand
on the floor for storage.
The chair is built upon a solid oak
79
frame, with the girths woven around
the frame forming a comfortable seat
and back and providing excellent
support as they gently follow the
body’s contours.
76 77
LOUNGE CHAIRS TA001 DREAM CHAIR
TA001
DREAM CHAIR
Acclaimed Japanese
architect Tadao Ando
designed the
Dream Chair especially for
Carl Hansen & Søn as a
tribute to Hans J. Wegner.
Beautiful and comfortable, the
Dream Chair was conceived in 2013
to facilitate relaxation and reflection.
OW149
COLONIAL
CHAIR
A modern design with
historical roots,
Ole Wanscher’s 1949
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xx
Colonial Chair remains
46
his most famous piece of
65 68
furniture.
The chair’s name reflects Wanscher’s
fascination with 18th century English
68
furniture design, which was often
1:10by styles and materials
inspired
used in the colonies.
80 81
LOUNGE
SOFAS
LOUNGE SOFAS OW149-2 COLONIAL SOFA
OW149-2
COLONIAL SOFA
Ole Wanscher’s signature design – the sophisticated
Colonial Chair – was in fact part of a complete furniture
series with a unified visual expression.
OW149F COLONIAL FOOTSTOOL OW149-2 COLONIAL SOFA 2X OW449 COLONIAL COFFEE TABLE OW149 COLONIAL CHAIR
FRAME Walnut, oil FRAME Oak, oil FRAME Oak, black FRAME Walnut, oil FRAME Walnut, oil
CUSHION SIF 90 leather CUSHION SIF 98 leather CUSHION SIF 90 leather
84 85
LOUNGE SOFAS OW149-2 COLONIAL SOFA
OW149-2
COLONIAL SOFA
86 87
LOUNGE SOFAS OW150
OW150 OW2000
EGYPTIAN CHAIR
Many of Ole Wanscher’s designs have Ole Wanscher was very interested in
become collector’s items due to their historical furniture and studied it
timelessness and beautiful finish, and wherever he went.
this 1949 daybed shows us why.
In Egypt, he became fascinated with the old seats of
Classic and clean, the design features a single long power and designed the elegant, lightweight Egyptian
cushion that appears to float above an angular, solid Stool in 1957 with Temple of Thebes furniture in mind.
oak frame. The cushion is, in fact, supported by a The source of inspiration is clear, all while the chair
delicate yet surprisingly strong cotton webbing. It is remains modern and functional.
available with fabric or leather upholstery.
The seat is made of black, cognac, or natural saddle
leather and easily collapses into the chair when it is
folded. The frame is available in oak or mahogany.
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30 55
88 89
1:10
LOUNGE SOFAS OW602, OW603
OW602, OW603
OW602 SOFA
FRAME Oak, white oil
SEAT + BACK SIF 92 leather
90 91
LOUNGE SOFAS TK8 DAYBED
TK8
DAYBED
TK8 DAYBED
FRAME Oak, oil
CUSHION SIF 98 leather, black
LEGS Steel, chrome
92 93
LOUNGE SOFAS CH401 – CH404 KASTRUP SERIES
CH401 – CH404
KASTRUP SERIES
All pieces are handmade using a solid beech inner frame to enable the finest
upholstery methods. This construction also provides great durability, making
the sofas ideal for generations of use in public areas or private homes.
Wegner’s pairing of cool steel and warm, organic shapes and upholstery
creates a balanced expression and gives the pieces exceptional versatility.
83
38
45
54
CH403 KASTRUP SERIES 254 68
86
FRAME Stainless steel
SEAT + BACK SIF 95 leather
94 95
68
86
LOUNGE SOFAS CH162, CH163
CH162, CH163
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68
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CH163 SOFA 195 80
FRAME Oak, soap
SEAT + BACK Breeze fusion 4001
96 97
LOUNGE SOFAS CH101 – CH104
CH101 – CH104
98 99
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LOUNGE
COFFEE
TABLES
LOUNGE COFFEE TABLES CH417 TRAY TABLE
CH417
TRAY TABLE
33
out as a quintessential
example of his playful
approach to creating Ø62 Ø62
elegant.
CH011
44 / 48/ 53
layout often depends on
furniture pieces that not 130 55
only fulfill a function but
also contribute a warm,
low-key tone.
55
The CH011 coffee table, designed
by Hans J. Wegner in 1954,
embodies this ideal combination
of utility and ability to complement
the surrounding environment.
104 105
LOUNGE COFFEE TABLES CH008
CH008
44 / 48 / 53
designing furniture with a backside is
clearly visible in this construction.
78 /88 / 100 78 / 88 / 100
The seemingly simple three-legged design has become
one of Wegner’s most iconic. And deservingly so, given that
an equal amount of effort went into designing the solid
wood tabletop as the solid wood frame that connects the
three round legs to the tabletop.
106 107
LOUNGE COFFEE TABLES CH415
CH415
44
coffee table shows
55 55
Wegner at his playful,
minimalist best.
55
Elegant and lightweight yet sturdy,
the CH415 coffee table is made
1:10
of solid oak and stainless steel,
expressing Wegner’s experimental
approach to material pairings.
108 109
LOUNGE COFFEE TABLES CH449
OW449
COLONIAL
COFFEE TABLE
46
conceived in 1964,
60 60
supports the visual
expression of
Ole Wanscher’s Colonial
60
Series and communicates
1:10 Wanscher’s desire to lend
modern style and utility to
classic objects.
The coffee table can provide a
harmonious focal point for the entire
Colonial Series, which also includes
a chair and a sofa – or enhance any
modern or classic setting with its
understated, functional elegance.
110 111
RUGS
CREDENZA
WORKSPACE
CHILDREN
RUGS NUP003 – NUP005
WOODLINES
WOODLINES RUG
White with white lines
114 115
RUGS NUP003 – NUP005
WOODLINES
116 117
CABINETS CH825
CH825
CH825 CREDENZA
CORPUS Oak, oil
FRAME Stainless steel
118 119
DESKS CH110
CH110
120 121
CHILDREN CH410, CH411
CH410, CH411
PETER’S CHAIR + TABLE
Designed as the perfect Finding quality gifts in wartime Europe was no easy feat. So when
Hans J. Wegner failed to find a suitable christening gift for Peter, the son
gift decades ago, this
46
of his friend and fellow furniture designer Børge Mogensen, he took
chair and table set matters into his own hands.
continues to offer 72 45
children the ultimate Himself an accomplished cabinetmaker, Wegner conceived and built a
simple yet ingenious table and chair set that would function as both
combination of
45
functional objects and stimulating toys.
usefulness and fun.
Since the set came into production in 1944, it has become a classic, not
least because it combines fun and practicality in an unprecedented way.
Designed as a life-size, 3D puzzle, the set is easy to assemble without the
use of tools. There are no sharp edges. And all pieces are crafted from
untreated beech hardwood to be completely safe for children of all ages.
122 123
AT HOME
ANYWHERE IN
THE WORLD
ICONIC, EXPERTLY CRAFTED DESIGN. A MODERN, MINIMALIST
AESTHETIC. AUTHENTIC, SUSTAINABLE MATERIALS. THERE
ARE MANY REASON YOU FIND CARL HANSEN & SØN FURNITURE
IN BEAUTIFUL INTERIORS AROUND THE GLOBE.
#GLOBALHOMES
AT HOME
IN USA, MASSACHUSETTS
BY PETER ROSE + PARTNERS
126 127
PHOTOS MATTHEW SNYDER
128 129
AT HOME AT HOME
IN USA, IDAHO IN HOLLAND
BY JENNIFER HAGLER, A MERRY MISHAP BY APRIL & MAY
130 131
AT HOME
IN BARCELONA
BY STUDIO VILABLANCH
132
AT HOME
IN DENMARK
BY LYKKE FOGED
AT HOME
IN NORWAY
BY NINA HOLST, STYLIZIMO
134 135
AT HOME AT HOME
IN SWEDEN IN SCOTLAND
BY OSKAR PROPERTIES BY DUALCHAS ARCHITECTS
136
AT HOME
IN AUSTRALIA
BY CARR DESIGN GROUP
139
DESIGNERS
DESIGNERS
DESIGNERS
Among Danish furniture 1936 to 1938 before and the Royal Danish Ole Wanscher was Wanscher created his In addition to being a Ejner Larsen and around the world,
designers, Hans J. starting work as a Academy of Fine Arts’ another designer best-known designs talented cabinetmaker, Aksel Bender Madsen, including the Louisiana
Wegner is considered designer. Eckersberg Medal. closely linked with primarily between the Frits Henningsen was who trained as Museum of Modern
one of the most Wegner was also Kaare Klint and the late 1940s and early a brilliant furniture furniture upholsterer Art in Denmark, the
creative and productive. In 1940, he joined named Honorary Doctor core aesthetic and 1960s. The ‘design for designer. After and cabinetmaker, Metropolitan Museum
He is often referred to architects and designers of the Royal College of functional ideas of everyone’ philosophy completing his training respectively, met while of Art in New York,
as the master of the Arne Jacobsen and Art and Honorary Royal modern Danish design. permeated the industry as a cabinetmaker studying under leading the Busch-Reisinger
chair, having designed Erik Møller in Århus, Designer for Industry He studied under Klint in this post-war era, in 1911, he travelled Danish designer Museum of the Harvard
more than 500. Many of working on furniture of the Royal Society of at the Royal Danish and saw some of the around Europe, gaining Kaare Klint at the Art Museums in
these are considered design for the new Arts in London. Almost Academy of Fine Arts biggest names in de- experience before Royal Danish Academy Boston, USA, and
masterpieces and Århus City Hall. It was all of the world’s major and later worked at sign creating functional returning home to of Fine Arts. Their several museums in
continue to be during the same year design museums, from Klint’s design studio and affordable furniture Copenhagen and acquaintance developed Japan.
collector’s items that Wegner began the Museum of Modern before becoming an for the Danish people starting his own into a lifelong friendship,
around the world. collaborating with Art in New York to independent furniture and the small spaces company in 1915. As and in 1947 they began
master cabinetmaker Die Neue Sammlung designer. Wanscher they lived in. Wanscher a member of the designing together
Johannes Hansen, who in Munich, include his helped shape Danish took great interest in Copenhagen in their spare time.
Wegner was part of the was a driving force in furniture in their furniture design both industrially produced Cabinetmakers’ Guild, They jointly exhibited
spectacular generation bringing new furniture collections. as an active designer yet high-quality he took the initiative furniture every year
that created the wave of design to the Danish and as a master teacher furniture and designed to stage and arrange thereafter at the
Danish Modern design. public. when he took over for several pieces with this furniture exhibitions Copenhagen
“Many foreigners have Klint as professor at approach in mind. in Denmark. Cabinetmakers’ Guild
asked me how we made Wegner’s background the Academy. Furniture Exhibition.
the Danish style,” Wegner as a cabinetmaker Wanscher also studied
once said. “And I’ve gave him a deep furniture design while Frits Henningsen had
answered that it was understanding of how Wanscher treated travelling through a vibrant personality, While the chair was
rather a continuous to integrate exacting furniture design as Egypt and Europe. He and was particularly their favorite furniture
process of purification, joinery techniques with if it were a branch of was inspired by varied discerning about whom piece, they also designed
and for me of simplifi- exquisite form. architecture. visual expressions that he would work with. complete lounge
cation, to cut down to His aesthetics were A characteristic of he incorporated into Carl Hansen was settings, bedroom
the simplest possible also based on a deep his design approach his own sensibility to therefore both proud suites, bookshelves,
elements of four legs, a respect for wood and was the quest for slim create a unique design and excited when dining tables and office
seat, and combined top its characteristics – and dimensions and aesthetic. He authored Frits Henningsen furniture. The resulting
rail and armrest.” an abiding curiosity resilient forms. His several books on chose to form a work was always
about other natural chairs often employ furniture design. partnership with the simple and timeless.
The core of his legacy materials that made slender and slightly newly founded Together, they designed
is his focus on bringing it possible for him curved armrests, which Today, Wanscher’s furniture company. approximately 300
the inner workings to bring an organic, rise in an elegant tip designs are considered The successful works, of which the
– the soul – of the natural softness to before continuing modern classics, Windsor Chair series Metropolitan Chair is
furniture to the outside, formalistic minimalism. directly to the floor. notable for their rarely was one of the fruits of considered the most
where the simplicity seen degree of detail this collaboration. significant. Larsen
and functionality can be Wegner established A brilliant example and deep respect for and Bender Madsen
seen in all their beauty. his own design office is his Colonial Chair, his chosen materials. Like the work of his received the Copenhagen
It is for this reason that in 1943, and designed where the dimensions colleagues Kaare Klint Cabinetmakers’ Guild
so many of his designs his first chair for of the wood are as and Ole Wanscher, annual prizes in 1956
are not only revered Carl Hansen & Søn in slim as possible and Frits Henningsen’s and 1961, as well as
as museum pieces but 1949. The CH24 chair, the strength lies in oeuvre is rooted in several other awards
used and enjoyed every known as the Wishbone the carefully designed classic craftsmanship in furniture and art
day and passed down Chair, was inspired bracing. traditions while also competitions.
through generations. by his previous work achieving a design
with Chinese imperial In 1958, the Danish expression with broad Larsen and Bender
The son of a cobbler, thrones and became an newspaper Politiken appeal – a combination Madsen’s work has
Wegner was born in immediate success. It wrote: “Owning a embodied in his been exhibited within
1914 in Tønder, a town has been in production Wanscher chair is an Heritage Chair and Denmark and interna-
in southern Denmark. at Carl Hansen & Søn adventure every day, his final design, the tionally, including at
He began his ever since and remains and will be so even Signature Chair. La Triennale in Milan,
apprenticeship with one of Wegner’s most several hundred years Italy, at the Design in
Danish master popular chairs today. from now, for this is Scandinavia and Arts
cabinetmaker how long it lasts.” It of Denmark exhibits
H. F. Stahlberg when During his lifetime, is this unique ability in the USA, and at the
he was just 14 years old. Wegner received to be simultaneously Gewerbemuseum
After three years of almost all major classic and singularly (Museum of Applied
studying the trade and recognitions awarded modern that made the Arts and Design) in
working on his own first to designers, including designs popular in their Bern, Switzerland.
design experiments, he the Lunning Prize, the time – and continues
moved to Copenhagen Grand Prix of the Milan to make them revered Several of the design
and attended the School Triennale, Sweden’s and enjoyed in today’s duo’s works have been
of Arts and Crafts from Prince Eugen Medal, modern spaces. purchased by museums
142 143
DESIGNERS
Acclaimed Japanese The architect has Thomas Bo Kastholm The design duo Strand + Hvass began Architect Morten Naja Utzon Popov is Her glass and ceramic EOOS, an Austrian
architect Tadao Ando expressed great respect was born into a family Strand + Hvass are working for Gøttler was originally a Danish sculptor, designs can be seen design trio established
bases his work on for Hans J. Wegner’s that lived for furniture part of a new breed Carl Hansen & Søn trained in shipping but textile designer and around the world, in 1995 in Vienna by
a strong personal design approach and design. Following in of Danish designers (then via Tranekær became a self-taught ceramicist born in including in the Feng Gernot Bohmann,
design philosophy has frequently used the footsteps of his whose work continues Furniture) in 1999 and designer recognized Copenhagen, Denmark, Sushi restaurant Martin Bergmann and
that joins Japanese Wegner’s furniture in father, designer in a direct line from have since created a for his exceptional in 1973 into a family of chain in London, UK Harald Gründl,
design traditions his architecture Jørgen Kastholm, their celebrated number of pieces for understanding of wood. artists. Her creative and the Galeria considered design a
with modern Western projects. Ando’s Thomas Bo Kastholm predecessors. the company. genes are inherited Kunstmann gallery in poetic discipline whose
expression. Dream Chair was studied interior design Since opening his own from her grandfather, Mallorca, Spain. end result should
inspired by Wegner’s at the Danish Design They focus on design studio in 1972, Jørn Utzon, a Danish always accommodate
Born in Osaka, Japan, furniture and produced School, graduating in simplicity, functionality, Gøttler has worked with architect known for the user’s changing
Ando developed an together with 1989. superior quality, a wide range of designs designing the iconic needs and desires.
interest in design early Carl Hansen & Søn, and the combination – from packaging to toys Sydney Opera House in
in his life when he began whose tradition of of uniqueness and to lighting – for Danish Australia; her mother, The internationally
an apprenticeship with craftsmanship fulfills Since then, Kastholm industrial production and international esteemed Danish renowned company
a local carpenter at Ando’s demands for has worked for studios to create the modern companies. In 1984, artist Lin Utzon; and approaches complex
the age of 10. He perfection. in both Denmark and classics of tomorrow. he decided to focus her father, acclaimed furniture, product and
learned to work with Germany. primarily on furniture Australian architect shop design challenges
wood and explore its Ando has been design. Alex Popov. by examining past roots
many possibilities responsible for over His collaboration with Founded in 1998 by in a contemporary
by building model 150 construction Carl Hansen & Søn industrial designer context. Termed Poetical
airplanes and ships. projects of various in 2009 began with Christina Strand and Gøttler’s approach is Utzon Popov’s Analysis®, EOOS’s
His approach to sizes in Japan and the design of the TK8 architect Niels Hvass, rooted in the modern childhood years in unique process focuses
learning his craft was internationally, including Daybed. For this piece, the Strand + Hvass Scandinavian design Denmark have always on myths, rituals and
a very unusual one: as the Azuma building he started with the design firm is based in tradition. He focuses on been an important intuitive expressions,
a young journeyman, in Osaka, Chichu Art materials he knows Copenhagen. The two a clean, easy aesthetic source of inspiration creating connections
he preferred to Museum in Naoshima, and loves best: steel initially joined forces to that is simultaneously for her work, as have that extend beyond
work independently, the Pulitzer Foundation and leather. “I wanted unlock the synergy characterized by the years she spent initial perceptions.
without input from his for the Arts in St. Louis, to create a bench with between them and exquisite comfort, a studying drawing,
employers. and the Teatro Armani simple, honest lines. double the potential close attention to detail, painting and etching at
in Milan. The materials should inherent in two minds and very high-quality the Julian Ashton Art Carl Hansen & Søn’s
Ando’s deep interest speak for themselves working on the same materials. School in Australia. collaboration with
in architecture was and this happens best solution. After moving to England, EOOS evolved from
kindled when, at when the design is Utzon Popov continued a mutual respect for
the age of 15, he straightforward and Their mutual design her formal artistic craftsmanship, quality
purchased a book of clear,” says Kastholm. philosophy is user- training at the University and design. EOOS’s
sketches by modern centered, deeply rooted of Westminster School progressive design
design pioneer Le The TK8 Daybed, with in Scandinavian culture, of Media Arts and Design. approach enabled
Corbusier. Today, its close ties to the core and based on research Today she is back in Carl Hansen & Søn to
Ando continues to principles of classic, and an understanding her native Denmark, further develop and
draw inspiration from modern Danish design, of function. All this has working out of her explore its own design
the great designer and achieved the simplicity resulted in simple and Copenhagen studio. DNA and introduce a
often evaluates his and clarity Kastholm comprehensible furni- new aesthetic to its
own projects in relation strived for and became ture that showcases a Utzon Popov’s life-long range.
to Le Corbusier’s an instant success. deep understanding of exposure to contem-
approach. the potential of various porary design finds EOOS designs for
materials. expression in her work, a wide range of the
where she translates world’s best-known
Ando describes With the Straight range, her encounters with brands. The trio has
himself as having been Strand + Hvass infuse nature into textiles, published several
strongly inspired by the modern Danish glassware, ceramics books on its design
Danish design culture. furniture tradition of and sculptures. approach, holds over
In line with the simplicity with a bold 15 technical patents,
Scandinavian design new expression. Utzon Popov’s approach and has won over 130
philosophy, Ando’s has been highly suc- international awards,
style is minimalistic In the Straight Table, cessful. Her designs including a red dot
and innovative with a they convincingly use a were well received award, a Compasso
focus on functionality. combination of metal at the International d’Oro, the German
and oak to create an Contemporary Furni- Design Award, an IF
Ando’s work embodies illusion of lightness. ture Fair in New York; Award, and a Wallpaper*
the Japanese tradition The precision of the her large-scale clay Design Award.
of living simply and in craftsmanship can be installation for the
harmony with nature seen in the details of event was acquired by
– a concept that also the structure. the iconic SAKS Fifth
defines Scandinavian Avenue department
living. store.
144 145
PRODUCT OVERVIEW
PRODUCT OVERVIEW CHAIRS + TABLES
CHAIRS TABLES
CH111 HANS J. WEGNER 1970 CH20 ELBOW CHAIR HANS J. WEGNER 1956 CH002 HANS J. WEGNER 1982
79 73
71,5
63,5
90
72
45 46
61 55 54 46 90 49 90 90 49
CH24 WISHBONE CHAIR HANS J. WEGNER 1950 CH29 HANS J. WEGNER 1952 CH006 HANS J. WEGNER 1982
76
81
71
90
81
81
72
45 44
44
44
55 51 5353
53 4949 49 138 49 90 138 49
CH33 HANS J. WEGNER 1957 CH36 HANS J. WEGNER 1962 CH318 HANS J. WEGNER 1960
49
49
74 81
95
81
81
74
72
44 45
45
45
44
55
55 48
48 52
52
52 48
48
48 190 / 240 95 190 / 240 40
72
72
CH37 HANS J. WEGNER 1962 CH46 HANS J. WEGNER 1965 CH322 HANS J. WEGNER 1960
48
48
48
160 160 95 95
81 79
68 69
95
95
95
79
6979
81
6881
72
72
72
44 69
45 68
45 44
45
44
58 58 50
50 50 55 55
55 51 160
160 160 95 95
95 160 60
60 60
72
CH47 HANS J. WEGNER 1965 CH56, CH58 HANS J. WEGNER 1985 CH327 HANS J. WEGNER 1962
51
51
50
50
190 / 248
95
95
36
36
76
79
46
95
46
60 60
95
76
72
79
79
68
68
72
72
44
44
44
55
55
55 51
51
51 39
39 36
36 190 / 248
190 / 248 190 / 248 95 95
95 190 / 248
95
95
76,5
85
85
6785
76,5
76,5
46 67
44,5
44,5
46
44,5 46,5
57
57 57 44,5 59 59
59 55
55 55
52
52
44,5
44,5
1:10
1:10
148 149
PRODUCT OVERVIEW TABLES
72
72
72
72
CH334 HANS J. WEGNER 1962 CH388 120
120 HANS J. WEGNER 1960
120
120
140 140 115 115
120
120
120
115
115
115
72
72
72
72
72
72
140
140 140 115 115
115 140 60 60
60 120 120 120 60
60
60
72
72
120 120 120 120
CH335 HANS J. WEGNER 1962 SH700, SH705 CHRISTINA STRAND & NIELS HVASS 1998
200 200 115 115
115
115
120
120
115
115
115
95
60 60 72 72
72
72
60 60
72
200 200 115 115 60 60
60
200 115 200 190 / 240 95 190 / 240 55
72
72
300
CH336 HANS J. WEGNER 1962 SH900 CHRISTINA STRAND & NIELS HVASS 2007
240240 115115
190
115
115
115
115
100
115 100
72
72
72
72
60 60 72 72
72
72
72
72
240
240 115
115
240 115 240 60 60
60 300
190 300 110 100
100 100 300
190 190
CH337 HANS J. WEGNER 1962
140
140 115
115
115
115
100
100
115
115
115
6060
72
72
72
72
72
60
60
140
140 140 115 115
115 140 60
CH338 200
200 HANS J. WEGNER 1962
115
115
115
115
115
115
115
72
72
72
60 60
72
72
200
200
200 115
115
115 200 60
60
60
CH339 240
HANS J. WEGNER 1962 115
240 115
115
115
115
115
115
72
72
72
6060
60 60
240 240
240 115
115 115 240 60
115
115
150 151
60 60
PRODUCT OVERVIEW LOUNGE CHAIRS, FOOTSTOOLS + SOFAS
71
74 73
61
74
74
73
71
71
73
61
61
43 / 45
43 / 45
55
39 / 41
39 / 41
55
35 35 47 43
43
43
35
35
35
35
9292
92 83
83
83 71
71
71 73 50
5050 39 78
78 77 78 77
77
CH28 HANS J. WEGNER 1951 CH44 HANS J. WEGNER 1965 CH446 HANS J. WEGNER 1960 CH102 HANS J. WEGNER 1970
39
39
77
77
73
73
83
83
48
48
80 71
77
1:10 1:10 61
80
80
77
77
71
71
62
62
61
61
61
61
37 39 37,5
37
37
43
39
43
39
43
73
73
73 67
67
67 6464
64 6666
66 62,5 49 150
150 77 78 77
CH445 WING CHAIR HANS J. WEGNER 1960 CH468 OCULUS CHAIR HANS J. WEGNER 1960 FH420 HERITAGE FOOTSTOOL FRITS HENNINGSEN 1930 CH103 HANS J. WEGNER 1970
67
67
77
77
66
66
1:10 1:10
105
103
1:10 71
103
103
105
105
1:10 61
71
71
62
61
62
61
65
65
40 37
39 43
39
39
43
43
40
40
90 90
90 90 94 94
94 94
94 94 52 42 150
219 78 77 77
77
FH419 HERITAGE CHAIR FRITS HENNINGSEN 1930 FH429 SIGNATURE CHAIR FRITS HENNINGSEN 1954 OW149F COLONIAL FOOTSTOOL OLE WANSCHER 1949 CH104 HANS J. WEGNER 1970
1:10 1:10
77
77
90
90
94
94
102
102 1:10 71
102
102
101
1:10 61
71
71
61
61
60
60
41
41
40
46
46
46
43
43
43
41
41
76 76
76 9595 95 66
67 89
89 60
60 60
40 286
286 78 77 77
40 40
LM92 METROPOLITAN CHAIR LARSEN & BENDER MADSEN 1950 MG501 CUBA CHAIR MORTEN GØTTLER 1997 OW2000 EGYPTIAN STOOL OLE WANSCHER 1957 CH162 HANS J. WEGNER 1965
40
40
77
77
89
94
94
1:10 1:10
1:10 76
79,5 76
68
1:10
76
76
79,5
79,5
1:10
76
76
68
68
42,5
42,5
42,5 39 41
39
39
41
41
41
41
41
77,5
77,5 77,5 56 56
56 77,5 77,5
61
61 61 7979
79 30
30 30 55 55
55 137
137 80 137 80
80
OW149 COLONIAL CHAIR OLE WANSCHER 1949 TA001 DREAM CHAIR TADAO ANDO 2013 CH163 HANS J. WEGNER 1965
55
55
79
79
1:10 1:10
76
85 100
68
85
85
76
76
68
68
xx
xx
46 38
46
46
41
41
41
65
65
65 68
68
68 80 86 195
195 80
137 80
80
68
68
1:10
1:10
152 153
PRODUCT OVERVIEW SOFAS
85
76
75
75
40 46
44
44
60
60 68 60 68
68 124 69
83
85
85
45 46
44
44
124
124 68 189 68
68 180 70
68
83
85
85
45
44
36
44
189
189 68 189 68
68 190 90
68
83
83
85
45
45
44
254
254 189 68 68
68 RUGS
OW602 OLE WANSCHER 1960 WOODLINES NUP003 WOODLINES NUP004 WOODLINES NUP005 NAJA UTZON POPOV 2015
68
68
80 80 170 200
220
45
154 76
240
300
80
45
214 76
154 155
PRODUCT OVERVIEW COFFEE TABLES, CHILDREN + WORKSPACE
COFFEE TABLES
44 / 48 / 53
CH008 HANS J. WEGNER 1954 OW449 · COLONIAL COFFEE TABLE OLE WANSCHER 1964
46
60 60
44 / 48 / 53 44 / 48 / 53
44 / 48 / 53 60
60
46
46
53
78 60 60 60 60 1:10
78//88
88 //100
100 7878/ 88
/ 88/ /100
100 78 / 88 / 100 60 60
60
60
44 / 48/ 53
1:10 1:10
130 55
44 / 48/ 53
44 / 48/ 53
44 / 48 / 53
55
44 / 48 / 53
130 130
130
55 55
55 130 CHILDREN
42
CH106 HANS J. WEGNER 1970 CH410 HANS J. WEGNER 1944 CH411 HANS J. WEGNER 1944
55
55
95 95
46
72 45
95
95
47
42 46 45
42
42
46
46
45
26
95 95 95 42 32 72 72
72 45
45 45 72
95 95 95 95
45
45
95
95
170 70
70
70
42
42
42
49,0
49,0
170
170 7070
44
52,8
52,8
80,8
80,8
55 55
95
72
55
44 55
44
44
52,8
52,8
55 55 55 1:10
55 55 55 55 190 95 190
80,8
80,8
CH417 TRAY TABLE HANS J. WEGNER 1970 CH825 CH825 HANS J. WEGNER 1959
55
55
49,0
49,0
33
200,0 200,0
1:10 1:10
Ø62 Ø62
80,8
52,8
52,8
52,8
52,8
80,8
80,8
80,8
80,8
62
52,8
33
33
33
62 62 62 200 49 200 49
49,0 49,0
52,8
52,8
Ø62Ø62 Ø62Ø62
1:10
80,8
80,8
200,0 200,0
156 157
52,8
2,8
1:10
1:10
TABLE + SEAT OVERVIEW
4 SEATS 12 SEATS
6 SEATS 14 SEATS
8 SEATS
158 159
carlhansen.com
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